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E-Journal of Linguistics
Published by Universitas Udayana
ISSN : -     EISSN : 24427586     DOI : -
Core Subject : Education,
Languange, Linguistic, Communication & Media
E-JURNAL LINGUISTIK adalah jurnal ilmiah linguistik yang terbit dua kali setahun, yaitu bulan Maret dan September yang dimulai pada awal bulan September. Jurnal ini memuat artikel yang mengkaji aspek-aspek kebahasaan, baik mikrolinguistik maupun makrolinguistik. Penerbitan jurnal ini bertujuan untuk mewadahi pemublikasian karya tulis ilmiah mahasiswa Program Magister (S2) Linguistik) Program Pascasarjana Universitas Udayana.
Arjuna Subject : -
Articles 5 Documents
 1 
Search results for , issue "Vol. 3. Juli 2009 No. 2" : 5 Documents clear
VALENCY AND SYNTACTICAL RELATION IN BIMANESS Made Sri Satyawati; I Ketut Artawa; I Wayan Pastika; I Gusti Made Sutjaja
e-Journal of Linguistics Vol. 3. Juli 2009 No. 2
Publisher : Doctoral Studies Program of Linguistics of Udayana University Postgraduate Program

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Abstract

This study presents the findings and descriptions of the replies to severalproblems that have not been completely and deeply discussed in the researchespreviously conducted on Bimanese. The problems are related to micro-linguistic factors,namely valency and syntactical relation in Bimanese. Both deductive and inductiveapproaches were applied to obtain satisfactory results. The main theory employed in thisstudy is Role and Reference Grammar Theory (RRG) by Van Valin and J. Lapolla. It wasemployed to completely analyze the collected data in accordance with the problemsproposed in this research, and the inductive approach was employed to analyze the datain order to get novelties.In this study, clause structure is given the first priority to discuss, followed by thediscussion on operator, voice markers, nominalizers, and definiteness. Based on thepredicate category, the clause in Bimanese can be constructed with the constituents thatare under the categories of verb, noun, adjective, number, and adverb (prepositionalphrase). Based on the clause analysis, it has been found that in Bimanese there are severaloperators, each of which has different functional boundary in marking the clausemeaning. One operator may only sign nucleus, core (nucleus and argument), or core andperiphery. Bimanese has also been identified to have four linguistic states expressed byverbs that are made to make sense based on state (Aktisontrat), achievement, andaccomplishment. RRG classifies verbs into ten instead of four. However, in this study, tomake the analysis easier, verbs are classified into four. The predicate in Bimanese can beboth serial verbs and secondary verbs. It has also been found that the mechanism ofchange in valency is marked by the attachment of markers to the verbs resulting incausativity, applicativity, and resultivity. From those syntactical constructions, thesyntactical relation in Bimanese can be clearly identified. The discussion on syntacticalrelation starts with SUBJ and OBJ followed by word orders. The word orders found inBimanese are SPO, adposition of PREP-N, N-G, N-Adj, N-Dem, and question wordposition. In addition, four voices have also been identified in Bimanese. They are active,passive, middle, and antipassive.
TAWA IN MINANGKABAU TRADITIONAL THERAPY IN THE PERSPECTIVE OF ANTHROPOLOGIC LINGUISTICS STUDIES Fajri Usman; I Gusti Made Sutjaja; Aron Meko Mbete; Oktavianus -
e-Journal of Linguistics Vol. 3. Juli 2009 No. 2
Publisher : Doctoral Studies Program of Linguistics of Udayana University Postgraduate Program

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Abstract

The research on Tawa in Minangkabau Traditional Therapy: in the Perspective ofAnthropologic Linguistics is a research that is focused on the study of linguistic forms,functions of meaning, and the values contained in it. Qualitative approach was employedin this study. Such an approach was based on the naturalistic and interpretative paradigmwith the principles that the data were natural and interpretative in nature. To investigatethe linguistic forms, the functions, the meaning and the values, the methods employedwere “listen, get involved and talk” (simak libat cakap = SLC), “listen, not get involvedand talk” (simak bebas libat cakap = SBLC) and “talk face to face” (cakap semuka =CS). That was done by recording and taking down the narrative of tawa uttered by thedukun (healer). In order to obtain such a narration, the method of talk not face to face(cakap tak semuka = CTS), which was done by seeking for information from theinformants, was employed.The results of the thematic and schematic structure analysis show that the themeof TPTM (Tawa dalam Pengobatan Traditional Minangkabau = Tawa in MinangkabauTraditional Therapy) is related to the history of invisible creatures, the history of humanbeings, the history of animals, the history of plants, and the history of diseases). Theschematic structure of TPTM consists of introduction, content and closing. The linguistic(phonological, morphological, syntactical and semantic) forms of TPTM are related tothe use of the prosodic elements (stress, intonation and length). The morphologicalaspects of repetitions in TPTM are found in the beginning, in the beginning and centre, inthe end, and in the beginning and end of the sentences. The verbs in TPTM can be stateverbs and action verbs to which affixes are added, without and with the markers(conjunction and preposition). In syntactical level, the sentence structure in TPTM is notgenerally the same as that in Minangfkabau language. Statements, imperatives, andprohibitions dominate the sentences in TPTM. In addition, the omission of subjects andobjects, and the existence of parallelism, when creating rhythmic units, functioning toraise musical sounds for inviting magical powers feature TPTM.
KABA GOMBANG PATUANAN: AN ORAL LITERARY WORK OF MINANGKABAU PESISIR SELATAN REGENCY, WEST SUMATRA Eva Krisna; I Nyoman Kuta Ratna; I Wayan Cika; I Nyoman Weda Kusuma
e-Journal of Linguistics Vol. 3. Juli 2009 No. 2
Publisher : Doctoral Studies Program of Linguistics of Udayana University Postgraduate Program

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Abstract

Kaba Gombang Patuana (abbreviated to KGP) is a Minang literary genre whichis orally presented in the form of songs. Therefore, it is known as an intonational prose.As a piece of oral literary work, KGP needs a medium of presentation. The mediumneeded is in the form of a performance known as Pertunjukan Kak Oai (PKO), whichexists at Kenagarian Air Haji, Pesisir Selatan Regency, West Sumatra. Kaba GambangPatuanan tells about the socio cultural life of the community of Pesisir Selatan Regencyusing the local variety of Minangkabau language. The availability of the texts of KGP,the performance of PKO, and the collective community possessing such a literary workshows that the phenomenon of what is written and spoken about oral literary work isdifferent from the phenomenon of what is written and spoken about written literary work.Oral literary work cannot be approached from literary discipline only, but linguisticapproach and anthropological approach are also needed.The morphology of KGP is made up of stem of the story ‘batang curito’, branchof the story ‘dahan curito’ , and twig of the story ‘rantiang curito’. The batang curito(the stem of the story) is the text of GPP as a whole. The ‘Dahan Curito’ (the branch ofthe story) serves as the episodes of the story and the Ranting Curito serves as the parts ofthe episode. The functions performed by KGP are: (1) as a medium for conveying what isexpected from a king; (2) as a medium for conveying Minang tradition; (3) as a mediumfor conveying oceanic knowledge; (4) as a medium for conveying nation-lovingenthusiasm ‘chauvinism’ ; (5) as a medium for conveying henotheism towards ancestors.
THE DISCOURSE OF THE THEMES “PAYUK PRUNGPUNG” AND “RAREANGON’ IN THE DANCE DRAMA OF ARJA RRI DENPASAR PERFORMED AT BALI ARTS FESTIVAL I Made Suarta; I Nyoman Weda; Nyoman Kuta Ratna; I Wayan Cika
e-Journal of Linguistics Vol. 3. Juli 2009 No. 2
Publisher : Doctoral Studies Program of Linguistics of Udayana University Postgraduate Program

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Abstract

The discourse of the themes “Payuk Prungpung” (abbreviated into PP) and“Rareangon” (abbreviated into RA) of the dance drama of Arja RRI (RRI stands for theRadio of the Republic of Indonesia) of Denpasar performed at Bali Arts Festival(abbreviated into PKB) was chosen as the object of the study for the following threereasons: (1) it is interesting; (2) nobody has investigated it; and (3) it is unique. In thisstudy the history of the development and existence of the dance drama of Arja RRI aswell as its forms, functions and meanings were analyzed. This study aimed at (1)justifying empirically the dynamism of the dance drama of Arja RRI Depasar; (2)objectively explaining its ontology; (3) formulating the form of the discourse of thethemes of PP and RA performed at PKB; (4) explaining the axiological and conceptualfunctions of the themes of PP and RA performed at PKB; (5) revealing the values of thediscourse of the themes of PP and RA performed at PKB.The structural theory combined with the semiotic theory was referred to as thetheoretical framework in this study. In addition, the theories of narrative discourse,literary reception, and esthetics were also referred to. The data needed were collected by(1) observation; (2) interview; (3) documentation and library research. The method andtechnique of analysis applied included (1) transcription; (2) translation; (3) data analysis.The methods of (1) descriptive analytic and (2) hermeneutic were used to analyze thedata. The research findings were (1) formally and (2) informally presented.In general, the form of the discourse of the themes of PP and RA is made up of(1) intrinsic elements; (2) discourse of songs; and (3) discourse of non songs. Thefunctions include (1) educational function; (2) amusement function; (3) informativefunction. The meanings revealed include (1) religious meaning; (2) magic meaning; (3)ruabhineda (positive and negative) meaning; (4) trihita karana (the relationship betweenman and his God, the relationship between man and his environment and the relationshipbetween man and his fellow beings) meaning.
GEGURITAN (MANUSCRIPT) OF I GEDE BASUR AND I KETUT BUNGKLING WRITTEN BY KI DALANG TANGSUB: INTERTEXTUAL AND RECEPTIONAL ANALYSIS I Wayan Suardiana; Nyoman Kutha Ratna; I Wayan Cika; I Made Suastika
e-Journal of Linguistics Vol. 3. Juli 2009 No. 2
Publisher : Doctoral Studies Program of Linguistics of Udayana University Postgraduate Program

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Abstract

This study employs the texts of I Gede Basur and I Ketut Bungkling contained inthe text of Kidung Prembon (abbreviated into KP) as the data source to explain theintertextual relationship and receptive process of the texts of Geguritan I Gede Basur(abbreviated into GIGP) and Geguritan I Ketut Bungkling (abbreviated into GIKB)written by Ki Dalang Tangsub. The reason is that when this study was conducted theneither the text of GIGB nor GIKB written by the authoritative Ki Dalang Tangsub wasfound. Then the text of KP has multiple functions; on one side, as an existing text, it isassumed to contain the texts of GIGB and GIKB written by the authoritative Ki DalangTangsub, and on the other side, it is a receptive text of the texts of GIGB and GIKBwritten by Ki Dalang Tangsub.The theories of intertexts, reception and discourse were used as the means ofanalysis in this study. The theory of intertexts could reveal the historical process of thetexts of GIGB and GIKB written by Ki Dalang Tangsub and the creation process of thetext of KP. The theory of reception was basically used to explain the process of how thereaders gave responses to the texts of GIGB and GIKP written by Ki Dalang Tangsub.The process of how the readers gave responses was revealed by the text of KP (in clockstories) as well as the other individual texts.Intrinsically, the texts of GIGB and GIKB written by Ki Dalang Tangsub giveparticular colors to the texts of the responses given, as Pupuh/Tembang Ginada (strophe)is entirely adopted in the texts of responses given the readers making the particularcharacteristics of the hypogram texts compared to the following texts clear. Havingmagical and social critical themes, many hyperboles, similes and sarcasms are used in thetexts of GIGB and GIKB written by Ki Dalang Tangsub. The plots of the texts of GIGBand GIKB are made up of 28 big sequences and 29 small sequences with the maincharacters are I Gede Basur and I Ketut Bungkling (Mantri as one of the characters).

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