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<![CDATA[PENGARUH TERPAAN KAMPANYE KPU GOES TO CAMPUS DAN BERITA SANKSI PIDANA MENGAJAK ORANG LAIN GOLPUT TERHADAP INTENSI PERILAKU ANTI GOLPUT ]]>
<![CDATA[Apriliana, Jennifer]]>;
<![CDATA[Setyabudi, Djoko]]>;
<![CDATA[Nugroho, Adi]]>
<![CDATA[ Interaksi Online Vol 12, No 2: April 2024 ]]>
Publisher : <![CDATA[Jurusan Ilmu Komunikasi, FISIP, Universitas Diponegoro ]]>
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<![CDATA[General elections in a democratic country are carried out to elect a figure as the leader of the country so that all citizens are obliged to vote well and be able to create maximum leadership formation in a country. But in reality, Indonesia, as a democratic country, still has a few percent of people who are apathetic towards politics by abstaining from abstention. This research uses explanatory quantitative research methods and the Theory of Planned Behavior as a framework. Based on hypothesis testing, exposure to the KPU Goes to Campus campaign and news of criminal sanctions inviting other people to abstain had an effect of 13.4% on anti-abstention behavior intentions and had a significance value of 0.001 < 0.05, therefore it can be concluded that the higher the level of exposure to the KPU Goes to Campus campaign and news of criminal sanctions inviting other people to abstain, the higher the anti-voting behavior intentions that appear in a person]]>
<![CDATA[Bingkai Media Lokal Kalimantan Timur Terhadap Pemindahan Ibu Kota Negara (IKN) ]]>
<![CDATA[Noviananda, Dhandy]]>;
<![CDATA[Hasfi, Nurul]]>;
<![CDATA[Nugroho, Adi]]>
<![CDATA[ Interaksi Online Vol 12, No 2: April 2024 ]]>
Publisher : <![CDATA[Jurusan Ilmu Komunikasi, FISIP, Universitas Diponegoro ]]>
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<![CDATA[The relocation of the National Capital has become a topic of discussion for the Indonesian people, where the relocation of IKN is a topic that is very rarely discussed because of the statement made by Indonesian President Joko Widodo which will move the Indonesian National Capital from DKI Jakarta to East Kalimantan Island, more specifically North Penajam Paser. . From the statement of the President of the Republic of Indonesia, the public has an opinion regarding the relocation of the country's capital, which is DKI Jakarta. The national media has an opinion based on how they report on the relocation of IKN. There are those who support it, there are also those who reject it. This research will discuss the attitude of the local East Kalimantan media regarding the statement regarding the relocation of IKN. By using framing analysis, Zhongdang Pan and Gerald M Kosicki. Researchers selected and analyzed 10 news stories from local media Tribunkaltim which were the research subjects, namely Tribunkaltim with a news period of 1-30 March 2022. The results of this research found that the local online media tribunkalitm used 3 themes in reporting on the relocation of the National Capital, namely: (1) Society (2) Potential Natural Disasters (3) Government preparations that were not optimal. These 3 themes show the framing that rejects the relocation of IKN. Tribunkaltim was seen using local community sources for the content of Tribun Kaltim's news where the community was worried about the relocation of IKN which was placed in North Penajam Paser. Tribun Kaltim also expressed its rejection on the grounds that the IKN buffer villages have the potential for natural disasters and reported that preparations for the IKN relocation were not optimal in terms of preparation. In this case, Tribunkaltim applies framing of a topic or event in society for the needs of society or the media itself. Tribunkaltim framed the relocation of IKN as not providing benefits to the community and also lacking thorough preparation in planning the relocation. The framing carried out by Tribunkaltim shows the media's attitude towards the relocation of IKN promoted by the government by rejecting it by framing the Community. and also shows how the government has less than optimal preparations in preparing for the relocation of IKN.]]>
<![CDATA[PEMAKNAAN KHALAYAK TERHADAP KEMARAHAN PEREMPUAN DALAM DRAMA KOREA THE GLORY ]]>
<![CDATA[Ardani, Fransisca]]>;
<![CDATA[Nur Suryanto Gono, Joyo]]>;
<![CDATA[Dwiningtyas Sulistyani, Hapsari]]>
<![CDATA[ Interaksi Online Vol 12, No 2: April 2024 ]]>
Publisher : <![CDATA[Jurusan Ilmu Komunikasi, FISIP, Universitas Diponegoro ]]>
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<![CDATA[Women's anger expressions are often debated and tend to be rejected as irrational. On the other hand, the expression of anger of women who are victims of bullying is highlighted as an interesting aspect of the Korean drama The Glory, which is expressed through acts of revenge against the perpetrators who bullied them.The Glory was liked and watched by many viewers and also received various comments regarding the expression of anger of women who were victims of bullying and acts of bullying on social media. This research aims to describe the audience's interpretation of women's anger in the Korean drama The Glory. This research uses active audience theory, audience reception theory, and the semiotic analysis method by John Fiske to see the dominant meaning or preferred reading as well as the reception analysis method by Stuart Hall to determine the informant's position of meaning. The results of this research show that the five male and female informants, with different backgrounds and experiences, show a tendency for informants to be in a negotiated position regarding the dominant meaning displayed in the text. Two informants who had been victims of bullying were in a dominant position in interpreting expressions of anger in the Korean drama The Glory. On the other hand, three informants, namely one informant who had contact with the victim of bullying, were in a negotiating position and two informants who were not or had never been victims of bullying were in a negotiating position. Thus, the findings of this study found that there was a disclosure of women's power regarding women's expressions of anger. This research also shows that there is a film strategy by showing women's expressions of anger as victims of bullying that can be accepted by the audience, namely by taking revenge in a strategic and tactical way based on the crimes committed by the perpetrators of the bullying.]]>
<![CDATA[PENGARUH INTENSITAS MENONTON LIVE STREAMING PENJUALAN (LAZLIVE) DI LAZADA DAN AKTIVITAS WORD OF MOUTH TERHADAP MINAT BELI DI LAZADA ]]>
<![CDATA[Nur Fadila, Jihan]]>;
<![CDATA[Lukmantoro, Triyono]]>;
<![CDATA[Manalu, Rouli]]>
<![CDATA[ Interaksi Online Vol 12, No 2: April 2024 ]]>
Publisher : <![CDATA[Jurusan Ilmu Komunikasi, FISIP, Universitas Diponegoro ]]>
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<![CDATA[Competition between e-commerce makes each platform compete with each other's strategies. Not wanting to be less competitive with its competitors, Lazada created a sales feature via live streaming in 2019. This feature is called LazLive which is expected to be able to increase the number of sales or transactions at Lazada. In fact, the number of transactions and sales at Lazada is at the bottom compared to its competitors. Especially with the momentum of Harbolnas 12.12 2023, of course this momentum is an opportunity for business owners to maximize their sales. A person's desire to buy a product is influenced by assessments originating from word-of-mouth activities. The purpose of this research is to determine the influence of the intensity of watching live streaming sales (LazLive) on Lazada and word of mouth activity on buying interest on Lazada. The theories used in this research are Cognitive Response Theory and Traditional Word Of Mouth Communication Theory. This research used a sample of 60 people aged 18-55 years who had watched, heard, and carried out word of mouth activities both online and offline about LazLive and lived on the island of Java. The sampling technique for this research uses non-probability with a purposive sampling method approach. The research results show that there is a significant influence on the variable intensity of watching live streaming sales (LazLive) on Lazada (X1) on buying interest on Lazada (Y), a significance value of 0.001 is obtained, where this figure is smaller or less than (<) 0.05 with a regression coefficient of 0.098. Likewise, for the word of mouth activity variable (X2) on buying interest at Lazada (Y), a significance value of 0.000 was obtained, where this number is smaller or less than (<) 0.05 with a regression coefficient of 0.080, which means it is significant and there is an influence.]]>
<![CDATA[Participatory Culture of Arctic Monkeys’ Fandom in Indonesia Through Instagram ]]>
<![CDATA[I. Nabila, Dethisa]]>;
<![CDATA[Lukmantoro, Triyono]]>;
<![CDATA[Hasfi, Nurul]]>
<![CDATA[ Interaksi Online Vol 12, No 2: April 2024 ]]>
Publisher : <![CDATA[Jurusan Ilmu Komunikasi, FISIP, Universitas Diponegoro ]]>
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<![CDATA[Drawing on theories of participatory culture, social identity, and new media, the study investigates how fans interact and express themselves in this digital context. This qualitative study employs a textual analysis approach, to examine the comments left by followers on the Instagram feed posts of the @arcticmonkeysindonesia account. The research delves into the rich data obtained through comment extraction, exploring the variety of perspectives and narratives woven within the online fan community. The research findings suggest that Instagram is a key platform for Arctic Monkeys fans in Indonesia to engage with the band, each other, and the broader fan community. Fans use Instagram to share and discuss music, news, and personal experiences, as well as to create and share fan art, memes, and other creative content. This participatory culture provides fans with a space to connect with others who share their love of the band, express their own identities, and build community.]]>
<![CDATA[UNDERSTANDING THE SPEECH CODES OF TOLERANCE IN CONSERVATIVE COMMUNITY ]]>
<![CDATA[Aldana, Dava]]>;
<![CDATA[Dwiningtyas Sulistyani, Hapsari]]>;
<![CDATA[Qurrota Ayun, Primada]]>
<![CDATA[ Interaksi Online Vol 12, No 2: April 2024 ]]>
Publisher : <![CDATA[Jurusan Ilmu Komunikasi, FISIP, Universitas Diponegoro ]]>
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<![CDATA[This interpretive qualitative research has aim to understand the speech code and logic of tolerance in conservative community. Based on the Ethnography of Communication, data is collected through WhatsApp groupchat and interview which later analysed with The Speech Code Theory (Gerry Philipsen) that resulting codes of tolerance that then elaborated using Social Identity Theory (Tajfel&Turner) in generating codes. The result of this research is: first, Code of Honor and Dignity. This code creates logic of Victim Perspective, namely the feeling of the ingroup as victims of getting pitted against each other by the outgroup which is based on the concept of Aqidah and Morals that the ingroup believed in. Second, the dominant code referring to Code of Outgroup namely act of excluding outgroup due to differences of perspective from each religion. This code also arises in fellow Muslim that has different ways in interpreting Islam. The logic appears due to protecting fellow Muslim from influence of the non-Muslim where later represent the existence of stratification among Muslim. Third, Phrases for Moral Judgments and codes of Prejudice emerging logic of moral and prejudice. This logic refers to direct judgments for outgroup based on moral superiority feeling of ingroup with the purpose of revealing the true face of Islam based on Quran and Hadist, where later arises group identity as the true believer of Islam. Those identity arises due to the urge of improving the face of Islam that perceived as old fashioned, radical, or even terrorist. However, code of non-verbal also arises in the chatgroup as a complimentary during conversation.]]>
<![CDATA[PENDIDIKAN SEKSUAL ONLINE UNTUK REMAJA: NARASI KONTEN DAN KOMENTAR DI TABU.ID ]]>
<![CDATA[Alda Retania, Vira]]>;
<![CDATA[Hasfi, Nurul]]>;
<![CDATA[Luqman, Yanuar]]>
<![CDATA[ Interaksi Online Vol 12, No 2: April 2024 ]]>
Publisher : <![CDATA[Jurusan Ilmu Komunikasi, FISIP, Universitas Diponegoro ]]>
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<![CDATA[This research describes the situation of sexual education in Indonesia, where "sex" is still considered taboo and there are many misconceptions about sexuality. Parents, schools, and mass media still provide inadequate information, leading adolescents to seek information from social media platforms like Instagram. In this context, the Instagram account @tabu.id plays a significant role in providing comprehensive sexual education and reproductive health. This study explores the narratives presented by @tabu.id in its sexual education content and the culture reflected through Instagram users' responses to that content. The research employs an interpretive paradigm with theories of Computer Mediated Communication and New Media. A qualitative approach using the netnography method is utilized to analyze 20 posts from @tabu.id with the highest likes and comments from January 2022 to September 2023. The findings reveal 5 categories in the Sexual Education and Reproductive content uploaded by Tabu.id: Sexual Orientation and Gender, Sexual and Reproductive Health, Relationships, Sexual Activities, and Sexual Violence. Tabu.id has facilitated significant open discussions about sexual education and reproduction on its Instagram account. Through discussions in the comment section, netizens exchange experiences and information, reflecting openness, inclusivity, and courage to discuss issues of sexual education, highlighting the importance of social media in voicing opinions on taboo and sensitive issues like sexual education and reproduction.]]>
<![CDATA[REPRESENTASI MUSLIM DALAM SERIAL MS. MARVEL (2022) ]]>
<![CDATA[Adiyatma, Irfandhika]]>;
<![CDATA[Rahardjo, Turnomo]]>;
<![CDATA[Yusriana, Amida]]>
<![CDATA[ Interaksi Online Vol 12, No 2: April 2024 ]]>
Publisher : <![CDATA[Jurusan Ilmu Komunikasi, FISIP, Universitas Diponegoro ]]>
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<![CDATA[The world of Hollywood films often presents Muslim identity as a secondary group related to acts of terrorism. This is due to several events in the past such as the events of September 9 2001. Since then Muslims have received a lot of discrimination from American society and are seen as a cruel and violent identity. After 21 years have passed, a superhero series by Marvel has emerged, namely Ms. Marvel. This series is a bold breakthrough from the MCU (Marvel Cinematic Universe) because it promotes Muslim identity as the main character. The aim of this research is to find out how Muslims are represented in the Ms. Marvel. This research uses qualitative research methods with a constructivism paradigm. The theory used in this series is Identity Negotiation Theory proposed by Stella Ting-Tomey using John Fiske's semiotic analysis method. The results of this research show that Muslim identity is displayed positively but still only partially. Positive Muslims can be seen through the depiction of Muslims as an identity that is equal to other cultural identities. This equality can be seen through various aspects such as camera angles that use eye level angles, the appointment of Muslims as main characters, and the friendship between Kamala and Bruno. Apart from that, positive Muslims are also depicted through aspects of the characterization of Muslim characters that seem humorous, dialogue that is not related to terrorism, as well as other aspects such as worship gestures that reflect a religious nature. However, unfortunately this depiction is still partial because Kamala's character is depicted as not wearing a hijab. The hijab is a mandatory attribute for a Muslim woman, but in this series, Kamala is shown wearing the hijab in only a few scenes. Suggestions for further research are to examine how Muslim identity is linked to other American minority identities such as Jews, blacks, Asians and others, using other semiotic analysis methods such as Umberto Eco or Roland Barthes.]]>
<![CDATA[REPRESENTASI EMANSIPASI WANITA DALAM BUDAYA JAWA PADA FILM KARTINI (2017) ]]>
<![CDATA[Ayudia Putri, Rakhma]]>;
<![CDATA[Rahardjo, Turnomo]]>;
<![CDATA[Lukmantoro, Triyono]]>
<![CDATA[ Interaksi Online Vol 12, No 2: April 2024 ]]>
Publisher : <![CDATA[Jurusan Ilmu Komunikasi, FISIP, Universitas Diponegoro ]]>
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<![CDATA[The dissemination of values brought by films as mass media can influence society in constructing ideologies. In media ecology theory, media are considered more than just channels for message transmission; the inherent nature of the medium can be key to a social impact. This includes how various gender aspects regarding the portrayal of women's roles in films can affect societal perspectives and ideologies. "Kartini" (2017) is a biopic depicting the life journey of R.A. Kartini, a national female figure originating from Java who pioneered the women's emancipation movement in Indonesia. This research examines how the representation of women's emancipation is depicted through symbols in the film "Kartini" (2017) and how gender relations occur in feudal Java. This study employs qualitative descriptive research focusing on how Javanese culture can influence gender relations and power dynamics. Representation is conducted using John Fiske's semiotic analysis method, The Codes of Television, which examines the unit of analysis through three levels of social codes: reality, representation, and ideology. The research findings reveal that the representation of women's emancipation struggle in the film "Kartini" (2017) depicts women's roles as agents of resistance, challenging cultural norms and patriarchal ideologies that limit women's mobility within the entrenched patriarchy of Javanese culture. Patriarchy, through Javanese cultural traditions and values, legitimizes the subordination of women, thus necessitating emancipation movements to achieve physical, intellectual, and social liberation as a form of resistance against patriarchal hegemony. The representation of women's emancipation in the film "Kartini" (2017) illustrates how contradictions and negotiations are undertaken by women to drive social change and achieve gender equality.]]>
<![CDATA[PEMAKNAAN KHALAYAK TERHADAP PERFORMATIVITAS GENDER DALAM FILM KUCUMBU TUBUH INDAHKU ]]>
<![CDATA[Erica Pinasthika, Emilia]]>;
<![CDATA[Hasfi, Nurul]]>;
<![CDATA[Manalu, Rouli]]>
<![CDATA[ Interaksi Online Vol 12, No 2: April 2024 ]]>
Publisher : <![CDATA[Jurusan Ilmu Komunikasi, FISIP, Universitas Diponegoro ]]>
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<![CDATA[This study was conducted to understand the interpretation of millennial parents in Semarang City regarding gender performativity in the film "Kucumbu Tubuh Indahku." Gender performativity based on Judith Butler's perspective views gender as non-binary, where individuals may enact their gender differently over time based on their experiences and contexts. This qualitative descriptive research used Stuart Hall's reception analysis method to discover the audience's reception towards gender performativity in “Kucumbu Tubuh Indahku” and John Fiske's semiotic analysis to identify the preferred readings offered by "Kucumbu Tubuh Indahku”. The result revealed that (1) Tolerance towards gender diversity can be accepted by the public to achieve gender inclusivity. (2) Audiences encountered certain limitations in accepting gender performativity due to conflict with their cultural and religious beliefs (3) There is a correlation between the individuals’ background and their acceptance towards gender performativity. The research findings indicate that the audiences' backgrounds shape their receptions towards media (film).]]>
