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International Journal of Performing Arts (IJPA)
Published by Yayasan Pusat Cendekiawan Intelektual Nusantara
ISSN : -     EISSN : 29624193     DOI : https://doi.org/10.56107/ijpa
Core Subject : Humanities, Art,
Arts Humanities
International Journal of Performing Arts (IJPA) is an international journal that publishes articles in the field of performing arts. The focus of this journal is scientific studies in the field of performing arts which include: acrobatics, busking, comedy/comedy, dance, music stage, opera, magic, theater, film, linguistic arts, poetry, speech, recitations, etc.
Arjuna Subject : Seni dan Humaniora - Seni dan Humaniora (Lain-Lain)
Articles 40 Documents
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THE EXISTENCE OF MAK YONG MASK PERFORMANCE AS MANTANG ISLAND TOURISM ATTRACTION Ntan Era Komala, Arbi; Bava, Saliha
International Journal of Performing Arts (IJPA) Vol. 1 No. 1 (2022): JUNE
Publisher : Yayasan Pusat Cendekiawan Intelektual Nusantara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.56107/ijpa.v1i1.11

Abstract

This article aims to describe and reveal the existence of Mak Yong Mask Performing Arts as a Tourist Attraction on Mantang Island. Mak Yong mask is a traditional performing art of the Malay community which consists of a combination of ritual elements, performing arts, dance, music creation and singing. This show has been recognized by UNESCO (United Nations Educational, Scientific and Cultural Organization) as an intangible cultural heritage belonging to a group of three countries, namely Malaysia, Thailand, and Indonesia. Mak Yong's mask on Mantang Island itself has a characteristic that is the use of masks as its property. Qualitative research methods are carried out using interview, observation, and literature studies. The Sociological Dance approach is used to examine the social role of society in the development of the performing arts itself. The results of the discussion in this study indicate the development of the performing arts of Makyong masks on the island of Mantang as an indicator of the existence of performing arts, one of the important aspects and has a relationship with government efforts in developing the tourism sector. The function of performing arts as a tourist attraction is packaged in the form of cultural tourism.
THE FORM OF THE DYNAMICS OF CIVILIZATION CHANGES IN GIG BEBEGIG'S DANCE WORK: A STUDY OF DANCE THROUGH CHARLES SEMIOTICS. S. PEIRCE Suryo Samudro, Rahmat; Wiebe Lau, Amy
International Journal of Performing Arts (IJPA) Vol. 1 No. 1 (2022): JUNE
Publisher : Yayasan Pusat Cendekiawan Intelektual Nusantara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.56107/ijpa.v1i1.12

Abstract

Globalization has positive implications with ease through the development of technology. In line with technological developments, this also has an impact on the regeneration of farmers where young people no longer choose farming jobs. This problem was communicated by Farhan Apriadhi Ghazaly through the dance work of Gig Bebegig. This study uses a qualitative method that is described descriptively through the semiotic analysis of Charles S. Peirce and a socio-cultural perspective. The results of this study reveal the Representament-Object-Interpretant from wardrobe, music, property, and dance scenes, as well as see through a socio-cultural perspective.
MARK MORAL IN DANCE GAMBIRANOM (STUDY MORALITY IMMANUEL KANT) List Salsabila, Nadia; Nursilah, Nursilah; Pearl Sari, Kartika
International Journal of Performing Arts (IJPA) Vol. 1 No. 1 (2022): JUNE
Publisher : Yayasan Pusat Cendekiawan Intelektual Nusantara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.56107/ijpa.v1i1.13

Abstract

Leave from perspective Immanuel Kant about morality, study this aim for identify the moral values in the Gambiranom dance that deserve to be guided to bring life to life return values moral which has faded. Discourse analysis methodology with approach Qualitative research in this study is used to understand the symbolic messages contained in the text something discourse. Discourse which meant in study this is dance Gambiranom. Collection data done through Interview, observation, studies References, and studies documentation. The data analysis technique used the data analysis technique of the Miles and Huberman model. This research produce two data main research, namely Hasta Sawanda dance Gambiranom and shape Gambiranom dance presentation. These data produce an interpretation of Hasta Sawanda in the Gambiranom dance as good will according to the perspective of Immanuel Kant's moral values, and the form of presenting the Gambiranom dance as an act rightly according to the perspective of Immanuel's moral values Kant. From the two data, it produces a good value (praiseworthy) which is then gives birth to the highest good (summum bonum). The highest good is obtained by a dancer if has carry out the action which correct (act rightly) and intention which good (good will) according to the rules of classical Javanese dance style Surakarta is a condition where dancers are successful merged himself into the full character of Irawan's character. So that connoisseurs/viewers don't again see dancer as personal dancer but character Raden Irawan or King Gambiranom.
RELIGIOUS VALUE IN THE TRAINING MATERIALS OF THE RAMPAK BEDUG DANCE AT SANGGAR HARUM SARI Tryas Putri, Novia; Setiawati, Rahmida; Hussain, Sajjad
International Journal of Performing Arts (IJPA) Vol. 1 No. 1 (2022): JUNE
Publisher : Yayasan Pusat Cendekiawan Intelektual Nusantara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.56107/ijpa.v1i1.14

Abstract

This study aims to describe the religious value of the Rampak Bedug Dance as a training material in the Sanggar Fragrant Sari. The object of this research is Rampak Bedug Dance. This research is focused on problems related to Religious Values in Rampak Bedug Dance. This study uses a descriptive research methodology through a qualitative approach. The subjects of this study were the manager of the Harum Sari studio, trainees and musicians. The data collection technique used is triangulation of data derived from observations, interviews, documentation and literature studies. The description of this research discusses dance movements, dance accompaniment, fashion, dance properties, and floor patterns. From the data that has been obtained, interpreted according to Koentjaraningrat's theory into 5 discussions, namely 1) religious emotions, 2) belief systems, 3) rites and ceremonies system, 4) rites and ceremonies equipment, 5) religious people. Based on the data obtained, it is concluded that the Rampak Bedug dance in Sanggar Harum Sari contains religious values which refer to the 5 religious components of Koentjaraningrat. The existence of religious values in the Rampak Bedug Dance is also based on the background of Pandeglang Regency which is part of the Banten province area which was formerly an Islamic kingdom on the island of Java. It can be concluded that the Rampak Bedug dance in Sanggar Harum Sari contains religious values which refer to the 5 religious components of Koentjaraningrat. The existence of religious values in the Rampak Bedug Dance is also based on the background of Pandeglang Regency which is part of the Banten province area which was formerly an Islamic kingdom on the island of Java. It can be concluded that the Rampak Bedug dance in Sanggar Harum Sari contains religious values which refer to the 5 religious components of Koentjaraningrat. The existence of religious values in the Rampak Bedug Dance is also based on the background of Pandeglang Regency which is part of the Banten province area which was formerly an Islamic kingdom on the island of Java.
PACKAGING MODEL OF THE CREATIVE ARTS INDUSTRY BASED ON MAPPING THE ARTS OF THE NUSANTARA CULTURE AS A MULTICULTURAL BASED POLITICAL POLICY STRATEGY Nursilah, Nursilah
International Journal of Performing Arts (IJPA) Vol. 1 No. 1 (2022): JUNE
Publisher : Yayasan Pusat Cendekiawan Intelektual Nusantara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.56107/ijpa.v1i1.15

Abstract

This article raises the issue of the packaging model of the performing arts creative industry which is based on the mapping of the archipelago's cultural arts. This model is structured to find appropriate technology in packaging the creative industry of performing arts which is gathered from various ethnic groups in the archipelago which is expected to be used as a harmonious multicultural-based political policy strategy. In particular, the targeted target is to create creative industry products for performing arts thematically, both in the form of presenting performing arts directly on stage or packaged in video form. The research method used is the Research and Development method which is carried out in multi years for 3 years. The first year's research is exploratory to map the cultural arts of the archipelago based on the theme and presentation model. The second year of research resulted in a creative industry model for the performing arts that was compiled based on the mapping of the archipelago's cultural arts that was useful for establishing a multicultural-based political policy strategy. Meanwhile, in the third year, the performance art creative industry model was tested to determine the effectiveness of the model that had been compiled. Based on this research, it can be concluded that Indonesia's cultural diversity is a resource that can be used as capital in the creative arts industry as well as the basis for determining multicultural-based political policy strategies. Given the importance of the substance of this research, it is hoped that every element of society realizes, appreciates and manages traditional dance well so that the welfare of life increases, social harmonization is built, and political stability can be maintained.
THE DEVELOPMENT CONCEPT OF THERAPY DANCE MODEL AS AN EFFORT TO INCREASE THE INTEREST OF SURYA KIRANA STUDENTS Nursilah; Sarajar, Michelle Marieta; Putri Najla Ayu Rasyid; Monik Alvianisa; Sihombing, Lusia Dame Mariana
International Journal of Performing Arts (IJPA) Vol. 1 No. 2 (2022): DESEMBER
Publisher : Yayasan Pusat Cendekiawan Intelektual Nusantara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.56107/ijpa.v1i2.37

Abstract

Dance that is known by the general public is a dance that functions as a traditional ceremony, entertainment or performance. But on the one hand, dance is able to become a medium for expressing feelings, processing feelings and providing concentration. By using Margareth H. Doubler's method of movement quality, the therapeutic dance model was developed based on existing therapeutic dance theories. The results also showed that there were changes felt to students who underwent therapeutic dance for four meetings as evidenced by the results of observations and interviews conducted together with students.
THE PUPPETEER’S BODY DISCIPLINARY POWER IN MALANG’S MASK PUPPET PERFORMANCE Wahyuningtyas, Tri
International Journal of Performing Arts (IJPA) Vol. 1 No. 2 (2022): DESEMBER
Publisher : Yayasan Pusat Cendekiawan Intelektual Nusantara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.56107/ijpa.v1i2.60

Abstract

The two focuses of this research include describing the formation of the puppeteers' episteme in Malang district and explaining the process of internalizing the experience and reasoning of the puppeteer who acts as a director as well as a person possessing high spiritual strength. Second, the body discipline power of the Malang masked puppeteer. This qualitative research used interview and observation data which were analyzed using Michel Foucault's post-structuralist theory approach. The results of the study performance that puppeteers of mask puppet performance in Malang district have a stronger disciplinary power orientation compared to other puppeteers. The power of knowledge of puppeteers is obtained through disciplining the body which is built from its existence socially and environmentally. The puppeteer of mask puppet performance has roles as a person who has spiritual power and as a director in organizing the mask puppet performance. The power of knowledge of the puppeteer produces the discourse of the puppeteer who has autonomy and power. Keywords: DISCIPLINARY POWER,BODY, PUPPETEER
THE DESIGN OF NIAS TRADITIONAL DANCE ENCYCLOPEDIA MODEL BASED ON DIGITAL TECHNOLOGY Tuti Rahayu; Wiflihani
International Journal of Performing Arts (IJPA) Vol. 1 No. 2 (2022): DESEMBER
Publisher : Yayasan Pusat Cendekiawan Intelektual Nusantara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.56107/ijpa.v1i2.62

Abstract

The purpose of this study is creating a product of a digital-based encyclopedia on the concept of Nias ethnicity dance traditions in North Sumatra. This research led to a reference book product in the form of an e-book. This type of research method used is the Research and Development (R&D) method. The location of this study was conducted in the cities of Medan and Nias. Data collection techniques through observation, in-depth interviews, and documentation. Data is analyzed using a qualitative paradigm using project-based research, which is obtained through data reduction, data presentation and drawing conclusions. The results of the design of this Nias tradition dance encyclopedia book can be used for reference for students and the public about Nias regional dance traditions.
THE MEANING OF DULANG DANCE SYMBOL FOR THE MALAY COMMUNITY ACCORDING TO THE SEMIOTIC THEORY OF FERDINAND DE SAUSSURE Yusnizar Heniwati; Wiwin Syahputra
International Journal of Performing Arts (IJPA) Vol. 1 No. 2 (2022): DESEMBER
Publisher : Yayasan Pusat Cendekiawan Intelektual Nusantara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.56107/ijpa.v1i2.63

Abstract

The purpose of this study is to identify the meaning of the Dulang dance symbol based on its function in the Langkat Malay community according to the theory of Ferdinand de Saussure. This research uses qualitative methods with an ethnographic approach. Data collection techniques carried out in this study include observation, interviews and documentation. Researchers as instruments went directly to the field to make engaged or participatory observations to obtain data in the form of detailed descriptive information about the meaning of the Dulang dance symbol in Langkat Regency. Basically, Dulang has a variety of meanings that can be adapted to the function of the Dulang in Malay traditional activities. It can be concluded that the symbolic meaning in this study is that Dulang is a signifier in Dulang dance and other Malay traditional activities. The signified Dulang in Dulang dance and Malay traditional activities include as an expression of gratitude to God Almighty, a symbol of prosperity, and a symbol of strength and power. The existence of Dulang for the Malays, not only as a container or place to place objects or food, but Dulang has a meaning that is able to strengthen the bonds of brotherhood in the Malay community.
THE DIRECT LEARNING MODEL (EXPLICIT INSTRUCTION) OF NANDAK GANJEN DANCE AT SANGGAR TARI ANYELIR SOUTH JAKARTA Rahmida Setiawati; Ikrimah Rahmadini
International Journal of Performing Arts (IJPA) Vol. 1 No. 2 (2022): DESEMBER
Publisher : Yayasan Pusat Cendekiawan Intelektual Nusantara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.56107/ijpa.v1i2.64

Abstract

The direct learning model or Explicit Instruction is a learning model that is carried out directly with the teacher as the giver of the material and the implementer of the learning. This learning model was adopted by Sanggar Anyelir in the Nandak Ganjen Dance training activity. This study aims to obtain data on the process of applying the direct learning model (Explicit Instruction) in the Nandak Ganjen Dance training at Sanggar Anyelir. This research uses descriptive qualitative methods to obtain empirical, clear and in-depth data on the portrait of Nandak Ganjen Dance training at Sanggar Anyelir. This research was conducted from July to September 2020 during the transition period from large-scale restrictions to normal conditions amid the Covid-19 pandemic. The results showed that Nandak Ganjen Dance training through a direct learning model (Explicit Instruction) at Sanggar Anyelir consists of five stages of learning, namely orientation, presentation, structured exercises, guided exercises and independent exercises. In addition, the provision of auditive stimulus in the form of games and motivational provision through dance videos that can encourage students to improve their dancing skills.T

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