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Harmonia: Journal of Research and Education
Published by Universitas Negeri Semarang
ISSN : 25412426     EISSN : -     DOI : 10.15294
Core Subject : Education, Art,
Arts Education
Harmonia: Journal of Arts Research and Education is published by Departement of Drama, Dance, and Music, Faculty of Language and Arts, Universitas Negeri Semarang in cooperation with Asosiasi Profesi Pendidik Sendratasik Indonesia (AP2SENI)/The Association of Profession for Indonesian Sendratasik Educators, two times a years. The journal has focus: Research, comprises scholarly reports that enhance knowledge regarding art in general, performing art, and art education. This may include articles that report results of quantitative or qualitative research studies.
Arjuna Subject : Seni dan Humaniora - Seni Visual dan Seni Pertunjukan
Articles 1,219 Documents
 93   94   95   96   97 
The Meanings and The Myths Behind The JKT48 Kiii Team “Jangan Kasih K3ndor” Show at The Seskoal Indoor Basketball Building
Harmonia: Journal of Arts Research and Education Vol 19, No 1 (2019): June 2019
Publisher : Department of Drama, Dance and Music, FBS, Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/harmonia.v19i1.18769

Abstract

The purpose of this study is to find out the meaning of the show seen from within the actors, namely the clothing used on the show “Jangan Kasih K3ndor.” The research method used was a qualitative method using Roland Barthes’ Semiotics theory. Data collection techniques used in this study were primary and secondary data; the data then processed and sorted into research-related data. The results showed that the meaning of the show “Jangan Kasih K3ndor” was that there is a message behind every hard work that can realize any dreams so that it became an extraordinary show and appreciated by people. This research also showed there were a lot of meanings, when the show took place, seen from the inside and outside of the actors. The significance of fashion in this performance was very influential and influenced the success of the concert held.
The Analysis of Topeng Sinok Dance in Brebes Regency Sintho Rukmi, Dinar Ayu; -, Indriyanto
Harmonia: Journal of Arts Research and Education Vol 15, No 1 (2015): June 2015
Publisher : Department of Drama, Dance and Music, FBS, Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/harmonia.v15i1.3693

Abstract

Topeng Sinok dance is the characteristic art of Brebes regency. This dance tells about the typical women in Brebes who are hard-working. Beauty, flexibility, and elegance do not reduce their love for nature and farming. This dance is a combination of Cirebon, Banyumas, and Surakarta style. The dance is basically aiming at showing that women from the border areas of Central and West Java are not spoiled, whiny, and lazy. Topeng Sinok dance is performed beautifully, elegant, and swift. This paper purposes to uncover the meaning behind Topeng Sinok dance movement. This study implements qualitative method that uses qualitative descriptive approach. The data collection process was conducted by using observation, documentation, and interview techniques. Further, the data were analysed by using dance data analysis by following the steps of (1) identifying and describing components; (2) understanding; (3) interpreting; and (4) evaluating. The data were then validated by using triangulation.
MANFAAT OLAH TUBUH BAGI SEORANG PENARI (The Benefits of Calisthenics for a Dancer)
Harmonia: Journal of Arts Research and Education Vol 2, No 3 (2001)
Publisher : Department of Drama, Dance and Music, FBS, Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/harmonia.v2i3.862

Abstract

Aktifitas manusia yang dilakukan daam kehidupan sehari-hari, merupakan kegiatan rutinitas yang di dalamnya bertumpu pada kemampuan tubuh manusia itu sendiri untuk melakukan gerakan-gerakan, baik gerakan yang alami/naluriah maupun gerakan-gerakan yang terkontrol. Melalui gerakan-gerakan fisik yang menempati ruang dan waktu inilah manusia menyalurkan aktifitasnya untuk memenuhi kebutuhan hidup. Gerakan tubuh dalam kehidupan memiliki art; penting, hal ini dapat dirasakan ketika seseorang dapat melakukan aktifitasnya dengan lancar dan mendapatkan hasil sesuai yang diinginkan. Selain itu gerakan tubuh semakin terasa penting ketika salah satu dari organ tubuh kita mengalami gangguan (sakit) sehingga pada bagian yang sakit itu tidak mampu melakukan gerakan dan bahkan seluruh tubuh terasa dampaknya. Sadar akan semua ini maka gerakan organ tubuh manusia sangat vital dalam kehidupan. Tidak jauh dari permasalahan gerak tubuh manusia, satu sisi budaya manusia dalam hal ini seni tari yang notabene menggunakan gerak tubuh sebagai media ungkap estetik, bertumpu juga pada kemampuan fisik/tubuh manusia. Ini menjadi satu hal yang mendasar dalam mempersiapkan tubuh untuk dapat digunakan sebagai media ungkap dalam seni tari. Kata Kunci:     Tubuh Manusia, Olah Tubuh, Gerak, Tari.
Nuansa Laras Diatonik dalam Macapat Semarangan (Diatonic Scale Atmosphere in Semarang Style Macapat).
Harmonia: Journal of Arts Research and Education Vol 7, No 1 (2006)
Publisher : Department of Drama, Dance and Music, FBS, Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/harmonia.v7i1.751

Abstract

Tembang macapat pada berbagai gaya baik daerah maupun seniman atauseniwati umumnya dilagukan dengan menggunakan laras slendro atau pelog. Lagupada tembang macapat Semarangan bukan hanya disajikan dengan menggunakanlaras slendro atau pelog melainkan juga tangga nada musik Barat atau diatonik.Beberapa tembang macapat Semarangan yang sering disebut berlaras slendro yaknidhandhanggula dan sinon ternyata bukan slendro “murni” yang digunakan melainkanslendro yang amat kental dengan nuansa laras diatonik. Karena itulah maka laraspada kedua lagu tembang macapat tersebut juga sering disebut slendro-diatonik.Penotasian lagu tembang macapat dhandhanggula dan sinon Semarangan selain dapatmemakai notasi Kepatihan juga dapat, bahkan lebih mudah menggunakan notasidiatonik.Kata Kunci : Laras (tangga nada), diatonik, pentatonik, macapat.
FUNGSI TOPENG IRENG DI KURAHAN KABUPATEN MAGELANG
Harmonia: Journal of Arts Research and Education Vol 13, No 2 (2013): December 2013
Publisher : Department of Drama, Dance and Music, FBS, Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/harmonia.v13i2.2780

Abstract

Tujuan penelitian ini adalah untuk menunjukkan kedudukan kesenian rakyat di Kurahan Kabupaten Magelang Indonesia. Topeng Ireng merupakan salah satu seni pertunjukan rakyat yang hidup dan berkembang di tengah-tengah masyarakat pedesaan. Kehidupan seni ini tergantung masyarakat pendukungnya. Seni rakyat bisa tetap eksis apabila masyarakat masih mendukung, baik secara pasif maupun aktif. Keberadaan Topeng Ireng menjadi suatu bentuk terapi bagi masyarakat pendukungnya, terapi secara fisik maupun psikis. Ditengah arus modern yang melanda masyarakat kita dewasa ini, membuat beberapa bentuk seni rakyat semakin kabur keberadaanya. Kehidupan seni rakyat semakin memprihatinkan secara kuantitas maupun kualitas. Akan tetapi tidak sama halnya bagi masyarakat Kurahan Kabupaten Magelang. Bagi mereka kesenian Topeng Ireng menjadi sarana penyaluran ekspresi yang pada akhirnya akan berkembang terkait dengan paradigma masyarakat mengenai kesenian rakyat. Upaya-upaya pelestarian tetap dilakukan dari waktu ke waktu sebagai bentuk kepedulian masyarakat terhadap kesenian yang hidup di Kurahan Magelang ini. Pertumbuhan seni tradisi di Kurahan Magelang selalu menyertakan banyak aspek, diantaranya seniman dan masyarakat pendukungnya. The aim of this research is to show the position of folk art in Kurahan Magelang Regency.Topeng Ireng is one of the folk performing arts alive and thriving in the middle of rural communities. The survival of this art depends on the community support. Folk arts can still exist in the community that still supports, either actively or passively. The existence of Topeng Ireng can be a form of physical and psychological therapy for the community supporters. In modern life nowadays, folk arts are precisely hard to find. Its existence is increasingly concerned in quantity as well as quality. However, this condition does not occur in the society of Kurahan Magelang Regency. Here, Topeng Ireng has become a means of channeling the expression that will eventually develop along with the paradigm of society of folk art. The efforts of preserving folk arts are undertaken from time to time as a form of people’s attention toward arts existing in Kurahan, Magelang. The growth of artistic traditions in Kurahan always includes many aspects, including artists and community supporters.
EFEKTIFITAS PENGGUNAAN METODE SOLFEGIO UNTUK PEMBELAJARAN KETERAMPILAN BERMAIN MUSIK DI SEKOLAH DASAR (THE EFEKTIVITY OF USE OF SOLFIGIO METHOD TO TEACHING OF MUSIC SKILL IN ELEMENTARY)
Harmonia: Journal of Arts Research and Education Vol 6, No 2 (2005)
Publisher : Department of Drama, Dance and Music, FBS, Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/harmonia.v6i2.723

Abstract

Pelaksanaan pembelajaran Kerajinan Tangan dan Kesenian (Kertangkes) SD harus diciptakan PBM secara aktif, kreatif dengan memanfaatkan sarana/sumber belajar yang ada. Didukung kompetensi guru untuk menciptakan, menggunakan metode solfigio untuk pembelajaran keterampilan bermain musik. Kondisi SD menunjukkan belum digunakan metode solfogio untuk meningkatkan pembelajaran keterampilan musik, termasuk di SDN Sekaran 01 Semarang. Oleh k'arena itu perlu dilakukan penelitian tindakan kelas melalui kolaborasi dosen dengan guru SD. Tujuannya adalah mendeskripsikan efektifitas penggunaan metode solfegio untuk pembelajaran bermain musik menggunakan metode solfegio diharapkan dapat meningkatkann bermain musik siswa. Metode Penelitian Tindakan Kelas menggunakan pendekatan kualitatif model siklus dengan langkah: perencanaan, tindakan, observasi dan refleksi. Subjek penelitian adalah siswa kelas V SDN Sekaran 01 Semarang, dan waktu pelaksanaan pada semester gasal 2004/2005. Pengurnpulan data dengan observasi partisipatif dan observasi penampilan bermain musik siswa. Hasil penelitian menunjukkan, bahwa: (1) untuk pembelajaran keterampilan bermain musik di SD dibutuhkan metode solfigio sesuai standar kompetensi kurikulum pendidikan seni 2004: (2) Penggunaan metode solfegio dapat meningkatkan keterampilan bermain musik siswa kelas V SDN Sekaran 01 Semarang; (3) Kendala yang dihadapi dalam PBM adalah keterbatasan waktu, bahan/alat musik, kemampuan bakat musik guru dan siswa. Rekomendasi dari hasil penelitian ini, adalah: model siklus melalui penggunaan metode solfegio dalam pembelajaran keterampilan musik dapat diterapkan di SD untuk siswa kelas V.Kata Kunci: Efektivitas, solfegio, bermain musik, siswa SD.
Javanese Cultural Paradoxism: A Visual Semiotics Study on Wayang Purwa Characters of Satria and Raseksa Figures
Harmonia: Journal of Arts Research and Education Vol 20, No 1 (2020): June 2020
Publisher : Department of Drama, Dance and Music, FBS, Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/harmonia.v20i1.23838

Abstract

This study aims to explore the paradoxical character values on visual semiotics wayang purwa of Raseksa and Satria profiles. Satria and Raseksa figures were selected using a purposive sampling technique, through wayang Pandavas and Kuravas. The study was designed with qualitative research approach; the data were collected using the techniques of interviews, observation, and document analysis. The data were analyzed following the steps of data reduction, data display, and verification. The results of the research revealed that in wayang, the Raseksa and Satria figures represent a paradoxical representation of both the external structure and the inner structure. The outer structure is in the form of wayang purwa visual elements, which turns out to be the opposite shape from both Pandavas and Kuravas figures. The inner structure is more about the inseparable meaning and value from the outer structure. In semiotics, the visual element (outer structure) of Pandavas and Kuravas figures can be represented or interpreted based on their values and meanings (inner structure) in addition to show a conflict of meaning. The paradoxical cultural value in Javanese culture is essentially learning experienced-based humanity values manifested through puppet characters. This is exemplified by the Islamic example of the Prophet Muhammad and its mandatory and impossible natures.  The wayang Satria may represent the obligatory nature (good character), and wayang Raseksa represent the impossible (bad character) of humans.
The Cultural Identity of Nusantara in a Movie Entitled Sang Pencerah by Hanung Bramantyo Puspitasari, Dyah Gayatri; Sabana, Setiawan; Ahmad, Hafiz Aziz
Harmonia: Journal of Arts Research and Education Vol 16, No 1 (2016): June 2016
Publisher : Department of Drama, Dance and Music, FBS, Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/harmonia.v16i1.6768

Abstract

Nowadays, during this intercultural era and global challenge, film can be interpreted as a practical strategy to develop meaning and Indonesian cultural identity. Through many singers of audiovisual creation, film has not only served as entertainment, but can also act as an instrument to reflect local values and traditional perspective through the storytelling that has been presented by film director. This role is a significant point to develop local insight and cultural value as the identity of Indonesian film. Although, at some point, this strategy still becomes a problem in Indonesian film fields. Sang Pencerah film that was directed by Hanung Bramantyo is one of Indonesian films that attempted to deliver local identity in its storytelling. This research is an endeavour to identify Indonesian cultural identity that has been represented through Sang Pencerah film. By applying cultural studies and interdisciplinary as their methods, the researchers acquired some interesting findings. Firstly, aesthetic and thematic elements in the film narrative had a significant relation to traditional and cultural values of Javanese society. Secondly, the meaning of cultural identity also had a linear proportion to spiritual values in life, such as determination, peacefulness, gloriness, tolerance, as well as social understanding. Therefore, it can be concluded that the Sang Pencerah film is a manifestation of Hanung Bramantyo regarding to the meaning of Indonesian culture that is based on Javanese society’s local wisdom.How to Cite: Puspitasari, D. G., Sabana, S., Ahmad, H. A. (2016). The Cultural Identity of Nusantara in a Movie Entitled Sang Pencerah by Hanung Bramantyo. Harmonia: Journal of Arts Research And Education, 16(1), 57-65. doi:http://dx.doi.org/10.15294/harmonia.v16i1.6768
BENTUK PERTUNJUKAN ORKES DANGDUT PARODI SENGGOL TROMOL DI SEMARANG: KAJIAN BENTUK DAN FUNGSI
Harmonia: Journal of Arts Research and Education Vol 12, No 1 (2012)
Publisher : Department of Drama, Dance and Music, FBS, Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/harmonia.v12i1.2216

Abstract

Penelitian ini bertujuan untuk mengetahui bentuk pertunjukan musik dan fungsi musik Orkes Dangdut Parodi Senggol Tromol bagi masyarakat Kota Semarang. Orkes Dangdut Parodi Senggol Tromol adalah orkes dangdut parodi yang berada di Kota Semarang. Orkes Dangdut Parodi Senggol Tromol memiliki keunikan yang berbeda diantara orkes musik parodi lainnya. Hal ini ditunjukan bahwa keunikan kolaborasi musik dangdut dan parodi merupakan kolaborasi yang sangat menjunjung nilai norma-norma yang berlaku. Orkes Dangdut Parodi Senggol Tromol memiliki nilai musikalitas yang sangat tinggi karena kelompok musik ini berpendidikan di bidang seni, khususnya seni musik. Ide kreatifitas yang tinggi dan menghasilkan warna baru dalam dunia musik dangdut, menjadikan musim Senggol Tromol menjadi musik yang bisa diterima di semua kalangan masyarakat kota Semarang. This research is aimed to find out the form and function of dangdut orchestra of Senggol Tromol parody for Semarang community. This Dangdut Orchestra is a parody dangdut orchestra in Semarang. This orchestra has its unique characteristics, different from those of other parody music. This is shown by the unique collaboration of dangdut music and parody by respecting prevailing norm values. This orchestra has a very high musical value because the members of the orchestra have education background in music. The high creativity and innovative idea in the music make Senggol Tromol be a favorite music for people from all  groups in Semarang.
PROGRAMATISME DALAM MUSIK INSTRUMENTAL ERA ROMANTIK (Programatism of Romantic Era in Instrumental Music)
Harmonia: Journal of Arts Research and Education Vol 1, No 2 (2000)
Publisher : Department of Drama, Dance and Music, FBS, Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/harmonia.v1i2.843

Abstract

Programatisme diartikan sebagai aliran atau faham yang berkembangsebagai kekuatan baru akibat dari sikap para komposer, seperti : Ludwigvon Beethoven (1770-1827) dan Franz Peter Schubert (1797-1828), yangmencipta musik program pada awal era Romantik abad ke-19. Sikapeksploratif Richard Wagner (1813-1883), Giussepe Verdi (1813-1901),maupun Franz Liszt (1811-1886), yang memberikan makna baru padakomposisi seakan mengoreksi dan bahkan menentang keterbatasan aliranmusik “absolut” yang tetap menekankan pada penggunaan bentuk-bentukmusik sebagai platform komposisi. Kandungan makna atau isi, maupunmuatan lain dipadukan dengan ide musikalnya sehingga terwujud musikyang lebih ekspresif bahkan sangat dramatis sesuai dengan “semanagtjaman” Romantik.Kata Kunci: musik, programatisme, era Romantik, komposer

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