cover
Article Per Year (5 Year)
All
Home Page
OAI Link
Editorial Team
Contact
Reviewer
Google Scholar
Contact Name
Perpetua Ninda Mahartya
Contact Email
tumatatatakelola@gmail.com
Phone
628122693391
Journal Mail Official
tumata@isi.ac.id
Editorial Address
Program Studi Tata Kelola Seni Fakultas Seni Rupa ISI Yogyakarta Jl. Parangtritis KM. 6,5 Sewon, Yogyakarta
Location
Kab. bantul,
Daerah istimewa yogyakarta
INDONESIA
Tumata Jurnal
Published by Institut Seni Indonesia Yogyakarta
ISSN : -     EISSN : -     DOI : -
Core Subject : Economy, Art,
Arts Economics, Econometrics & Finance
Research comprises scholarly reports that enhance knowledge regarding art management in general, curatorial, art archive, art conservation, performing arts, visual arts, new media art, tourism, and culture management. This may include articles that report results of quantitative or qualitative research studies. Conceptual Idea publishes articles conceptually relevant to advancing the practice of art management, presents theories of art management, etc. Articles may draw upon theory/or material developed in management practice, from a variety of countries and professional settings, including activities and art materials to help internationalize art management curricula.
Arjuna Subject : Seni dan Humaniora - Seni Visual dan Seni Pertunjukan
Articles 5 Documents
 1 
Search results for , issue "Vol 3, No 1 (2025): June 2025" : 5 Documents clear
Accessibility Of The Exhibition Room For Disability At The Vredeburg Fort Yogyakarta Museum Apriliandari, Citra Dewi; Dartanto, Andreas Sudjud; Kirana, Dian Ajeng
TUMATA: Journal of Cultural and Arts Management Vol 3, No 1 (2025): June 2025
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/tumata.v3i1.15165

Abstract

This research aims to identify accessibility facilities in the permanent exhibition space of diorama 1, diorama 2, diorama 3, and diorama 4 of the Yogyakarta Vredeburg Fort Museum for visitors with physical disabilities and visual impairments. The research method used in this research is descriptive qualitative research methods involving visitors with physical disabilities and sensory impairments who have visited the permanent diorama exhibition room, staff at the Fort Vredeburg Yogyakarta Museum, as well as teachers and art activists in the context of people with disabilities in Yogyakarta. The theoretical approach used in this research is the theory of museums, exhibition spaces, accessibility, people with disabilities, as well as human rights and social inclusion. The research results show that the accessibility facilities in the museum exhibition room meet the standards in the form of the availability of automatic doors, corridors, manuvering areas, rams and guide tiles. However, accessibility facilities do not fully accommodate people with physical disabilities who are physically impaired and who are visually impaired due to the lack of adequate rams with handrails, audio descriptions, braille text and tactile objects. This research suggests that museums can improve accessibility facilities that are not yet available to increase comfort and convenience regarding the narrative they want to convey through the collection layout and information labels presented in accordance with inclusive building design standard regulations for visitors with physical disabilities and sensory impairments when visiting the space. permanent display of dioramas at the Fort Vredeburg Museum in Yogyakarta.
Painting Restoration “Penangkapan Pangeran Diponegoro” By Raden Saleh Sjarif Boestaman Through The Management Function Approach Dofi, Ronang Kennylas; Susanto, Mikke; Kirana, Dian Ajeng
TUMATA: Journal of Cultural and Arts Management Vol 3, No 1 (2025): June 2025
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/tumata.v3i1.15511

Abstract

This research describes the restoration process of the painting Penangkapan Pangeran Diponegoro (1857) by Raden Saleh Sjarif Boestaman using the management function approach (Planning, Organizing, Actuating, and Controlling). Penangkapan Pangeran Diponegoro painting is one of the important and historical works of art for Indonesia. This research aims to analyze each management function applied in the restoration activities. The method used in this research is descriptive qualitative with a case study approach. Data was obtained through interviews and documents of the restoration process conducted in 2012 & 2013 from Susanne Erhards and Adek Wahyuni. The results show that the four management functions have been implemented effectively. However, the long-term preservation aspect still requires further planning so that conservation sustainability is maintained.
KUSTOMFEST 2024: A Curatorial Study Through the Approach of the Creative Economy Tanaya, I Made Agus Tresna; Agil, Muhammad; Fathoni Ahmadi, R. Nur; Susanto, Mikke
TUMATA: Journal of Cultural and Arts Management Vol 3, No 1 (2025): June 2025
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/tumata.v3i1.15756

Abstract

The rapid development of the creative economy in Indonesia has fostered the emergence of diverse cultural practices that integrate both aesthetic expression and economic potential. Among these, festivals have become strategic arenas for showcasing creative works while simultaneously generating cultural and commercial value. One notable example is Kustomfest, an annual custom automotive festival held in Yogyakarta, which functions not only as an exhibition space but also as a vital node within the local and regional creative economy ecosystem. This study aims to examine the curatorial strategies employed in Kustomfest 2024 and to assess their contribution to value creation in the creative economy sector. Using a qualitative case study approach, data were collected through in-depth interviews, participant observation, and document analysis involving festival curators, creative practitioners, local business actors, and audiences. The findings reveal that curatorial practices in Kustomfest encompass rigorous selection based on originality, a scrutineering process that ensures functionality and safety, professional documentation for archival and promotional purposes, and independent judging guided by international standards. Furthermore, curators are instrumental in shaping narrative frameworks, enhancing visitor engagement, and connecting creators with market opportunities. Beyond artistic curation, Kustomfest generates significant economic impact, particularly in supporting the growth of MSMEs in the surrounding area. This case illustrates how curatorship can serve as a multidimensional tool for cultural production, audience development, and sustainable economic advancement within Indonesia’s creative industries.
Maa Ledungga Expression of Social Resistance Through the Preservation of Intangible Cultural Heritage in Gorontalo Province Hamzah, Dwi Anggelita; Nugroho, Dian; Susanto, Mikke; Rochiyardi, Agus
TUMATA: Journal of Cultural and Arts Management Vol 3, No 1 (2025): June 2025
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/tumata.v3i1.15807

Abstract

This paper examines the masterplan planning of Maa Ledungga Rice Harvest Art Festival in South Huntu Village, Bone Bolango Regency, Gorontalo. This festival is a response to modernization and land use change that threatens local agrarian traditions. Through revitalization by the Huntu Art District community, the festival functions as a harvest gratitude ritual and a space for cultural expression and strengthening of community identity. The research used literature study, participatory observation, and narrative analysis to understand the role of cultural narratives and community participation as a strategy of social resistance and culture-based creative economic development. The results show that the festival strengthens social solidarity, builds networks between farmers, artists, MSMEs and youth, and creates new economic opportunities. The festival is also a model of cultural heritage management that is relevant to contemporary needs and strengthens food security and green open spaces through the creative economy. The findings contribute to the study of culture-based creative economy and recommendations for the government and creative industry players in cultural preservation and sustainable local economic development.
Creative Economy Development at Silver Studio 76 Using Experience Economy for Silver Craft Preservation in Kotagede Sandikusumah, Ahrman; Hangin, Sisilia; Susanto, Mikke
TUMATA: Journal of Cultural and Arts Management Vol 3, No 1 (2025): June 2025
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/tumata.v3i1.15928

Abstract

The development of the creative economy based on silver craft at Silver Studio 76 in Kotagede, Yogyakarta, is carried out through the Experience Economy approach as a strategy for preserving local culture. The focus includes the implementation of the four dimensions of Experience Economy, which is: entertainment, education, aesthetic, and escapism in customer service, as well as the studio's role in supporting silver craft preservation. A qualitative case study method is employed to gain an in-depth understanding through interviews, observations, and secondary data analysis from social media and related documentation. This approach not only enhances the economic value of the products but also strengthens visitors emotional attachment and appreciation of Kotagede's cultural heritage. Challenges such as declining interest among younger generations, fluctuating tourist visits, limited skilled human resources, and rising production costs require ongoing innovation and optimization of digital marketing strategies. The findings contribute both conceptually and practically to developing experience based business models that sustain traditional craft industries while reinforcing local cultural preservation.

Page 1 of 1 | Total Record : 5

 1 

Filter by Year

2025 2025


Reset
Filter By Issues
All Issue Vol 3, No 1 (2025): June 2025 Vol 2, No 2 (2024): Desember 2024 Vol 2, No 1 (2024): June 2024 Vol 1, No 02 (2023): Desember 2023 Vol 1, No 01 (2023): June 2023