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All Journal Harmonia: Journal of Research and Education JEJAK Journal of Economic Education Panggung Jurnal Rekayasa Material, Manufaktur & Energi Jurnal STIE Semarang (Edisi Elektronik) Magisma: Jurnal Ilmiah Ekonomi dan Bisnis JURNAL CAPITAL : Kebijakan Ekonomi, Manajemen dan Akuntansi Panggung
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KESADARAN ESTETIS MENURUT HANS-GEORG GADAMER (1990-2002) -, Sunarto
Harmonia: Journal of Arts Research and Education Vol 11, No 2 (2011)
Publisher : Department of Drama, Dance, and Musik (Sendratasik), Semarang State University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/harmonia.v11i2.2212

Abstract

Hans-Georg Gadamer (1900-2002) adalah seorang filsuf dalam bidang hermeneutika yang sangat terkenal. Menjelang pensiunnya tahun 1960, kariernya menanjak dengan diterbitkan bukunya, Wahrheit und Method atau Truth and Method. Dalam bukunya Gadamer memberikan pemahaman pada tingkatan ontologis bukan metodologis. Di sini Gadamer ingin mencapai kebenaran tidak lewat metode melainkan dengan dialektika. Alasannya, dengan dialektika mengandaikan suatu kebebasan dalam mengajukan berbagai pertanyaan dibanding dalam proses metodis. Berangkat dari hal tersebut Gadamer merambah ke persoalan estetik (seni). Gadamer mengatakan bahwa dalam estetis ditemukan kebenaran, tetapi bukan kebenaran melalui metodis (penalaran) melainkan kebenaran yang menurut faktanya “berlainan dengan kebenaran metodis”. Gadamer juga mencetuskan tentang konsep “permainan”. Hans-Georg Gadamer (1990-2002) is a famous philosopher in Hermeneutics. During his retirement in 1960, his career escalated by the publishing of his book, Wahrheit und Method or Truth and Method. In his book, Gadamer gives an ontological and not a methodological understanding. In this case, Gadamer wanted to achieve the truth, not through method but by dialectics. The reason is that the dialectics enables people to imagine freedom in proposing various questions rather than those in methodical process. Starting from these things, Gadamer explored more on aesthetic subjects (arts). Gadamer said that in aesthetics, he found truth, but not the truth through methodical process (reasoning) but the truth based on its facts, “different from its methodical truth.” Gadamer also proposed a concept of “games.”
ARSIS AND THESIS: A REVIEW OF TWO ELEMENTS OF RHYTHM IN NON-TRADITIONAL MUSIC WRITTEN BY F. H. SMITH VAN WAESBERGHE D.J -, Sunarto
Harmonia: Journal of Arts Research and Education Vol 14, No 1 (2014): (DOI & DOAJ Indexed, June 2014)
Publisher : Department of Drama, Dance, and Musik (Sendratasik), Semarang State University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/harmonia.v14i1.2790

Abstract

This paper aims to discuss the comparative terms of arsis and thesis in the study of Western music. The purpose of the study is to study the forms of music from the terms of language and its application, because there are many elements of music that are not understandable. Method of this study uses classical literature and musicology approach in which the great phrase rhythm of Gregorian music was more appropriately take a literary term; arsis and thesis. The focus of this study is to discuss the terms of Arsis and Thesis used in the section of rhythm elements of non-traditional music. This study reveals several musical terms in which there are similarities and differences between the rhythm and bars of music. The similarities and differences in the analysis are based on the history of Western music from Gregorian music. Gregorian was monophonic music that still existed in Europe until the 19th century. There were only two phrases in Gregorian music; when  the melody moved up and when it moved down. In this case, there were two main elements in Gregorian music; they were different in rhythmic and they were in one rhythm of music. Arsis is a hard melody while thesis is a soft melody. It could be said that arsis and thesis are also parts of the dynamics form of music work.  Keywords: arsis; Thesis; music rhythm; non-traditional music.
SHAMANISME: FENOMENA RELIGIUS DALAM SENI PERTUNJUKAN NUSANTARA -, Sunarto
Harmonia: Journal of Arts Research and Education Vol 13, No 2 (2013): (DOI & DOAJ Indexed, December 2013)
Publisher : Department of Drama, Dance, and Musik (Sendratasik), Semarang State University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/harmonia.v13i2.2783

Abstract

Budaya Shamanisme ini telah memberikan kepada Nusantara musik ritual dengan waditra: gendang, gong, dan kecrek; dengan pertunjukan yang mempunyai maksud untuk memuliakan arwah para leluhur. Bentuk seni yang ditampilkan, seperti: tari topeng. Budaya ini juga telah membawa skala Pentatonik yang berasal dari tradisi Melayu-Nusantara untuk wilayah belahan barat, dan tradisi Asiatik untuk belahan Timur. Hal tersebut mirip dengan paham Cina kuno (3500 SM), yang memandang musik sebagai seni yang mengungkapkan persatuan sorga dan bumi. Konsep seni adhiluhung (yang berarti damai dan agung) dalam Gamelan Jawa diturunkan dari paham tersebut. Sedangkan dalam Hinduisme menganggap musik sebagai Yoga untuk bersatu dengan Brahman dan sarana pengembangan rasa estetis-religius. Suhardjo Parto dalam Disertasinya, Folk Traditional as a Key to the Understanding of Music Cultures of Java and Bali (Osaka University, 1990), membuat peta dengan sebutan wilayah etnomusikologis “Indonesia Barat Daya”: suatu wilayah yang terbentang dari Sumatra Selatan, Jawa (Madura), Bali, dan Lombok. This Shamanism culture has given the archipelago music: ritual music of waditra: drums, gongs, and kecrek; with performances that had the intention to honour deceased ancestors. The form of the performance art shown is Tari Topeng (mask dance). This culture has also brought a pentatonic scale derived from the Malay-Indonesian tradition in the Western hemisphere to Asiatic tradition in the Eastern hemisphere. It is similar to ancient China concept (3500 BC), which looked at music as an art that expresses the unity of Heaven and Earth. This is from which the concept of art adhiluhung (peaceful and great) in Javanese Gamelan is derived. Hinduism considers music as Yoga for uniting with Brahman and a means of developing a sense of the aesthetic-religious. Suhardjo Parto in his dissertation, Traditional Folk as a Key to the Understanding of Music Cultures of Java and Bali (Osaka University, 1990), made a map as the ethnomusicologist “Southwest Indonesia”: an area stretching from South Sumatra, Java (Madura), Bali, and Lombok.
STRATEGI KEBIJAKAN PENGELOLAAN POLDER TAWANG SEBAGAI PENGENDALI BANJIR DENGAN PENDEKATAN ANALYSIS HIERARCHY PROCESS (AHP) Suseno, Deky Aji; Sunarto, St
JEJAK: Jurnal Ekonomi dan Kebijakan Vol 5, No 1 (2012): March 2012
Publisher : Semarang State University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/jejak.v5i1.4625

Abstract

The research aimed to seek factors causing ineffectiveness of Polder Tawang; the loss due to rob, the need, and the priority scale program in optimizing the polder. Its locus was Semarang city, especially areas located nearby the polder affected by rob such as Johar, Jurnatan, and Tawan station. Data was gathered by conducting interview, observation, and documentation. To analyze the data, description and Analysis Hierarchy Process (AHP) were employed. The result revealed that there were barriers in the management of Tawang Polder. The internal barriers were the broken water pump, leaking pump, unwaterproof polder, and polder which has less capacity over the water, and area which has less capacity to obsorb the water. The external factors were conflict areas, unwell managed infrastructure and rubbish, and inappropiate drainage system. These conditions led to some losses. They were the two working hours loss, and 11-15% downfall of turnover. Hence, there is a need to manage Tawang Polder either internally or externally. The internal ones are draining pump, waterproof pond, and absorption area determination. The external ones are independent polder management enabling the focus of the work, the involvement of consultant, monitoring , and better participation to optimize the polder. The priority programs resulted from AHP analysis were found to be government policy, infrastructure aspect, social and technical management aspect. Penelitian ini bertujuan mengetahui faktor-faktor penyebab belum efektifnya Polder Tawang meliputi bentuk dan nilai kerugian yang diderita akibat rob,kebutuhan yang diperlukan, skala prioritas optimalisasi. Lokasi penelitian ini adalah Kota Semarang, khusus di daerah – daerah sekitar Polder Tawang yang terkena rob seperti kawasan Johar, Jurnatan, dan Stasiun Tawang. Pengumpulan data dengan wawancara, observasi, dan dokumentasi. Analisis data yang digunakan adalah deskriptif dan Analysis Hierarchy Process (AHP). Hasil penelitian adalah terdapat hambatan – hambatan dalam pengelolaan Polder Tawang. Hambatan internal adalah kerusakan pompa air, pipa yang bocor, kolam polder tidak kedap air, dan kapasitas polder yang tidak sesuai dengan kapasitas debit air yang masuk dan tidak sesuai dengan wilayah tangkapan air. Hambatan eksternal lahan yang masih dalam perselisihan, pengelolaan sarana belum baik, sampah dan subsistem drainase tidak sesuai. Kerugian masyarakat turunnya jam kerja rata–rata 2 jam dan penurunan omset 11-15%. Kebutuhan pengelolaan Polder Tawang yaituinternal dan eksternal. Kebutuhan internal yaitu perlu pompa pembuangan, kolam yang kedap air dan penetapan catchment area. Eksternal adalah adanya manajemen pengelolaan polder yang terpisah agar fokus, dan keterlibatan konsultan, monitoring, dan berpartisipasi dalam optimalisasi polder. Skala prioritas analisis AHPdalam optimalisasi Polder Tawang adalah kebijakan pemerintah, aspek infrastruktur, aspek sosial dan aspek teknis pengelolaan.
PEMBELAJARAN PROYEK DENGAN PENDEKATAN SAINTIFIK TERHADAP HASIL BELAJAR KEWIRAUSAHAAN SISWA KELAS XI SMK TEUKU UMAR SEMARANG -, Idhar; -, Rusdarti; -, Sunarto
Journal of Economic Education Vol 4 No 2 (2015): November 2015
Publisher : Journal of Economic Education

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Tujuan penelitian ini untuk mengetahui ketuntasan, pengaruh aktivitas motivasi belajar dan hasil belajar kewirausahaan Siswa Kelas XI Sekolah Menegah Kejuruan (SMK) Teuku Umar Semarang  secara efektif, karena berdasarkan data bahwa pembelajaran kewirausahaan Siswa Kelas XI SMK Teuku Umar Semarang  22% mengalami ketidaktuntasan dan sumbangan terbesar di program keahlian pemasaran sebesar 42% yang mengakibatkan siswa aktivitas dan motivasi kurang termotivasi dan cenderung pasif mengembangkan potensinya secara optimal.  Penelitian ini merupakan penelitian kuantitatif studi true eksperimental dengan desain berbentuk Pre test-Control Group Design untuk melihat ketuntasan, pengaruh Pembelajaran secara efektif dengan populasi Siswa Kelas XI SMK Teuku Umar Semarang yang dipilih sampel secara acak menurut kriteria peneliti. Hasil penelitian menunjukan bahwa ketuntasan keaktifan belajar Siswa sebesar 48%, motivasi belajar Siswa sebesar 63% dan hasil belajar memperoleh nilai rata-rata sebesar 90,74 terhadap pembelajaran proyek dengan saintifik, pengaruh aktifitas belajar terhadap hasil belajar sebesar 0,019 dan motivasi belajar siswa sebesar 0,098. Hal ini menunjukan aktivitas belajar siswa tidak dapat memprediksi hasil belajar namun motivasi dapat mencapai secara efektif ditandai dengan adanya perbedaan hasil belajar dari 86.15 = 86% dan pos tes sebesar 90,74 = 91% artinya antra pre tes dan pos tes mengalami perubahan sebesar 5% dari sebelumnya. The purpose of this study to determine completeness, influence the activity of learning motivation and learning outcomes Class XI student entrepreneurship Vocational Middle School (SMK) Teuku Umar Semarang effective, because based on data that entrepreneurial learning Class XI student of SMK Teuku Umar Semarang ketidaktuntasan and 22% had the largest contribution the program marketing expertise by 42% which resulted in the student activity and motivation of less motivated and tend to be passive develop their potential optimally. This research is a quantitative study of true experimental design with shaped Pre-test Control Group Design to see the completeness, the influence of learning effectively with Class XI student population Teuku Umar Semarang SMK samples randomly selected according to the criteria of the researcher The results showed that students learning activeness completeness by 48%, student motivation to learn by 63% and the value of learning outcomes gained an average of 90.74 against the project by scientific study, the influence of learning activities to the learning outcomes of 0.019 and 0.098 for students motivation. This shows students learning activities can not predict the outcome of learning but motivation can achieve effectively characterized by the difference in learning outcomes of 86.15 = 86% and post test of 90.74 = 91% means that as between pre-test and post test unchanged at 5% from the previous.
PANAKAWAN WAYANG KULIT PURWA: Asal-usul dan Konsep Perwujudannya -, Sunarto
PANGGUNG Vol 22, No 3 (2012): Manifestasi Konsep, Estetika, dan Makna Seni dalam Keberbagaian Ekspresi
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/panggung.v22i3.74

Abstract

Panakawan is a group of purwa shadow puppet having a specific embodiment. The embodiment of panakawan figures is shown in unproportional body and caricaturistics. The question is since when panakawan figures appear and how the concept of embodiment is. To answer that question, the research is done through historical approach to track the existence of panakawan figures, while the iconography is used to identify panakawan figures in terms of embodiment, and in tracing the concept of panakawan embodiment is done through structural approach.This study found that panakawan history can be traced through two sources, namely verbal and pictorial sources. Verbal is any source that is obtained from written works, whereas pictorial is any source of artifacts. The term of Panakawan was first found on serat Gattkacasraya by Empu Panuluh in the eleventh century and on Kitab Nawaruci  by Empu Siwamurti in the fifteenth century. Panakawan was also found on several sources of puppet plays, among others: Kidung Sudamala, Serat Purwakanda, Serat Pustakarajapurwa, and Serat Purwacarita. On artifact sources, it was found on temple reliefs and on some kinds of puppet. The concept of panakawan embodiment was inspired by the disabled people who have magic power. The people of this type in Yogyakarta palace are called Abdi Dalem Palawija, whereas in the ancient Java they were included in the character of i’jro. Keywords: Panakawan, history, concept
ANALISIS PERENCANAAN PEMBANGUNAN DESA BERBASIS UNDANG – UNDANG DESA NO 6 TAHUN 2014 DI KECAMATAN GUNUNGPATI KOTA SEMARANG Suseno, Deky Aji; Sunarto, St
JURNAL STIE SEMARANG Vol 8 No 2 (2016): VOLUME 8 NOMOR 2 EDISI JUNI 2016
Publisher : Sekolah Tinggi Ilmu Ekonomi Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (448.119 KB)

Abstract

Perencanaan merupakan hal yang sangat penting dalam pembangunan daerah. Lain pihak, adanya pembangunan juga terdapat berbagai masalah sehingga perlu adanya perencanaan yang sesuai dengan undang-undang yang mengaturnya. Berdasarkan hal tersebut, muncul pertanyaan, apakah perencanaanpembangunan yang dilaksanakan oleh desa/kelurahan sudah sesuai dengan Undang-undang 6 Tahun 2014.             Hasil penelitian menunjukkan bahwa dari sampel yang diteliti, kelurahan telah melaksanakan perencanaan pembangunan sesuai Undang-undang No 6 Tahun 2014. Penentuan skala prioritas masih bervariasi, dan belum sepenuhnya mengikuti petunjuk pelaksanaan. Rencana pembangunan yang dihasilkan masih terpusat pada pembangunan fisik, belum ada pemerataan antar bidang. Anggaran yang diusulkan masih relatif cukup besar, sehingga dapat menimbulkan beban, dan ada kemungkinan ada beberapa program yang tidak dapat dibiayai pada tahun yang bersangkutan
STRATEGI KEBIJAKAN PENGELOLAAN POLDER TAWANG SEBAGAI PENGENDALI BANJIR DENGAN PENDEKATAN ANALYSIS HIERARCHY PROCESS (AHP) Suseno, Deky Aji; Sunarto, St
JEJAK: Jurnal Ekonomi dan Kebijakan Vol 5, No 1 (2012): March 2012
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/jejak.v5i1.4625

Abstract

The research aimed to seek factors causing ineffectiveness of Polder Tawang; the loss due to rob, the need, and the priority scale program in optimizing the polder. Its locus was Semarang city, especially areas located nearby the polder affected by rob such as Johar, Jurnatan, and Tawan station. Data was gathered by conducting interview, observation, and documentation. To analyze the data, description and Analysis Hierarchy Process (AHP) were employed. The result revealed that there were barriers in the management of Tawang Polder. The internal barriers were the broken water pump, leaking pump, unwaterproof polder, and polder which has less capacity over the water, and area which has less capacity to obsorb the water. The external factors were conflict areas, unwell managed infrastructure and rubbish, and inappropiate drainage system. These conditions led to some losses. They were the two working hours loss, and 11-15% downfall of turnover. Hence, there is a need to manage Tawang Polder either internally or externally. The internal ones are draining pump, waterproof pond, and absorption area determination. The external ones are independent polder management enabling the focus of the work, the involvement of consultant, monitoring , and better participation to optimize the polder. The priority programs resulted from AHP analysis were found to be government policy, infrastructure aspect, social and technical management aspect. Penelitian ini bertujuan mengetahui faktor-faktor penyebab belum efektifnya Polder Tawang meliputi bentuk dan nilai kerugian yang diderita akibat rob,kebutuhan yang diperlukan, skala prioritas optimalisasi. Lokasi penelitian ini adalah Kota Semarang, khusus di daerah – daerah sekitar Polder Tawang yang terkena rob seperti kawasan Johar, Jurnatan, dan Stasiun Tawang. Pengumpulan data dengan wawancara, observasi, dan dokumentasi. Analisis data yang digunakan adalah deskriptif dan Analysis Hierarchy Process (AHP). Hasil penelitian adalah terdapat hambatan – hambatan dalam pengelolaan Polder Tawang. Hambatan internal adalah kerusakan pompa air, pipa yang bocor, kolam polder tidak kedap air, dan kapasitas polder yang tidak sesuai dengan kapasitas debit air yang masuk dan tidak sesuai dengan wilayah tangkapan air. Hambatan eksternal lahan yang masih dalam perselisihan, pengelolaan sarana belum baik, sampah dan subsistem drainase tidak sesuai. Kerugian masyarakat turunnya jam kerja rata–rata 2 jam dan penurunan omset 11-15%. Kebutuhan pengelolaan Polder Tawang yaituinternal dan eksternal. Kebutuhan internal yaitu perlu pompa pembuangan, kolam yang kedap air dan penetapan catchment area. Eksternal adalah adanya manajemen pengelolaan polder yang terpisah agar fokus, dan keterlibatan konsultan, monitoring, dan berpartisipasi dalam optimalisasi polder. Skala prioritas analisis AHPdalam optimalisasi Polder Tawang adalah kebijakan pemerintah, aspek infrastruktur, aspek sosial dan aspek teknis pengelolaan.
ARSIS AND THESIS: A REVIEW OF TWO ELEMENTS OF RHYTHM IN NON-TRADITIONAL MUSIC WRITTEN BY F. H. SMITH VAN WAESBERGHE D.J -, Sunarto
Harmonia: Journal of Arts Research and Education Vol 14, No 1 (2014): June 2014
Publisher : Department of Drama, Dance and Music, FBS, Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/harmonia.v14i1.2790

Abstract

This paper aims to discuss the comparative terms of arsis and thesis in the study of Western music. The purpose of the study is to study the forms of music from the terms of language and its application, because there are many elements of music that are not understandable. Method of this study uses classical literature and musicology approach in which the great phrase rhythm of Gregorian music was more appropriately take a literary term; arsis and thesis. The focus of this study is to discuss the terms of Arsis and Thesis used in the section of rhythm elements of non-traditional music. This study reveals several musical terms in which there are similarities and differences between the rhythm and bars of music. The similarities and differences in the analysis are based on the history of Western music from Gregorian music. Gregorian was monophonic music that still existed in Europe until the 19th century. There were only two phrases in Gregorian music; when  the melody moved up and when it moved down. In this case, there were two main elements in Gregorian music; they were different in rhythmic and they were in one rhythm of music. Arsis is a hard melody while thesis is a soft melody. It could be said that arsis and thesis are also parts of the dynamics form of music work.  Keywords: arsis; Thesis; music rhythm; non-traditional music.
SHAMANISME: FENOMENA RELIGIUS DALAM SENI PERTUNJUKAN NUSANTARA -, Sunarto
Harmonia: Journal of Arts Research and Education Vol 13, No 2 (2013): December 2013
Publisher : Department of Drama, Dance and Music, FBS, Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/harmonia.v13i2.2783

Abstract

Budaya Shamanisme ini telah memberikan kepada Nusantara musik ritual dengan waditra: gendang, gong, dan kecrek; dengan pertunjukan yang mempunyai maksud untuk memuliakan arwah para leluhur. Bentuk seni yang ditampilkan, seperti: tari topeng. Budaya ini juga telah membawa skala Pentatonik yang berasal dari tradisi Melayu-Nusantara untuk wilayah belahan barat, dan tradisi Asiatik untuk belahan Timur. Hal tersebut mirip dengan paham Cina kuno (3500 SM), yang memandang musik sebagai seni yang mengungkapkan persatuan sorga dan bumi. Konsep seni adhiluhung (yang berarti damai dan agung) dalam Gamelan Jawa diturunkan dari paham tersebut. Sedangkan dalam Hinduisme menganggap musik sebagai Yoga untuk bersatu dengan Brahman dan sarana pengembangan rasa estetis-religius. Suhardjo Parto dalam Disertasinya, Folk Traditional as a Key to the Understanding of Music Cultures of Java and Bali (Osaka University, 1990), membuat peta dengan sebutan wilayah etnomusikologis “Indonesia Barat Daya”: suatu wilayah yang terbentang dari Sumatra Selatan, Jawa (Madura), Bali, dan Lombok. This Shamanism culture has given the archipelago music: ritual music of waditra: drums, gongs, and kecrek; with performances that had the intention to honour deceased ancestors. The form of the performance art shown is Tari Topeng (mask dance). This culture has also brought a pentatonic scale derived from the Malay-Indonesian tradition in the Western hemisphere to Asiatic tradition in the Eastern hemisphere. It is similar to ancient China concept (3500 BC), which looked at music as an art that expresses the unity of Heaven and Earth. This is from which the concept of art adhiluhung (peaceful and great) in Javanese Gamelan is derived. Hinduism considers music as Yoga for uniting with Brahman and a means of developing a sense of the aesthetic-religious. Suhardjo Parto in his dissertation, Traditional Folk as a Key to the Understanding of Music Cultures of Java and Bali (Osaka University, 1990), made a map as the ethnomusicologist “Southwest Indonesia”: an area stretching from South Sumatra, Java (Madura), Bali, and Lombok.
Co-Authors Arini Novandalina Catur Prabowo Deky Aji Suseno, Deky Aji Idhar -, Idhar Ismail, Edi Muh Marnoto, Marnoto Rochim, Bella Rokhmad Budiyono, Rokhmad Rusdarti - S, Nopri Aji Wontiana Wontiana, Wontiana