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Harmonia : Journal of Music and Arts
Published by PT Penerbit Ilmiah Indonesia
ISSN : -     EISSN : 30324076     DOI : https://doi.org/10.61978/harmonia
Core Subject : Art,
Arts
Harmonia : Journal of Music and Arts with ISSN Number 3032-4076 (Online) published by Indonesian Scientific Publication, is a distinguished open-access scholarly journal that has undergone rigorous peer review since its inception. Dedicated to advancing knowledge in the fields of music and arts, Harmonia publishes high-quality research articles, critical analyses, creative works, and case studies that uphold the highest standards of academic integrity and innovation. Published by Indonesian Scientific Publication, Harmonia serves as a platform for interdisciplinary discourse, exploring the theoretical and practical dimensions of music and arts. The journal’s focus aligns with contemporary global challenges, emphasizing creativity, interdisciplinarity, and cultural impact as central themes. With a commitment to fostering a deeper understanding of artistic practices and education, Harmonia bridges gaps between theory and practice, making significant contributions to academic and professional communities in music and arts.
Arjuna Subject : Seni dan Humaniora - Seni dan Humaniora (Lain-Lain)
Articles 40 Documents
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Beyond Human Authorship: Exploring Computational Creativity and Machine-Led Aesthetics Paksi, Dedih Nur Fajar
Harmonia : Journal of Music and Arts Vol. 3 No. 3 (2025): August 2025
Publisher : Indonesian Scientific Publication

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.61978/harmonia.v3i3.912

Abstract

The integration of artificial intelligence into artistic practice has transformed computational creativity into a dynamic field where human intuition and algorithmic processes converge. This narrative review examines how human–AI collaboration reshapes creativity, highlighting both opportunities and challenges. A systematic literature search was conducted across databases including Scopus, IEEE Xplore, Google Scholar, and the ACM Digital Library, using keywords such as “computational creativity,” “generative art,” and “human–machine collaboration.” Inclusion criteria prioritized peer-reviewed studies from the last decade, with attention to both technical innovations and socio-cultural dimensions. Findings reveal that collaborative approaches between humans and AI yield more complex and innovative artistic outcomes, supported by techniques such as neural painting and generative music models. Empirical studies demonstrate increasing acceptance of AI-generated art, although biases remain, as audiences often perceive human-made works more favorably. Results also underscore the influence of individual expertise, social interactions, and technological infrastructure on creative processes. Cross-cultural comparisons highlight disparities, with greater acceptance and infrastructure in Europe and North America, contrasted with limited access and cultural ambivalence in developing regions. Discussion points to systemic factors, including policy and education, as critical determinants of adoption and trust. The review concludes that advancing computational creativity requires inclusive access to AI tools, public education to reduce skepticism, and multidimensional evaluation metrics. Future research should expand global perspectives and integrate psychological and cultural frameworks, ensuring equitable participation in the evolving landscape of AI-mediated art.
Bridging Gaps in Mental Health Care Through Music Therapy: A Narrative Review Nazaruddin, M. Arief; Mahfudzi, Aan
Harmonia : Journal of Music and Arts Vol. 3 No. 3 (2025): August 2025
Publisher : Indonesian Scientific Publication

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.61978/harmonia.v3i3.913

Abstract

Music therapy has gained increasing recognition as a non-pharmacological intervention for improving mental health in both clinical and community settings. This narrative review aimed to synthesize current evidence on its effectiveness, methodological approaches, and systemic challenges. Literature was systematically identified through major databases including PubMed, Scopus, and Google Scholar, using keywords such as "music therapy," "mental health," "anxiety," "depression," and "stress." Inclusion criteria focused on empirical studies, randomized controlled trials, cohort research, and systematic reviews addressing mental health outcomes. Findings demonstrate that music therapy significantly reduces symptoms of anxiety, depression, and stress while enhancing social interaction and overall well-being. Clinical studies reported improvements among intensive care patients and older adults, while community-based interventions benefitted adolescents and caregivers. Technological innovations, including mobile applications and digital delivery platforms, have expanded accessibility and demonstrated outcomes comparable to conventional therapy. Global evidence suggests consistent benefits across cultural and healthcare contexts, reinforcing music’s universality as a therapeutic medium. However, systemic barriers such as limited policy support, inadequate professional training, and stigma against non-pharmacological interventions hinder widespread adoption. The review concludes that music therapy offers substantial promise for integration into mental health care but requires stronger evidence from long-term studies and culturally diverse populations. Policy reform, standardized methodologies, and digital innovation are key strategies to ensure sustainable implementation. By addressing current gaps, music therapy can be established as an essential component of comprehensive mental health care.
Vocalizing the Archipelago: Rhythmic Harmony and Textural Innovation in Contemporary Indonesian Choral Music Kusumadewi , Kenya Permata
Harmonia : Journal of Music and Arts Vol. 2 No. 2 (2024): May 2024
Publisher : Indonesian Scientific Publication

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.61978/harmonia.v2i2.1015

Abstract

Contemporary Indonesian choral compositions increasingly incorporate traditional musical idioms such as gamelan and kecak into modern SATB frameworks. This study explores how selected choral works reinterpret these idioms by prioritizing rhythm, vocal texture, and articulation over conventional harmonic progressions. The objective is to understand how rhythm can function as a primary harmonic agent in a cappella settings. The methodology involves analytical comparison of three compositions Janger (Budi Susanto Yohanes), Cikala le Pong Pong, and Hela Rotan (both by Ken Steven). Through transcription, rhythm mapping, and texture classification, this study reveals the strategic layering of rhythmic motifs, percussive vocal effects, and responsorial structures across SATB and divisi settings. Results show that Janger employs interlocking vocal ostinati and contrasting articulations to emulate gamelan textures. Cikala le Pong Pong uses body percussion, chest voice, and glissandi to generate dissonant harmonic fields. Hela Rotan adapts Eastern Indonesian rhythmic idioms through responsorial phrasing, leading to emergent polyphonic verticalities. These techniques collectively redefine choral harmony through rhythmic density and vocal layering. Discussion highlights how these works negotiate cultural fidelity and artistic innovation. They challenge Western centric harmonic paradigms by elevating rhythm and texture as compositional pillars. Such approaches not only contribute to decolonizing harmonic theory but also enrich global choral repertoires through culturally grounded, structurally inventive music.
Reframing Modal Tradition: Javanese Laras and Pathet in Contemporary Composition Sa'adah , Sufi Ikrima
Harmonia : Journal of Music and Arts Vol. 2 No. 3 (2024): August 2024
Publisher : Indonesian Scientific Publication

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.61978/harmonia.v2i3.1016

Abstract

This article explores the transformation of Javanese modal systems laras, pathet, and garap within contemporary music practices. It investigates how these core concepts, traditionally embedded in the structure and expression of gamelan music, are preserved, adapted, and recontextualized in modern acoustic, electronic, and hybrid compositional environments. Methodologically, the study applies a comparative analytical approach, combining empirical data from tuning measurements and seleh tone mapping with case studies from Rahayu Supanggah, Lou Harrison, and Gamelan Son of Lion. Tuning deviations across gamelan sets are analyzed, highlighting the flexibility of laras and the structural logic of pathet. The study also examines how garap enables interpretive variation in performance and how these modalities are translated into Just Intonation, orchestral writing, and campursari arrangements. Key results show that Javanese modality maintains coherence despite cross cultural adaptations. Modal identity is preserved through behavioral cues, tonal relationships, and ornamentation, even when transposed into Western or electronic idioms. The interaction of structure and flexibility particularly through garap allows Javanese modes to thrive in modern contexts without sacrificing expressive depth or cultural meaning. These findings suggest that Javanese modal systems are highly adaptable, offering a valuable framework for global music composition and intercultural dialogue. The research contributes to both ethnomusicology and composition studies by reframing Javanese modality as a resilient, integrative, and innovative force in 21st century music.
Harmonic Poetics and Vocal Subtlety in Karambangan: Interpreting Pamona Musical Aesthetics Setyawan, Dedi; Wibawa, Budi
Harmonia : Journal of Music and Arts Vol. 2 No. 4 (2024): November 2024
Publisher : Indonesian Scientific Publication

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.61978/harmonia.v2i4.1017

Abstract

Karambangan is a traditional vocal genre of the Pamona people in Central Sulawesi, Indonesia, blending poetic kayori with guitar based harmonic textures. This study aims to analyze the vocal interpretation strategies employed by Karambangan performers, focusing on the integration of harmony, diction, and vocal affect within cultural and pedagogical contexts. Using a multidisciplinary approach, the research combines ethnographic fieldwork, harmonic transcription, phonetic analysis, and cultural interpretation. Data were collected through audio recordings, kayori texts, and interviews with performers. Harmonic progressions were mapped, vocal timbre and vibrato were measured, and rhetorical features in lyrics were analyzed. Findings reveal that Karambangan vocalists emphasize emotional nuance through vibrato restraint, nasal resonant timbre, and precise prosodic alignment. Harmonic structures often based on three chord cycles and supported by alternate guitar tunings offer a stable platform for expressive delivery. Kayori lines are vocally interpreted through dynamic shaping, rhetorical timing, and culturally informed diction. The study also discusses the pedagogical value of these techniques and the ethical considerations of transitioning the genre from ritual to stage. Karambangan emerges as a genre of artistic and cultural significance, where voice serves not only as a musical tool but also as a moral and spiritual practice. The research contributes a genre specific model for vocal interpretation in indigenous traditions and highlights the importance of culturally embedded music education.
Toward a Sustainable Palette: Scientific Insights into Natural Pigments and Binders for Environmentally Conscious Art Practices Kusumadewi, Kenya Permata; Putri, Trikaloka Handayani
Harmonia : Journal of Music and Arts Vol. 3 No. 1 (2025): February 2025
Publisher : Indonesian Scientific Publication

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.61978/harmonia.v3i1.1018

Abstract

The use of synthetic paints in fine art has raised growing environmental concerns, particularly regarding volatile organic compound (VOC) emissions and microplastic pollution. This study investigates the potential of natural pigments and biodegradable binders to serve as sustainable alternatives. It aims to assess their performance through standardized testing of lightfastness, binder compatibility, and environmental impact. A range of mineral pigments (e.g., ochres, sienna, green earth) and botanical lake pigments (e.g., madder, indigo, turmeric) were combined with solvent free binders such as gum arabic, egg tempera, and linseed/walnut oil. Botanical lakes were prepared using alum based precipitation methods. Paint samples were applied to cotton paper and mineral gesso panels, followed by lightfastness testing using ISO Blue Wool standards and ΔE* measurements. Environmental metrics including energy consumption, waste output, and microplastic risk were evaluated using a simplified life cycle inventory (LCIA) framework. The results showed that mineral pigments delivered excellent durability (Blue Wool 7–8), while botanical lakes varied in stability. Madder and indigo were moderately stable, whereas turmeric was highly fugitive (Blue Wool 1–2). Gum arabic and egg tempera demonstrated superior ecological profiles, with zero VOC emissions and high biodegradability. Linseed and walnut oils offered good artistic performance but required careful storage. All tested combinations avoided microplastic generation. These findings confirm that a select range of natural pigment and binder combinations can meet both artistic and environmental standards. The study supports the integration of sustainable materials into fine art practices and provides a model for future research and institutional policy development focused on eco conscious art production.
Echoes of Empire, Sounds of Nation: Keroncong and the Politics of Musical Canon in Postcolonial Indonesia Nuristama , Ramadhina Ulfa
Harmonia : Journal of Music and Arts Vol. 3 No. 2 (2025): May 2025
Publisher : Indonesian Scientific Publication

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.61978/harmonia.v3i2.1019

Abstract

Keroncong music, a hybrid genre rooted in Portuguese colonial influence and indigenous traditions, has undergone significant transformation over centuries, culminating in its institutionalization as a national symbol in Indonesia. This article investigates the evolution of Keroncong across five distinct phases beginning with the Tugu community’s early preservation efforts, through colonial and postcolonial media dissemination, to contemporary reinterpretations by diaspora and youth movements. The study applies a multidisciplinary methodology combining historical periodization, media archaeology, musicological analysis, and cultural theory. Through archival research and comparative analysis, the article identifies the critical roles of NIROM and RRI in canon formation, emphasizing how broadcasting and state cultural policy promoted Langgam Jawa and iconic compositions like “Bengawan Solo” as representative of national identity. It further explores how canonization processes, while preserving cultural memory, can also marginalize regional and minority expressions. Comparative cases from other postcolonial contexts underscore the shared challenges and dynamics of musical canonization. The findings reveal that Keroncong’s continued relevance lies in its adaptability. Diasporic reinterpretations, educational incorporation, and revivalist movements demonstrate that Keroncong remains a living tradition. Rather than a fixed heritage, it embodies an evolving site of identity negotiation, cultural memory, and aesthetic innovation. This study contributes to scholarly discourse on music, media, and postcolonial identity formation, offering a model for examining how musical traditions are constructed, institutionalized, and reimagined within complex socio political landscapes.
Bridging Policy and Practice: Reforming Indonesia’s Creative Economy Framework for Music and Visual Arts Mohamed, Sheik
Harmonia : Journal of Music and Arts Vol. 2 No. 1 (2024): February 2024
Publisher : Indonesian Scientific Publication

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.61978/harmonia.v2i1.1020

Abstract

Indonesia's creative economy contributed approximately 7.44% to national GDP by 2022, with fashion, culinary, and crafts as leading sectors. However, music and visual arts remain underrepresented despite their cultural significance and growth potential. This article investigates policy and implementation gaps that hinder the inclusion of these sectors, focusing on legal, financial, and infrastructural dimensions. Employing a qualitative policy analysis approach, the study draws on regulatory documents (e.g., UU 24/2019, PP 24/2022), statistical reports, and program data from 2022–2024. The research identifies key barriers such as inconsistent regional application of national policies, lack of operational SOPs for IP valuation, limited access to creative financing, and systemic royalty management issues. Findings indicate that while regulatory support exists, it often fails to translate into practical benefits for music and visual arts stakeholders. Royalty distribution remains opaque and underutilized; creative financing tools are constrained by valuation and administrative gaps; and export initiatives rarely prioritize intangible cultural products. Rural areas face compounded challenges due to weak outreach and infrastructure. To ensure inclusivity, the upcoming 2026–2035 Creative Economy Masterplan must adopt broader metrics beyond GDP encompassing cultural participation, regional equity, and digital engagement. Institutional coordination, transparent governance, and grassroots empowerment are critical to aligning national ambitions with ground level realities.
Integrating Compliance, Risk Management, and Sustainability in Indonesian Music Festivals: Toward a Unified Governance Framework Andang, Baharuddin
Harmonia : Journal of Music and Arts Vol. 3 No. 3 (2025): August 2025
Publisher : Indonesian Scientific Publication

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.61978/harmonia.v3i3.1021

Abstract

The governance of music festivals in Indonesia is undergoing a paradigm shift driven by rising demands for legal compliance, risk management, and sustainability. This study investigates the integration of these three dimensions within the context of Indonesian music festivals, drawing from qualitative case studies, regulatory analysis, and international best practices. The objective is to develop a scalable framework that aligns operational safety, environmental responsibility, and legal adherence. Methodologically, the research employs a qualitative design, focusing on in depth case analyses of three Indonesian festivals Java Jazz, Synchronize, and Joyland. Data were gathered through document reviews, stakeholder interviews, and thematic analysis of relevant laws and standards, including PP 56/2021, PP 109/2012, UU 27/2022, ISO 20121, and the Event Safety Guide. The results highlight effective practices in operational risk management, including the use of Safety Cells, tabletop drills, and digital monitoring tools. Sustainability efforts show traction in waste reduction, renewable energy usage, and vendor accountability, guided by ISO aligned practices. However, legal compliance remains inconsistent due to enforcement gaps and low regulatory literacy among organizers. Stakeholders such as sponsors, artists, and audiences significantly influence accountability, while public policy and interdisciplinary research emerge as enablers of broader adoption. This study concludes that an integrated governance model uniting compliance, risk, and sustainability is essential for the long term viability of Indonesian festivals. The proposed framework not only improves operational performance but also fosters public trust, stakeholder alignment, and environmental stewardship.
Empowering Musical Engagement: Applying Self Determination Theory in Digital Music Education for Generation Z Nuristama, Ramadhina Ulfa
Harmonia : Journal of Music and Arts Vol. 2 No. 2 (2024): May 2024
Publisher : Indonesian Scientific Publication

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.61978/harmonia.v2i2.1022

Abstract

This study explores the application of Self Determination Theory (SDT) in digital music education for Generation Z learners in Indonesia. Drawing on autonomy, competence, and relatedness, the study investigates how motivational constructs can be embedded in digital platforms to enhance student engagement and creativity. Using a mixed methods approach, 94 secondary students participated in an 8 week digital music project using DAWs such as BandLab and Soundtrap. Data were collected through pre/post motivation surveys, project reflections, and peer feedback logs. Results revealed significant increases in perceived autonomy (3.2→4.1), competence (3.0→4.3), and relatedness (2.8→4.0), supported by thematic analysis of digital interactions. Collaborative feedback, genre based task choice, and scaffolded skill development were found to be critical motivational drivers. The integration of Universal Design for Learning (UDL) principles further supported inclusive and engaging curriculum design. The study concludes that SDT aligned digital practices foster intrinsic motivation and sustained participation in music education. Implications are drawn for curriculum design, teacher training, and national education policy, particularly in contexts facing infrastructural disparities.

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