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Priangan Journal of Islamic Sundanese Culture
Published by Universitas Islam Negeri Sunan Gunung Djati Bandung
ISSN : -     EISSN : 29625297     DOI : -
Core Subject : Humanities,
Humanities
Priangan memiliki perspektif tentang Budaya Islam Sunda. Jurnal ini bertujuan untuk menyajikan dan membahas beberapa isu yang berkaitan dengan Budaya Islam Sunda. Area fokusnya meliputi Budaya Islam Sunda, tradisi lokal di Wilayah Priangan, seni bangunan tradisional Sunda, warisan Islam masyarakat Sunda, dan hal-hal lain yang berkaitan dengan komunitas Sunda. Priangan bertujuan untuk menyediakan media bagi mahasiswa, praktisi, peneliti, akademisi, dan lainnya untuk mempublikasikan penelitian mereka di bidang Budaya Islam Sunda. Priangan menerima artikel di bidang fokus terkait dan metodologi penelitian apa pun yang memenuhi standar yang ditetapkan untuk publikasi dalam jurnal. Kriteria utama untuk publikasi di Priangan adalah signifikansi kontribusi artikel terhadap literatur dan praktik dalam studi Budaya Islam Sunda. Priangan menerima artikel dari penulis dari lembaga nasional dan internasional.
Arjuna Subject : Seni dan Humaniora - Sejarah
Articles 55 Documents
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Sejarah Perkembangan Sanggar Sunda Lugina 2014-2024 Fauzan Azhiman
Priangan: Journal of Islamic Sundanese Culture Vol. 5 No. 1 (2026): Priangan: Journal of Islamic Sundanese Culture
Publisher : UIN Sunan Gunung Djati Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15575/priangan.v5i1.55354

Abstract

Penelitian ini membahas perkembangan Sanggar Sunda Lugina di Desa Rancakalong, Kabupaten Sumedang, dalam kurun waktu 2014–2024. Latar belakang penelitian ini didasarkan pada adanya transformasi sistem pewarisan kesenian tradisional Tarawangsa yang sebelumnya bersifat tertutup berbasis garis keturunan menjadi sistem terbuka melalui lembaga sanggar. Tujuan penelitian ini adalah untuk menganalisis latar historis berdirinya Sanggar Sunda Lugina serta mengkaji dinamika perkembangannya dalam konteks pelestarian budaya lokal di era globalisasi. Metode yang digunakan adalah metode penelitian sejarah yang meliputi tahapan heuristik, kritik sumber, interpretasi, dan historiografi. Data diperoleh melalui studi dokumen, wawancara dengan tokoh utama dan anggota sanggar, serta observasi terhadap aktivitas kesenian. Analisis penelitian menggunakan pendekatan strukturalisme kebudayaan untuk melihat hubungan antara perubahan struktur luar dan keberlangsungan nilai-nilai budaya sebagai struktur dalam. Hasil penelitian menunjukkan bahwa Sanggar Sunda Lugina mengalami perkembangan signifikan sejak tahun 2014 dengan ditandai oleh penguatan kelembagaan, pembangunan Bale Ageung sebagai pusat kegiatan, serta penerapan sistem pendidikan budaya yang inklusif. Sanggar ini juga mampu beradaptasi terhadap perubahan zaman melalui inovasi digital pada masa pandemi serta memperluas jangkauan budaya ke tingkat internasional. Meskipun mengalami perubahan dalam aspek organisasi dan praktik pertunjukan, nilai-nilai sakral dan filosofi kesenian Tarawangsa tetap dipertahankan. Dengan demikian, Sanggar Sunda Lugina tidak hanya berperan sebagai lembaga pelestarian budaya, tetapi juga sebagai agen transformasi sosial dan budaya yang adaptif dan berkelanjutan.
Peran KH. Usman Dhomiri Dalam Memperjuangkan Kemerdekaan Indonesia di Kota Cimahi Jawa Barat (1930-1950) Fahim
Priangan: Journal of Islamic Sundanese Culture Vol. 5 No. 1 (2026): Priangan: Journal of Islamic Sundanese Culture
Publisher : UIN Sunan Gunung Djati Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15575/priangan.v5i1.57231

Abstract

This study examines the role of KH. Usman Dhomiri in the struggle for Indonesian independence in the city of Cimahi, West Java, from 1930 to 1950. The research aims to explore Dhomiri’s life background and his role in the independence struggle at the local level. It employs the historical method, comprising four stages: heuristics, source criticism, interpretation, and historiography. Primary and secondary sources are drawn from archives, interviews, books, journals, and relevant academic works. The findings reveal that KH. Usman Dhomiri served not only as a religious scholar and disseminator of the Tijaniyah tarekat, but also as a struggle leader who integrated religious preaching with anti-colonial resistance. Through his religious gatherings, the establishment of the Baiturrohmah Mosque, and the formation of the Hizbullah and Fisabilillah militias, Dhomiri built a socio-religious network that became the foundation of Cimahi’s struggle against Dutch and Allied forces. The study concludes that Dhomiri’s role reflects the integration of religious leadership, social engagement, and physical struggle in advancing Indonesian independence at the local level, particularly in Cimahi.
Masjid, Perkembangan, Arsitektur Perkembangan Masjid Besar Ciparay Dan Transformasi Arsitekturnya Dari Neo-Vernakular Ke Modern (1980-2021) Lutfi Naufal Ihsan; Mardani
Priangan: Journal of Islamic Sundanese Culture Vol. 5 No. 1 (2026): Priangan: Journal of Islamic Sundanese Culture
Publisher : UIN Sunan Gunung Djati Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15575/priangan.v5i1.58109

Abstract

The Ciparay Grand Mosque is a sub-district mosque used for Islamic worship and religious practices. This mosque is active in various activities and events. The mosque's facilities from the old to the new show a trend towards improvement. The architectural changes differ from the previous one because the building has experienced damage in various parts. Initially using a neo-vernacular architectural style, it has changed to a modern architectural style. With two contrasting architectures, it must first be discussed to be accepted. The impact of these changes not only affects the mosque building, but also its management. The method used in this study is the historical research method. The steps are heuristics, criticism, interpretation, and historiography. The theory used is Stuart McPhill Hall's representation theory. Architecture is related to the ideas that underlie it. The results of this study are as follows: First, the development of various activities at the Ciparay Grand Mosque is that there is no dominant mass organization; all can use the mosque equally. The imam alternates during Obligatory Prayers and Friday Prayers. Both mosques have undergone significant architectural changes. Originally built in the 1980s, the architecture was neo-vernacular, characterized by a three-tiered pyramid-shaped shingle roof and a predominance of wood. In 2019, the mosque underwent renovations involving various parties. In 2021, the architecture was modern, characterized by tall pillars, a large dome, a predominance of modern materials, and a new lighting system.
Intelektual Muslim Priangan dan Gerakan Pembaharuan Islam: Studi Kasus K.H. Mustofa Kamil (1900–1945) Yan Nurcahya
Priangan: Journal of Islamic Sundanese Culture Vol. 5 No. 1 (2026): Priangan: Journal of Islamic Sundanese Culture
Publisher : UIN Sunan Gunung Djati Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15575/priangan.v5i1.58311

Abstract

This study examines the role of K.H. Mustofa Kamil as an influential Priangan Muslim intellectual in the Islamic renewal movement in Garut during the period 1900–1945. The focus of the study is directed at his ideas, da'wah strategies, and his contribution in transforming the religious practices of local communities through educational approaches, teaching modernist scriptures, and restructuring religious traditions. As a figure who lived during the colonial transition period, K.H. Mustofa Kamil presents a synthesis between the pesantren tradition and the reformist ideas that developed in the Islamic world in the early 20th century. Using historical research methods that include heuristics, source criticism, interpretation, and historiography, this study traces primary and secondary sources in the form of colonial archives, pesantren records, interviews with his descendants and students, and literature on the Islamic renewal movement in Indonesia. The analysis shows that K.H. Mustofa Kamil played a role as an agent of renewal who introduced the rationalization of religious practices, an emphasis on the purity of faith, and a strengthening of the ethos of modern Islamic education. The research findings confirm that the reform movement in Garut was influenced not only by global modernism but also by local intellectual dynamics, represented by figures such as K.H. Mustofa Kamil. His contributions provided a crucial foundation for the development of modern Islam in East Priangan and demonstrated that the process of religious renewal in the region was not simply the adoption of external ideas, but rather the result of creative adaptation by local actors. Keywords: K.H. Mustofa Kamil; Islamic Reform; Priangan Intellectuals; Garut; Islamic Modernism; Social and Religious History.
KIPRAH DODONG DJIWAPRAJA DALAM PERKEMBANGAN PUISI INDONESIA TAHUN 1948-1973 Mayang Andani; Widiati Isana
Priangan: Journal of Islamic Sundanese Culture Vol. 5 No. 1 (2026): Priangan: Journal of Islamic Sundanese Culture
Publisher : UIN Sunan Gunung Djati Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15575/priangan.v5i1.55999

Abstract

Modern Indonesian poetry has experienced major developments since the 20th century, marked by changes from old poetry bound by rhyme rules to modern poetry that is freer in expressing meaning and language, especially since the Generation of 45. In this development, Dodong Djiwapraja appeared as a poet who combined humanitarian reflection, social criticism, spirituality, and modern aesthetics in his works, but his work has rarely received attention in Indonesian literary studies. Therefore, this study was conducted to examine the role of Dodong Djiwapraja in the development of Indonesian poetry, with the aim of knowing the biography and role of Dodong Djiwapraja in the development of Indonesian poetry in 1948-1973 using historical research methods that include heuristics, source criticism, interpretation, and historiography. The findings show that Dodong Djiwapraja is a writer and intellectual who was formed from a Sundanese rural background, Islamic values, and historical experience. Dodong Djiwapraja's poetry has shown a long and gradual development since its inception in 1948 until it reached aesthetic maturity in the early 1970s. This journey demonstrates a continuous shift in thematic and aesthetic orientation, but rather interconnected in a consistent line of development. Keywords: Dodong Djiwapraja, Poetry, Indonesian Literature, Angkatan 45, Sundanese Culture

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