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INDONESIA
Rekam : Jurnal, Fotografi, Televisi Animasi
Published by Institut Seni Indonesia Yogyakarta
ISSN : 18583997     EISSN : 27453901     DOI : 10.24821
Core Subject : Humanities, Education, Art,
Arts Humanities Education Languange, Linguistic, Communication & Media
Rekam: Jurnal Fotografi, Televisi, Animasi is a scientific journal published by the Asosiasi Dosen Seni Media Rekam Indonesia in collaboration with the Fakultas Seni Media Rekam, Institut Seni Indonesia Yogyakarta. This journal contains articles on research results, conceptual ideas (results of thought), creation, and the results of community service in the fields of photography, television, and animation.
Arjuna Subject : Seni dan Humaniora - Seni dan Humaniora (Lain-Lain)
Articles 198 Documents
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Mencitrakan Sang Kandidat: Si “Tukang Foto” Iklan Politik Dewi Sartika Bukit
Rekam : Jurnal Fotografi, Televisi, Animasi Vol 12, No 1 (2016): April 2016
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/rekam.v12i1.1381

Abstract

Abstrak Perkembangan fotografi komersial di Indonesia akhir-akhir ini telah memasuki ranah politik, terutama sejak diberlakukannya sistem demokrasi langsung. Masyarakat menentukan pilihan mereka melalui pendekatan para kandidat dan calon, baik berupa kampanye maupun melalui iklan-iklan politik yang hadir di media massa, maupun berupa cetak billboard dan selebaran. Dalam iklan-iklan politik, terutama ikan luar ruang, kandidat yang dianalogikan sebagai produk, dipotret dan dikemas dalam sebuah desain iklan yang membawa pesan-pesan penting berupa pencitaan dan direduksi dalam sebuah gambar. Dengan demikian, fungsi fotografer iklan baik secara teknis maupun ide memberi pengaruh yang besar terhadap pencitraan kandidat, yang secara tidak langsung berpengaruh terhadap jalannya negara selanjutnya setelah kandidat tersebut melaju ke urusan birokrasi negara. Di samping itu, permasalahan ekonomi yang berbanding lurus dengan pencitraan kandidat dalam iklan-iklan politik, ternyata menyimpan kemelut yang kompleks. AbstractImaging the Candidate : the “Photographer” of Politic Ads. Lately, the development of commercial photography in Indonesia has entered the realm of politics, especially since the system of direct democracy has been enacted. Communities determine their choice through the candidates and prospective nominees, either through campaigns or political advertisements presented in mass media, as well as on billboards and flyers printed form. In political ads, especially the outdoor ads, the candidate analogized as product, were photographed and packaged in advertisement design carrying important messages in the form of imagery and reduced in an image. Thus, the function of advertising photographers, both technically and in ideas, giving major influences on imaging the candidate, which indirectly affect the course of the country once the candidate proceeds to the affairs of the state bureaucracy. In addition, the economic problems which unfortunately are in direct proportion to the imaging candidate in the politics ads, turn out keeping a complex crisis.
Citra dan Tanda Malioboro dalam Konstruksi Fotografi Edial Rusli
Rekam : Jurnal Fotografi, Televisi, Animasi Vol 14, No 1 (2018): April 2018
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/rekam.v14i1.2133

Abstract

Perkembangan zaman akan mengubah citra dan simbol Malioboro. Citra kawasan yang dulunya asri dan nyaman itu sekarang berubah menjadi semrawut dan tidak nyaman lagi. Keadaan ini menstimulasi ide penciptaan karya bahwa ruang publik Malioboro yang semrawut dan tidak nyaman itu dipersonifikasikan sebagai rumah besar yang ruang-ruangnya telah disekat-sekat layaknya kamar pribadi yang nyaman dengan kamar yang memiliki keunikan sendiri-sendiri. Konsep penciptaan dan perwujudan ini merupakan kumpulan objek imaji visual fotografi yang realistis untuk dikonstruksikan kembali dengan tujuan menghasilkan realitas imajiner. Pendekatan teori penciptaan ini adalah citra, konstruksi fotografi, dan makna. Proses eksperimentasi dan pembentukan karya diawali dari imaji-imaji visual fotografi yang dikumpulkan, diseleksi, dan direpresentasikan dengan citra objek kaum urban yang berjuang untuk hidup dan ruang cagar budaya yang terpinggirkan oleh bangunan modern di Malioboro melalui imaji visual fotografi. Imaji-imaji visual fotografi dari suatu realitas imaji masa lalu tersebut diimajinasikan ke masa yang akan datang untuk dikonstruksi kembali menjadi kesatuan dengan menggunakan teknik montase dan kolase digital imaging ke bentuk imajinasi visual fotografi yang imajinatif dan bernilai kreatif estetis untuk dimaknai kembali pada keadaan sekarang. Penciptaan karya ini tidak lagi berbicara tentang tataran teknis saja, namun juga berbicara tentang estetika, citra, tanda-tanda dan makna baru di dalamnya. Melalui penciptaan karya ini, masyarakat diharapkan dapat mengetahui citra, proses konstruksi, penyajian penciptaan karya, dan makna yang dihadirkan kembali dari perwujudan imaji ke bentuk karya imajinasi visual fotografi yang bernilai kreatif estetis. Karya imajinasi visual fotografi ini diharapkan menjadi media untuk mengungkapkan perasaan atau ekspresi dan emosi estetis pencipta dalam bentuk parodi visual. Penciptaan ini diharapkan dapat bermanfaat untuk memperkaya khazanah citra/imaji/makna baru dan untuk membangun rasa memiliki serta kesadaran akan permasalahan tata kehidupan dan tata ruang Malioboro sekarang ini.AbstractImage and Symbols of Malioboro in the Construction of Photography. Change of time will change the image and symbol of Malioboro. The image of this area that once was beautiful and comfortable now has changed into a chaotic and an uncomfortable one. This situation has stimulated an idea of creating artworks that the public space of Malioboro which is chaotic and uncomfortable is personified as a big house with separated rooms as in private bedrooms with their own uniqueness. The concept of the creation and the embodiment is a compilation of objects from photography visual images, which are realistic to be reconstructed with the aim of generating an imaginary reality. The approach for this creation is a photography construction’s image and its meaning. The processes of experimentation and the formation of the works were started with the visual images of photography which were collected, selected, and represented with the images of urban people who struggle to live there and the cultural heritage which is marginalized by modern buildings in Malioboro through visual images of photography. Visual images of photography from the past reality of those images were imagined into the future time to be reconstructed as a unity by using techniques of montage and collage in digital imaging which would transform them into creative and aesthetic photography visual imagination to be reinterpreted in recent time. This creation does not only articulate the technique itself, but also to articulate the aesthetics, images, signs and new meanings in them. Through this creation, society is expected to know the images, the construction process, the presentation, and the meaning which are brought back from the visualization of images to the form of creative and aesthetic photography visual imagination. It is expected to be a media to express the artist’s aesthetic feeling and emotion in the form of visual parody. This creation is expected to be beneficial in enriching the corpus of new images/meanings and to raise the sense of belonging as well as awareness of the problem of life order and the spatial layout of current Malioboro.
Konsep Fantasi dalam Film Danissa Dyah Oktaviani
Rekam : Jurnal Fotografi, Televisi, Animasi Vol 15, No 2 (2019): Oktober 2019
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/rekam.v15i2.3356

Abstract

Fantasy films were born from the development of fiction films that have shown existence since the beginning of its history. Fantasy films have their own charm because they can penetrate time and space compared to other genres. Fiction films develop from their creators both in terms of story and cinematography because fiction films are at the center of the poles: real and abstract. Its greatest strength lies in its ability to integrate and combine with other genres without exception and can be broadly developed unlimitedly. That is because fantasy films contain elements with different characteristics from other films where if a fantasy film has one element in the making of the film then it has been said to be a fantasy film. The elements or components that are seen are derived from the narrative and cinematic elements of filmmaking which contain ideas of stories, characters, and settings in a film. These three elements are the forming components of fantasy films that are fictitious and imaginative. The idea of the story is not based on an imaginary reality, that is a fiction that makes no sense. In the case of fantasy films, filmmakers will compete to develop and present ideas that have not been thought of before, so the audience seems to be carried away in a new world outside of real life. Character characters in fantasy films are the imagination of creators in fictitious forms, such as: animal characters, extraterrestrials, monsters, robots, and non-physical characters such as ghosts, spirits and holograms. While the background elements in fantasy films have a character setting place and time imaginative events are unique in unknown times or dimensions, can be past, present, and future with the centuries formed by the creators.
Analisis Segmentasi Warna pada Citra Dua Dimensi Dengan Pendekatan Komputasi Fotografi Samuel Gandang Gunanto
Rekam: Jurnal Fotografi, Televisi, Animasi Rekam 6
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/rekam.v0i0.371

Abstract

Color segmentation techniques on two-dimensional image was originally used in digital image processing applications in engineering sciences. Recent years, these techniques have been widely used in other disciplines. Photography in the digital era use this technique in a variety of needs, as an example for selecting objects based on color pixel elements. This research was done with computational photography approach to perform selection of object area based on color elements in each pixel. Observations and analysis done by comparing three common color segmentation method, namely k-means clustering method, index coloring, and Giannakopoulos HSV color detection. This research is a preliminary project of automation process for body segmentation based on colors. After testing, it turns out segmentation based on Giannakopoulos HSV color detection has added value. This is because the ease of data training process to determined the classification of color values and tolerance segmentation based on intensity variation from selected color.
Ansel Adams Easton (Kajian Karya, Kesenimanan, dan Aspek Sosialnya) Irwandi Irwandi
Rekam : Jurnal Fotografi, Televisi, Animasi Vol 11, No 1 (2015): April 2015
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/rekam.v11i1.1289

Abstract

Ketenaran seorang seniman kadang-kadang diakui sebagai refleksi dari dirinya dan fitur karyanya saja. Seniman sering dianggap memiliki peran yang sangat sentral dalam upaya untuk mencapai reputasinya di masyarakat. Sering tidak disadari bahwa di balik popularitas seorang seniman, ada sejumlah faktor sosial budaya yang juga memengaruhi hal itu. Ansel Adams adalah contoh bagaimana posisi seorang seniman dalam konstelasi sosial budaya Amerika. Selain memiliki sebuah karya yang indah, kemampuan teknis dan konsep karya yang baik, ia juga mampu menempatkan dirinya dalam peta sosial pada zamannya. Diskusi tentang Ansel Adams akan dilakukan dengan mempertimbangkan pekerjaan sampingan, kapasitas, dan peran yang dianggap eksternal yang membantu mendorong popularitasnya. Dalam perspektif ini akan terlihat bagaimana pentingnya faktor sosial dalam mempertahankan eksistensi seorang seniman. Ansel Easton Adams (Assessment work, artistry, and its Social Aspects). The fame of an artist is sometimes recognized as a reflection of himself and his work features alone. The artist often regarded as a highly central role in efforts to achieve its reputation.The public do not  realize that behind the popularity of an artist, there are a number of socio-cultural factors that also affect it. Ansel Adams is an example of how the position of an artist in the  constellation of socio-cultural America. Besides having a beautiful work, technical ability and concept of good works, he is also able to put himself in a social map of his era. Discussion of Ansel Adams will be conducted  by considering the workside, the capacity and roles deemed external helped push his popularity. In this perspective will be seen how the importance of social factors in maintaining the existence of an artist.
Animasi Kartun Bertema Falsafah Jawa sebagai Pendidikan Karakter Bagi Anak Usia Dini Wiekandini Dyah Pandanwangi; Farida Nuryantiningsih
Rekam : Jurnal Fotografi, Televisi, Animasi Vol 13, No 1 (2017): April 2017
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/rekam.v13i1.1644

Abstract

            Latar belakang dari penelitian ini adalah adanya berbagai kasus yang bertentangan dengan nilai-nilai moral seperti korupsi yang menunjukkan rendahnya karakter dalam masyarakat. Oleh karena itu, pendidikan karakter merupakan aspek yang sangat penting dalam memperbaiki nilai moral masyarakat Indonesia. Pendekatan kebudayaan khususnya falsafah Jawa akan dijadikan landasan pendidikan karakter pada anak usia dini. Hal ini karena dalam budaya Jawa sarat akan pendidikan nilai yang merupakan substansi utama dari pendidikan karakter. Dalam budaya Jawa terkandung tata nilai kehidupan Jawa, seperti norma, keyakinan, kebiasaan, konsepsi, dan simbol-simbol yang hidup dan berkembang dalam masyarakat Jawa.Pendidikan karakter yang digali dari substansi budaya Jawa dapat menjadi pilar pendidikan budi pekerti bangsa. Budaya Jawa memiliki pandangan hidup (yang sering disebut sebagai falsafah hidup) yang merupakan kesatuan pola pikir orang Jawa dalam menempuh kehidupan. Falsafah hidup Jawa adalah saripati perjalanan hidup orang Jawa menjadi “Jawa”. Di dalam falsafah ajaran hidup Jawa, terdapat ajaran keutamaan hidup yang diistilahkan dalam bahasa Jawa sebagai piwulang (wewarah)kautaman. Pendidikan karakter pada anak usia dini menjadi fondasi dasar dalam mengembangkan keterampilan sosial di masa yang akan datang. Pendidikan karakter yang kuat dan kokoh merupakan hal yang penting dan harus ditanamkan sejak dini agar anak bangsa menjadi pribadi yang unggul seperti yang diharapkan dalam tujuan pendidikan nasional dan dapat memperkokoh bangsa dari pengaruh negative seperti korupsi.            Penelitian ini merupakan penelitian deskpritif kualitatif dengan rancangan penelitian studi kasus (case study). Lokasi penelitian adalah dua puluh Taman Kanak-Kanak terpilih di Purwokerto. Pengumpulan data menggunakan teknik in depth interview danfocus group discussion pada informan yang terpilih.Informan dipilih dengan metode purposive sample. Analisis data dilakukan dengan model analisis perbandingan dan interpretasi data. Keabsahan data akan diuji dengan triangulasi sumber dan triangulasi metode. Dalam penelitian ini, temuan yang ditargetkan adalah pembuatan model pendidikan karakter berlandaskan falsafah Jawa.Untuk membantu para guru Taman Kanak-Kanak dalam mengaplikasikan model pendidikan karakter berlandaskan falsafah Jawa, disusun modul pendidikan karakter yang berlandaskan falsafah Jawa yang berbentuk animasi kartun.              The backgroud of this study are about cases which are againts moral values, such as, corruption that shows the lowness of character in the society. Because of that, character education is very important to improve Indonesian moral value. Thus, cultural approach especially Javanese philosophy is used as the foundation of character education for early childhood. This is because Javanese culture is rich on education values, so those make it become the main substance of character education.  Moreover, Javanese culture contains the social order of society, for example, norms, believes, customs, ideas, and symbols which live and develop in Javanese society. Therefore, character education that is from Javanese culture can be a pillar of nation’s character building. Javanese culture that has philosophies can be the guidance of life. The philosophies are the essence of Javanese to do journey to be Javanese. Furthermore, in Javanese philosophies, there are main teaching which in Java it is called by piwulang (wewarah).The important of character education in the early childhood is the education which can be the foundation to develop social skills in the future. This makes a sturdy and strong character education be necessary to be given since the early childhood, so in the future our generation can be strong characters that are excellent as what it has been hoped in the purpose of national education; and it can make the nation stronger to avoid negative influences like corruption.            This study is descriptive qualitative research with case study. The locations of the research are in twenty kindergarthens in Purwokerto that have been selected. Data collection technique is done through indepth interview and focus group discussionon selected informants. Those selected informants are chosen using purposive sample method. Data analysis is done using comparative analysis and data interpretation. Finally, the validity is examined with resource triangualtion and method triangulation. In this research, the result is a model on character education based on Javanese philosophy. To help kidergarthen teachers to apply the model, a modul in the form of animation cartoon is created.
Virtual Reality: Hiperkonsumerisme, Hiperteks, Hipermedia, Hiperealitas Roni Edison
Rekam : Jurnal Fotografi, Televisi, Animasi Vol 10, No 2 (2014): Oktober 2014
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/rekam.v10i2.3254

Abstract

AbstrakKemajuan teknologi informasi dan mulai “membaiknya” tingkat perekonomian rataratapenduduk Indonesia, ikut meningkatkan kuantitas serta kualitas kehidupan mereka.Pertumbuhan dan kecanggihan gadget kadang tidak memberi kesempatan bagi penggunanyauntuk menggunakan dan menikmati kecanggihan tersebut. Baru beberapa saat gadget canggihtersebut dimiliki dan belum semua aplikasi yang tertanam di gadget tersebut digunakan,sudah datang dan muncul seri baru yang lebih canggih dengan aplikasi yang lebih beragamdan menghibur. Televisi dengan materi audiovisualnya yang juga semakin menghibur danmemanjakan mata penontonnya seakan tidak mau kalah untuk menyuguhkan budaya glamour,konsumtif, instan, dan sekali lagi menghibur. Demikianlah bangsa ini dalam setiap detik denyutnapas hidupnya tiada henti dijejali dengan hiburan, hiburan, sekali lagi hiburan yang dangkal,artifisial, dan semu. Ketika dunia Barat mencapai kemajuan bangsanya melalui proses revolusiindustri bangsa Indonesia mencapai dan memperoleh kemajuan hanya pada tingkat penggunadan pola pikir konsumtif. Tidak berlebihan ada pernyataan yang menyebutkan bahwa bangsaIndonesia ini sudah terjajah untuk ketiga kalinya. Dijajah oleh industri kapitalisme globaldengan teknologinya sehingga budaya, kearifan lokal, nurani serta olah rasa dan pikiran darimanusia Indonesia semakin tergerus. Bahkan untuk disebut sebagai intelektual yang ilmiahrakyat dari bangsa ini harus mengerti dan memahami bahasa mereka, sebaliknya bangsaBarat tersebut dengan leluasa berkeliaran di negeri ini dengan berbagai kepentingan tidakdiharuskan mengerti, memahami, dan berbicara dalam bahasa Indonesia. Budaya malu, tepaselira, saling memahami, dan menghargai dalam memaknai perbedaan juga semakin hilangdalam kehidupan bermasyarakat dan juga dalam bernegara. Gagap teknologi, bukan dalamartian tidak mampu menggunakan dan mengoperasikan hasil kemajuan teknologi, tetapi lebihpada ketidakmampuan dalam memanfaatkan kemajuan teknologi tersebut secara cerdas,beretika, dan bertanggung jawab. Inilah fenomena budaya yang sedang terjadi di negara yangmemiliki falsafah Pancasila dengan semboyannya Bhinneka Tunggal Ika. Virtual Reality: Hyperconsumerism, Hypertext, Hypermedia, Hypereality. Advancesin information technology and started “improving” the average rate of the economy ofIndonesia’s population, helps to improve the quantity and the quality of their lives. But thegrowth and sophistication of gadgets sometimes do not provide an opportunity for users touse and enjoy the sophistication. New gadgets while it is held, and not all applications areembedded in the gadget is used, has come and appear more sophisticated new series with amore diverse applications and entertaining. Television with audio-visual materials are alsomore entertaining and pleasing to the eye as if the audience does not want to lose to presentthe glamor culture, consumerism, instant and once again entertaining. Thus this nation inevery second breath of life relentless beats crammed with entertainment, amusement oncemore entertainment shallow, artificial and superficial. When the western world nation achieveprogress through the industrial revolution of the Indonesian nation reach and make progressonly at the level of the user and consumer mindset. No exaggeration there is a statement that says that the Indonesian nation has been occupied for the third time. Colonized by globalcapitalism with the technology industry to culture, local wisdom, conscience and if the heartsand minds of the Indonesian people increasingly eroded. Even for the so-called scientificintellectual people of this nation should know and understand their language, otherwisethe western nations to freely roam the country with a variety of interests are not requiredto understand, comprehend spoken in Indonesian. Culture of shame, tepo seliro, mutualunderstanding and respect of understanding of the difference is also getting lost in the societyand also in the state. Stuttering technology, not in the sense of not being able to use andoperate the result of advances in technology, but rather the inability to take advantage ofthe technological advances in intelligent, ethical and responsible.It’s a cultural phenomenonthat is happening in a country that has a philosophy of Pancasila with the motto of Unity inDiversity.
Kaki Manusia Sebagai Objek Estetik Penciptaan Fotografi Seni Dira Herawati
Rekam: Jurnal Fotografi, Televisi, Animasi Rekam 9
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/rekam.v0i0.546

Abstract

Accountability report is a written description of creative experiences as an artist or a photographer of aesthetic exploration efforts on the image and the idea of a human as a basic stimulant for the creation of works of art photography. Human foot as an aesthetic object is a problem that relates to various phenomena that occur in the social sphere, culture and politics in Indonesia today. Based on these linkages, human feet would be formulated as an image that has a value, and the impression of eating alone in the creation of a work of art photography. Hence the creation of this art photography entitled The Human Foots as Aesthetic Object  Creation of Art Photography. Starting from this background, then the legs as an option object art photography, will be managed creatively and systematically through a phases of creation. The creation phases consist of: (1) the exploration of discourse, (2) artistic exploration, (3) the stage of elaboration photographic, (4) the synthesis phase, and (5) the stage of completion. Methodically, through the phases of the creative process  through which this can then be formulated in various forms of artistic image of a human foot. The various forms of artistic images generated from the foots of its creation process, can be summed up as an object of aesthetic order 160 Kaki Manusia Sebagai Objek Estetik Penciptaan Fotografi Seni in the photographic works of art. It is specifically characterized by the formation of ‘imaging the other’ behind the image seen with legs visible, as well as of the various forms of ‘new image’ as a result of an artistic exploration of the common image of legs visible. In general, the whole image of the foot in a photographic work of art has a reflective relationship with the social situation, cultures, and politics that developed in Indonesian society, by value, meaning and impression that it contains.Keywords: human foots, aestheti,; social phenomena, art photography, images
Penggunaan Metafora Visual Dalam Video Iklan Layanan Masyarakat Kick It Out Winata Faturahman
Rekam : Jurnal Fotografi, Televisi, Animasi Vol 10, No 1 (2014): April 2014
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/rekam.v10i1.3244

Abstract

AbstrakKerusuhan para penggemar sepak bola di Indonesia sudah umum terjadi pada banyaktayangan langsung. Sikap negatif yang berlebihan cenderung menjadi salah satu penyebabsering terjadinya kerusuhan antara penggemar sepak bola di Indonesia. Anarkisme cenderungmengarah pada sikap vandalisme yang sangat merugikan diri sendiri atau orang lain. Kurangnyasemnagat sportivitas pada penggemar sepak bola di Indonesia masih sering ditemui, perlukesadaran untuk mengubah itu semua. Iklan layanan masyarakat adalah iklan yang mengkritiktujuan non-komersial, satir, atau dibuat untuk menularkan sifat positif akan suatu masalahsosial. Sebuah iklan layanan masyarakat yang dibuat akan lebih mudah diterima olehmasyarakat jika disampaikan dengan memberikan paparan fenomena sosial. Metafora adalahsindiran halus yang digunakan untuk menggambarkan sesuatu yang non-verbal. Sebuah iklanyang berisi pesan dan divisualisasikan melalui ajakan metafora akan lebih terkesan dan tidakmenggurui. Pendekatan metafora yang digunakan untuk menyampaikan pesan video iklanlayanan masyarakat Kick It Out akan menyampaikan pesan dengan cara halus. The Using of Visual Metaphor in the Video of Public Service Announcement ‘Kick It Out’.Football fans riot in Indonesia are common and many lives. Excessive negative and tends to beone of the causes frequent riots between football fans in Indonesia. Anarchism is likely to leadto vandalism attitude is very detrimental to yourself or others. Lack of sportsmanship spiritfootball fans in Indonesia are still frequently encountered, it is necessary for an awareness tochange it all. Public service ads are ads that criticize non-commercial purposes, satirical, orinvited to do the positive nature of social problems. A public service announcements that areinvited will be more easily accepted by the community by giving exposure to social phenomena.Metaphor is a delicate metaphor used to describe something as non-verbal. An advertisementthat contains a message and visualized through metaphor will be more impressed solicitationand not patronize them head on. Metaphorical approach used to convey a message, videopublic service announcements Kick It Out will convey a subtle message.
Makna Multikultural Photomotion Motion [e] Motion Karya Andang Iskandar Yosa Fiandra
Rekam : Jurnal Fotografi, Televisi, Animasi Vol 16, No 2 (2020): Oktober 2020
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/rekam.v16i2.3813

Abstract

Multikultural adalah berbagai kehidupan dan budaya yang ada dalam kehidupan masyarakat yang menyangkut nilai-nilai, sistem, budaya dan adat istiadat yang ada di sekitar lingkungan, dalam penelitian karya fotografi ini, penampilan gerak penari yang baik dan penampilan menjadi objek penelitian sebagai hubungan antara tubuh-gerak-budaya-zaman, dalam mencari makna multikultural melalui photomotion teknologi media. Ekspresi gerakan tarian seorang penari yang bergerak dalam ritme ekspresif dan ritmis ke dalam bentuk karya fotografi, sehingga gerak tubuh, gerakan, penampilan dan mimik para penari dapat direkam dengan detail dan halus, melalui media Visual dua Fotografi -dimensi. Karya ini memberikan rangsangan kepada para pecinta karya tentang, makna multikultural Photomotion yang terkandung di dalamnya. Penelitian ini menggunakan metode kualitatif, hasil penelitian dalam bentuk studi fase multicuting dan fotografi estetika dengan teknik fotografi gerak. ABSTRACTMulticultural is a variety of life and culture that exists in the life of society that concerns the values, system, culture and customs that exist around the environment, in the research of this work of photography, the appearance of a good motion dancer and appearance became the object of research as a relationship between body-motion-culture-epoch, in search of a multicultural significance through the media technology photomotion. The expression of the dance movement of a dancer who moves in an expressive and rhythmic rhythm into the form of photographic works, so that the gesture, movement, appearance and mimic of the dancers can be recorded with detail and subtle, through the media Visual two-dimensional photography. This work provides the stimulus to the connoisseurs of the work about, the multicultural meanings of Photomotion contained therein. This research uses qualitative methods, research results in the form of multicuting phase studies and aesthetic photography with motion photography techniques.

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