cover
Article Per Year (5 Year)
All
Home Page
OAI Link
Editorial Team
Contact
Reviewer
Google Scholar
Contact Name
Suryo Tri Widodo
Contact Email
jurnal.ars@isi.ac.id
Phone
+6281353937626
Journal Mail Official
jurnal.ars@isi.ac.id
Editorial Address
Fakultas Seni Rupa dan Desain, Institut Seni Indonesia Yogyakarta, Jl. Parangtritis Km. 6,5 Sewon, Bantul, D. I. Yogyakarta, 55188, Indonesia
Location
Kab. bantul,
Daerah istimewa yogyakarta
INDONESIA
Ars: Jurnal Seni Rupa dan Desain
Published by Institut Seni Indonesia Yogyakarta
ISSN : 18297412     EISSN : 25807374     DOI : https://doi.org/10.24821/ars.v27i3
Core Subject : Humanities, Art,
Arts Humanities
Ars: Jurnal Seni Rupa dan Desain merupakan jurnal ilmiah berkala yang diterbitkan oleh Fakultas Seni Rupa dan Desain, Institut Seni Indonesia Yogyakarta. Jurnal ini bertujuan memublikasikan karya ilmiah berupa hasil penelitian, penciptaan, pengkajian, serta studi pustaka di bidang seni rupa, kriya, dan desain. Ars: Jurnal Seni Rupa dan Desain terbit tiga kali dalam setahun, yaitu pada periode Januari–April, Mei–Agustus, dan September–Desember. Sejak volume 21 tahun 2018, Ars telah terakreditasi Sinta 4, dan seluruh artikel yang diterbitkan telah dilengkapi dengan DOI (digital object identifier).
Arjuna Subject : -
Articles 249 Documents
 4   5   6   7   8 
BARABUDUR DARI SISI BENTUK Prof. Soedarso Sp., M.A.
Ars: Jurnal Seni Rupa dan Desain No. 2 - Februari 2005
Publisher : Fakultas Seni Rupa dan Desain, Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/ars.v1i2.238

Abstract

Ketika artikel ini ditulis, bulan Mei 2004 baru saja lewat. Pada wakru itu, masyarakatBudhis memperingati hari Waisak yang dipercaya sebagai peringatan dari liga peristiwa pcniingdalam agama Budha, khususnya dalam kehidupan Sang Budha Gautama, yaitu han lahir SangSiddharta, saat tercapainya Penerangan Sempurna di bawah pohon bodhi, dan hari wafatnyaatau hari tcrcapainya parinirwana. Di sampingitu, saat ini Barabudur sedangdiperebutkan olehbanyak fihak untuk dijual kepada turis pada saat penduduk di sekitar Barabudur sedang resahdan ekonomi sedang menjadi mahkota kebudayaan dan menentukan code o j conduct masyarakatkita di semua sektor kehidupan, serta menentukan pula apakah “ Pasar Seni Jagad Jawa” atau“Shopping Street” perlu didirikan di kompleks Barabudur. Pada saat dan kondisi seperti itu,penulis ingin mengetengahkan kembali Barabudur, meminta kembali ingatan masyarakatmelalui jalur kebudayaan, tentu terutama dari sisi bentuknya, karena bentuk stupa Barabudursangatlah unik.
WEBLOG: ALTERNATIF MEDIA PROMOSI BAGI SENIMAN Joko Subiharto
Ars: Jurnal Seni Rupa dan Desain No. 6/September - Desember 2007
Publisher : Fakultas Seni Rupa dan Desain, Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/ars.v1i1.263

Abstract

As an artist, the key to promoting more artwork is maximizing its exposure. The internet is anincreasingly popular tool for promoting original art, unci if done properly, can be quite profitable. One o f themost effective (and free!) online marketing tools for artists is the blog. Artist blogs provide an easy way todisplay your art, discuss your creative process, post exhibition announcements and more. Best o f all, blogsrequire no working knowledge o f HTML and the search engines love their dynamic content.1Key words: weblog, promotion, artist
JEJAK – JEJAK RUMAH JAWA DALAM TRADISI INDONESIA LAMA Martino Dwi Nugroho
Ars: Jurnal Seni Rupa dan Desain Vol 1, No 10: Januari-April 2009
Publisher : Fakultas Seni Rupa dan Desain, Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/ars.v1i10.111

Abstract

One of the result of culture which representing Indonesian resident creativity is architecture, in this case is Javanese house. [The] mentioned proved with many archaeological fact. Division of time dimension based to the Hindu Budha period and Islamic period. The data got from pictorial data, verbal data, and architectural data. Classic Javanese house, having marking: Building construction from wood representing pillar stand up above of land, having gallery of mine and without space winnow. Old Majapahit house, having marking : building construction from wood standing above batur and still there is no permanent constrictor. its Roof covered by tiles. Final Majapahit house, having characteristic : it is equal to Old Majapahit house but have had permanent constrictor. The Javanese house have building system called rumah kolong or rumah panggung. The Javanese house at Islamic period that is Yogyakarta Kingdom have started to recognize west technology that is with use of its material even conception Hindu still very obvious. Besides esthetics element start to be applied that is with use of the ornament. Besides knowledge about developing house start to be booked written of manuscript about technique making of Javanese house called kawruh kalang.Keywords: Javanese house, history, Javanese temples, pictorial data, verbal data, architectural data
KERAMIK GANESHA F. WIDAYANTO DALAM PERSPEKTIF STRUKTURALISME LEVI-STRAUSS’ Indro Baskoro Miko Putro, S.Sn.
Ars: Jurnal Seni Rupa dan Desain No. 3 November 2006
Publisher : Fakultas Seni Rupa dan Desain, Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/ars.v1i3.227

Abstract

Ceramics o f Ganesha by F. Widayaitto represent the expressive works o f art, which different fromthe sculptures o f Ganesha as the deity in Hindu mythology during Hie time we recognized. Pursuant tocharacteristic exist in both, and so its can be detailed and then be compared to and analyzed. One o f thecorrect perspectives to analyze these kinds o f expressive arts is the Structuralism perspective i f Levi-Strauss. I low this paradigm can decompose and give the solutions to the problems o f expression arl will beformulated later in this article.Key words: Ceramics, Ganesha, The expressive works o f art, Hindu mythology, The Structuralismperspective o f Levi-Strauss.
ILUSTRASI, ILUSTRATOR, DAN CERPEN FX. ruWidyatmoko
Ars: Jurnal Seni Rupa dan Desain No. 5 / Mei - Agustus 2007
Publisher : Fakultas Seni Rupa dan Desain, Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/ars.v2i5.252

Abstract

According to most people, an illustration is understood as a complimentary, decorative picturewhich is used to clarify the idea o f a text as well as to support the atmosphere created front the text. This isapplied tc the illustration o f short stories published in Kompas. Even though these arc "different" from thetext, they are still based upon the text. It is clear that there is no need to investigate whether an illustration isrelated to the short story or not. The problem remains that either there is a new interpretation towards thetext as a result o f the “difference’’, or that the illustration is merely decorative, as most people believe.TJtis composition offers a different perspective in examining illustrations, especially those whichaccompany short stories in Kompas the same topic discussed by Effendi in "llustrasi dan Cerpen",published in the journal ARS, No. 04, January-April 2007 (p. 56-58). It thus provides an alternative readingo f Effendi’s ozvn composition.Keywords: illustration, illustrator, text
Garis Dalam Seni Patung Mr. Soewardi
Ars: Jurnal Seni Rupa dan Desain Vol 1, No 14: September-Desember 2011
Publisher : Fakultas Seni Rupa dan Desain, Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/ars.v1i14.137

Abstract

Line is an element commonly found in any kind of visual arts, both two and three dimensional forms such as painting and sculpture for instance. But basically there’s a different visualization between lines  in painting and lines in sculpture caused by the nature of the dimension. So it leads to the different  way of treating them. This essay is to analyze, mainly, the lines in sculpture relating to its formal structure which covers several types of style.Keywords: line, sculpture
Kemajuan Teknologi dan Siasat untuk Berkembang Ign Hening Swasono
Ars: Jurnal Seni Rupa dan Desain Vol 1, No 12: Januari-April 2011
Publisher : Fakultas Seni Rupa dan Desain, Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (509.53 KB) | DOI: 10.24821/ars.v1i12.2811

Abstract

Technology Advance and Its Development Strategy.Art education organized by the Faculty of Visual Artof ISI Yogyakarta is related to the dynamic of the artdevelopment in the visual art practitioners’ networkingin both national and global level. The students enrichtheir knowledge and experience from inside as well asoutside the campus by employing various strategies.Within this process, at many times the effort in achievingan artistic convention crashes with the artistic creativitythat develops along with the world improvement. Marketundeniably has to be considered in assisting the studentsto be ‘mature’ artists. It is also a must that art interactswith other fields of science. Technology will hold animportant position as new learning resources in theeducation of art.
Diferensiasi Karya Manual dan Digital Mr. Wibowo
Ars: Jurnal Seni Rupa dan Desain Vol 1, No 12: Januari-April 2011
Publisher : Fakultas Seni Rupa dan Desain, Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/ars.v1i12.128

Abstract

The Differentiation between Manual and Digital Artwork. Technology always develops as time goes by. It reaches and covers wider geographic area from urban until sub-urban region. New technology transforms the skills mastered by designers. The manual age has been replaced by the digital age. The transformation is speeded up by the design software and hardware that support each other more in all stages: pre-production, production, and post-production/ finishing stage. Unfortunately, instead of  the fact that the technology development eases the work of  designers, just at this moment design world is marked by the production of  graphic designs with poor quality. One of  the reasons is that in this field, both the designer and the design devotees feel to have the right to determine the final result of  the designing process. It can be said that the advance technology and design equipment do not match with the designers’ conceptual ability. However, some designers still consider that manual skillis significant to create high-quality design.Keyword: manual, digital, technology
MEMBACA GAMBAR BERPIKIR VISUAL Drs. Baskoro Suryo Banindro
Ars: Jurnal Seni Rupa dan Desain No. 4 / Januari - April 2007
Publisher : Fakultas Seni Rupa dan Desain, Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/ars.v1i4.243

Abstract

Reading a picture is no different to reading verbal text. The brain sensors o f the obsener willidentify and the psyche will translate the results differently based on the references and experiences o f theaudience. Technical illustration as an element o f visual language has its own illusive property because thecomponents are assembled from a mechanical series. This technical illustration should enable to provide athree-dimensional visual information on the material composite, the works, and placement.Keywords: Technical illustrations, visual information, monosemic, three-dimensional.
RUANG GENDER PADA RUMAH TINGGAL: KAJIAN TRANSFORMASI BUDAYA DALAM KEBUDAYAAN JAWA Martino Dwi Nugroho
Ars: Jurnal Seni Rupa dan Desain No. 7/Januari - April 2008
Publisher : Fakultas Seni Rupa dan Desain, Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/ars.v1i2.268

Abstract

hi general discourse, it is nut possible to discuss "gender" without bringing out the man-womanrelation features. The enthusiasm on the discussion increases, following the people awareness concerning togender relation and position. Javanese culture maintains a unique family interrelation system. Inside thisarrangement, we can explore the position and role o f a person inside the community as well as the man andwoman interrelation.This research describes the system as the gender relation. The Javanese is a patriarchy community,xoho sets certain gender-related boundaries to show man domination over woman within the society.From the historical background, the gender relation inside Javanese community roas represented on thearchitectural spacc. The rcscarch reveals the layout concept o f traditional Javanese house from previousera, whereas the space concept is still initiated by the gender boundary. Architecture as the product ofhuman culture implements the community socio-cultural condition and psychology. The same situationalso occurred on the gender separation from the social environment and community psychology. In presenttime, the modernization, woman emancipation and the penetration o f western culture are the basis forthe transformation o f gender position and relation to be occurred inside the Javanese community. Thetransformation itself is pointed out to equal man and woman status and position more. The transformationpattern o f gender relation, especially occurred within the Javanese family, slowly shifted the gender conceptinside the house. The transformation o f the gender concept could be generalized and derived into significantpatterns o f room function and organization transformation, the intention o f space and also the orientation.Jit this era, the transformation also alters the pattern o f room layout to a more neutral space.Keywords: gender, interior, transformation, Javanese culture

Page 6 of 25 | Total Record : 249

 4   5   6   7   8 

Filter by Year

2004 2025


Reset
Filter By Issues
All Issue Vol 28, No 2 (2025): Mei-Agustus 2025 Vol 28, No 1 (2025): Januari-April 2025 Vol 27, No 3 (2024): Desember 2024 Vol 27, No 2 (2024): Agustus 2024 Vol 27, No 1 (2024): April 2024 Vol 26, No 3 (2023): Desember 2023 Vol 26, No 2 (2023): Agustus 2023 Vol 26, No 1 (2023): April 2023 Vol 25, No 3 (2022): Desember 2022 Vol 25, No 2 (2022): Agustus 2022 Vol 25, No 1 (2022): April 2022 Vol 24, No 3 (2021): Desember 2021 Vol 24, No 2 (2021): Agustus 2021 Vol 24, No 1 (2021): April 2021 Vol 23, No 3 (2020): Desember 2020 Vol 23, No 2 (2020): Agustus 2020 Vol 23, No 1 (2020): April 2020 Vol 22, No 3 (2019): Desember 2019 Vol 22, No 2 (2019): Agustus 2019 Vol 22, No 1 (2019): April 2019 Vol 21, No 3 (2018): Desember 2018 Vol 21, No 2 (2018): Agustus 2018 Vol 21, No 1 (2018): April 2018 Vol 1, No 16 (2012): Mei - Agustus 2012 Vol 1, No 15 (2012): Januari - April 2012 Vol 1, No 14: September-Desember 2011 Vol 1, No 13: Mei-Agustus 2011 Vol 1, No 12: Januari-April 2011 Vol 3, No 11: September-Desember 2010 Vol 1, No 10: Januari-April 2009 No. 9/ September - Desember 2008 No. 8/ Mei - Agustus 2008 No. 7/Januari - April 2008 No. 6/September - Desember 2007 No. 5 / Mei - Agustus 2007 No. 4 / Januari - April 2007 No. 3 November 2006 No. 2 - Februari 2005 No.1 TH.1 April 2004 More Issue