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An-Nida'
Published by Universitas Islam Negeri Sultan Syarif Kasim Riau
ISSN : 08531161     EISSN : 24071706     DOI : http://dx.doi.org/10.24014/an-nida.v43i2.12320
Core Subject : Religion, Social,
Religion Social Sciences
Jurnal Annida memuat hasil-hasil penelitian, baik kajian kepustakaan maupun kajian lapangan. Fokus utama Annida adalah: 1. Pemikiran Islam berkaitan dengan isu-isu kontemporer, Islam moderat, HAM, gender, dan demokrasi dalam Al-Quran dan Hadis 2. Sosial keagamaan: kajian gerakan-gerakan keagamaan, aliran-aliran keagamaan, dan aliran kepercayaan 3. Integrasi Islam, sains, teknologi dan seni
Arjuna Subject : Seni dan Humaniora - Studi Agama
Articles 213 Documents
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From Waḥdat al-Wujūd to Waḥdat al-Adyān: Reconstructing Ibn ʿArabī’s Conceptualisation of Religious Diversity Sobar Al Ghazal; Muhtar Solihin; Munir Munir; Radea Yuli A. Hambali
An-Nida' Vol. 50 No. 1 (2026): June
Publisher : Lembaga Penelitian dan Pengabdian kepada Masyarakat

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24014/an-nida.v50.i1.39517

Abstract

This article seeks to reconstruct the concept of Waḥdat al-Adyān (the Unity of Religions) within the thought of Ibn ʿArabī and to assess its relevance through a comparative analysis with the Perennial Philosophy. The significance of this study lies in addressing the often reductive interpretations of the unity of religions, which have tended either towards an unqualified form of religious pluralism or as a rationale for theological exclusivism, thereby necessitating a more nuanced conceptual reconstruction. Employing a qualitative methodology, this research undertakes philosophical and conceptual analyses of Ibn ʿArabī’s principal works alongside those of prominent perennialist thinkers, notably Frithjof Schuon and Seyyed Hossein Nasr. The findings reveal that, from Ibn ʿArabī’s perspective, religious diversity is an ontological consequence of the manifestations of the Infinite Absolute Reality (al-Ḥaqq), rather than a contradiction of truth. The reconstruction of Waḥdat al-Adyān is articulated through three interrelated dimensions: ontological, epistemological, and theological. Ontologically, religious diversity is construed as the phenomenal expression of a single ultimate reality; epistemologically, plurality is attributed to the limitations inherent in human understanding; and theologically, the concept recognises a hierarchy of truth while affirming the possibility of salvation for sincere seekers of truth. This study contributes to the advancement of Islamic intellectual scholarship by proposing a metaphysical model that reconciles the unity of ultimate reality with religious diversity, thereby offering a philosophical foundation for interreligious dialogue that eschews both exclusivism and relativism.
A Phenomenological Study of Contemporary Minangkabau Preachers on Instagram Riki Rikarno; Siti Fadilla; Aba Mele Maloum Oumar; Egil Novi Yendri
An-Nida' Vol. 50 No. 1 (2026): June
Publisher : Lembaga Penelitian dan Pengabdian kepada Masyarakat

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24014/an-nida.v50.i1.39657

Abstract

The rise of algorithmic platforms such as Instagram has transformed the practice of da’wah from traditional face-to-face religious gatherings into a digital public sphere governed by algorithmic logic. This shift has created tensions between conveying the substantive teachings of Islam and meeting the demands of digital visibility driven by user engagement. This study seeks to explore the lived experiences of contemporary Minangkabau da’i (Islamic preachers) and their audiences as they interpret, experience, and negotiate da’wah practices on Instagram. Employing an Interpretative Phenomenological Analysis (IPA) approach and using Heidi A. Campbell’s framework of religious digital creatives as an analytical lens, data were gathered through in-depth interviews with three Minangkabau da’i actively using Instagram, alongside focus group discussions with their audiences, followed by interpretative thematic analysis. The findings reveal three key insights. First, religious authority has evolved into a hybrid form that combines scholarly legitimacy with digital performativity. Second, religious meaning is co-constructed through a triadic relationship involving the da’i, their audiences, and the algorithms. Third, algorithmic pressures encourage the commodification of da’wah while simultaneously generating existential consequences, including anxiety, guilt, and a crisis of meaning (apologetic failure). This study contributes to the advancement of digital da’wah scholarship by conceptualising algorithms as active agents shaping religious experience and by emphasising the importance of algorithmic literacy and platform transparency in safeguarding the quality and integrity of religious communication.
Digital Agency and Counter-Narratives in Religious Mediation: Feminist Niqab-Wearing Women on Instagram @cadargarislucu Nanang Mizwar Hasyim; Mahbub Ghozali
An-Nida' Vol. 50 No. 1 (2026): June
Publisher : Lembaga Penelitian dan Pengabdian kepada Masyarakat

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24014/an-nida.v50.i1.40154

Abstract

Research concerning veiled women on social media has predominantly concentrated on issues of identity representation and religious stigma, whereas digital mediation practices as a form of community agency have received comparatively limited scholarly attention. This study seeks to examine the mediation practices employed by the Instagram community @cadargarislucu in the construction of the religious identity of veiled women within Indonesia’s digital public sphere. Employing a qualitative methodology, the research analyses thirteen Instagram posts, including images, videos, and carousels, through content analysis and critical discourse analysis. The analytical process was conducted in two phases: initially identifying themes and message patterns, followed by an examination of meaning construction  within the interplay of text, discursive practices, and social context. The study’s theoretical framework integrates Stewart M. Hoover’s theory of religious mediation with Norman Fairclough’s critical discourse analysis. The findings reveal four interrelated forms of mediation practices: firstly, the appropriation of viral language to construct communicative religious-feminist narratives; secondly, the utilisation of contemporary issues and digital technologies as sources of symbolic culture; thirdly, the negotiation of meaning through the articulation of value-based attitudes; and fourthly, the hybridisation of religious-feminist identity as a  reinterpretation of the veil (cadar). These practices illustrate how digital agency facilitates the transformation of the veil from a stigmatized symbol into one representing empowerment, inclusivity, and religious moderation. The results underscore the centrality of community agency in the production of religious meaning within digital spaces and contribute to the advancement of counter-narrative strategies for minority groups  confronting dominant discourses on social media.

Page 22 of 22 | Total Record : 213

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