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Catharsis
Published by Universitas Negeri Semarang
ISSN : 25024531     EISSN : 25024531     DOI : -
Core Subject : Humanities, Education, Art, Social,
Arts Humanities Education Environmental Science
Catharsis: Journal of Arts Education provides an international forum for research in the field of the art and creative education. It is the primary source for the dissemination of independently refereed articles about the visual arts, performances (music, dance, drama/theater/play), creative process, crafts, design, and art history, in all aspects, phases and types of education contexts and learning situations (formal and informal).
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Articles 30 Documents
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Search results for , issue "Vol 7 No 2 (2018)" : 30 Documents clear
Aesthetic and Religius Value of Rebana Music Art in Darul Ulum Islamic Boarding School Ngembalrejo Bae Kudus Azmi, Ulya Zakaria; Utomo, Udi; Triyanto, Triyanto
Catharsis Vol 7 No 2 (2018)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v7i2.23563

Abstract

As one of the culture element, art is human nature that is bestowed by Allah for an activity that involves creative ability in expressing beauty, truth and goodness. The aesthetic value of Al-Chulafa’s rebana art is not only as an entertainment for the students of Darul Ulum Islamic boarding school and the society, but also as a music accompaniment to the song in praise of Prophet Muhammad to remind and give good advice to the performers as well as the audiences and grow religious values. The goal of this study is to analyze the aesthetic value and religious value of Al-Chulafa’s rebana art. Data analysis technique is taken by reducing, presenting and verifying data. The research is qualitative descriptive approach using design of case study located in Ngembalrejo Village, Bae Kudus. Data source in this study are primary and secondary source and techniques of collecting data are doing observation, interview and document studies. Technique of data validity is triangulation of the source while data analysis technique is taken by reducing data, presenting data, and verifying data. The result shows that the aesthetic value of Al-Chulafa's rebana art shows unity and harmony, which has the principle of organic unity, principle of theme, principle of thematic variation, principle of balance, principle of evolution, and principle of hierarchy. While the religious values in the art of rebana gives a positive impact to the spirituality development of its personnel, which is covered in five dimensions of religious behavior they are the value of belief, the value of religious practice, the value of experience, the value of religious knowledge and the value of religious practice.
Tarek Pukat Dance Aceh : the Form of Expression of Aceh Coastal Area Society Life Fitriani, Fitriani; Hartono, Hartono; Triyanto, Triyanto
Catharsis Vol 7 No 2 (2018)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v7i2.23610

Abstract

Tarek pukat dance was created by Yuslizar in 1958. At the beginning, this dance is created to enliven the spirit of Aceh society in the Aceh youth congress that must be proud of Aceh’s land fertility. Tarek pukat dance is inherited through a learning process in Cut Nyak Dhien dance studio. This dance tells about how Aceh society life in the coastal area. Tarek pukat dance is usually performed by 5-9 female dancers, and 4 or 5 male dancers. Based on the information above, the purpose of this research was to observe the expression of Aceh coastal area society as a learning medium of Tarek Pukat dance. The method used in this research was qualitative. The research was located in Cut Nyak Dhien dance studio in Banda Aceh Anjong Mon Mata, in Banda Aceh Regency area. The data collection technique used was observation, interview, and document study. The data validity technique was source triangulation. The data analysis technique used was analysis descriptive. The results that Tarek Pukat dance through movements and properties, such as, peuget pukat, tarek pukat,kayoeh,ikat taloe,pasoe engkot lam raga, puwoe engkot as the expression of Aceh coastal area society. Based on the above matters, it can be said that Tarek Pukat dance builds a cooperative social character, optimistic, consistence, and loyality.
The Reflection of Cultural Identity of Gayo Society, Central Aceh Regency in Tawar Sedenge Song Dini, Tria Ayu; Utomo, Udi; Triyanto, Triyanto
Catharsis Vol 7 No 2 (2018)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v7i2.23611

Abstract

Tawar Sedenge is a song from Gayo, Aceh province. For Gayo society, this song has an important existence till present. It is marked by the sung of Tawar Sedenge song in Takengon’s formal events and every national ceremony as a distraction of Indonesia Raya song. Tawar Sedenge song has an important role in Gayo society because this song’s lyrics contains a spirit of nationalism that awaken the spirit of Gayo society to achieve the progress and weathliness. This research aims at analyzing and understanding the reflection of Gayo’s cultural identity in Tawar Sedenge song. The research method was qualitative. The research location was Takengon, Central Aceh Regency. The techniques of data collection were observation, interview, and document study. The technique of data validity used source triangulation. Analysis data technique used analysis desciptive. The research result shows that lyrics and music elements contained in this song prove that this song is reflected Gayo’s cultural identity that is from the cultural identity elements based on belief, language, and behavior. First, the element of belief exists in the third stanza lyrics. Secondly, the language element used is Gayo’s language, the behavior is seen from the costume worn by the conductor,i.e., Kerawang Gayo, Gayo’s raditional costume.. The behavior can also be seen from the solemn posture in singing the song. Therefore, it is believed that the elements of Tawar Sedenge song is the reflection of Gayo culture.
The Symbolic Meaning of Kuadai Dance Performance in the Society of Semende Lampung Saputri, Amelia Hani; Hartono, Hartono; Florentinus, Totok Sumaryanto
Catharsis Vol 7 No 2 (2018)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v7i2.23613

Abstract

Kudai dance as a medium of collective expression of Semendesociety is identical with the women strength as the source of life. In the aspect of its performance, It contains social interaction through the symbols that is expressed through the aesthetics of the female body.The purpose of the article is to explain the symbolic meaning of Kuadai dance performance expressed by Semende society in Lampung.This research used qualitative method with interdisciplinary approach. The data collection used the technique of observation, interview, and documentation. The data validity was based on the credibility criteria with triangulation technique. The data analysis used the procedure of dance research by Gertrude Prokosch Kurath that is focused on dance analysis especially on symbol and meaning in Kuadai dance. The results showed that Kuadaidance is a form of tradition reality imitation which exists among Semendesociety as an agrarian society that outs forward the tradition of tunggu tubang (the first daughter as a shelter and a manager of family’s treasure. The personality of tunggu tubang that is full of patience, consistence, and responsibility is manifested through the Kuadai dance movements.The plate as property is a symbol of a respect as well as a representation of a woman that should be treated gently, carefully, lovingly, and with sacred. The dominant floor pattern symbolizes the Semende society that always respects the customs’ regulation. The dance accompaniment with slow tempo symbolizes Semende society that is full of tranquility and togetherness.
Pang Bas : a Musical Activity of Rindu Nada Bamboo Instrumental Group Arqam, Muh.; Florentinus, Totok Sumaryanto; Utomo, Udi
Catharsis Vol 7 No 2 (2018)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v7i1.23625

Abstract

This research reveals Pang Bas as a musical activity in the context of social exchange in Rindu Nada bamboo instrumental group in Sumillan village, Alla district, Enrekang regency. The research was made to analyze Pang Bas of Rindu Nada group. It used interdisciplinary approach, involving the disciplines of sociology under the paradigm of social behavior. The researcher employed qualitative research method to conduct the research. The data of this research were collected from observation, interview, and documentation. Then, the data were analyzed in data reduction, data presentation, and verification or conclusion. The findings showed that Pang Bas musical activity of Rindu Nada occurred during the rehearsal and stage performance collaborating with external parties. The activity initiated the social exchange causing aggression, praises, leadership, deprivation, and boredom towards Pang Bas. Meanwhile, during the play, Pang Bas generated social interaction to outsiders as intrinsic rewards, such as friendship, satisfaction, and social status. The extrinsic reward of it was a material thing in return. There was also a stimuli of generalization in the next meeting and discrimination prior to the success of past performance.
Arts Education in Pesantren (Islamic Boarding School) : an Aesthetic Expression of Students’ Drawing in MTs Al Asror Semarang Ma'sum, Aziz; Triyanto, Triyanto; Syarif, Muh. Ibnan
Catharsis Vol 7 No 2 (2018)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v7i2.23695

Abstract

Pesantren Environment is an environment that has different characteristic from other environments. The research purpose is to observe the problem of aesthetic expression of Pesantren students’ drawing, the environment that influences them. Qualitative method was used with descriptive qualitative approach. Data collection techniques were observation, interview, and document study. data validity techniques used source triangulation, technique triangulation, and member checking. Data analysis procedure used data reduction, data presentation, and conclusion drawing. The research results show; first, aesthetic expression of students’ painting shows the visual uniqueness in the lines, looks, shapes, textures, colors, and aesthetic principles. Second, environment that influences, natural-physical environment, social environment, Pesantren cultural environment that is manifested in a form of any symbol that relates to Pesantren.
Steve Handoyo’s Creativity in the Arrangement of Orchestral Campursari Music Manik, Astri Marita; Sunarto, Sunarto; Triyanto, Triyanto
Catharsis Vol 7 No 2 (2018)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v7i2.23810

Abstract

This thesis aims to analyze the creative process of an arranger named Steve Handoyo in Semarang. The researcher used interdisciplinary approach with qualitative method and interpretative case study. The supporting data were collected from observation, interview, and documentation. Triangulation were used to maintain the validity of the data. The analysis of the data was in the sequence of data reductin, presentation, and verification. The findings shows that Steve Handoyo’s creativity are projected in three elements of Barret’s theory of creation, which are; (1) Conceptual Elements (impuls, feelings, ideas). This element is realized from Handoyo’s experience in campursari and orchestra. He also uses his feelings and imagination as the source of creativity.(2) Operational Elements(media, materials, technique). The used media are computer, midi, VSD plug in, violin, drum, cuk, and keyboard. The musical materials came form his experience learning Campursari and Orchestra, while the technicalities developed from the combination of musical instruments, including violing, drum, and keyboard with the sampling of “viona house”. (3) Synthesis Elements (persepsi bentuk visual). From his experiences, Steve Handoyo imagines to apprehend the work he is going to make. Based on findings and discussion, Steve Handoyo does not include all the elements of orchestral instruments into his work, the authors hope for Steve Handoyo's later work with orchestral music can be adjusted to the rules of orchestration that includes all elements of the Orchestral instrument so it does not sound just an orchestra feel.
Kokkang Art Studio : Structure and Function of Passing Down Potentials of Caricature Through Generation Beniarso, Mundin; Triyanto, Triyanto; Utomo, Udi
Catharsis Vol 7 No 2 (2018)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v7i2.24236

Abstract

Caricature is a picture which is distorted to send a satirical or funny message. It is portrayed in a printed media with a function of becoming a social control or a sword of opinion. This research has several objectives. First, it discusses the structure and function of KOKKANG art studio. Second, it reviews the learning of intergenerational caricature of KOKKANG art studio in Kaliwungu, Kendal. This research used descriptive qualitative design assisted with the approach from the theory of modern sociology. The supporting data were collected from observation, interview, and documentation. Triangulation of sources and data were used to validate the findings. Then, the data were analysed under the steps of data reduction, presentation, and conclusion (verification). There are some points from the findings of the research. First, the functional structure of KOKKANG art studio is interrelated to other structure. Some function in each position of the organization has worked as their job description. Thus, it impacts the inheritance of drawing caricature which is done by the education section of the organization. Second, the non-formal learning pattern done by the studio is friendly and familiar, thereby it produces the cadres of cartoonists which can maintain their existence. Based on the findings, there are some suggestions to be proposed. First, KOKKANG studio should actively promote and regenerate to keep the existence of it in the future. Second, the teenagers in Kaliwungu should actively participate in the part of the community by joining or following the agenda. Third, local government should be involved in supporting the studio whether morally or materially to continue its existence.
The Study of Performance Art “Kethuk Roso” by Fenny Rochbeind Pristiati, Tutut; Sunarto, Sunarto; Wadiyo, Wadiyo
Catharsis Vol 7 No 2 (2018)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v7i2.24240

Abstract

Performance art”Kethuk Roso” is a form of spontaneity of body action as a media of expression that presents the stretching of the spirituality of the artist to knock the sense of audience to interpret the morality. This study aims to describe the visual form and characteristics of performance “Kethuk Roso” by Fenny Rochbeind. This research used qualitative method with interdisciplinary approach. The source of the data used primary and secondary data through observation, interview, and documentary techniques. The validaty data technique used source of triangulation and the analysis technique data is done with performance art theory by RoseLee Goldberg. The result shows that performance art of “Kethuk Roso” is a multidisciplinary in the form of non-profit art genre that primarily focuses on the body as a media expression that directly conveys a dialogical message between the performer and the audience in the form of action communication. The researcher expects that through appreciation of performance art “Kethuk Roso” is important to be known by the public especially for art educators to understand, appreciate, and apply the contemporary art form which gives new color and meaning in art and to support the development of basic competence in art education. The research findings that Kethuk Roso performance art is able to knock everybody's sense of responding to cases of physical violence. Performance art Kethuk Roso proves its manifestation as a contemporary art shows the actual and factual events which gives new colors and meaning.
Gandalia Art of Banyumas : a Socio-cultural Change Febrianto, Aji Sofian; Sunarto, Sunarto; Utomo, Udi
Catharsis Vol 7 No 2 (2018)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v7i2.24372

Abstract

Gandalia is one example of musical arts which can endure changes and times. It is a typical Banyumas traditional music which was used to play a specific Gandalia song, an agricultural pest repellent song. Its instruments has similar forms to musical instruments called Angklung, which are made from bamboo. The instruments produce a unique rhythm. At first, Gandalia was used as a means to drive agricultural pests away, but in its development, it becomes a musical performance. This change is interesting to be studied from the socio-cultural point of view. The writer, therefore, studied the functional change of Gandalia musical instruments based on the socio-cultural change which occur in the society who supports it. In writing this article, the research method applied is qualitative method, a method of collecting data by applying some techniques such as interview, observation, and documentation, while the validity of the data is checked by using triangulation, member checking, and rich and thick description.Milesr that, the data are analyzed using qualitative analysis of Miles and Huberman that is an interactive model of data analysis including some stages such as the process of data collecting, data reduction, and data presentation and verification. The research result shows that Gandalia music which, at first, was a means of driving pests away, now becomes one of the performance arts. This change is influenced by the socio-culture of the society who supports Gandalia art. They are the people of Tambaknegara, Banyumas Regency. This socio-cultural change has created a more complex form of Gandalia art.

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