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Asti Rahmaningrum
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Gedung Lengkung, Unit 1, Lantai 2, Sayap Timur Sekolah Pascasarjana, Universitas Gadjah Mada, Jalan Teknika Utara, Pogung, Sleman, Yogyakarta Telp. (0274-564239 extc. 207)
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INDONESIA
Jurnal Kawistara : Jurnal Ilmiah Sosial dan Humaniora
Published by Universitas Gadjah Mada
ISSN : 20885415     EISSN : 23555777     DOI : -
Core Subject : Education,
Education
Arjuna Subject : -
Articles 18 Documents
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Search results for , issue "Vol 3, No 3 (2013)" : 18 Documents clear
AKSIOLOGI TARI BEDHAYA KRATON YOGYAKARTA Sunaryadi, Sunaryadi
Jurnal Kawistara Vol 3, No 3 (2013)
Publisher : Sekolah Pascasarjana UGM

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Abstract

Bedhaya at Palace dance was originally a sacred dance that is laden with symbols of life because it’snot just a dance movement, but an action that is displayed and that becomes the life reference. Bedhayais presented as a mirror of Javanese culture axiological which includes ethical and aesthetic values . Itis a reflection of manunggaling kawula-Gusti in terms of its ethical dimension and it has the aestheticvalues of the motion, fashion, and makeup. Bedhaya dance philosophy is summaried in the doctrineof ngelmu sangkan paran covering three things: the first it’s related to the human consciousness thatcomes from God (urip iki saka sapa); the second, it is irelated to the duties and obligations of humanbeings in the world (urip iki arep apa); and the third, it is related to man’s return to his Lord (urip ikipungkasane piye). Therefore, in the moral ethics context, Javanese life purpose is how to be a good manto reach the manunggaling kawula with Gusti as it is believed that goodness and beauty (mind) are themanifestation of the Essence of the Most Holy. The journey of human life portrayed in lampah bedhayaof majeng beksa , beksa to mundur beksa is a role model to determine the choice between good and bad .
ISLAM AND THE ARAB AWAKENING Yoyo, Yoyo
Jurnal Kawistara Vol 3, No 3 (2013)
Publisher : Sekolah Pascasarjana UGM

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Abstract

The Arab awakening has clearly not been the work of Islamist movements.Neither in Tunisia or Egypt, nor in Jordan, Libya, or Syria were they theinisiators. The mass movements took to the streets without them, againtsthe will of their leadership, and, in any event, without their agreement
DISTRO SEBAGAI PROVIDER GAYA HIDUP “ALTERNATIF”: MENENGOK STRATEGI DISTRO DALAM USAHANYA MEMPERTAHANKAN EKSISTENSI Derajat, Zakiyah
Jurnal Kawistara Vol 3, No 3 (2013)
Publisher : Sekolah Pascasarjana UGM

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Abstract

Distro (distribution outlet/distribution store), with its DIY (Do-It-Yourself) and independent ethos, hasever been so popular in Yogyakarta as youth’s field to express their self. Decade passed, youth changed,distro still exists, but now it is merely the “alternative” of the big (ie. mall). Descriptive qualitative researchbased on field ethnography within May and June 2013, I would discuss the strategy of Demangan distroarea (Jl. Cendrawasih, Yogyakarta), in forming their nowadays identity in order to remain exist. Thediscussion shows that there are some of their stratregies: by converging in one area and structuringdistro region, by interior design, and by not-that-indie (at all) identity. The lower number of distro andits attempt of forming its DIY-ethos-ed youth indicate that the youth are now, to a certain extent, notinterested in producing and distributing. Hence, most of them are no more than the object of capitalism,which is by consuming.
SENI DOLALAK PURWOREJO JAWA TENGAH: PERAN PEREMPUAN DAN PENGARUH ISLAM DALAM SENI PERTUNJUKAN Santosa, Djarot Heru
Jurnal Kawistara Vol 3, No 3 (2013)
Publisher : Sekolah Pascasarjana UGM

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Abstract

The role of women artists in the performing arts, also within the arts as well as the other broader life, inIndonesia, seems to be strengthening in recent years. It doesn’t mean that it is a new issue, of course. Butperhaps it happened since Indonesia experiencing and witnessing a great change of mainstream withinit self since 1998; this issue, as well as the other critical issues gaining a more free momentum and spaceof expression. Of course, this still needs further scrutinization. The superiority of women is not limitedto the mith in which giving special space for them, but indeed women have strong key role as the escortof performing arts. Women have the central key in promoting traditional arts; however, there is womenrole shift in the stage of performing arts. Women artists in the culture posseses inevitable duality ofposition. They are praised as high as the sky, in the other hand they are also insulted, abused, and usedas a profit-making commodity. Besides their beautiful manner and behaviour, women are also capableof breaking through the boundary of culture. Women as the mother earth who’s also identical withthe symbol of fertility, paragon, and the parameter of values and norms that is expected by the socialcommunity, are also capable of fulfilling the promises attached into the miths that praise and adorethem. Therefore, it is their nature that they have the central role in the success of a performing art bothtraditional and modern. Serious problems in the world of performing arts occur when women artists tryto promote tradition. Inner conflict uccur between their basic nature and their environemntal condition.In this case, pressures are not only coming from the social environment but also from within. In fact,the soul of tradition survives and sustain from their very hands. When the stage experiences shift, therole of women as the escort of the tradition is also fading. Performance industry does properly placestage women as a subject but only as a commodity to attarct the market for the capitalists. Together, weshould be able to solve this problem if we still want women to attend in the world of performing artsand change the world into a more colorful one.
KOHESI DAN KOHERENSI WACANA STAND UP COMEDY PRANCIS DAN INDONESIA Anjani, Esa Agita
Jurnal Kawistara Vol 3, No 3 (2013)
Publisher : Sekolah Pascasarjana UGM

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Abstract

Stand up comedy is an art comedy show which develops rapidly in all over world nowadays. Standup comedy considered as a smart comedy. This research will concern about french and indonesianstand up comedy discourse by Tomer Sisley (french) and Raditya Dika (indonesian). This paper focuson cohesion and coherence analysis. The results showed that cohesion and coherence are the mostimportant aspect for making a good stand up comedy discourse. Cohesion aspect in stand up comedyare gramatical cohesion (reference, substitution, ellipsis, conjunction) and lexical cohesion (repetion,synonim, antonym, collocation). Also, coherence aspects are additional relation, temporal relation,oppositional relation, affectional relation, causal relation, conditional relation. Repetion is a cohesivetools which more dominate in this stand up comedy discourse.
SEMIOTIKA NARATIF GREIMASIAN DALAM IKLAN BUSANA MUSLIM Nasrullah, Rulli
Jurnal Kawistara Vol 3, No 3 (2013)
Publisher : Sekolah Pascasarjana UGM

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Abstract

Muslim Fashion has transformed to be cultural industry profitable financially. The flourish of Muslimfashion producers certainly needs business strategy to promote the products. Advertisement becomesone of promotional tools that can communicate product excellence. Moreover advertisement in massmedia gives space for producer to visualize image of product wanted especially when the advertisementis promoted in Muslim mass media. In semiotic tradition, advertisement does not only communicateproduct for sale but it has ideology constructed by both advertiser and advertising company in order toestablish in consumers’ thought including Muslim fashion that is no longer clothes for covering body inaccordance with Islamic syariah. Narrative semiotics can be understood as effort of recounting or rereada subject from overall text or message to view narrative or plot from signs in this case, it is advertisement.Advertisement basically is assumed as a narrative that tells certain meanings therefore advertisement iscreated also published through media in order to influence readers. In Greimas’ opinion, advertisementis considered as text that has actant that becomes model or subject organizing plot in a text as destinator/sender, receiver, subject, object and also adjuvant even traitor/resistor. By using Greimasian semiotic,this research reveals latent meaning inside Muslim fashion advertisement that shows Muslim fashionproduced by Muslim house especially ZeaTM Zenura brand basically not only just communicating Muslimfashion advertisement but also constructing myths that the fashion is Muslim fashion for family and verysuitable to wear in special events such as Muslim celebration day, Idul Fitri 1433 H
MASA DEPAN KEAMANAN ENERGI INDONESIA TELAAH KRITIS ATAS PROBLEMATIKA DAN PROSPEK PENGEMBANGAN KELAPA SAWIT SEBAGAI ENERGI ALTERNATIF DI INDONESIA Akbar, Nuruddin Al
Jurnal Kawistara Vol 3, No 3 (2013)
Publisher : Sekolah Pascasarjana UGM

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Abstract

This article aims to understand the problems of the development of biodiesel made from Palm Oil.Understanding the problems become critical because of the successful development of Biodiesel is oneof the keys to overcome the problem of energy security of Indonesia. Until now, Indonesia experiencedenergy dependence, especially those in petroleum. Option is taken up today rely on oil imports.Whereas the import option raises problems of its own, including further burden the state’s economy,due to government subsidies in order to reduce the sales price of oil at the community level. Thisarticle specifically examines the factors that led to the development of Biodiesel made from Palm Oil inIndonesia is not yet optimal. The article also highlights a number of the problems that are not directlyrelated to the development of Biodiesel, but can be a threat to national security in general. In addition,this article seeks to offer an alternative reform by using Collaborative Governance framework.
PERANCANGAN DESAIN PENGALAMAN TURISTIK MELALUI ECOTOURISM RUMAH ADAT BALI KUNO DI DESA MANGESTA KECAMATAN PENEBEL KABUPATEN TABANAN PROPINSI BALI R.M. Pramutomo, R.M. Pramutomo
Jurnal Kawistara Vol 3, No 3 (2013)
Publisher : Sekolah Pascasarjana UGM

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Abstract

This article based on the research’s result of empowering the traditional architecture in Bali calledBale Mundhak. The Bale Mundhak originally is a traditional house which is potentially related to itsactivities inside the building and surround it. Several problems had known and it has been indicatedby some proposed research. Some of them presented through this article as a result of the first yeartarget of the research proposition. Through this article the propose will be answered identificationof Bale Mundhak’s function as a traditional house in Mangesta village, district Penebel of Tabananregion in Bali. In other side this article will also strives identification several social and cultural activitiesinherence to the traditional function of Bale Mundhak as a rites location. And the last proposition thisarticle will also examines the Bale Mundhak and its function related to the special arts activities in danceand gamelan music. All the propose research will expose a creative industry based on tourist villageby empowering Bale Mundhak as a traditional house in Mangesta village and its arts activities which issupporting human resources surround the village based on ecotourism inclusively
KONFLIK SYI’AH-SUNNI PASCA-THE ARAB SPRING Sahide, Ahmad
Jurnal Kawistara Vol 3, No 3 (2013)
Publisher : Sekolah Pascasarjana UGM

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Abstract

Conflict of Syi’i-Sunni is the conflict that has long history. The seed of this conflict began since the deathof Prophet Muhamad SAW. In the beginning, this conflict is the political conflict, it related about whowould be the successor of Muhammad’s leadership after his death. However, this conflict was broughtto the religious (aqidah) conflict among the followers of Ali and the followers od Abu Bakar and theother Friends. This conflict has big impact in colouring the history of the Islamic world civilizationwhich is so difficult to be compromised, to the present. Even this conflict participates in colouring thepolitical conflict in the Middle East, mainly the Arab World, since the Arab Spring exploded in the earlyof 2011 last. The Arab Spring doesn’t just make popular the word of democracy in the political discourseof the Middle East, but also the sentiment of Syi’i-Sunni makes hot the political atmosfer. This writingtries to read the history and the development of Syi’i-Sunni conflict in the Middle East contemporerly.
SEMIOTIKA NARATIF GREIMASIAN DALAM IKLAN BUSANA MUSLIM Rulli Nasrullah
Jurnal Kawistara Vol 3, No 3 (2013)
Publisher : Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (300.508 KB) | DOI: 10.22146/kawistara.5219

Abstract

Muslim Fashion has transformed to be cultural industry profitable financially. The flourish of Muslimfashion producers certainly needs business strategy to promote the products. Advertisement becomesone of promotional tools that can communicate product excellence. Moreover advertisement in massmedia gives space for producer to visualize image of product wanted especially when the advertisementis promoted in Muslim mass media. In semiotic tradition, advertisement does not only communicateproduct for sale but it has ideology constructed by both advertiser and advertising company in order toestablish in consumers’ thought including Muslim fashion that is no longer clothes for covering body inaccordance with Islamic syariah. Narrative semiotics can be understood as effort of recounting or rereada subject from overall text or message to view narrative or plot from signs in this case, it is advertisement.Advertisement basically is assumed as a narrative that tells certain meanings therefore advertisement iscreated also published through media in order to influence readers. In Greimas’ opinion, advertisementis considered as text that has actant that becomes model or subject organizing plot in a text as destinator/sender, receiver, subject, object and also adjuvant even traitor/resistor. By using Greimasian semiotic,this research reveals latent meaning inside Muslim fashion advertisement that shows Muslim fashionproduced by Muslim house especially ZeaTM Zenura brand basically not only just communicating Muslimfashion advertisement but also constructing myths that the fashion is Muslim fashion for family and verysuitable to wear in special events such as Muslim celebration day, Idul Fitri 1433 H

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