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Canting : Jurnal Batik Indonesia
Published by Universitas Pekalongan
ISSN : -     EISSN : 3063539X     DOI : https://doi.org/10.31941/canting.v2i1
Core Subject : Science, Art, Social,
Arts Chemistry Environmental Science
Canting Jurnal Batik Indonesia is an open access national journal with the frequency of 2 (two) times a year (February & August), published by Universitas Pekalongan (Pekalongan University). Submitted manuscripts should be original Research Articles and Literature Reviews that aims for contribution and continuous dissemination of updates in relation to batik. Canting editors welcome manuscripts in the form of research articles, literature review, or case reports that have not been accepted for publication or even published in other scientific journals. Journal articles published in the CANTING Jurnal Batik Indonesia are articles that are free of plagiarism and have never been published by other journals. The focus and scope of this journal are as follows: Culture and batik philosophy Fine art Raw materials for batik technology engineering Batik production process Prevention and treatment of batik waste Craft and batik designs Batik fashion Smart textile and batik
Arjuna Subject : Umum - Umum
Articles 20 Documents
 1   2 
Perbandingan efektivitas senyawa logam alkali sebagai zat cabut warna golongan reaktif pada batik Babsel, Muhammad Cladio Aimar; Maghfiroh, Maghfiroh; Lestari, Rizki
Canting : Jurnal Batik Indonesia Vol 1 No 1 (2024): Canting: Jurnal Batik Indonesia
Publisher : Fakultas Teknik Universitas Pekalongan bekerjasama dengan Asosiasi Perajin dan Pengusaha Batik (APPBI)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31941/canting.v1i1.165

Abstract

In making batik, the color dyeing method sometimes produces colors that are not as desired. One way to remove color pigment is by unpluging color. Apart from that, unplug color can be used as a technique to produce decorative variations on fabric. Unplug color is used to take or remove color pigments that are already on the fabric to obtain the previous color. The use of color removal agents affects the color removal results. The aim of this research is to determine the appropriate level of cleanliness for the application of scrub on fabric that is removed using calcium hypochlorite, sodium hypochlorite, sodium hydrosulfite and potassium permanganate. The research method used is field observations carried out in areas that have color removal facilities, then from the results of the data obtained an experiment will be carried out with a recipe for a removal agent of 10 grams/liter with a removal time of 10 minutes. The experimental results showed that the removal agents for calcium hypochlorite, sodium hypochlorite and sodium hydrosulfite had a color that was lighter than the original color. Meanwhile, the potassium permanganate dissolving agent produces a color that is different from the direction of the original color.
Pembuatan batik tulis menggunakan zat warna alami kulit akar mengkudu dengan fiksator symplocos sp. Mohamad, Falahy; Widadi, Zahir; Maghfiroh, Maghfiroh
Canting : Jurnal Batik Indonesia Vol 1 No 1 (2024): Canting: Jurnal Batik Indonesia
Publisher : Fakultas Teknik Universitas Pekalongan bekerjasama dengan Asosiasi Perajin dan Pengusaha Batik (APPBI)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31941/canting.v1i1.169

Abstract

The fabric mordanting process usually uses chemicals. The use of chemicals can pollute the surrounding environment. In this case, simplokos leaves can be used as a natural mordant or fixator in the natural coloring process. Apart from that, the process of dyeing natural dyes tends to produce light colors. The process of deploying the 3 layers used in this research is expected to get better results. The dyeing method uses the technique of pounding noni root bark and simplokos leaves repeatedly in three layers of fabric samples, then letting it sit for one week with a dose of 1:3, namely 50g simplokos leaves and 150g noni root bark with the addition of 300 mL of water. The results of the research show that written batik cloth produces a pink print with an insignificant difference in color aging, but the third layer (basic) cloth sample produces a darker color than the other two cloths. In addition, the fabric experiences fading due to the difference in the appearance of final result between the fabric before and after malam removal.
Pembuatan desain batik motif jlamprang menggunakan aplikasi ibis paint x sebagai dasar perencanaan produksi Maulidia, Hana; Murty, Daru Anggara; Sasongko, Aditya Dimas Wahyu
Canting : Jurnal Batik Indonesia Vol 1 No 1 (2024): Canting: Jurnal Batik Indonesia
Publisher : Fakultas Teknik Universitas Pekalongan bekerjasama dengan Asosiasi Perajin dan Pengusaha Batik (APPBI)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31941/canting.v1i1.170

Abstract

When making batik designs, you must be able to utilize the latest technology. Mobile phones are a vital necessity for human life. This must be utilized in the process of creating digital batik designs. Ibis Paint X can be used as a basis for production planning in digital batik designs with jlamprang motif. This research is qualitative research where the data is presented in the form of descriptions and pictures. Each stage of design creation is documented in the form of images and videos. The data collection methods used are observation, observation, literature study and documentation methods. Every batik production process must go through a planning process which aims to achieve production efficiency. The digital batik designs that have been created are used as a basis for planning batik production starting from the preparation process, wax gluing, coloring and wax removal. The entire process can be identified in advance with this digital batik design. Because the estimated results to be achieved have already been determined. This certainly makes it easier for craftsmen to determine production costs and estimated processing time.
Studi kualitas pewarnaan alami kulit bawang merah pada kain batik Laksana, Haniko Candra; Widadi, Zahir; Sasongko, Aditya Dimas Wahyu
Canting : Jurnal Batik Indonesia Vol 1 No 1 (2024): Canting: Jurnal Batik Indonesia
Publisher : Fakultas Teknik Universitas Pekalongan bekerjasama dengan Asosiasi Perajin dan Pengusaha Batik (APPBI)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31941/canting.v1i1.171

Abstract

Shallots are a plant that is often used in human life. The waste product from shallots that can be used is shallot skins, where the shallot skins are usually just thrown away. This research uses a study of the quality of natural coloring of shallot skin on batik cloth. This research aims to determine the quality of the natural color of shallot skin on batik cloth. The process of researching the quality of shallot skin dye is that a cloth sample is attached to wax and then colored using shallot skin dye which has been extracted and fixed using an alum fixator. After that, the fabric sample is subjected to a night release process. Test samples in the laboratory through color fastness tests to wax release, color fastness tests to washing, color fastness tests to rubbing and color fastness tests to sunlight. Evaluate the resulting values ​​using gray scale and staining scale tools. The results of color fastness to waxing, washing, rubbing and sunlight are very low. This is because the anthocyanin and flaponoid compounds carried by shallot skin tend to be few or the coloring substances produced are very light.
Pengaruh perendaman larutan basa sabun cair pencuci piring terhadap pewarnaan indigosol pada kain mori primissima Khamidah, Khamanda Nur; Maghfiroh, Maghfiroh; Lestari, Rizki
Canting : Jurnal Batik Indonesia Vol 1 No 1 (2024): Canting: Jurnal Batik Indonesia
Publisher : Fakultas Teknik Universitas Pekalongan bekerjasama dengan Asosiasi Perajin dan Pengusaha Batik (APPBI)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31941/canting.v1i1.172

Abstract

In making batik using indigosol dye, an oxidation/fixation process is required with the addition of HCl or sunlight. HCl can have an adverse effect on fabric. Therefore, alternative chemicals are used in this process using dishwashing soap. This study aims to determine the effect of soaking in dish soap on the indigosol dyeing process. The variables in this study are the results of dyeing batik cloth with dye from indigosol and fixation using sodium nitrite and HCL. The level of success is indicated by the level of fabric fragility. This research uses an experimental research method. An experimental research method is a method that aims to test the influence of a variable on another variable or test the causal relationship between one variable and another. The experimental method used in this research is a pure experimental method (true experimental). namely experiments that most closely follow procedures and fulfill experimental requirements, especially those relating to controlling variables, control groups, providing treatment or manipulating activities and testing results. The results of this research are that dishwashing soap solution can be used as an alternative acid neutralizerthat does not damage the color of the fabric.
Penciptaan motif batik kabumian sebagai ikon Kabupaten Kebumen Khafis, Mohamad Syahrul; Murty, Daru Anggara; Sasongko, Aditya Dimas Wahyu
Canting : Jurnal Batik Indonesia Vol 1 No 1 (2024): Canting: Jurnal Batik Indonesia
Publisher : Fakultas Teknik Universitas Pekalongan bekerjasama dengan Asosiasi Perajin dan Pengusaha Batik (APPBI)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31941/canting.v1i1.173

Abstract

Each region has local potential which is visualized in the form of art. However, there are several regions that do not yet have the characteristics of batik in that area. One of them is Kebumen Regency. Creating batik motifs inspired by natural potential and icons in Kebumen Regency, knowing how to visualize and how to apply them to written batik. Descriptive qualitative methods, with interviews, literature studies, observation, documentation and visual studies were used in this research. The research results show that after going through several exploration processes looking for existing potential, there are 5 sources of ideas used as the main motif, namely rice, coconut, swallows, boats, and shrimp. The batik cloth is made using the written batik technique and the dyeing process using the dyeing technique. The dyes used are indigosol o4b, ib, and 14r which are fixed using HCl and nitrite solutions. The results of this study, the batik made contains 5 elements that are the reference or icon of Kebumen Regency and in the future can become the characteristic batik of Kebumen Regency.
Inovasi Ramah Lingkungan Dalam Produksi Batik: Studi Kasus Batik Mahkota Laweyan Hafsah Ainun Jariyah
Canting : Jurnal Batik Indonesia Vol 2 No 1 (2025): Canting: Jurnal Batik Indonesia
Publisher : Fakultas Teknik Universitas Pekalongan bekerjasama dengan Asosiasi Perajin dan Pengusaha Batik (APPBI)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31941/canting.v2i1.226

Abstract

Transformasi industri batik di Indonesia menuju tindakan ramah lingkungan sangat penting untuk melestarikan budaya batik dan mengurangi dampak negatif terhadap lingkungan. Batik Mahkota Laweyan, sebagai salah satu pelopor, telah mengimplementasikan berbagai inisiatif berkelanjutan sejak tahun 2005. Penggunaan pewarna alami, panel surya, dan teknik produksi yang minim limbah menjadi fokus utama perusahaan ini. Penelitian ini menerapkan pendekatan kualitatif untuk mengeksplorasi langkah-langkah yang diambil oleh Batik Mahkota Laweyan dalam mengurangi emisi karbon dan meningkatkan efisiensi energi. Hasil menunjukkan bahwa inisiatif ramah lingkungan tidak meningkatkan kemampuan bersaing produk di pasar lokal dan internasional tetapi juga memberikan contoh inspiratif bagi industri batik lainnya. Dengan menggabungkan tradisi dan inovasi, Batik Mahkota Laweyan berkontribusi pada pelestarian warisan budaya sambil memperhatikan ekosistem lingkungan, menjadikannya model yang dapat diadopsi oleh pelaku industri batik lainnya di Indonesia.
Pengaruh konsentrasi asam sulfat terhadap pewarnaan zat warna asam pada kain sutra ATM dan ATBM Maghfiroh, Lailatul; Amelia, Auril Flora; Artanti, Najua Izamilhaq Tri; Amalia, Zelmi Firda; Haris, Muhammad Naoval
Canting : Jurnal Batik Indonesia Vol 2 No 1 (2025): Canting: Jurnal Batik Indonesia
Publisher : Fakultas Teknik Universitas Pekalongan bekerjasama dengan Asosiasi Perajin dan Pengusaha Batik (APPBI)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31941/canting.v2i1.321

Abstract

Sutra yang diproduksi dengan teknik ATM (Alat Tenun Mesin) memiliki struktur serat yang lebih seragam dan konsisten karena proses mekanis. Sebaliknya, kain sutra ATBM (Alat Tenun Bukan Mesin), yang dihasilkan cenderung memiliki tekstur dan ketidaksempurnaan kerapatan serat. Penelitian ini bertujuan untuk menganalisis pengaruh konsentrasi larutan asam sulfat (H₂SO₄) terhadap kualitas pewarnaan kain sutra menggunakan zat warna asam pada dua jenis kain, yaitu kain sutra ATBM dan kain sutra ATM. Uji kelunturan warna terhadap pencucian sabun (nilai kelunturan dan penodaan), gosokan kering, dan gosokan basah dilakukan untuk mengevaluasi daya tahan warna. Hasil penelitian menunjukkan bahwa konsentrasi asam sulfat yang berbeda (4 cc/l, 6 cc/l, 8 cc/l, dan 10 cc/l) tidak memberikan pengaruh signifikan terhadap daya tahan warna kedua jenis kain, yang tetap berada pada skala 4–5. Namun, kain sutra ATBM menghasilkan warna yang lebih gelap dibandingkan kain sutra ATM, meskipun menggunakan resep pencelupan yang sama. Hal ini disebabkan oleh perbedaan struktur serat, teknik pembuatan kain sutra, dan jenis bahan baku pembuatan kain sutra. Kesimpulannya, struktur kain dan teknik pembuatan kain berperan penting dalam menentukan intensitas warna. Temuan ini memberikan wawasan dalam meningkatkan kualitas pewarnaan kain sutra sebagai produk tekstil unggulan.
Perbandingan tampilan visual warna biru naftol dan indigosol pada produk Batik Keraton Kabupaten Pekalongan Virdaus, Baeti; Maghfiroh, Maghfiroh; Widadi, Zahir
Canting : Jurnal Batik Indonesia Vol 2 No 1 (2025): Canting: Jurnal Batik Indonesia
Publisher : Fakultas Teknik Universitas Pekalongan bekerjasama dengan Asosiasi Perajin dan Pengusaha Batik (APPBI)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31941/canting.v2i1.322

Abstract

Batik Keraton Kabupaten Pekalongan merupakan salah satu warisan budaya yang mengandalkan kualitas visual warna untuk mempertahankan nilai estetikanya. Perbedaan karakteristik zat warna sintetis seperti naftol dan indigosol dapat mempengaruhi tampilan batik secara keseluruhan. Penelitian ini bertujuan untuk membandingkan tampilan visual warna biru yang dihasilkan oleh zat warna naftol dan indigosol. Metode penelitian meliputi observasi, eksperimen, kombinasi pendekatan kualitatif dan kuantitatif, studi literatur, serta wawancara dengan pengrajin batik. Hasil penelitian menunjukkan bahwa zat warna naftol menghasilkan warna biru yang lebih tua dengan reflektansi antara 4,23%–6,06%, sedangkan indigosol menghasilkan warna biru yang lebih terang dengan reflektansi antara 29,31%–32,49%. Uji daya tahan luntur terhadap pencucian menunjukkan kedua zat warna memiliki ketahanan warna yang baik dengan nilai 4–5 pada grey scale. Kesimpulannya, pemilihan jenis zat warna yang tepat sangat penting untuk menjaga kualitas visual batik dan memenuhi preferensi konsumen terhadap variasi warna biru. Penelitian ini diharapkan menjadi referensi bagi pengrajin batik dalam mengembangkan produk yang lebih inovatif dan kompetitif.
Efektivitas proses fiksasi zat warna indigosol dengan larutan sisa HCl dan NaNO₂ Hanifah, Faiz Tyas; Murty, Daru Anggara; Haris, Muhammad Naoval
Canting : Jurnal Batik Indonesia Vol 2 No 1 (2025): Canting: Jurnal Batik Indonesia
Publisher : Fakultas Teknik Universitas Pekalongan bekerjasama dengan Asosiasi Perajin dan Pengusaha Batik (APPBI)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31941/canting.v2i1.323

Abstract

Industri batik memerlukan proses fiksasi zat warna untuk meningkatkan ketahanan warna pada kain. Salah satu zat warna yang banyak digunakan adalah Indigosol, yang fiksasinya melibatkan asam klorida (HCl) dan natrium nitrit (NaNO₂). Penelitian ini bertujuan untuk mengevaluasi efektivitas larutan sisa HCl dan NaNO₂ dalam proses fiksasi batik tulis, guna mengoptimalkan penggunaan bahan kimia, mengurangi limbah industri, dan menekan biaya produksi. Metode yang digunakan meliputi observasi, eksperimen, dan studi literatur, dengan perbandingan 1:1 antara larutan sisa HCl dan NaNO₂. Hasil penelitian menunjukkan bahwa secara kimiawi, walaupun larutan sisa mengalami sedikit penurunan konsentrasi reagen aktif, fiksasi tetap terjadi melalui reaksi diazotasi dan kopling warna, menghasilkan ikatan azo yang stabil. Warna hasil pewarnaan masih kuat dengan rata-rata ketahanan luntur terhadap pencucian dan paparan sinar matahari berada pada nilai 4–5 pada grey scale dan staining scale. Meski intensitas warna sedikit menurun dibandingkan penggunaan larutan baru, hasilnya tetap memenuhi standar kualitas industri. Dengan demikian, larutan sisa HCl dan NaNO₂ memiliki potensi besar untuk digunakan kembali, mendukung praktik produksi batik yang lebih berkelanjutan dan ramah lingkungan.

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