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Prodi Desain Mode Batik, Jurusan Kriya, Fakultas Seni Rupa dan Desain ISI Surakarta. Kampus II: Jl. Ring Road, Mojosongo, Kec. Jebres, Kota Surakarta, Jawa Tengah 57127
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Runtas: Journal of Arts and Culture
Published by Institut Seni Indonesia Surakarta
ISSN : -     EISSN : 29886546     DOI : -
Core Subject : Art,
Arts
Runtas: Journal of Fine and Performing Arts draws its contributions from academics and practitioner-researchers at the interface of new visual and performing arts. It acts as a forum for critical scholarship, innovative practice, and creative pedagogy, addressing themes that may be domain-specific (e.g. theatre, dance, music, live art, visual arts) or situated at the convergence of two or more disciplines. The journal invites original, significant, and rigorous inquiry into all subjects within or across disciplines related to visual and performing arts. It encourages debate and cross-disciplinary exchange across a broad range of approaches. The spectrum of topics includes Ethnomusicology, Karawitanology, Music Education, Dance Theatre, Movie and Television, Interior Design, Industrial Design, Media Arts, Fine Arts, Photography These topics are addressed in full-length academic articles, critical statements on current issues, developmental practice, and reviews of books and live/media-based visual and performing arts. The journal presents an innovative platform for researchers, students, practitioners and educators to both learn from and contribute to the field. All articles are subject to initial Editor screening and then a rigorous double-blind peer-review process before publication.
Arjuna Subject : Seni dan Humaniora - Seni dan Humaniora (Lain-Lain)
Articles 14 Documents
 1   2 
Search results for , issue "Vol. 2 No. 2 (2024)" : 14 Documents clear
NUTMEG AS INSPIRATION FOR BATIK MOTIF IN JARIK AS MODERN KEBAYA PAIR Pratiwi, Luluh; Cahyana, Agung
Runtas : Journal Of Arts And Culture Vol. 2 No. 2 (2024)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/runtas.v2i2.4828

Abstract

Creation of the Final Project entitled "Nutmeg as Inspiration For Batik Motif in Jarik as Modern Kebaya Pair" aims to describe the idea and create modern kebaya clothing by applying the nutmeg plant motif as the basic idea of creating batik motifs which then designed in the form of jarik cloth as a complement to modern kebaya clothing, which emphasizes comfort without forgetting the current fashion trends. The main ideas on this work was based on the process of growing nutmeg plants. The process of creation begins with making alternative designs, selected designs, preparing tools and materials, tracing the motifs to the working materials, writing batik from canting, colet, nemboki, second coloring, fixation, ngelorod, making fashion patterns, cutting, sewing, finishing. The technique used in this process is the tulis batik technique with the dyeing process usin colet tutup celup technique. This creation resulted 4 modern kebaya clothes with the title: Jarembah Amala, Palawa Anindhita, Pukau Renjana, Bernas Nuraga. Each named after different character development of nutmeg
DEVELOPING BATIK-BASED BRIDE CLOTHES DESIGN WITH JAVANESE SCRIPT MOTIFS Wulansari, Intan; Subagya, Timbul
Runtas : Journal Of Arts And Culture Vol. 2 No. 2 (2024)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/runtas.v2i2.4832

Abstract

The selection of Javanese alphabet as a theme of artwork motive creation is intended to introduce and preserve Indonesian cultures through artwork. There are three objectives of this artwork creation. First, creating handmade batik motive design in the form of Javanese alphabet style. Second, creating new design of Javanese blouse. Third, applying handmade batik motive derived from Javanese alphabet to the Javanese blouse. Data for analysis was collected through literature review and field exploration. The art creation method of SP. Gustami was used for creating the artwork which consists of three steps, namely exploration, design and embodiment. As a result, we managed to create four handmade batik motives in the form of Javanese alphabet style. Each motive was given a title according to its characteristics, namely Puspa Nala, Puspa Kara, Puspa Hayu, and Puspa Jawi. Finally, it can be concluded that this art creation produces innovation in the form of handmade batik motives derived from Javanese alphabet and applied for the Javanese blouse
AN EFFORT TO PRESERVE NATIONAL CULTURE BY CREATING BATIK MOTIFS ON WOMEN'S CASUAL CLOTHING WITH THE THEME OF LARUNG SESAJI Anggita, Elisa Bella; Guntur
Runtas : Journal Of Arts And Culture Vol. 2 No. 2 (2024)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/runtas.v2i2.4844

Abstract

The work entitled An Effort to Preserve National Culture by Creating Batik Motifs on Women’s Casual Clothing with the Theme of Larung Sesaji was created to satisfy the interest of revealing the meaning behind the celebration of Larung Sesaji. The work is aiming at creating a new batik motif with theme of Larung Sesaji as well as an identification of Indonesian culture applied in women’s casual wear. The creator hopes that this effort can inspire the other creators to contribute to promote Indonesian culture through their works. This creation uses three stages and six steps, namely data collection stages, design stages, and embodiment stages. Data collection stage was conducted through an observation at the ceremony of larung sesaji. The collected data are then be used as a substance for the design stages, namely to design or visualize the source obtained into an alternative, selected, and perfected designs. The embodiment stage or making real works of batik was conducted with the cover dye technique employing natural colors and then sewing it to create casual clothing for women. The work managed to create four fashion creations, entitled Bahtera Sagara by the name of Lakara Meraki motif, Rahsa Linuhung in the name of Abyudaya Dakara motif, Grahita Sampena by the name of Hirap Mara motif, and Dahayu Kalis by the name of Asa Arshaka motif. Each creation is complemented by accessories such as earrings, hair ornaments and shoes. By this work, the creators try to introduce the public, especially young people, the idea of the important of preserving Indonesian culture.
SEKATEN NIGHT MARKET TOYS AND GAMES BATIK MOTIFS: AN APPLICATION FOR CHILDREN'S CASUAL CLOTHES Nur Kholifah, Ainun; Nur Hajja, Syarifah
Runtas : Journal Of Arts And Culture Vol. 2 No. 2 (2024)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

The aims of this creation are to re-introduce the rides and games in Sekaten Night Market to children through batik motif which is be applied to children's casual clothing. The method used in this creation are exploration, design, and embodiment. The process of creating works starts from the exploration stage, namely by observing the rides and traditional sekaten games. Designing process was conducted by determining alternative designs to be selected as batik motifs that are applied to children's casual clothing through the process embodiments. The embodiment technique applied to the entire work uses the dab coloring written batik technique using remasol dye. The output in the creation of this work is in the form of four children’s casual wear that consists of two girl wears and two boy wears. In this work there are four titles of batik motif works with names “Ceplok Bianglala”, “Tambal Kora-Kora”, “Parang Otok-Otok” and “Kawung Gangsing”. Besides, there are four fashion title, namely “Kenes”, “Hasya”, “Abinaya”, and “Meraki”. The end result of the creation of this work is suitable for children's casual clothing.
DANDELIONS AS MOTIF CREATION CONSTRUCT FOR READY TO WEAR Sandra, Alek; Komariah, Arfiati Nurul
Runtas : Journal Of Arts And Culture Vol. 2 No. 2 (2024)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/runtas.v2i2.4883

Abstract

The main source of ideas that form the basis for the creation of fashion works is the dandelion flower which has 2 kinds of flower petals. The form and use of dandelion flowers makes the writer interested in creating batik motifs with elements of dandelion images. The purpose of this research, among other things, is to create a batik motif design with the source of the dandelion flower idea. Apart from that, it is also to create ready-to-wear fashion designs. The next goal is to apply dandelion batik motifs to the Ready To Wear clothing that will be created in this work. The method used for this research uses the method of art creation from Gustami SP, namely data collection, design and embodiment. The technique used in the creation process is written batik technique. Furthermore, in making motifs, it is carried out using the deformation method as a form to obtain motif development. The batik coloring technique used in this batik is the dyeing process of the dip cap and the dab technique. The selection of colors to be used in the manufacture of women's ready-to-wear batik uses bright and dark colors from Remasol batik dyes. The works consist of 4 Ready To Wear clothes taken from Sanskrit entitled "Bhanuresmi", "Canduri", "Cakra" and "Samiya", and are equipped with accessories such as earrings, necklaces, rings, hats, headbands, sunglasses and hair bands. 
BATIK MOTIFS FOR CHILDREN CASUAL FASHION INSPIRED BY BEDOUIN TRIBE HOUSE Agustin, Lisa Tri; Purnomo, Arif Jati
Runtas : Journal Of Arts And Culture Vol. 2 No. 2 (2024)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/runtas.v2i2.4893

Abstract

The fashion-artwork entitled Batik Motifs for Children Casual Fashion Inspired by Bedouin Tribe House is as a form of effort to introduce culture and traditions to children. The purpose of creation is to apply the traditional Bedouin house batik motifs for casual clothing for girls aged 10 years old. The methods of creating the fashion pieces are exploration stage, design stage, and creation stage. The process of creating works starts from the exploration stage, which was searching data about traditional Bedouin houses. Making batik motif designs that are embodied in children's casual clothing is applied to create the piece of art using batik tulis technique which were dab-cover-dip coloring using remasol, naptol and indigosol dyes using Japanese cotton and primissima. The color selection brings out cheerful colors. Starting from the design process, scratching, cutting, coloring, melorod, sewing, to making accessories. Casual clothing is clothing that is simple, practical, and comfortable to wear for children's daily playing activities. This work created 4 pieces of batik motifs, they are: Imah Sawarna, Imah Ngahiji, Imah Salonjor, Imah Kahuripan. With that created 4 fashion pieces: Inleum, Makaul, Galis, Bageur. All of the fashion pieces mentioned above were equipped with accessories to support the whole look.
TECHNICAL KNOWLEDGE OF CREATING STEADY INLAY SHAPES IN SHADOW PUPPETS FOR BEGINNER INLAYS Rahmawati, Junende
Runtas : Journal Of Arts And Culture Vol. 2 No. 2 (2024)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

This research aims to provide technical knowledge for parchment inlay to beginner inlays to produce steady inlay, which means constant or consistent. Through qualitative research with artistic research methods that discuss practice-based research that produces technical knowledge and understanding of inlays to produce inlays that are considered good. It is hoped that the technical knowledge of creating steady inlays that novice inlays pay attention to will provide clues that there are several things that need to be considered apart from continuous practice. It should be noted that the inlay results in the form of shadow puppets greatly influence the quality of beauty and aura of the puppet characters created. Apart from that, a good inlay will make the stitching process menyungging.
NUTMEG AS INSPIRATION FOR BATIK MOTIF IN JARIK AS MODERN KEBAYA PAIR Pratiwi, Luluh; Cahyana, Agung
Runtas: Jurnal Fesyen dan Wastra Nusantara Vol. 2 No. 2 (2024)
Publisher : Indonesian Institute of the Arts Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/runtas.v2i2.4828

Abstract

Creation of the Final Project entitled "Nutmeg as Inspiration For Batik Motif in Jarik as Modern Kebaya Pair" aims to describe the idea and create modern kebaya clothing by applying the nutmeg plant motif as the basic idea of creating batik motifs which then designed in the form of jarik cloth as a complement to modern kebaya clothing, which emphasizes comfort without forgetting the current fashion trends. The main ideas on this work was based on the process of growing nutmeg plants. The process of creation begins with making alternative designs, selected designs, preparing tools and materials, tracing the motifs to the working materials, writing batik from canting, colet, nemboki, second coloring, fixation, ngelorod, making fashion patterns, cutting, sewing, finishing. The technique used in this process is the tulis batik technique with the dyeing process usin colet tutup celup technique. This creation resulted 4 modern kebaya clothes with the title: Jarembah Amala, Palawa Anindhita, Pukau Renjana, Bernas Nuraga. Each named after different character development of nutmeg
DEVELOPING BATIK-BASED BRIDE CLOTHES DESIGN WITH JAVANESE SCRIPT MOTIFS Wulansari, Intan; Subagya, Timbul
Runtas: Jurnal Fesyen dan Wastra Nusantara Vol. 2 No. 2 (2024)
Publisher : Indonesian Institute of the Arts Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/runtas.v2i2.4832

Abstract

The selection of Javanese alphabet as a theme of artwork motive creation is intended to introduce and preserve Indonesian cultures through artwork. There are three objectives of this artwork creation. First, creating handmade batik motive design in the form of Javanese alphabet style. Second, creating new design of Javanese blouse. Third, applying handmade batik motive derived from Javanese alphabet to the Javanese blouse. Data for analysis was collected through literature review and field exploration. The art creation method of SP. Gustami was used for creating the artwork which consists of three steps, namely exploration, design and embodiment. As a result, we managed to create four handmade batik motives in the form of Javanese alphabet style. Each motive was given a title according to its characteristics, namely Puspa Nala, Puspa Kara, Puspa Hayu, and Puspa Jawi. Finally, it can be concluded that this art creation produces innovation in the form of handmade batik motives derived from Javanese alphabet and applied for the Javanese blouse
AN EFFORT TO PRESERVE NATIONAL CULTURE BY CREATING BATIK MOTIFS ON WOMEN'S CASUAL CLOTHING WITH THE THEME OF LARUNG SESAJI Anggita, Elisa Bella; Guntur
Runtas: Jurnal Fesyen dan Wastra Nusantara Vol. 2 No. 2 (2024)
Publisher : Indonesian Institute of the Arts Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/runtas.v2i2.4844

Abstract

The work entitled An Effort to Preserve National Culture by Creating Batik Motifs on Women’s Casual Clothing with the Theme of Larung Sesaji was created to satisfy the interest of revealing the meaning behind the celebration of Larung Sesaji. The work is aiming at creating a new batik motif with theme of Larung Sesaji as well as an identification of Indonesian culture applied in women’s casual wear. The creator hopes that this effort can inspire the other creators to contribute to promote Indonesian culture through their works. This creation uses three stages and six steps, namely data collection stages, design stages, and embodiment stages. Data collection stage was conducted through an observation at the ceremony of larung sesaji. The collected data are then be used as a substance for the design stages, namely to design or visualize the source obtained into an alternative, selected, and perfected designs. The embodiment stage or making real works of batik was conducted with the cover dye technique employing natural colors and then sewing it to create casual clothing for women. The work managed to create four fashion creations, entitled Bahtera Sagara by the name of Lakara Meraki motif, Rahsa Linuhung in the name of Abyudaya Dakara motif, Grahita Sampena by the name of Hirap Mara motif, and Dahayu Kalis by the name of Asa Arshaka motif. Each creation is complemented by accessories such as earrings, hair ornaments and shoes. By this work, the creators try to introduce the public, especially young people, the idea of the important of preserving Indonesian culture.

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