cover
Article Per Year (5 Year)
All
Home Page
OAI Link
Editorial Team
Contact
Reviewer
Google Scholar
Contact Name
Muhammad Naoval Haris
Contact Email
cantingunikal@gmail.com
Phone
+62816776328
Journal Mail Official
cantingunikal@gmail.com
Editorial Address
Jalan Jendral Sudirman No 163 Kota Pekalongan
Location
Kota pekalongan,
Jawa tengah
INDONESIA
Canting : Jurnal Batik Indonesia
Published by Universitas Pekalongan
ISSN : -     EISSN : 3063539X     DOI : https://doi.org/10.31941/canting.v2i1
Core Subject : Science, Art, Social,
Arts Chemistry Environmental Science
Canting Jurnal Batik Indonesia is an open access national journal with the frequency of 2 (two) times a year (February & August), published by Universitas Pekalongan (Pekalongan University). Submitted manuscripts should be original Research Articles and Literature Reviews that aims for contribution and continuous dissemination of updates in relation to batik. Canting editors welcome manuscripts in the form of research articles, literature review, or case reports that have not been accepted for publication or even published in other scientific journals. Journal articles published in the CANTING Jurnal Batik Indonesia are articles that are free of plagiarism and have never been published by other journals. The focus and scope of this journal are as follows: Culture and batik philosophy Fine art Raw materials for batik technology engineering Batik production process Prevention and treatment of batik waste Craft and batik designs Batik fashion Smart textile and batik
Arjuna Subject : Umum - Umum
Articles 29 Documents
 1   2   3 
Pemanfaatan ekstrak kulit manggis (Garcinia Mangostana L.) dengan penambahan nanoemulsi kitosan sebagai pewarna alami pada kain batik katun Jason Gabrielle Kuntjoro; Christina Setyadewi Mustikarini
Canting : Jurnal Batik Indonesia Vol 3 No 1 (2026): Canting: Jurnal Batik Indonesia
Publisher : Fakultas Teknik Universitas Pekalongan bekerjasama dengan Asosiasi Perajin dan Pengusaha Batik (APPBI)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31941/cjbi.v3i1.766

Abstract

Pencemaran limbah industri batik akibat penggunaan pewarna sintetis yang bersifat toksik dan sulit terurai menjadi tantangan lingkungan serius di Indonesia. Pewarna alami berbasis bahan hayati merupakan alternatif ramah lingkungan, namun memiliki keterbatasan pada ketahanan luntur warna sehingga memerlukan mordan yang efektif. Penelitian ini bertujuan menentukan formulasi biomordan nanoemulsi kitosan terbaik serta menganalisis pengaruh ukuran partikel nanoemulsi terhadap ketahanan luntur warna pada kain katun. Metode penelitian bersifat eksperimental dengan variasi lama sonikasi untuk menghasilkan ukuran nanoemulsi kitosan berbeda, yaitu F1 (30 menit; 42,24 nm), F2 (60 menit; 26,48 nm), dan F3 (90 menit; 11,55 nm), serta kontrol tanpa nanoemulsi. Proses pewarnaan dilakukan dengan metode pre-mordanting dan post-mordanting, kemudian diuji ketahanan luntur warnanya berdasarkan standar ISO 105-C06:2003. Hasil menunjukkan bahwa formulasi F3 memberikan ketahanan luntur warna terbaik dengan nilai ΔE 1,19 dan grayscale 4–5, jauh lebih baik dibandingkan F2, F1, dan kontrol. Analisis regresi linear menunjukkan pengaruh signifikan ukuran nanoemulsi terhadap ketahanan luntur warna dengan nilai R² sebesar 96%. Penelitian ini menyimpulkan bahwa semakin kecil ukuran nanoemulsi kitosan, semakin tinggi ketahanan luntur warna, sehingga berpotensi mendukung pengembangan pewarna alami berkelanjutan pada industri batik.
SAGARA URIP: Transformasi nilai budaya pesisir pekalongan dalam desain batik digital kontemporer Bilqis Zalfa Apriliza; Alya Adriana; Azarine Meara Shofi; Mighfar Khamida
Canting : Jurnal Batik Indonesia Vol 3 No 1 (2026): Canting: Jurnal Batik Indonesia
Publisher : Fakultas Teknik Universitas Pekalongan bekerjasama dengan Asosiasi Perajin dan Pengusaha Batik (APPBI)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31941/cjbi.v3i1.793

Abstract

Kota Pekalongan merupakan salah satu sentra batik pesisir terbesar di Indonesia yang memiliki kekayaan nilai budaya dan visual. Namun, perkembangan tren modern menyebabkan menurunnya minat generasi muda terhadap batik tradisional yang dianggap kurang relevan. Penelitian ini bertujuan merancang motif batik digital kontemporer yang mengintegrasikan nilai budaya pesisir Pekalongan melalui penciptaan motif “Sagara Urip”. Penelitian menggunakan pendekatan kualitatif-deskriptif dengan metode studi literatur, observasi lapangan, penyebaran angket kepada generasi muda, serta wawancara dengan pengrajin dan kurator batik. Proses perancangan dilakukan secara digital menggunakan aplikasi Ibis Paint X melalui tahapan sketsa, digitalisasi, pewarnaan, penyusunan pola repetisi, dan evaluasi visual. Motif “Sagara Urip” menggabungkan elemen laut, ombak, matahari, dan palet warna khas batik pesisir sebagai simbol kehidupan masyarakat pantai yang harmonis dengan alam. Hasil penelitian menunjukkan bahwa motif yang dihasilkan mampu memadukan nilai tradisional dan visual modern secara seimbang. Berdasarkan angket terhadap 204 responden, mayoritas generasi muda menilai motif ini menarik, relevan, dan mudah dipahami. Digitalisasi motif batik dinilai efektif sebagai strategi pelestarian budaya sekaligus adaptasi batik terhadap perkembangan zaman.
Pelatihan canting cap kertas sebagai ruang pembelajaran ornamentasi batik: Studi kreativitas peserta di BBSPJIKB Ony Setyawan; Andi Irawan
Canting : Jurnal Batik Indonesia Vol 3 No 1 (2026): Canting: Jurnal Batik Indonesia
Publisher : Fakultas Teknik Universitas Pekalongan bekerjasama dengan Asosiasi Perajin dan Pengusaha Batik (APPBI)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31941/cjbi.v3i1.796

Abstract

Daya kreativitas pembatik dalam meramu motif cukup menarik untuk diamati. Pengalaman, budaya, dan kemahiran dalam membuat canting cap kertas menjadi fokus kajian utamanya. Penelitian ini bertujuan untuk menyajikan analisis kreativitas peserta bimbingan teknis pembuatan canting cap berbahan dasar kertas di BBSPJIKB Yogyakarta. Penelitian ini menggunakan metode kualitatif dengan teknik pengumpulan data yang diperoleh dari observasi, wawancara sambil lalu, dan studi pustaka. Penulis disini berposisi sebagai partisipasi observasi. Analisis data dilakukan dengan memilah data, menginterpretasikan data, dan menentukan relasi antar data. Motif umum jenis flora dan fauna menjadi kreasi motif yang pupoler digunakan. Motif flora berupa bunga dan lung-lungan, sedangkan fauna berupa burung menjadi karya sebagian besar yang yang berlatar belakang pembatik. Selain itu sebagian kecil peserta yang berlatar belakang akademisi seni cenderung menggunakan motif kedaerahan yang lebih eksploratif serta menginisiasi sifat ikonik daerah asalnya. Pengaruh latar belakang pembatik seperti gender, usia, pendidikan, dan pengalaman dalam teknik cap batik menjadi indikasi kecakapan dalam menuangkan hasil bimbingan teknis.
Threads of Heritage: A Comparative Analysis of Nias Batik/Nokanibira and Garot Hanbok Preservation in the Globalization Era Darynaufal Mulyaman; Bobyano Dolyamano Blessing Purba
Canting : Jurnal Batik Indonesia Vol 3 No 1 (2026): Canting: Jurnal Batik Indonesia
Publisher : Fakultas Teknik Universitas Pekalongan bekerjasama dengan Asosiasi Perajin dan Pengusaha Batik (APPBI)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31941/cjbi.v3i1.883

Abstract

Globalization has created significant pressures on the preservation of traditional textile heritage in Indonesia and South Korea. This study examines the preservation strategies of Nokanibira (Nias batik worn in Hombo Batu traditions) and Garot (persimmon-dyed Jeju specialized hanbok), two textile heritages representing local cultural identity amid modernization currents. Using a qualitative approach with the Most Similar System Design (MSSD) comparative method, this research analyzes fundamental differences in preservation approaches between these two textile traditions. Findings reveal that Nokanibira persists through community-based efforts with limited institutional support, while Garot benefits from structured state policies, infrastructure investment, and integration into Jeju's regional development strategies. Although both traditions face similar challenges from global cultural homogenization, differences in institutionalization levels, state roles, and creative economy strategies result in varying degrees of preservation success. This research provides important insights into how comprehensive cultural policies can strengthen the resilience of traditional textile heritage in the globalization era.
Pelestarian batik sebagai manifestasi cinta tanah air di kalangan mahasiswa Gen Z Rolly Gusnanda; Kezia Dwina Nathania; Syaqina Anindia Gusvi; Noriko Adinda City Chitako; Nayla Akmala Fahrunisa; Khayra Aulia Kalehaisy
Canting : Jurnal Batik Indonesia Vol 3 No 2 (2026): Canting: Jurnal Batik Indonesia
Publisher : Fakultas Teknik Universitas Pekalongan bekerjasama dengan Asosiasi Perajin dan Pengusaha Batik (APPBI)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31941/cjbi.v3i2.738

Abstract

Batik preservation faces challenges from globalization and changing fashion trends, particularly as some Generation Z members perceive batik as outdated and formal. This study aims to analyze Generation Z students’ perspectives at Universitas Gadjah Mada (UGM) regarding batik as a national identity and to examine wearing batik as a manifestation of patriotism. This qualitative interpretive descriptive study involved 20 Generation Z students aged 18–24 years selected through purposive sampling. Data were collected using an online open-ended questionnaire and analyzed thematically based on cultural reproduction. Four themes emerged: batik as national identity, students as cultural preservation agents, wearing batik as an expression of patriotism, and cultural reproduction through fashion and digital media. Students perceived batik as cultural heritage representing national character. Everyday use, modern design innovation, and digital promotion reflected active youth participation in maintaining batik’s relevance. Batik preservation on campus represents a cultural reproduction process that connects traditional values with modern lifestyles and serves as a dynamic manifestation of youth nationalism in the digital era.
Pengaruh konsentrasi biomordan kitosan pada proses pewarnaan kain katun dengan pewarna alami biji kesumba keeling (Bixa Orellana) Rachma Tia Evitasari
Canting : Jurnal Batik Indonesia Vol 3 No 2 (2026): Canting: Jurnal Batik Indonesia
Publisher : Fakultas Teknik Universitas Pekalongan bekerjasama dengan Asosiasi Perajin dan Pengusaha Batik (APPBI)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31941/cjbi.v3i2.906

Abstract

The batik industry faces challenges due to the shift toward synthetic dyes, which negatively impact the environment. While natural dyes derived from Bixa orellana seeds are eco-friendly, they typically exhibit low color strength. This study aimed to enhance natural dye uptake by modifying the surface of cotton fabric using chitosan as a biomordant. Cotton fabrics underwent pre-mordanting with chitosan (at concentrations of 1, 1.5, and 2.5 g/L), followed by dyeing with Bixa orellana extract and fixation with alum. Color strength was analyzed using a spectrophotometer to determine K/S values. Dyeing with Bixa orellana seeds yielded colors ranging from yellow to orange; higher chitosan concentrations resulted in a deeper orange hue. The results showed an increase in color strength from 1.436 (without chitosan treatment) to 4.153 (at a concentration of 2.5 g/L), representing a 188% increase in color intensity. Ionic interactions and hydrogen bonding between the chitosan, fabric, and dye enhanced color affinity. Chitosan proved effective as a biomordant—with an optimal concentration of 2.5 g/L—thereby supporting a more sustainable natural dyeing process in batik production.
Dari Fitrah ke Algoritma: Rekonfigurasi Komunikasi Islam dan Otoritas Estetika dalam Batik Berbasis AI Samsuriyanto Samsuriyanto
Canting : Jurnal Batik Indonesia Vol 3 No 2 (2026): Canting: Jurnal Batik Indonesia
Publisher : Fakultas Teknik Universitas Pekalongan bekerjasama dengan Asosiasi Perajin dan Pengusaha Batik (APPBI)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31941/cjbi.v3i2.998

Abstract

Traditional batik is an Islamic communication medium laden with spiritual values based on divine fitrah. However current artificial intelligence intervention has reduced human creative processes into machine computation. This qualitative conceptual philosophical study applies Gadamerian Hermeneutics to analyze this landscape disruption. The text analysis deepens using the books of Al Hikam and Adabul Alim wal Mutaallim. Study results show that generative technology intervention triggers the desecration of batik motif dawah values. The prompt engineering process is proven to remove sincerity creating profane visual commodities. Human machine collaboration also cuts the cultural sanad chain prioritizing patience and meticulousness. Consequently the artisan aesthetic authority collapses and shifts into the black box of computational algorithms. As a resolution step this research offers a new idea named Post Digital Resacralization concept. This concept asserts that machine design blueprints must be returned using manual canting. This re humanization effort injects back the room of dhikr and aesthetic human imperfection. This vertical synthesis ensures modern batik remains submissive under the control of divine values.
Pelestarian batik mangkunegaran melalui harmonisasi tradisi dan modernisasi pada Program Angsukayana 2023 Yasshirly Amria; Yan Yan Sunarya
Canting : Jurnal Batik Indonesia Vol 3 No 2 (2026): Canting: Jurnal Batik Indonesia
Publisher : Fakultas Teknik Universitas Pekalongan bekerjasama dengan Asosiasi Perajin dan Pengusaha Batik (APPBI)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31941/cjbi.v3i2.1069

Abstract

Batik sebagai warisan budaya takbenda memerlukan strategi pelestarian yang tidak hanya berfokus pada perlindungan artefak, tetapi juga pada keberlanjutan nilai budaya agar tetap relevan di tengah masyarakat kontemporer. Penelitian ini bertujuan mengidentifikasi nilai-nilai tradisi dan bentuk-bentuk modernisasi dalam Program Angsukayana Batik Mangkunegaran 2023 serta menganalisis harmonisasi keduanya sebagai strategi pelestarian Batik Mangkunegaran. Penelitian menggunakan pendekatan kualitatif dengan metode studi kasus. Data diperoleh melalui studi dokumentasi, observasi visual, dan wawancara semi-terstruktur, kemudian dianalisis menggunakan model Miles, Huberman, dan Saldaña. Hasil penelitian menunjukkan bahwa nilai-nilai tradisi diwujudkan melalui penyajian koleksi batik klasik, karakter visual, dan nilai filosofis motif, sedangkan modernisasi diwujudkan melalui reinterpretasi tradisi, strategi penyajian budaya, dan penciptaan pengalaman budaya. Harmonisasi keduanya memungkinkan pelestarian Batik Mangkunegaran dilakukan dengan mempertahankan identitas budaya sekaligus menghadirkan penyajian yang komunikatif dan relevan bagi masyarakat kontemporer. Penelitian ini menunjukkan bahwa harmonisasi tradisi dan modernisasi merupakan salah satu pendekatan yang mendukung keberlanjutan batik sebagai warisan budaya yang hidup.
Kreasi pohon hayat dalam Batik Babaran Gajah Mada di Kabupaten Tulungagung Ony Setyawan; Andi Irawan
Canting : Jurnal Batik Indonesia Vol 3 No 2 (2026): Canting: Jurnal Batik Indonesia
Publisher : Fakultas Teknik Universitas Pekalongan bekerjasama dengan Asosiasi Perajin dan Pengusaha Batik (APPBI)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31941/cjbi.v3i2.1123

Abstract

The tree of life is one of the common motifs developed by regional batik artisans, particularly in batik-producing areas with a strong historical background. Tulungagung has a distinctive batik tradition influenced by both keraton and pesisiran styles, making it one of the important centers of batik production with a long historical development in East Java. This study aims to examine the visual diversity of the tree of life motif in the batik tradition of Tulungagung. The study employs a qualitative approach, with data collected through literature review, interviews, and observation. The primary data consist of Lengko Babaran Gajah Mada batik motifs produced by artisans in the Majan area. Data analysis involved the stages of data collection and classification, interpretation, and identification of relationships among the data. The findings reveal twelve principal design models employed within a single piece of batik cloth. The visual representation of the tree of life is constructed through the combination of sulur-suluran and buketan, integrated with a rawan background motif, a stylization of swamp-like features associated with one of the water sources found in the Tulungagung region. Unlike the conventional representation of the tree of life as a large tree extending vertically upward, the tree of life motif in Tulungagung is represented through the integration of sulur-suluran and buketan with a water-source motif. This distinctive visual construction demonstrates a unique local reinterpretation of the tree of life and enriches the visual diversity of the motif within the Indonesian batik tradition.

Page 3 of 3 | Total Record : 29

 1   2   3 

Filter by Year

2024 2026


Reset
Filter By Issues
All Issue Vol 3 No 2 (2026): Canting: Jurnal Batik Indonesia Vol 3 No 1 (2026): Canting: Jurnal Batik Indonesia Vol 2 No 2 (2025): Canting: Jurnal Batik Indonesia Vol 2 No 1 (2025): Canting: Jurnal Batik Indonesia Vol 1 No 1 (2024): Canting: Jurnal Batik Indonesia