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Harmonia: Journal of Research and Education
Published by Universitas Negeri Semarang
ISSN : 25412426     EISSN : -     DOI : 10.15294
Core Subject : Education, Art,
Arts Education
Harmonia: Journal of Arts Research and Education is published by Departement of Drama, Dance, and Music, Faculty of Language and Arts, Universitas Negeri Semarang in cooperation with Asosiasi Profesi Pendidik Sendratasik Indonesia (AP2SENI)/The Association of Profession for Indonesian Sendratasik Educators, two times a years. The journal has focus: Research, comprises scholarly reports that enhance knowledge regarding art in general, performing art, and art education. This may include articles that report results of quantitative or qualitative research studies.
Arjuna Subject : Seni dan Humaniora - Seni Visual dan Seni Pertunjukan
Articles 1,219 Documents
 105   106   107   108   109 
PERSOALAN MENCARI IDENTITAS MUSIK INDONESIA MELALUI  KAJIAN HISTORIS GAMELAN DAN KERONCONG (The Searching Problems of Indonesian Music Identity Through the Study of  Gamelan and Keroncong History)
Harmonia: Journal of Arts Research and Education Vol 4, No 1 (2003)
Publisher : Department of Drama, Dance and Music, FBS, Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/harmonia.v4i1.705

Abstract

Pembangunan   nasional   tenis   benlanjut   tetapi   pesoalan   bangsa   kian   hari   makin  banyak dan tak terduga. Semua sektor termasuk kebudayaan dan seni harus layak  dijual.   Persoalan   kreativitas   dahulu   kurang   diperdebatkan,   kini   masalah   itu  dikaitkan   dengan   HaKI   dan   Paten   dan   ramai   dibicarakan.   Dalam   kancah   musik,  musik   Indonesia   seharusnya   mampu   menembusmedan   yang   lebih   luas   hingga   ke  tingkat   dunia.   Tetapi   batasan   tentang   musik   Indonesia   juga   masih   banyak  diperdebatkan.   Mungkin   benar   akanpendapat   Paul   Wolbers   tentang  Game/an  dan  Keroncong sebagai musik nasional yang dimiliki oleh bangsa Indonesia. Itulah aset  kita.Kata kunci: musik nasional. tradisi, nasionalisme, gamelan, Keroncong
Markasan Strategy in A Best-Selling Music
Harmonia: Journal of Arts Research and Education Vol 19, No 1 (2019): June 2019
Publisher : Department of Drama, Dance and Music, FBS, Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/harmonia.v19i1.20821

Abstract

Gesang and Didi Kempot, in dominating the market of the music industry in their era, incorporated local capital, i.e., the site in lyrics and scales in melody. Likewise with Markasan. However, little is known about the site and melody used by Markasan as a tool to dominate the keroncong market in East Java in the 1960-1965 period. This study aims to reveal lyrics and melody that songwriters can use to dominate the music competition market in their day. To address this gap, observations, interviews, and documentation studies were carried out. The subjects are Keroncong-Markasanan musicians and RRI as melting pots of keroncong in Surabaya. Through ‘Blauran Wayah Sore’ song, we can observe Markasan’s efforts to construct songs, build resistance, and perpetuate domination in the music industry competition in his day. This research provides a strategy to utilize cultural capital consisting of lyric styles, popular site names, local scales, and identification of favorite song scales in a best-selling effort in the music industry today.
Comment and Comics Artwork by Mohd Yaman Ahmad Mus in Anak Sabah Newspaper on 1957 Rahim, Mohd Sawari; Ibrahim, Ismail; Zakaria, Suraya Hani
Harmonia: Journal of Arts Research and Education Vol 15, No 2 (2015): December 2015
Publisher : Department of Drama, Dance and Music, FBS, Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/harmonia.v15i2.4606

Abstract

The aims for producing comics in newspaper is to convey a message instead of just an entertainment for the newspaper readers. It also can be a documentation materials for historical records and civilization history through the situation at that time. These visual images are used by Mohd Yaman Ahmad Mus to display the true story about the behavior, attitudes and moral values that apply in everyday life through his creativity and self-expression. This aims to teach and create awareness among public besides of building a harmony and well-being of the community. The display image was analyzed using a theoretical approach of iconography by Erwin Panofsky (1955). This theory was classified into three levels, which is pre-iconographic, iconography and iconological (iconology interpretation) to explain and demystify the nature and meaning of painting in a holistic manner. The study showed that the content of messages and lessons in painting shows road safety issues which are still happen since the pre-independence era in Sabah until now.
MELATIH TUBUH: SEBUAH METODE BARU OLAH TUBUH DALAM TARI
Harmonia: Journal of Arts Research and Education Vol 11, No 1 (2011)
Publisher : Department of Drama, Dance and Music, FBS, Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/harmonia.v11i1.2069

Abstract

Tubuh untuk keperluan tari adalah tubuh berdaya dan berjiwa yang diaktulisasikan lewat ekspresi. Tubuh tari memiliki makna. Tubuh yang aktif, terlatih, terampil, dan cerdas. Melatih Tubuh merupakan metode latihan untuk mencapai kepenarian,   yang dikembangkan merujuk  berbagai sumber olah tubuh  seperti  tari tradisi Jawa Surakarta,  yoga, t’ai chi, aerobik dan body languange.  Dalam susunannya, terdiri dari pernapasan dan peregangan, kelenturan, kekuatan, keseimbangan, penguatan otot perut, koordinasi, kelincahan, vibrasi, dan pendinginan.  Penataan pentas Melatih Tubuh menggunakan pendekatan natural, dekorasi panggung secara terbatas menggunakan backdrop hitam sebagai batas belakang panggung, tata artistik lebih ditekankan kepada penguatan cahaya untuk memperjelas visualisasi penari di atas panggung, irama musikal  sebagai pendukung digunakan  rekaman album Music for Yoga produksi Domo Records. The body for this dancing is the powerful and spirited one actualized through physical expression. Dancing body has meaning. It is also an active, trained, dexterous, and smart one. The dancing body is responsive and highly coordinative showing intellectual, emotional, and spiritual abilities. Body rehearsal is a method to achieve one’s dancing skill and developed referring to various sources of body movement such as Surakarta Javanese dance, yoga, t’ai chi, aerobics, and body language. Among the steps include breathing and stretching; keeping elasticity, strength, balance, coordination, dexterity, vibration; stomach muscles strengthening; and cooling down. The staging of Body Rehearsal uses a natural approach, and a minimal stage decoration with black backdrop as the upstage border. The artistic setting is more focused on stronger lighting to illuminate dancers’ visualization on the stage. The sound effects as accompaniment use Music for Yoga album produced by Domo Records.
LELAGON DOLANAN ANAK DAN PENDIDIKAN KARAKTER
Harmonia: Journal of Arts Research and Education Vol 10, No 2 (2010)
Publisher : Department of Drama, Dance and Music, FBS, Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/harmonia.v10i2.62

Abstract

Children folksongs laras slendro and pelog are full of noble values of national cultures. Nowadays, they are abandoned. Children as the subjects and appreciators of the songs get more unfamiliar with the songs. The songs are less often heard in the family, schools, playground and the place of living environments and other places of gathering for children. The lack of new creation of folksongs worsens the condition. New creation of the songs is badly needed to introduce, preserve, and plant the noble values of national cultures. When the songs and their values can get to more and more children, the character development of the children will be colored with the values of national cultures. They may grow and become generations that respect values of national cultures. Kata kunci: lelagon dolanan anak, pendidikan karakter, pelog dan slendro
Representation of the Meaning of Indung in Artworks Maulina, Rini; Sabana, Setiawan; Damayanti, Nuning Yanti; Muhtadin, Teddi
Harmonia: Journal of Arts Research and Education Vol 21, No 1 (2021): June 2021
Publisher : Department of Drama, Dance and Music, FBS, Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/harmonia.v21i1.29800

Abstract

Indung means mother in Sundanese. Indung in Sundanese culture is found in Paribasa, Babasan, Carita Pantun, Waditra (Sundanese traditional musical instrument), traditional ceremonies, and others. The word indung, which is found in almost all elements of Sundanese culture and manifests in Sundanese artifacts, has an invisible meaning. The meaning of indung in the perspective of Sundanese culture that exists in today’s society has not been explored. The meaning of indung from a cultural perspective needs to be searched for. There have not been found artworks with the theme of indung from a Sundanese cultural perspective, so it is necessary to explore representations in artworks. This study employs the Art-based Research method, in which an investigation is carried out on the data, and the results are represented in artworks. Through questionnaires, interviews, and literature studies, the meaning of indung is extracted and then tabulated to be classified and analyzed. The results of data processing showed that indung has many meanings, the result of converging data from the literature, questionnaire and interview the whole there are 17 meanings, among which the nurse, angel, house, huge, source of life, earth, embrace, harmony, the center of life, and love. The results of data processing are represented in artworks. Artworks made based on the meaning of indung are limited to three titles, namely Sumber Kehidupan (Source of Life), Merangkul (Embracing), and Rumah yang Hangat (Warm Home). The visual exploration contained in the three titles is made using stylized forms with a decorative style, using elements of motifs and colors from West Javanese batik. The media and techniques used are found in written batik. The results of the visualization of the meaning of indung of the three artworks that are created can be concluded that the meaning of indung cannot be symbolized singly.
Lakon Anoman Duta Garap Padat: Sebuah Penelitian Singkat (The Condensed Creativity of Anoman Duta : A Short Study)
Harmonia: Journal of Arts Research and Education Vol 6, No 3 (2005)
Publisher : Department of Drama, Dance and Music, FBS, Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/harmonia.v6i3.813

Abstract

Anoman Duta merupakan lakon wayang yang bersumber dari salah satu episode dalamRamayana versi pedalangan Jawa. Berbagai bentuk seni pertunjukan wayang digarapoleh para seniman tradisi untuk melestarikan nilainilai luhur yang terkandungdidalamnya. Lakon Anoman Duta dipergelarkan dalam bentuk seni pertunjukan wayangkulit Purwo oleh seniman dalang biasanya memakan durasi waktu sekitar enam jam. Padapementasan yang berujud Sendratari, Lakon Anoman Duta digarap ringkas dengandurasi waktu sekitar dua jam. Bentuk pertunjukan dengan konsep padat digarap dalamwaktu sekitar 30 menit. Lakon Anoman Duta digarap padat dalam pengertian konsep,isi dan ekspresi estetis oleh Padepokan Sarotama di Surakarta. Penghilangan berbagairagam gerak yang diulangulang, catur yang tidak perlu dengan iringan musik tradisi yangmenyatu menunjukkan lakon Anoman Duta dengan garap padat tetap berbobot dan lebihmenarik serta memberikan kepuasan baru bagi para penikmat seni yang relatifmemerlukan waktu terbatas untuk dapat melihat secara keseluruhan isi dan makna yangdisajikan dalam pertunjukan. Dengan bentuk pertunjukan Anoman Duta garap padatpelestarian seni tradisi melalui garap lakon berlangsung dengan berbagai variasi.Kata kunci: Wayang, Anoman Duta, Garap Padat
Women domination in the Galombang dance: between the customary idealism and the market use
Harmonia: Journal of Arts Research and Education Vol 17, No 2 (2017): December 2017
Publisher : Department of Drama, Dance and Music, FBS, Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/harmonia.v17i2.10724

Abstract

This study aims to answer the women dominance in the Galombang dance creation in Minangkabau, West Sumatra from gender perspective. In addition, this study also reveals the position of women as an urgent thing in the Minangkabau dance creations, Galombang. This research used interdisciplinary approach, namely Cultural Sociology and Dance Anthropology. The data were obtained through various interviews, direct monitoring in the situation of the Galombang dance activity, and literature study to support the primary data. The analysis was done through ethnography method. The result of the research found that women dominance was bigger than men in the Galombang dance creations. In customary idealism, women are not Galombang dancers as the Galombang dance is intended for men. In reality, there is a bigger role between men and women in the Galombang dance; therefore, men’s role is not very decisive on the performance quality and selling value, as well as for the use of dance Galombang creations by society nowadays in West Sumatra.
PENGEMBANGAN MATERI DAN KEGIATAN PEMBELAJARANNYA DALAM KURIKULUM TINGKAT SATUAN PENDIDIKAN BIDANG SENI MUSIK
Harmonia: Journal of Arts Research and Education Vol 8, No 3 (2007)
Publisher : Department of Drama, Dance and Music, FBS, Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/harmonia.v8i3.780

Abstract

Kurikulum Satuan Tingkat Pendidikan (KTSP) pada dasarnya adalah KurikulumBerdasarkan Kompetensi (KBK). Dalam KTSP sekolah (guru) memiliki kesempatanmembuat kurikulum mengembangkan sendiri kurikulumnya sesuai dengan potensisekolah dan daerah, kebutuhan dan latar belakang/karakteristik siswa, sampai padakemampuan gurunya. Pemanfaatan potensi daerah yang dimanfaatkan dalamkurikikulum Seni Budaya termasuk bidang Seni Musik sangat kental dalam KTSP yangtercermin dalam Standar Kompetensi (SD) dan Kompetensi Dasarnya (KD). SayangnyaKD yang begitu kental dengan kesenian daerah masih disikapi guru Seni Budaya denganberbagai interpretasi apakah harus dilaksanakan dengan penuh keterbatasan baikkemampuan guru yang berlatar belakang pendidikan seni berbeda atau dengan jeniskesenian lain sesuai dengan latar belakang dan kemampuan gurunya terutama bagi guruguruyang berlatar belakang musik diatonis. Tidak disebutkan secara eksplisit dalamperumusan SK maupun KD juga menjadi pemicu multitafsir guru dalam menjabarkandalam penyusunan silabusnya terutama dalam penentuan materi pembelajaran maupunkegiatan pembelajarannya. Tulisan ini menawarkan dalam “menterjemahkan” isi SK danKD untuk menentukan materi dan kegiatan pembelajarannya.Kata kunci : standar kompetensi, kompetensi dasar, pengembangan,
Paradigma Baru Penelitian Seni (The New Paradigm of Arts Research)
Harmonia: Journal of Arts Research and Education Vol 7, No 3 (2006)
Publisher : Department of Drama, Dance and Music, FBS, Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/harmonia.v7i3.737

Abstract

Atmosfer penelitian seni di lingkungan perguruan tinggi seni masihterasa kering bila dibandingkan dengan penelitian ilmu-ilmu lain,terutama oleh karena persoalan paradigma dan parameter ilmiah.Paradigma lama yang memandang dikotomis ilmu dan seni sebagaisuatu relasi yang berhadap-hadapan sesungguhnya benar-benar telahusang. Pikiran seperti itu perlu segera dikoreksi karena hakikat seniadalah suatu disiplin yang bersifat sains dan filsafat; maka paradigmabaru perlu dikembangkan untuk tujuan pembebasan berpikir terutamabagi para peneliti seni. Kebebasan berpikir dan perasaan merdeka sangatmendorong peneliti seni menghasilkan banyak kreativitas, inovasi, danpenemuan-penemuan.Kata kunci: penelitian, seni, paradigma, kreativitas.

Page 107 of 122 | Total Record : 1219

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