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Rekam : Jurnal, Fotografi, Televisi Animasi
Published by Institut Seni Indonesia Yogyakarta
ISSN : 18583997     EISSN : 27453901     DOI : 10.24821
Core Subject : Humanities, Education, Art,
Arts Humanities Education Languange, Linguistic, Communication & Media
Rekam: Jurnal Fotografi, Televisi, Animasi is a scientific journal published by the Asosiasi Dosen Seni Media Rekam Indonesia in collaboration with the Fakultas Seni Media Rekam, Institut Seni Indonesia Yogyakarta. This journal contains articles on research results, conceptual ideas (results of thought), creation, and the results of community service in the fields of photography, television, and animation.
Arjuna Subject : Seni dan Humaniora - Seni dan Humaniora (Lain-Lain)
Articles 198 Documents
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Supers Sebagai Media Persuasi dalam Iklan Layanan Masyarakat “Untuk Bumi yang Lebih Hijau” Nissa Fijriani
Rekam : Jurnal Fotografi, Televisi, Animasi Vol 10, No 2 (2014): Oktober 2014
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/rekam.v10i2.3253

Abstract

AbstrakPenumpukan sampah di seluruh penjuru dunia makin mengkhawatirkan dan berdampakburuk dalam kehidupan manusia. Iklan Layanan Masyarakat (ILM) tentang lingkungan yangmemberikan solusi sederhana dapat dilakukan untuk menyelamatkan lingkungan dibutuhkanoleh masyarakat. Supers atau teks yang muncul pada frame merupakan kekuatan. Hal inikemudian dimanfaatkan dengan memunculkan kalimat-kalimat persuasi untuk ditampilkandalam ILM “Untuk Bumi yang Lebih Hijau”. Pengaplikasian supers dalam ILM ini selainsebagai media persuasi ternyata juga berperan sebagai pendukung visualisasi. Supers as the Medium of Persuassive on a Public Service Announcement “For a GreenerEarth”. Stacking garbages in all over the world are increasingly worrying and have negativeimpact on human life. Public Service Announcements (PSAs) on the environment provides asimple solution that can be done to save the environment needed by the community. Supers ortext that appears on the frame is a power. This is then used to bring the words of persuasion tobe displayed in the PSA “For a Greener Earth “. The Application of supers in this PSA than
Pengaruh Media Penyiaran Pada Sistem Kognitif dan Sistem Afektif Khalayak Prima Dona Hapsari
Rekam: Jurnal Fotografi, Televisi, Animasi Rekam 9
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/rekam.v0i0.545

Abstract

The broadcasting media through radio and television broadcasts have influenced significantly on people’s views of its function as a medium toboost the popularity, propaganda, and image of a specific community. The broadcasting media have been able to bring a significant impact on its success in conveying the message to the audience. A two-way communication process between the communicant and communicatorshas been underlying such success as stated in the SR theory in which the media present great stimuli that are uniformly observed by the masses, and give more encouragement. This paper focuses on affective and cognitive aspects of the public affected by the broadcasting media. Radio and television audiences have known and understood certain information of which broadcasting media have already instilled that sense of understanding. Then, by knowing this tendency, they may arouse cognitive aspects to the audiences. In addition, the affective aspects caused by the broadcasting media have created the impression of empathy towardssomeone, and care about the launched programs. Therefore, it is expected that the broadcasting media really emphasize on educating function in which they are also able to educateand encourage audiences to be intelligent and critical audiences.Keywords: broadcasting media, communication, cognitive aspects, and affective aspects.
Kaki Manusia Sebagai Objek Estetik Penciptaan Fotografi Seni Dira Herawati
Rekam : Jurnal Fotografi, Televisi, Animasi Vol 10, No 1 (2014): April 2014
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/rekam.v10i1.3243

Abstract

AbstrakLaporan pertanggungjawaban adalah deskripsi tertulis pengalaman kreatif seorang senimanatau fotografer dalam upaya eksplorasi estetika pada gambar dan gagasan manusia sebagaistimulan dasar bagi penciptaan karya seni fotografi. Kaki manusia sebagai objek estetika adalahmasalah yang berhubungan dengan berbagai fenomena yang terjadi di bidang sosial, budaya,dan politik di Indonesia saat ini. Berdasarkan hubungan ini, kaki manusia akan dirumuskansebagai gambar yang memiliki nilai, dan kesan tersendiri dalam penciptaan sebuah karya senifotografi. Oleh karena itu, penciptaan seni fotografi ini berjudul Kaki Manusia sebagai ObjekEstetik Penciptaan Seni Fotografi. Dari latar belakang ini, kaki sebagai seni fotografi objekpilihan, akan dikelola secara kreatif dan sistematis melalui tahapan penciptaan. Fase penciptaanterdiri dari: (1) eksplorasi wacana, (2) eksplorasi artistik, (3) tahap elaborasi fotografi, (4) tahapsintesis, dan (5) tahap penyelesaian. Metodis, melalui tahapan proses kreatif di mana dirumuskandalam berbagai bentuk gambar artistik dari kaki manusia. Berbagai bentuk gambar artistik yangdihasilkan dari endapan dari proses penciptaan, dapat disimpulkan sebagai objek estetika dalamkarya-karya fotografi seni. Hal ini secara khusus ditandai dengan pembentukan ‘pencitraan laindi balik gambar kaki terlihat, serta dari berbagai bentuk citra baru’ sebagai hasil dari eksplorasiartistik gambar umum kaki. Secara umum, seluruh gambar dari kaki dalam karya fotografi senimemiliki hubungan reflektif dengan situasi sosial, budaya, dan politik yang berkembang dalammasyarakat Indonesia, yang mengandung nilai, makna, dan kesan. Human Foot as Aesthetic Object Creation Art Photography. Accountability report is a writtendescription of creative experiences as an artist or a photographer of aesthetic exploration effortson the image and the idea of a human as a basic stimulant for the creation of works of artphotography. Human foot as an aesthetic object is a problem that relates to various phenomenathat occur in the social sphere, culture and politics in Indonesia today. Based on these linkages,human feet would be formulated as an image that has a value, and the impression of eatingalone in the creation of a work of art photography. Hence the creation of this art photographyentitled The Human Foots as Aesthetic Object Creation of Art Photography. Starting from thisbackground, then the legs as an option object art photography, will be managed creatively andsystematically through a phases of creation. The creation phases consist of: (1) the explorationof discourse, (2) artistic exploration, (3) the stage of elaboration photographic, (4) the synthesisphase, and (5) the stage of completion. Methodically, through the phases of the creative processthrough which this can then be formulated in various forms of artistic image of a human foot. Thevarious forms of artistic images generated from the foots of its creation process, can be summedup as an object of aesthetic order in the photographic works of art. It is specifically characterizedby the formation of ‘imaging the other’ behind the image seen with legs visible, as well as of thevarious forms of ‘new image’ as a result of an artistic exploration of the common image of legsvisible. In general, the whole image of the foot in a photographic work of art has a reflectiverelationship with the social situation, cultures, and politics that developed in Indonesian society,by value, meaning and impression that it contains.
Analisis pesan perdamaian pada film “Cahaya dari Timur (Beta Maluku)”: Pendekatan semiotika Roland Barthes Tulus Rega Wahyuni E
Rekam : Jurnal Fotografi, Televisi, Animasi Vol 16, No 2 (2020): Oktober 2020
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/rekam.v16i2.4248

Abstract

Di Indonesia konflik terjadi dalam skala yang besar dan kecil yang disebabkan oleh berbagai faktor seperti Suku, Agama dan Ras. Konflik terjadi karena salah satu pihak berusaha mempertahankan pendapatnya. Untuk menghentikan sebuah konflik tentu ada solusi yaitu toleransi dan perdamaian. Salah satu upaya untuk menyerukan perdamaian yaitu melalui film. Berangkat dari hal tersebut penulis mengambil subjek penelitian film “Cahaya Dari Timur : Beta Maluku” karya sutradara Angga Sasongko dengan pesan perdamaian sebagai object penelitiannya. Kemudian diangkat judul skripsi “Pesan Perdamaian Dalam Film Cahaya Dari Timur : Beta Maluku”. Penelitian ini bertujuan untuk mengetahui bagaimanakah pesan perdamaian dalam film “Cahaya Dari Timur : Beta Maluku. Metode penelitian yang digunakan dalam penelitian ini adalah kualitatif dengan pendekatan semiotik Roland Barthes. Teknik pengumpulan data menggunakan dokumentasi, kemudian scene-scene dianalisis dengan analisis semiotik Roland Barthes. AbstractConflict is a common thing that occurs in society. Indonesia, the conflict happens in both large small scales caused by various factors such as tribe, religion and race. The conflict happens because one of the parties tries to defend is an argument. In order to stop the conflict, there is a solution which tolerance and peace. Since conflicts happen frequently, then there are a lot of efforts to proclaim for peace. On of the efforts to proclaim peace is through the movie. Therefore, the researcher the research subject from the movie entitled “Cahaya Dari Timur: Beta Maluku” created by Angga Sasongko as the director with the peace message as his research object. Then the thesis title is “Peace Message from The Movie Cahaya Dari Timur: Beta Maluku”. This study aims to discover the peace message from the movie “Cahaya Dari Timur: Beta Maluku”. The research method used in this study was qualitative using Roland Barthes semiotics approach. The data gathering technique used documentation, while the scenes were analyzed using Roland Barthes semiotics analysis.
Eksplorasi Simbol Konvensional dan Universal dalam Penciptaan Video Art Kampanye Anti Perang dan Kekerasan “WARKAHOLIC” dengan Teknik Animasi 3D Arif Sulistiyono
Rekam: Jurnal Fotografi, Televisi, Animasi Rekam 8
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/rekam.v0i0.384

Abstract

At The End of 2010 to 2011 there has been a political crisis in MiddleEastern countries and parts of North Africa. The movement called "JasmineRevolution" caused by poor socioeconomic situation in the region, while itspresidents has been living rich in power for decades. It was raised the anger of the people and cause lot of protest to raising down the Presidents. Most of the presidents refused to resign and against the protester violently. The thousands of people have been killed and injured due to the demonstrations and civil war during the conflict. The Indonesian people must be wary to prevent leadership crisis's revolution. They need to be aware that the war and violence conflict caused suffering continously and harmfull for both of them."Warkaholic" is a manifestation of the artist's social responsibility to deliver the message through their artworks. It formed into the video arts and the topic of its art works are stop war and violence campaign. This video arts does not emphasize the personal subjectivity aspects as a fine art works. It will be more objective and easily understood for the public in general and can be seen by peoples through any audiovisual media.The methods of art works's realization are narrative style approach andapplying universal symbol, iconic, connotative to the visual and sound elements of the object. Visual storytelling content can be understood by peoples as a representation of the impact of war and violence. The Supers or text is to be the key of the public's message to stop war and violence. The computer 3D animation technique is used to create realistic  visualization and to make something impossible in live action technique can be relatively possible.
Determinisme Teknologi Komunikasi dan Globalisasi Media Terhadap Seni Budaya Indonesia Sigit Surahman
Rekam : Jurnal Fotografi, Televisi, Animasi Vol 12, No 1 (2016): April 2016
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/rekam.v12i1.1385

Abstract

AbstrakPenelitian ini berfokus pada pengaruh terpaan teknologi komunikasi dan globalisasi media terhadap seni budaya Indonesia. Determinasi teknologi komunikasi atau terpaan teknologi komunikasi hadir di tengah-tengah masyarakat dan memengaruhi cara pandang dan perilaku manusia dalam kehidupan sehari-hari. Teknologi komunikasi dan media merupakan dwitunggal yang tidak dapat dipisahkan karena keduanya hadir saling melengkapi. Perkembangan media ini semakin pesat dan canggih seiring dengan perkembangan teknologi komunikasi saat ini. Terpaan teknologi dan media ini memengaruhi seni budaya dan perilaku masyarakat atau bangsa Indonesia. Analisis deskriptif kualitatif merupakan metode pengkajian yang digunakan dengan tujuan mengungkap fakta, keadaan, fenomena, variabel, dan keadaan yang terjadi saat penelitian berjalan dan menyuguhkan apa adanya. Variabel dalam penelitian ini adalah teknologi komunikasi, globalisasi media, dan seni budaya Indonesia. Dengan menggunakan analisis deskriptif kualitatif pengkajian ini akan mengungkap pengaruh terpaan teknologi dan globalisasi media terhadap seni budaya Indonesia. AbstractThe Determinism of Communication Technology and Media Globalization Towards Arts and Indonesian Culture. This study focuses on the effect of the exposure of media communications technology and the globalization of the art and culture in Indonesia. Determination of communications technology or the exposure of communications technology present in the midst of society and influence the worldview and human behavior in everyday life. Communication technology and media are a duumvire that cannot be separated, both present complementary. The increasingly rapid development of media and its advancement are along with the development of communication technology. The exposure of media and technology affects art and culture as well as the behavior of people or the Indonesian. Qualitative descriptive analysis is the method of assessment used to uncover the facts, phenomena, variables and circumstances that occurred while running the research and presenting it as what it is. The variables in this study are technology, media globalization, and Indonesian arts and culture. By using qualitative descriptive analysis, this study will reveal the influence of technology and media globalization exposure to the art and culture of Indonesia .
Reaktualisasi Teknologi Fotografi Abad Ke-19 dan 20 Studi Kasus pada Kelompok Kegiatan Mahasiswa KOPPI ISI Yogyakarta Irwandi Irwandi
Rekam : Jurnal Fotografi, Televisi, Animasi Vol 14, No 1 (2018): April 2018
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/rekam.v14i1.2137

Abstract

Kecanggihan teknologi fotografi digital saat tidak memuaskan beberapa fotografer, terutama yang condong ke fotografi seni. Sebagai gantinya, mereka melihat kembali teknik fotografi lama, seperti yang dilakukan pada abad ke-19, antara lain cyanotype, salt print, vandyke, dan cetak gum bichromate. Sebagian besar teknik cetak diaktualisasikan ulang oleh sejumlah fotografer dengan orientasi yang berbeda. Artikel ini membahas bagaimana Kelompok Kegiatan Mahasiswa, Keluarga Old Photographic Processes ISI Yogyakarta (KOPPI) melakukan lebih dari sekadar rekonstruksi teknis. Mereka menggunakan media unik ini untuk menyampaikan pesan tentang masalah pribadi dan budaya. Teknik pengamatan partisipatif digunakan selama empat proses penciptaan: pengenalan, eksplorasi, eksperimen, dan presentasi. Ditemukan bahwa dalam menggunakan teknik pencetakan foto lama para peserta harus menegosiasikan tiga aspek, yaitu pemahaman teknis, material, dan konsep budaya. Setelah mereka mencapai pemahaman teknis dan material yang memadai, para peserta mulai mengeksplorasi isu-isu budaya. Isu budaya tentang penyimpangan perilaku, kesedihan, dan respons masyarakat terhadap kehidupan sehari-hari telah diangkat menjadi tema pekerjaan melalui teknik pencetakan foto lama. Anggota KOPPI memanfaatkan kesan kuno dan fleksibilitas media cetak untuk mewujudkan hal tersebut. AbstractRe-actualization of the 19th and 20th Century Photographic Printing Technology: The Case of KOPPI Student Activity Group. The sophistication of digital photography technology does not satisfy some photographers, especially those who tend towards art photography. Instead, they looked back at old techniques, such as those of the 19th-century based on chemical principles, including cyanotype, salt print, vandyke print, and gum bichromate print. Most of the printing techniques are re-actualized by a number of photographers with different orientations. This paper examines how Old Photographic Processes Student Activity Group of ISI Yogyakarta(KOPPI) did more than just technical reconstruction, They used these unique media for conveying messages of personal and cultural issue. Participatory observation techniques were used during the four processes of creation: introduction, exploration, experimentation, and presentation. The finding showed that in using the old photo printing technique the participants had to negotiate three aspects, namely the technical understanding, materials, and cultural concepts. After they reached a sufficient technical and material understanding, the participants began to explore cultural issues. Cultural issues about deviations of society’s behavior, sadness, and society’s response to every day life have been raised to be the themes of the work through the old photo printing technique. Members of KOPPI take advantage of the old-fashioned impressions and flexibility of print media to realize these things.
Strategi Peningkatan Kompetensi Pengarah Acara TVRI Jawa Barat Sesuai SKKNI Yuni Wulandari; Ade Wahyudin
Rekam : Jurnal Fotografi, Televisi, Animasi Vol 16, No 1 (2020): April 2020
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/rekam.v16i1.3585

Abstract

Strategy for Improving the Competency of Program Directors of TVRI in West Java Complying with SKKNI. A television program production is a complex creative process and it requires a good teamwork. Therefore, it needs a competent program director having the skill in broadcasting and leadership in directing a television program. An effective development of human resources is also needed to enhance the competency and professionalism of a television program director. Based on an interview and an observation at TVRI station in West Java, a fact was found that none of the television program directors has a SKKNI certificate, even though they have mastered the skill and have been knowledgeable.  This is due to the lack of encouragement from the policy makers at TVRI station to improve the human resource's competency with a professional certificate. With a SKKNI certification, a television program director can show his competence related to the profession and is valid for a lifetime. Therefore, using the SWOT approach, it can be concluded that there is a need for a socialization regarding the importance of the SKKNI professional certification for TVRI Station in West Java that will promote the development of the competency for television program directors. It will surely need a great support from the television station itself.  In addition, a cooperation of the Professional Certification Institution with the television and multimedia industries is highly needed, so that the television program directors are able to produce high quality television programs.  ABSTRAKSebuah produksi program acara televisi merupakan hasil proses kreatif yang rumit dan memerlukan kerja sama tim yang baik. Untuk itu, diperlukan seorang pengarah acara yang memiliki kompentensi dalam hal kemampuan skill penyiaran dan kepemimpinan dalam mengatur jalannya sebuah program acara televisi. Pengembangan SDM yang efektif juga dibutuhkan untuk meningkatkan kompetensi dan profesionalisme pengarah acara televisi. Berdasarkan wawancara dan observasi di Stasiun TVRI Jawa Barat didapatkan suatu fakta bahwa tidak ada seorang pun pengarah acara televisi yang memiliki sertifikasi profesi SKKNI pengarah televisi, walaupun secara pengetahuan dan kemampuan sudah mumpuni. Hal ini dikarenakan kurangnya dorongan dari pemangku kebijakan di Stasiun TVRI untuk meningkatkan kompetensi SDM melalui sertifikasi profesi. Dengan sertifikasi SKKNI, seorang pengarah acara dapat menunjukkan kompetensi yang berkaitan dengan profesi dan berlaku seumur hidup. Hasil analisis menggunakan pendekatan SWOT menghasilkan kesimpulan bahwa perlu adanya sosialisasi yang mendalam mengenai pentingnya sertifikasi profesi SKKNI di Stasiun TVRI Jawa Barat yang mendorong pengembangan kompetensi pengarah acara televisi. Hal ini perlu dukungan dari pihak stasiun televisi. Selain itu, perlu ditingkatkan kerja sama Lembaga Sertifikasi Profesi dengan industri televisi dan multimedia sehingga seorang pengarah acara televisi mampu menghasilkan karya program acara televisi yang baik dan berkualitas.  
Bollywood Influence to Indonesia (A Study through Television Media and Hibridity) Retno Mustikawati
Rekam: Jurnal Fotografi, Televisi, Animasi Rekam 7
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/rekam.v0i0.375

Abstract

Bollywood adalah sebuah bagian dari kebudayaan populer yang sangat kuat bukan saja India, melainkan juga Timur Tengah, Negara bagian Afrika, dan sebagian negara Asia Tenggara. Penggunaan lagu dan musik seperti sebuah bahasa dalam film-film India dan menjadi salah satu pendongkrak popularitas sekaligus pembentuk film-film Bollywood. Perkembangan sinema Hindi dengan disertai sekuen-sekuan lagu-lagu dan tarian menjadi pembeda utama antara film-film yang lain. Terdapat sebuah hubungan yang dekat antara musik dangdut Indonesia dan musik yang berasal dari India. Musikdangdut adalah hibriditas dari musik India.
Estetika Fotografi Jurnalistik dalam Kaitan Nilai Kebaikan Dan Kebenaran, Olah Rasa, dan Sinestesia Novan Jemmi Andrea
Rekam : Jurnal Fotografi, Televisi, Animasi Vol 11, No 2 (2015): Oktober 2015
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/rekam.v11i2.1296

Abstract

Fotografi jurnalistik  menjadi salah satu cabang dari pengelompokan besar di bidang fotografi, selain fotografi seni dan fotografi komersial. Sebagai salah satu bidang seni, fotografi jurnalistik tentunya memiliki konsep estetika tersendiri, bahkan konsep estetikanya sangat berkaitan dengan “rasa”, sebuah konsep abstrak mengenai proses peresapan sesuatu dalam diri manusia yang bahkan tidak dapat sepenuhnya dideskripsikan. Pemahaman konsep estetika merupakan proses dialektis berkaitan dengan persoalan lain seperti filsafat, sosial, politik, budaya, dan ekonomi sehingga nilai-nilai kebaikan dan kebenaran sering muncul dalam ragam diskusi estetika. Perkembangan pendekatan konsep proses penciptaan yang melibatkan penonton dan berupaya menyajikan berbagai rangsangan bagi pancaindera menuntut kemampuan dalam olah rasa lainnya, yaitu mengoneksikan pancaindera. Konsep yang berkaitan dengan hal tersebut dikenal dengan istilah synaesthesia (sinestesia), sebuah konsep di mana pancaindera bekerja bersama sekaligus saat merespons sebuah rangsangan sehingga akan menimbulkan sensasi yang melebihi ungkapan satu pancaindera saja. Pemahaman estetika dengan berbagai pendekatan tersebut merupakan proses apresiasi aktif yang bertujuan untuk mengungkap kemungkinan-kemungkinan pewacanaan baru dalam perkembangan fotografi jurnalistik. Photojournalism Aesthetic in Regards to the Value of Goodness and Truth, Feeling , and Synaesthesia. Photojournalism becomes one of the branches of a large group in the field of photography in addition to art photography and commercial photography. Great photojournalism is a strange sort of art. Photojournalism allows people to get close to events on the ground, so that people may better understand them as they unfold. This is an abstract concept about the impregnation which cannot be fully described. Understanding the concept of aesthetics is a dialectical process associated with other problems such as philosophy, social, political, cultural, and economic so that the values of goodness and truth often comes in a variety of aesthetic discussion. Developments in the approach to the concept and creation process that involves the audience and trying to present a wide range of stimuli for the senses require proficiency in another sense though, that connected the all senses. Concepts related to the case known as synaesthesia, a neurological phenomenon in which one or more sensory modalities are linked. Aesthetic understanding of the various approaches is an active appreciation process that aims to uncover the possibilities of a new discourse on development of photojournalism.

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