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INDONESIA
Rekam : Jurnal, Fotografi, Televisi Animasi
Published by Institut Seni Indonesia Yogyakarta
ISSN : 18583997     EISSN : 27453901     DOI : 10.24821
Core Subject : Humanities, Education, Art,
Arts Humanities Education Languange, Linguistic, Communication & Media
Rekam: Jurnal Fotografi, Televisi, Animasi is a scientific journal published by the Asosiasi Dosen Seni Media Rekam Indonesia in collaboration with the Fakultas Seni Media Rekam, Institut Seni Indonesia Yogyakarta. This journal contains articles on research results, conceptual ideas (results of thought), creation, and the results of community service in the fields of photography, television, and animation.
Arjuna Subject : Seni dan Humaniora - Seni dan Humaniora (Lain-Lain)
Articles 198 Documents
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Konstruksi Maskulinitas dalam Film Seperti Dendam, Rindu Harus Dibayar Tuntas Rahmah, Fathiyah Nurshabrina; Sintowoko, Dyah Ayu Wiwid; Maulana, Teddy Ageng
Rekam Vol 21, No 2 (2025): Oktober 2025
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/rekam.v21i2.9298

Abstract

Construction of Masculinity in The Movie Vengeance Is Mine, All Others Pay Cash.This study examines the construction of masculinity in the 2021 film “Seperti Dendam, Rindu Harus Dibayar Tuntas” (Vengeance Is Mine, All Others Pay Cash), focusing on the use of cinematographic and mise-en-scene elements to represent fragile masculinity. The film follows Ajo Kawir, a man grappling with childhood trauma that disrupts his sense of masculinity, particularly in terms of sexuality and emotion. This research employs a descriptive qualitative method by analyzing eight selected scenes that reflect aspects of masculinity. The theoretical framework includes cinematography, mise-en-scene, and masculinity theories such as hegemonic masculinity and toxic masculinity. The findings reveal that the film portrays masculinity not only through physical strength but also through vulnerability, especially in confronting sexual crises and emotional conflict. The use of color, lighting, framing, and costume enhances the masculine identity and inner turmoil of the characters. Moreover, the film presents an unconventional gender dynamic, particularly through the character Iteung, who displays strength and dominance, thereby reshaping the power relations between men and women. This analysis offers new insights into the construction of masculinity in Indonesian cinema, emphasizing the role of visual elements in shaping social meaning and masculine identity.
Internet Celebrity, Digital Illustration and Tradition: Rethinking Cultural Product Design for the Contemporary Age Xuemin, You; Legino, Rafeah
Rekam Vol 21, No 2 (2025): Oktober 2025
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/rekam.v21i2.16936

Abstract

This study explores the integration of traditional Chinese culture with digital illustration and internet celebrity influence to enhance contemporary promotional strategies. Focusing on the Weibo campaign for the "Ballet Cat" by Great Wall Motors, the research employs a project-based methodology to examine how cultural motifs and celebrity aesthetics can coalesce in effective commercial design. By combining preliminary research, iterative visual development, and audience feedback, the study reveals how culturally informed digital illustrations can foster brand engagement and resonance in an increasingly digital society. Findings underscore the effectiveness of integrating heritage with modern media to shape digital cultural products and inform marketing strategies.
Animasi Edukasi Serangga Penyengat bagi Anak 6-9 Tahun dengan Pendekatan Karakter Antropomorfisme Maulana, Tito; Ramadhani, Nugrahardi; Prasetyo, Didit
Rekam Vol 21, No 2 (2025): Oktober 2025
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/rekam.v21i2.10777

Abstract

Educational Animation on Stinging Insects for Children Aged 6–9 Using an Anthropomorphic Design Approach. The global decline in insect populations has become a pressing environmental concern. Studies predict a 40% decrease in the coming decades due to habitat loss, pollution, and climate change. Among the most affected are stinging insects from the order Hymenoptera, such as ants, bees, and wasps. Despite their essential ecological roles, these insects are often perceived as pests due to their painful stings. Educational efforts are therefore needed, particularly for children aged 6–9, through engaging media such as educational animation. An anthropomorphic approach has been shown to effectively attract children's attention and raise awareness of stinging insects.The design process involved literature review on child development, stinging insect biology, anthropomorphic character design, and animation production. This was followed by analysis of existing anthropomorphic animations, in-depth interviews with entomologists and children’s animation experts, and iterative qualitative analysis. The animation was then tested with children aged 6–9 years old. The final product, an animation titled Exploring Entopia, successfully captured children’s interest and improved their knowledge of stinging insects by 68% after viewing. This outcome highlights the potential of anthropomorphic animation as a reference for developing science education media at the elementary level. 
Analysis of Applied Manga Visual Style in an Audio Visual Advertisement: Indomie x Pop Mie Tori Kara Flavour (2024) Adie, Saffanah Azka; Ahmad, Hafiz Aziz
Rekam Vol 21, No 2 (2025): Oktober 2025
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/rekam.v21i2.13114

Abstract

Indomie released a spicy version of the premium instant ramen collection– Tori Kara flavor– in January 2024. While it serves as an addition to the initial release of the first three ramen flavors, it was advertised with Manga Visual style, unlike any other Indomie promotional releases. The advertisement was analyzed using 8 manga visual story telling techniques to further observe the role of Japanese art mediums for a non-Japanese target audience, in this case for Indonesian audiences. The role of characters, facial expressions, poses, expressive effects and motion, sense of place, world details, wordless panels and aspect-to-aspect transitions, and genre maturity creates an immersive effect towards Indonesian audience to experience a Japanese-inspired product. A big portion of Japanese visual keys was retained, with explicit and implicit behaviours still recognizable to Indonesian audiences, hence catching adolescents’ attention and increasing the level of immersiveness while watching the advertisement.
Homelander and The Ambiguity of Morality in the Television Series the Boys Agung, Lingga; Syahdanendra, Fahrezi Kalif
Rekam Vol 21, No 2 (2025): Oktober 2025
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/rekam.v21i2.14555

Abstract

Morality, as a dynamic component of culture, constantly shifts in response to social and ideological transformations. In the landscape of popular culture, the superhero figure has long served as a manifestation of moral values and an ethical compass for society. However, the series The Boys (2019) presents a deconstruction of this traditional representation through the character of Homelander, who symbolises moral ambiguity and corruption resulting from absolute power—standing in stark contrast to the idealised image of Superman. This study employed a qualitative method grounded in critical theory and Jacques Derrida’s deconstruction framework to examine how morality is represented and destabilised within the narrative of the series. Primary data were collected from selected episodes across three seasons of The Boys, focusing on three key scenes: the airplane incident in Season 1, Episode 4; the confrontation with Blindspot; and Homelander’s public speech in Season 3. Analysis was conducted on dialogue, character interactions, and visual aesthetic elements such as costume symbolism, lighting, and camera composition. Secondary data consisted of scholarly articles, books, and theoretical texts discussing superhero morality, Derrida’s deconstruction, and media representation politics. The analytical process involved three interrelated approaches: (1) narrative analysis to explore story structure and character development; (2) visual analysis to interpret symbolic and aesthetic elements that construct Homelander’s moral image; and (3) deconstructive analysis to apply the concepts of différance, trace, and critique of grand narratives and binary oppositions within discourses of heroism. The findings indicate that Homelander is not merely a symbol of moral decadence, but also a critique of capitalist institutions that exploit the superhero image for power and economic gain. From a deconstructive perspective, Homelander is not a fixed signifier, but a trace whose meaning is continually deferred and shaped by the forces of capitalism, media, and corporate spectacle. Thus, The Boys functions not only as entertainment but also as a reflective space for reexamining discourses on morality, heroism, and power in contemporary popular culture.
Papuan Women and Their Culture: Reception Analysis of Cultural Identity Portrayed in "Noken Rahim Kedua" Documentary Nahumury, Amanda Putri; Twikromo, Y. Argo
Rekam Vol 21, No 2 (2025): Oktober 2025
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/rekam.v21i2.15048

Abstract

This study aims to identify the meaning of Papuan cultural identity in Noken Rahim Kedua documentary perceived by Papuan women. Employing the phenomenological method and Stuart Hall's encoding-decoding theory, this research explores the encoding process by filmmakers and the decoding process by Papuan women through in-depth interviews. Overall, the four Papuan women are in a negotiating reading. They did not simply accept the meaning constructed by the filmmaker. Lacking women's involvement in the documentary, led them to perceive that the film does not fully represent the voice of Papuan women.  Several dominant factors that influence the reception, including 1) Ethnic origin and cultural knowledge; 2) Family background; and 3) Surroundings or the environment. Regarding the values believed by the Papuan women, two significant findings emerged. First, all Papuan women viewers believed that gender equality is fundamental; however, one participant disagreed with the notion that men should not work.  Second, all participants, the Papuan women, believed that culture should be preserved, and they are proud of it because it is an identity marker. However, one of the participants stated that culture does not need to be maintained if it is considered burdensome or disadvantageous. Future researchers are encouraged to explore ethnic diversity, and for future documentary filmmakers, multiple perspectives of Papuan identity must be incorporated.
Film Animasi 2D Peristiwa Perobekan Bendera di Hotel Yamato dengan Teknik Parallax Herlijanto, Amelia Agustina; Wenata, Edbert Christian
Rekam Vol 21, No 2 (2025): Oktober 2025
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/rekam.v21i2.15125

Abstract

2D Animation Film About Flag Ripping Incident at Yamato Hotel Using Parallax Technique. The flag-tearing incident at the Yamato Hotel in 1945 was one of the most important heroic stories in Indonesia’s history, particularly for the city of Surabaya. However, the rapid flow of globalization has caused historical stories like this to become less known and less appreciated by the younger generation. To address this challenge, a 2D animated film was created as a visual communication medium aimed at increasing young people's interest in national history. A modern anime visual style was used to appeal to younger audiences, and the parallax technique was implemented in the animation production to create the illusion of depth and an artistic, dynamic perspective. Parallax is a technique that separates visual elements into several layers, which are moved at different speeds to simulate depth. This technique was applied during the production phase and proposed as a visual solution to make historical narratives feel more alive and engaging. The research method used covering pre-production, production, and post-production stages. Based on a survey conducted after the film's publication on YouTube, it was found that the use of parallax in the animated film added visual depth and made the imagery more dynamic.
Peran AI dalam Perspektif Fotografi Seni Amala, Marventyo
Rekam Vol 21, No 2 (2025): Oktober 2025
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/rekam.v21i2.17217

Abstract

The Role of AI from the Perspective of Art Photography. Art photography is a medium of visual expression that emphasizes aesthetics, concepts, and subjectivity. With the advancement of technology, Artificial Intelligence (AI) has begun to play a significant role in the creation of artistic photographic works. This research aims to examine how AI influences the practices and values within contemporary art photography. Using a literature review and visual analysis approach, this study explores the application of AI in generating artistic images, processing visual aesthetics, and fostering creative collaboration between photographers and machines. The findings indicate that AI is not merely a technical tool, but also an opener of new opportunities for experimenting with form, visual narratives, and the creation of imaginative realities. However, critical challenges also arise concerning originality, ownership of work, and the artist's identity in the era of visual automation. Therefore, a deep understanding of AI's role in art photography is essential to maintain a balance between technological innovation and the artistic values that underpin the practice of photography itself.

Page 20 of 20 | Total Record : 198

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