cover
Article Per Year (5 Year)
All
Home Page
OAI Link
Editorial Team
Contact
Reviewer
Google Scholar
Contact Name
Suharto
Contact Email
suharto@mail.unnes.ac.id
Phone
+628122853530
Journal Mail Official
suharto@mail.unnes.ac.id
Editorial Address
Gedung B2 Lt.1 Kampus Sekarang Gunungpati Semarang 50229
Location
Kota semarang,
Jawa tengah
INDONESIA
Harmonia: Journal of Research and Education
Published by Universitas Negeri Semarang
ISSN : 25412426     EISSN : -     DOI : 10.15294
Core Subject : Education, Art,
Arts Education
Harmonia: Journal of Arts Research and Education is published by Departement of Drama, Dance, and Music, Faculty of Language and Arts, Universitas Negeri Semarang in cooperation with Asosiasi Profesi Pendidik Sendratasik Indonesia (AP2SENI)/The Association of Profession for Indonesian Sendratasik Educators, two times a years. The journal has focus: Research, comprises scholarly reports that enhance knowledge regarding art in general, performing art, and art education. This may include articles that report results of quantitative or qualitative research studies.
Arjuna Subject : Seni dan Humaniora - Seni Visual dan Seni Pertunjukan
Articles 1,219 Documents
 104   105   106   107   108 
Leather Craft Industry and Tourism: A Symbiotic Relationship? (A Case Study of Magetan East Java Indonesia)
Harmonia: Journal of Arts Research and Education Vol 19, No 2 (2019): December 2019
Publisher : Department of Drama, Dance and Music, FBS, Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/harmonia.v19i2.21124

Abstract

This article examines how leather craft industry contributes to tourism development in Magetan East Java Indonesia and vice versa. This study applied a qualitative approach and is descriptive in nature. Techniques of collecting data include site observation, interview, document review, and focus group discussion. Data were analyzed using the interactive model and thematic analysis. Research results indicate four themes. First, leather craft industry in Magetan that is mostly home industry has been empowered in many ways. Several aspects, including a high number of tourist visits, local government policy, abundant human resources, and industrious businessmen have strengthened the industry. Some local government policies have been implemented in several programs to develop the industry. Second, quality products and new design innovation for leather crafts are limited. Most products that are dominated by shoes and sandals are created for lower-middle-income consumers. Third, leather craft industries in Magetan have contributed to the establishment of local entrepreneurship, small-medium enterprises, and tourism. They create job opportunities for the locals and boost the local economy. Fourth, the relationship between leather craft centers and tourism activities is dominated by tourists’ purchase of leather craft products for souvenirs. However, tourism activity in the area is not yet aimed at watching and involving tourists in the process of craft making for educational tourism purposes.
Costume Characteristics of Children Creation Dance in Kindergarten at Buleleng Bali Sutrisno, Langen Bronto; Suartini, Luh; Budiarta, I Gusti Made
Harmonia: Journal of Arts Research and Education Vol 15, No 2 (2015): December 2015
Publisher : Department of Drama, Dance and Music, FBS, Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/harmonia.v15i2.4690

Abstract

Study related to characteristics of costumes worn in Children Creation Dance in kindergarten at Buleleng, Bali is aiming at (1) understanding the characteristics of children creation dance costume in kindergarten at Buleleng, Bali, (2) understanding the aesthetic characteristic of costume of children creation dance in kindergarten at Buleleng, Bali. The research employed qualitative method while the discussion part was presented in descriptive. Data was collected through observation, interview, literature, as well as documentation study. In a general view, characteristic of the costume was still in close proximity to the tradition but some others characteristics have quiet different to the tradition. Aesthetic aspect in dance costume that has adjacency to the tradition is shown in patterned costume, especially the use of kamen prada. The use of colour tends to be bright and cold which may show the atmosphere of happiness and assurance. On the other hand, the characteristics of costume is not traditional tends to emphasize dots and stripes. The impression of dots is shown in the use of sequin while the stripe impession is shown in fabric colour boundaries. In addition, the colours chosen for this type of costume are considerably similar to the colour chosen in traditional costume of creation dance which are bright and cold and give the impression of happiness and assurance.
KIDUNG SEKATEN ANTARA RELIGI DAN RITUS SOSIAL BUDAYA
Harmonia: Journal of Arts Research and Education Vol 11, No 2 (2011)
Publisher : Department of Drama, Dance and Music, FBS, Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/harmonia.v11i2.2208

Abstract

Kidung Sekaten merupakan karya tari yang dipentaskan pada upacara gerebeg Sekaten di depan Masjid Agung Surakarta.  Perkembangan pengaruh Islam di pusat kerajaan relatif menggunakan sarana adat yang telah dipelihara masyarakat secara turun-temurun. Masyarakat setempat menerima kehadiran Islam sebagai suatu pelengkap kebutuhan rohaniah sehingga tercapai keseimbangn hidup.  Perayaan Sekaten sebagai salah satu wujud percampuran budaya  menyangkut  berbagai aspek multidimensi.  Islam  menyatu dengan kebudayaan setempat dengan cara  elastis, baik yang berhubungan dengan pengenalan simbol-simbol Islami  maupun  ritus-ritus keagamaan.  Kidung  Sekaten merupakan salah satu garapan  tari untuk mendukung upacara ritual pengucapan shahadatain di depan Masjid Agung Surakarta dengan memanfaatkan bunyi gamelan sekaten,  keramaian bunyi rebana, orang mengaji, santiswaran, Kidungan, mainan gasingan, sebagai iringan tari  yang diselenggarakan bersamaan dengan gerebeg Maulud. Sekaten chants constitute a dance performed during Gerebeg Sekaten ceremony in front of Grand Mosque of Surakarta. The development of Islamic influence in Surakarta royal palace relatively used custom rites that have socially been maintained throughout the generations. Local people accepted Islamic religion as their spiritual need for achieving life balance. Sekaten celebration as one of acculturation forms encompasses many kinds of multidimensional aspects. Islam elastically blends into local cultures, either in Islamic symbols or religious rites. Sekaten chants is one of dancing performances to endorse the ritual ceremony of Shahadatain articulation in front of the Grand Mosque by making use of Sekaten traditional musical orchestra, the jingling of tambourine, man’s praying voice, santiswaran, chants, spinning a top, as the dance accompaniment along with Gerebeg Maulud.
DAMPAK PERUBAHAN SISTEM NILAI TERHADAP TARI BEDHAYA SURYA SUMIRAT SEBAGAI KREATIVITAS TARI BEDHAYA BARU DI MANGKUNEGARAN
Harmonia: Journal of Arts Research and Education Vol 9, No 2 (2009)
Publisher : Department of Drama, Dance and Music, FBS, Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/harmonia.v9i2.644

Abstract

Changes in society have an impact on culture and creativity. Changes in societywill lead to changes in orientation to the values espoused. Among previousMangkunegaran temple, not allowed to create a dish Bedhaya dance, becausedance Bedhaya considered sacred dance, which should only be presented in theenvironment Kasunanan Sultanate of Surakarta and Yogyakarta. Because ofchanges in value systems and supporting artists, then in Mangkunegaran thencreated Bedhaya dance. Bedhaya dance originally created the dance BedhayaAnglir clouds as a monument honors the first Mangkunegara services. In theprocess, because internal and external influences, the creation of dance BedhayaSumirat Surya Bedhaya dance that resembles the other. Surya Bedhaya DanceDance Sumirat is a new creation as the creativity to meet the need forentertainment. Surya Sumirat Bedhaya Dance is a fusion of traditional dance andcontemporary dance. Location of novelty, observed through the makeup,dressing, dance movement and impression of movement. Surya SumiratBedhaya Dance performed according to the needs. Dance Bedhaya hasundergone many changes in function and mobility, although his soul was stillreflects the nature of female soldiers.Kata Kunci: Surya Sumirat, Bedhaya Baru, Mangkunegaran
Analisis Koreografi Tari Hardjuna Sasra Sumantri (Choreographic Analysis of the Hardjuna Sastra Sumantri Dance)
Harmonia: Journal of Arts Research and Education Vol 5, No 3 (2004)
Publisher : Department of Drama, Dance and Music, FBS, Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/harmonia.v5i3.822

Abstract

Salah satu bentuk tari pethilan yang menggarnbarkan kesigapan, ketangguhan serta kesaktian seorang ksatria dalam pola gerak tari alus gaya Surakarta adalah tari Harjunasasra Sumantri Dalam penggarapan koreografi tari pethilan Harjuna Sasra Sumantri terdiri dari 4 (empat) bagian pokok yaitu maju beksan, beksan, perangan dan terakhir mundur beksan, yang dikemas dengan musik tari/gendhing berbentuk sampak pelog barang; ketawang megatruh; srepeg kemuda dan la-drangan. Tari Harjunasasra Sumantri merupakan garapan baru dari cerita Sumantri Ngenger namun tidak menampilkan urutan cerita secara utuh tetapi sudah mengalami pemadatan, yang mengungkapkan sebuah cerminan kehidupan manusia dalam tingkah laku atau segala perbuatan antara yang baik dan buruk, disengaja maupun tidak disengaja.   Kata kunci: Tari pasangan, sanggit cerita, koreografi.
The Prospect and Future of Youth Kroncong Group at Universitas Pendidikan Indonesia in Bandung
Harmonia: Journal of Arts Research and Education Vol 18, No 1 (2018): June 2018
Publisher : Department of Drama, Dance and Music, FBS, Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/harmonia.v18i1.11775

Abstract

This article discusses the prospect and future of youth Kroncong group at the Indonesia University of Education or Universitas Pendidikan Indonesia in Bandung. The focus of research subject in this study is one particular Kroncong group namely Orkes Kroncong De Oemar Bakrie. By examining the society’s appreciation towards the group performances and by implementing the triangulation techniques; results show that the group can be seen as a representative of youth Kroncong group in Bandung. Based on research from 2000 until 2017, it can be concluded that University-based Kroncong group is more excelled not only in the music industry, but also in the music development and the music organization. The group is considered as a role model and parameter for other youth Kroncong group in Bandung.
ARSIS AND THESIS: A REVIEW OF TWO ELEMENTS OF RHYTHM IN NON-TRADITIONAL MUSIC WRITTEN BY F. H. SMITH VAN WAESBERGHE D.J -, Sunarto
Harmonia: Journal of Arts Research and Education Vol 14, No 1 (2014): June 2014
Publisher : Department of Drama, Dance and Music, FBS, Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/harmonia.v14i1.2790

Abstract

This paper aims to discuss the comparative terms of arsis and thesis in the study of Western music. The purpose of the study is to study the forms of music from the terms of language and its application, because there are many elements of music that are not understandable. Method of this study uses classical literature and musicology approach in which the great phrase rhythm of Gregorian music was more appropriately take a literary term; arsis and thesis. The focus of this study is to discuss the terms of Arsis and Thesis used in the section of rhythm elements of non-traditional music. This study reveals several musical terms in which there are similarities and differences between the rhythm and bars of music. The similarities and differences in the analysis are based on the history of Western music from Gregorian music. Gregorian was monophonic music that still existed in Europe until the 19th century. There were only two phrases in Gregorian music; when  the melody moved up and when it moved down. In this case, there were two main elements in Gregorian music; they were different in rhythmic and they were in one rhythm of music. Arsis is a hard melody while thesis is a soft melody. It could be said that arsis and thesis are also parts of the dynamics form of music work.  Keywords: arsis; Thesis; music rhythm; non-traditional music.
SENI TARI DALAM PERSEPSI MASYARAKAT JAWA (Dance Art In Java Society Perception)
Harmonia: Journal of Arts Research and Education Vol 1, No 2 (2000)
Publisher : Department of Drama, Dance and Music, FBS, Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/harmonia.v1i2.844

Abstract

Tari tradisional dalam budaya rakyat didukung oleh masyarakat petaniatau masyarakat pedesaan. Sebagaimana budaya tradisi istana, budayatradisi rakyat muncul dalam perkembangan kebudayaan Indonesia setelahadanya pembeda sosial antara kelas kerajaan dengan kelas rakyat atauantara negara dengan pemerintahan desa. Konsep peisahan itu tidakdapat dielakkan mengingat akan kekuasaan absolut par apenguasa padajaman Hindia Belanda, di mana kedudukan yang kuat pada puncaktatanan kemasyarakatan dan kekuasaan magis politis yang diwariskandalam kerajaan begitu kuat berakar dalam kebudayaan Jawa. Dalamkonsentris kerajaan Jawa, dapat dilihat konsep-konsep yang menegaskankekuasaan tradisional Sultan sebagai sumber satu-satunya dari segenapkekuatan dan kekuasaan (Soemarjan, 1986). Lingkaran terakhir dalamkonsentris kerajaan Jawa, disebutkan daerah manca negara. Daerahtersebuh walaupun secara formal diakui sebagian dari kerajaan, tetapisistem yang berlaku serbab berbeda yang diberlakukan di daerahtersebut.Kata Kunci: persepsi, masyarakat, tari Jawa, kebudayaan
TARI PENDET SEBAGAI TARI BALIH-BALIHAN ( Kajian Koreografi) (Pendet Dance as Welcome Dance Coreography Research)
Harmonia: Journal of Arts Research and Education Vol 8, No 2 (2007)
Publisher : Department of Drama, Dance and Music, FBS, Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/harmonia.v8i2.789

Abstract

Tari Pendet merupakan salah satu jenis tari putri yang biasa ditarikan secaraberkelompok dan atau berpasangan, dengan menggunakan properti berupa bokor.Pendet termasuk jenis tarian Bali yang memiliki susunan gerak yang simpeL Padaawahiya tari Pendet tergolong ke dalam jenis tari Wali ( tarian sakral ), dengan cirikesederhanaa penggarapan koreografinya. Sifat kesederhanaan muncul padasusunan gerak yang selalu berjalan beriringan dengan penggunaan ruang danwaktu serta tata rias dan busana. Terjadinya perubahan koreografi tari Pendetdisebabkan pula oleh adanya penyesuaian terhadap kepentingan pemenuhankebutuhan akan hiburan, hal ini menuntut seniman Bali untuk dapat kerkreasi padatataran yang lebih tinggi, sesuai dengan perubahan fungsinya dari tari Wali( sakral) menjadi tari balih-balihan (tarian hiburan atau tarian ucapan selamatdatang).Kata Kunci: Tari Pendet, koreografi, Tari Balih-balihan
Uji Akustik Limbah Film Roentgen sebagai Bahan Alternatif Pengganti Membran Alat Musik Drum (Acoustic Test of Roentgen Film Waste as an Alternative Material of Drum Musical Instrument)
Harmonia: Journal of Arts Research and Education Vol 7, No 3 (2006)
Publisher : Department of Drama, Dance and Music, FBS, Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/harmonia.v7i3.743

Abstract

Penelitian ini bertujuan untuk mengetahui karakter akustik dari membran snare drum yangdibuat dari limbah film Roentgen dan karakter akustik membran snare drum yang beredar dipasaran, yang berupa pola gelombang, frekuensi dan amplitudonya. Dengan menggunakanmetode eksperimen, data-data yang diperlukan diperoleh dengan menggunakan seperangkatalat uji akustik berbasis MBL (Microcomputer Based Laboratory). Dari keseluruhanrangkaian kegiatan penelitian diperoleh simpulan bahwa kedua jenis membran memiliki polagelombang yang berbentuk gelombang kompleks dengan masing-masing variasi amplitudo,frekuensi nada dasar dan harmonik yang menyertainya. Disarankan untuk mengadakanpenelitian lebih lanjut berkaitan dengan daya tahan membran yang dibuat dari bahan initerhadap pukulan, untuk mengetahui kelayakan limbah film Roentgen sebagai alternatifpengganti membran alat musik drum.Kata kunci: uji akustik, film roentgen, alat musik drum

Page 106 of 122 | Total Record : 1219

 104   105   106   107   108 

Filter by Year

2000 2024


Reset
Filter By Issues
All Issue Vol 24, No 1 (2024): June 2024 Vol 23, No 2 (2023): December 2023 Vol 23, No 1 (2023): June 2023 Vol 22, No 2 (2022): December 2022 Vol 22, No 1 (2022): June 2022 Vol 21, No 2 (2021): December 2021 Vol 21, No 1 (2021): June 2021 Vol 20, No 2 (2020): December 2020 Vol 20, No 1 (2020): June 2020 Vol 19, No 2 (2019): December 2019 Vol 19, No 1 (2019): June 2019 Vol 18, No 2 (2018): December 2018 Vol 18, No 1 (2018): June 2018 Vol 17, No 2 (2017): December 2017 Vol 17, No 1 (2017): June 2017 Vol 16, No 2 (2016): (Nationally Accredited, December 2016) Vol 16, No 2 (2016): December 2016 Vol 16, No 1 (2016): June 2016 Vol 16, No 1 (2016): (Nationally Accredited, June 2016) Vol 15, No 2 (2015): December 2015 Vol 15, No 2 (2015): (EBSCO, DOAJ & DOI Indexed, December 2015) Vol 15, No 1 (2015): June 2015 Vol 15, No 1 (2015): (EBSCO, DOAJ & DOI Indexed, June 2015) Vol 14, No 2 (2014): (EBSCO, DOAJ & DOI Indexed, December 2014) Vol 14, No 2 (2014): December 2014 Vol 14, No 1 (2014): June 2014 Vol 14, No 1 (2014): (DOI & DOAJ Indexed, June 2014) Vol 13, No 2 (2013): (DOI & DOAJ Indexed, December 2013) Vol 13, No 2 (2013): December 2013 Vol 13, No 1 (2013): June 2013 Vol 13, No 1 (2013): (DOI & DOAJ Indexed, June 2013) Vol 12, No 2 (2012) Vol 12, No 2 (2012) Vol 12, No 1 (2012) Vol 12, No 1 (2012) Vol 11, No 2 (2011) Vol 11, No 2 (2011) Vol 11, No 1 (2011) Vol 11, No 1 (2011) Vol 10, No 2 (2010) Vol 10, No 2 (2010) Vol 10, No 1 (2010) Vol 10, No 1 (2010) Vol 9, No 2 (2009) Vol 9, No 2 (2009) Vol 9, No 1 (2009) Vol 9, No 1 (2009) Vol 8, No 3 (2007) Vol 8, No 3 (2007) Vol 8, No 2 (2007) Vol 8, No 2 (2007) Vol 8, No 1 (2007) Vol 8, No 1 (2007) Vol 7, No 3 (2006) Vol 7, No 3 (2006) Vol 7, No 2 (2006) Vol 7, No 2 (2006) Vol 7, No 1 (2006) Vol 7, No 1 (2006) Vol 6, No 3 (2005) Vol 6, No 3 (2005) Vol 6, No 2 (2005) Vol 6, No 2 (2005) Vol 5, No 3 (2004) Vol 5, No 3 (2004) Vol 5, No 1 (2004) Vol 5, No 1 (2004) Vol 4, No 3 (2003) Vol 4, No 3 (2003) Vol 4, No 2 (2003) Vol 4, No 2 (2003) Vol 4, No 1 (2003) Vol 4, No 1 (2003) Vol 3, No 2 (2002) Vol 3, No 2 (2002) Vol 2, No 3 (2001) Vol 2, No 3 (2001) Vol 2, No 2 (2001) Vol 2, No 2 (2001) Vol 1, No 2 (2000) Vol 1, No 2 (2000) Vol 1, No 1 (2000) Vol 1, No 1 (2000) More Issue