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Indarti
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Jl. Prof. Moch Yamin, Ketintang, Kec. Gayungan, Surabaya, Jawa Timur 60231
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INDONESIA
Journal of Creative Industries and Vocational Innovation
Published by Universitas Negeri Surabaya
ISSN : -     EISSN : 31232450     DOI : https://doi.org/10.26740/visiora.v1i1
Core Subject :
The Journal of Creative Industries and Vocational Innovation (VISIORA) is an academic journal that focuses on research, development, and innovation in the field of creative industries and vocational education that supports the development of the creative industry sector. The journal aims to provide a platform for researchers, academics, and practitioners to share knowledge and findings related to the dynamics of the creative industry and its contribution to the formation of a skilled workforce through vocational education, in both Indonesian and English. Published twice a year (June and December).
Arjuna Subject : -
Articles 21 Documents
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Product Quality of Upcycle Denim Jacket Fashion with Slashing Fabric Manipulation Technique Sabrina Ratu Mawaddah; Esty Nurbaity Arrsyi; Sri Listiani
Journal of Creative Industries and Vocational Innovation Vol. 1 No. 2 (2025)
Publisher : Universitas Negeri Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26740/visiora.v1i2.47393

Abstract

This research aims to obtain a product assessment of the utilization of accumulated clothing, especially unused second hand denim jackets, in the process of making upcycled denim jackets. The approach used in this research is the descriptive quantitative method with a pre-experimental research design, in the form of a one shot case study. This research produced five ready-to-wear fashion products in the form of upcycled denim jackets decorated with fern motifs as the main theme, applied through the slashing fabric manipulation technique, and assessed using a rating scale. The research stages included the accumulation of second hand denim jackets, processing, and making upcycled denim jackets. Product assessment of upcycled second hand denim jackets with slashing technique fabric manipulation is based on the theory of Product Quality according to David Garvin in Fandy Tjiptono, which includes features, reliability, suitability, and aesthetics. The assessment results show that the overall product quality is in the very good category. Products with a very high category were obtained by design 1 obtained a very good score. meanwhile, designs 4 and 5 obtained good scores.
An Interpretation of the Architecture of the Mohammed V Mausoleum in Avant-Garde Fashion Through Fabric Manipulation Techniques Adinka Putril Laksmi; Ratna Suhartini; Indarti Indarti
Journal of Creative Industries and Vocational Innovation Vol. 2 No. 1 (2026)
Publisher : Universitas Negeri Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26740/visiora.v2i1.52113

Abstract

This study interprets the architecture of the Mohammed V Mausoleum into avant-garde fashion by applying a combination of fabric manipulation techniques, namely applique, cording, and tucking. The research employed a practice-based design research approach using the Double Diamond model, consisting of Discover, Define, Develop, and Deliver stages. Data were collected through visual observation, design documentation, and expert judgment involving three fashion design experts using a Guttman scale instrument. The data were analyzed using descriptive quantitative analysis through percentage calculations and supported by interpretative visual analysis. The results show that architectural elements of the Mohammed V Mausoleum, particularly zellij geometric motifs, Moorish arches, wall ornaments, and monumental forms, were successfully translated into a three-piece avant-garde garment consisting of a hooded cape, bustier, and flared pants. Expert evaluation indicated that most indicators achieved 100%, while several aspects related to cording structure and final architectural embodiment achieved 66.7%. The applique and tucking techniques were effective in representing geometric ornamentation and arch structures, whereas the cording technique requires further refinement in line composition and motif proportion. This study demonstrates that Islamic architecture can serve as a relevant source of creative innovation in culturally inspired avant-garde fashion and fabric manipulation exploration.
The Transformation of Uzbekistan’s Juma Mosque Architecture into Avant-Garde Fashion Through Tucking and Gathering Ruffles Techniques Dira Dwi Pramudita; Ratna Suhartini
Journal of Creative Industries and Vocational Innovation Vol. 2 No. 1 (2026)
Publisher : Universitas Negeri Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26740/visiora.v2i1.52114

Abstract

This study describes the application of Juma Mosque architecture in Khiva, Uzbekistan, as a source of inspiration for avant-garde fashion design through tucking and gathering ruffles techniques. The research employed a descriptive practice-based design approach using the Double Diamond model, consisting of Discover, Define, Develop, and Deliver stages. Data were collected through visual observation, design documentation, and expert judgment involving three design experts using a Guttman scale observation sheet. The data were analyzed using percentage calculations and descriptive interpretation. The results show that the tucking technique effectively represents the geometric ornamentation of the Juma Mosque through structured and consistent folds, while gathering ruffles successfully create volume and expressive visual effects but are less effective in directly representing the smooth dome silhouette. Expert assessment showed strong results in most indicators, including tucking suitability, avant-garde characteristics, volume formation, material selection, visual rhythm, balance, and conformity between the final product and the initial design. However, several aspects, such as dome silhouette representation, color suitability, and overall unity, still require further refinement. This study demonstrates that architectural forms can be translated into avant-garde fashion through fabric manipulation, producing a garment that combines conceptual inspiration, structural exploration, and visual aesthetics.
Design of a Campaign for the Use of Sustainable Fashion Products as a Supporting Program for the Exhibition at Upject ID Moch Ahya Fatihun Arif; Nanda Nini Anggalih
Journal of Creative Industries and Vocational Innovation Vol. 2 No. 1 (2026)
Publisher : Universitas Negeri Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26740/visiora.v2i1.52926

Abstract

Fast fashion has become one of the major contributors to textile waste due to high clothing consumption, short product life cycles, and limited public awareness of its environmental impact. This project aims to design a visual campaign that promotes sustainable fashion through Upject ID as an educational and participatory medium for young audiences. The design process employed a visual communication design approach, consisting of research, audience and media analysis, development of communication and visual concepts, content planning, media prototyping, and initial testing. The campaign was developed using a contemporary minimalist visual style with raw organic elements that reflect the characteristics of upcycled denim materials. The resulting campaign media include an upcycle donation box, brochures, flyers, hang tags, and Instagram content as supporting media for the exhibition. Initial testing showed that the campaign was able to communicate the message clearly and attractively, encourage audience interaction, and increase interest in sustainable fashion practices. This project demonstrates that an exhibition-based visual campaign can function not only as a promotional tool but also as an educational medium that supports awareness and participation in responsible fashion consumption.
Exploring the Architecture of the Amir Timur Museum as Inspiration for Avant-Garde Fashion Design Using Quilting Manipulation Amelia Marsya Akilaray; Indarti Indarti
Journal of Creative Industries and Vocational Innovation Vol. 2 No. 1 (2026)
Publisher : Universitas Negeri Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26740/visiora.v2i1.52996

Abstract

This article discusses the design process of avant-garde fashion inspired by the architecture of the Amir Timur Museum and analyzes the final garment produced using quilting techniques. The visual inspiration was derived from the museum's monumental architectural characteristics, geometric ornaments, dome structure, and symbolic values of glory, strength, and historical identity. These visual and symbolic values were translated into fashion through the exploration of silhouette, structure, color, material, and quilting manipulation as the main surface and structural technique. This study used the Double Diamond method, consisting of four stages: Discover, which involved identifying sources of ideas through literature study and visual observation; Define, which formulated the design concept through a moodboard; Develop, which focused on illustration and design development; and Deliver, which realized and evaluated the final product. The study was conducted in the Fashion Laboratory, Faculty of Vocational Studies, Universitas Negeri Surabaya. Data were collected using observation sheets involving three Fashion Design experts and were analyzed using mean scores. The final product showed that architectural elements of the Amir Timur Museum could be transformed into a structured avant-garde garment through quilting, pattern construction, material selection, and decorative detailing. Expert validation produced mean scores ranging from 4.33 to 5.00, indicating that the design quality was in the very good category.
Designing Resort Wear for Plus Size Women through Kumo Shibori Applications Yuli Yulianti Ningsih; Naufal Arafah; Wuri Handayani
Journal of Creative Industries and Vocational Innovation Vol. 2 No. 1 (2026)
Publisher : Universitas Negeri Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26740/visiora.v2i1.53567

Abstract

Plus-size women continue to face limited fashion options that accommodate body proportions while offering diverse aesthetic expressions. Existing plus-size fashion designs are often dominated by visual slimming approaches, resulting in limited exploration of alternative design perspectives. This study aims to create a resort wear design for plus-size women through the application of Kumo Shibori and crochet techniques as forms of contemporary textile craftsmanship. The study employed an artistic creation method consisting of Observation, Experimentation, Reflection, and Formation stages. Observation focused on the characteristics and needs of plus-size women as well as the exploration of resort wear, Kumo Shibori, and crochet techniques. Experimentation and reflection were conducted to determine the most appropriate design solution before being realized into a wearable garment during the formation stage. The result of this study is a resort wear design that integrates Kumo Shibori and crochet textures to create visual rhythm, textile expression, and handcrafted character. User evaluation conducted with the plus-size model who wore the garment indicated positive responses regarding comfort, mobility, visual appearance, and confidence while wearing the design. The study demonstrates the potential of textile craft techniques as an alternative approach to developing more inclusive, expressive, and representative fashion products for plus-size women.
The Islamic Dress Standards and Modest Fashion Representation among Malaysian Muslimah Icons and Celebrities Zaleha Binti Arshad; Asliza Aris; Arasinah Kamis; Hanifah Nur Istanti
Journal of Creative Industries and Vocational Innovation Vol. 2 No. 1 (2026)
Publisher : Universitas Negeri Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26740/visiora.v2i1.53633

Abstract

This article examines the representation of Islamic Dress Standards (IDS) in Malaysian modest fashion through the public visibility of Muslimah icons and celebrities. Responding to the growth of modest fashion as part of the Islamic economy and popular culture, the study aims to define IDS conceptually and operationally, analyze how Muslimah celebrities mediate Islamic values, fashion trends, and modern identity, and explain the role of social media and fashion design in shaping modest fashion representation. This study employed a qualitative narrative literature review with a conceptual-descriptive approach. The data were drawn from recent journal articles, industry reports, and publicly available representations of Malaysian Muslimah celebrities, modest fashion brands, and social media practices. The findings show that IDS operates not only as a religious guideline but also as a visual, cultural, and market framework. Malaysian Muslimah celebrities function as mediators between faith, contemporary style, and public identity; social media expands their influence; and designers translate modesty into wearable products that combine coverage, comfort, cultural identity, and fashion relevance. The article contributes to modest fashion studies by clarifying IDS as both a normative standard and a representational practice in Malaysia's Muslimah fashion culture.
Design of Surabaya T-Shirt Merchandise as a Medium for Promotion and Introduction of Historical Sites in the City of Surabaya Muhammad Raffi Oxa Anandika Prasetyo; Irhamna Nirbhaya Carreca
Journal of Creative Industries and Vocational Innovation Vol. 2 No. 1 (2026)
Publisher : Universitas Negeri Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26740/visiora.v2i1.53678

Abstract

Surabaya is a major city in Indonesia that holds significant historical importance in the struggle for independence, particularly the events of November 10, 1945, which are commemorated as Heroes' Day. The stories, figures, and historical sites in Surabaya represent valuable heritage that needs to be introduced to the younger generation. However, young people’s interest in local history tends to decline because conventional historical presentation is often perceived as less engaging. At the same time, the younger generation is closely connected to visual culture and fashion as a means of self-expression. This study aims to design Surabaya historical-site-themed T-shirt merchandise as a communicative educational and promotional medium for young adults. Specifically, the study identifies representative historical sites in Surabaya, translates their historical and visual characteristics into T-shirt designs, develops supporting merchandise and digital media, and evaluates the design through stakeholder and target-audience feedback. Using the Design Thinking method, the study produced five T-shirt designs based on the Heroes Monument, Tunjungan Street, Hotel Majapahit, the Old Town, and the Red Bridge. The results show that minimalist architectural line-art, bold typography, limited historical color accents, short descriptions, coordinates, and QR-code-linked Instagram content can connect historical information with a contemporary fashion format. Stakeholder and user testing indicated that the designs were historically recognizable and visually relevant, although several technical revisions were needed in coordinate placement, front-back layout consistency, and line thickness. Therefore, Surabaya historical-themed T-shirt merchandise can function as an alternative medium for historical education, local identity promotion, and heritage-based creative products.
Avant Garde Fashion Design with Kalta Minor Tower Inspiration Using Weaving Techniques Lyra Harum Ramadhan; Indarti Indarti
Journal of Creative Industries and Vocational Innovation Vol. 1 No. 2 (2025)
Publisher : Universitas Negeri Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26740/visiora.v1i2.54428

Abstract

This study addresses the problem of how cultural architecture can be translated into avant-garde fashion through a textile manipulation method that functions as both structure and ornament. The objectives were to describe the design process of an avant-garde garment inspired by the Kalta Minor Minaret in Khiva, Uzbekistan, and to evaluate the final garment based on expert assessment. The study employed a design-based approach using the Double Diamond model, consisting of Discover, Define, Develop, and Deliver stages. Data were obtained through visual exploration, moodboard development, design alternatives, technical drawings, garment construction, runway presentation, and expert assessment. Three fashion experts were selected purposively based on their competence in fashion design, garment construction, textile manipulation, and runway presentation. The evaluation used an 18-item rubric covering six aspects: avant-garde silhouette, concept suitability, creativity and innovation, weaving technique application, material and technique, and runway visual appearance. Each item was rated on a five-point scale and interpreted using predetermined score intervals. The architectural characteristics of the Kalta Minor Minaret, including its vertical silhouette, geometric ornamentation, turquoise color identity, and monumental rhythm, were translated into woven bodice structures, sleeves constructed with the smocking technique, an asymmetrical skirt, and decorative finishing details. The final garment achieved an overall score of 252 out of 270 and an overall mean of 4.67, categorized as very good. The highest result was obtained for runway visual appearance, while concept suitability and material-technique aspects indicated areas for refinement. The findings show that the weaving technique can function as a structural and conceptual medium for translating cultural architecture into contemporary avant-garde fashion.
Storytelling-Based Cultural Heritage Engagement for Children at Historical Tourism Sites: A Literature Review for Creative Industry Development Han Xu; Fithriyah Inda Nur Abida; Indarti Indarti
Journal of Creative Industries and Vocational Innovation Vol. 2 No. 1 (2026)
Publisher : Universitas Negeri Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Historical tourism sites contain cultural, architectural, symbolic, and social meanings that may be difficult for school-age children to interpret through factual explanation alone. This narrative literature review examines how storytelling can support heritage engagement among children aged approximately 6–12 years and how this engagement can inform creative-industry development. Fourteen academic and institutional sources published between 1990 and 2025 were purposively synthesized across five themes: heritage interpretation, child-centered learning, site-based experience, digital and transmedia storytelling, and creative-industry pathways. The reviewed literature indicates that oral, visual, performative, digital, and gamified storytelling can support imagination, emotional connection, inquiry, and cultural awareness when narratives are linked to authentic places and participatory activities. Potential creative outputs include educational tours, children’s publishing, animation, games, augmented and virtual reality, workshops, performances, and culturally grounded merchandise. The article proposes a five-stage framework connecting heritage resources, child-centered narrative design, site-based experience, creative production, and cultural engagement outcomes. Its contribution is to integrate educational, heritage, and creative-industry perspectives while emphasizing historical accuracy, community participation, child safeguarding, accessibility, intellectual property, and fair benefit sharing. Because the review is narrative and based on a limited purposive corpus, the framework requires further testing through site-specific empirical studies

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