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INDONESIA
Jurnal Sejarah Citra Lekha
Published by Universitas Diponegoro
ISSN : -     EISSN : 24430110     DOI : -
Core Subject : Humanities, Art,
Arts Humanities
Arjuna Subject : -
Articles 133 Documents
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Formation of Southern Fever (Nanpō-netsu) in Japan in the 1940s: The Magazine Shin seinen and Haruji Tahara Masatoshi Ito; Yuuichi Machida
Jurnal Sejarah Citra Lekha Vol 11, No 1 (2026): In Progress
Publisher : Department of History, Faculty of Humanities, Diponegoro University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14710/jscl.v11i1.80228

Abstract

Abstrak　　Makalah ini menjelaskan situasi sebenarnya dari "Southern Fever (Nanpō-netsu)" di Jepang pada tahun 1940-an dan kelayakannya dengan menganalisis kiriman pembaca dalam rubrik “Kaigai-yuuhi-mondou (Overseas Flying Questions and Answers)” majalah Shin Seinen (New Youth), serta saran dari editor majalah dan politikus Haruji Tahara dan lainnya.　　Definisi Nampō-netsu merujuk pada kecenderungan sosial berbagai kalangan yang sebenarnya tertarik dan ingin bepergian ke wilayah yang disebut “the south (nanpō)” (laut selatan di depan, laut selatan di belakang). Seiring dengan perluasan wilayah baru militer Jepang, wilayah militer dan politik seperti Singapura, Filipina, dan Indonesia menjadi pusat perhatian.　　Poin-poin yang terungkap atau disimpulkan dari Kaigai-yuuhi-mondou selama periode Indonesia berada di bawah administrasi militer Jepang meliputi, pertama, bahwa sekitar Mei 1942 ketika jumlah individu yang bercita-cita untuk bepergian ke Nanpō sebagai karyawan militer meningkat.　　Kedua, dari periode yang sama, permohonan dari perempuan menunjukkan tren peningkatan, yang semakin menonjol setelah 1943. Ketiga, meskipun kemungkinan besar mereka yang memiliki pengalaman di luar negeri diprioritaskan untuk ditugaskan ke Nanpō, kondisi ini tidak berlaku bagi keluarga militer. Disimpulkan bahwa kriteria seleksi termasuk telah menjadi tentara sukarela dan memiliki keterampilan atau pengetahuan tertentu.
Seni Rakyat dan Politik Kebudayaan Orde Baru: Pembinaan, Inventarisasi, dan Pelestarian Tradisi di Indonesia (1966–1998) Rafngi Mufidah; Dhanang Respati Puguh
Jurnal Sejarah Citra Lekha Vol 11, No 1 (2026): In Progress
Publisher : Department of History, Faculty of Humanities, Diponegoro University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14710/jscl.v11i1.75797

Abstract

This article examines the role of the state in fostering and developing folk arts during the New Order era (1966–1998) as part of Indonesia’s national cultural policy. The study aims to analyze how the government implemented programs for the preservation and development of folk arts within the framework of national development while responding to the challenges posed by modernization and globalization. The research employs the historical method, including heuristics, source criticism, interpretation, and historiography. The primary sources consist of contemporary newspapers, policy documents, and various publications containing information on folk art activities during the New Order period. The findings reveal that the government positioned folk arts as an important instrument for cultural development and the construction of national identity. Various programs, including the inventory and documentation of regional arts, the organization of folk-art festivals, the establishment of cultural institutions, as well as financial support and promotion through mass media, became the principal means of fostering folk arts. These policies encouraged the growth of art studios and increased public appreciation of traditional arts across different regions of Indonesia. Nevertheless, during the 1990s, folk arts faced significant challenges due to the expansion of popular culture and modern media. This situation prompted artists and government institutions to pursue various innovations to keep folk arts relevant and appealing to contemporary audiences. The study demonstrates that New Order cultural policies functioned not only as instruments of cultural preservation but also as part of a broader strategy of national development and nation-building. Folk arts continued to be promoted through festivals that attracted both domestic and international audiences. In addition to receiving government support through cultural development funding, folk arts also benefited from the active involvement of artists and cultural practitioners who organized discussions and forums addressing the position of traditional arts amid the challenges of globalization.
Strategi Bertahan Etnis Tionghoa di Kota Kendari pada Masa Orde Baru, 1967–1998 Aslim Aslim; Salebaran Salebaran; Basrin Melamba; Sarman Sarman; Khabirun Khabirun; Hasni Hasan; Hisna Hisna
Jurnal Sejarah Citra Lekha Vol 11, No 1 (2026): In Progress
Publisher : Department of History, Faculty of Humanities, Diponegoro University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14710/jscl.v11i1.78572

Abstract

Discrimination against Chinese in Indonesian historiography has persisted from the Dutch colonial period to contemporary times. Although Indonesia is home to various migrant ethnic groups such as Arabs, Indians, and Europeans, government policies, particularly during the New Order era, tended to be more discriminatory toward ethnic Chinese. This study aims to analyze the underlying factors behind these discriminatory policies and to examine the survival strategies of the Chinese community in Kendari City during the New Order period. The research employs a historical method, including heuristics, source criticism, interpretation, and historiography. The findings indicate that discriminatory policies against ethnic Chinese were closely linked to the political aftermath of the September 30, 1965 incident. This event led to the issuance of New Order policies, including Presidential Instruction No. 14 of 1967 concerning Chinese religion, beliefs, and customs, which significantly restricted the public expression of Chinese culture in the name of political stability. These conditions were also experienced by the Chinese community in Kendari between 1967 and 1998. As a survival strategy, they adapted by adopting Indonesian names, nationalizing Chinese schools, using the Indonesian language in daily life, and complying with administrative requirements such as obtaining the Certificate of Indonesian Citizenship (SBKRI).

Page 14 of 14 | Total Record : 133

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