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Catharsis
Published by Universitas Negeri Semarang
ISSN : 25024531     EISSN : 25024531     DOI : -
Core Subject : Humanities, Education, Art, Social,
Arts Humanities Education Environmental Science
Catharsis: Journal of Arts Education provides an international forum for research in the field of the art and creative education. It is the primary source for the dissemination of independently refereed articles about the visual arts, performances (music, dance, drama/theater/play), creative process, crafts, design, and art history, in all aspects, phases and types of education contexts and learning situations (formal and informal).
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Articles 506 Documents
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The Change of Function of Rejung Arts in Pagaralam City Sari, Reza Nepilia; Utomo, Udi
Catharsis Vol 7 No 1 (2018)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v7i1.23433

Abstract

The arts of Rejung is a poem delivered through singing or song, accompanied by a single guitar (one guitar), has a rhythm and ornamental tones delivered in accordance with the theme and vocal character of the performer or Rejung artist. Rejung arts is a form of expression of a cultural society in Pagaralam which has a variety of functions according to the interests and circumstances of society. The purpose of the study was to analyze the socio-cultural changes and its effect on the function of Rejung arts in Pagaralam. The science used here is sociology, it is to describe social changes in a society that affects the function of Rejung arts in Pagaralam. The research method is descriptive qualitative. The technique of data collection in this research are observation, interview, and documentation. The technique of data validity to examine credibility of data is through triangulation. Triangulation of source was done for the process of examination by checking data from several sources. The technique of data analysis used analysis procedur of Miles’ and Huberman’s interactive, i.e., data reduction from the object of Rejung arts. The data is in the form of written document, visual and audio which have been identified, verified, arranged, grouped, and classified in accordance with the research focus. The change of function of Rejung arts because of the less interest from societies, especially the young generation to display and to appreciate Rejung arts as a form of traditional arts. It causes the losing of a tradition and values of inherited arts from generation to generation.
The Spatial Lay Out of Joglo Pencu House in the Socio Cultural Change the Settlement of Kauman Community in Kudus Andriansyah, Rico; Triyanto, Triyanto; Iswidayati, Sri
Catharsis Vol 7 No 2 (2018)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v7i2.23492

Abstract

Socio cultural life of Kauman community in Kudus Kulon (western Kudus) has changed and influenced the spatial lay out of Kudus traditional house of traditional house, Joglo Pencu. The purpose of this research was to analyze the following problems: (1) how is the socio cultural change in the settlement of Kauman Community in Kudus? and (2) how is the spatial lay out of Kudus traditional house that has been influenced by socio cultural in the settlement of Kauman community in Kudus? Methodologically, this research used qualitative method and observed interdisciplinary. The research data was collected by the technique of observation, interview, and document study. The data validity was used source triangulation. Data analysis was done by reduction, presentation, and verification of data. The research results were; first, the society in Kauman community Kudus Kulon developed influencing the population composition, economic life change, and belief system change. Second, the socio cultural change influences the spatial lay out of Joglo Pencu house. It is suggested to the heir of Kudus traditional house owner to manage the spatial lay out and to maintain it wisely the heritage house. This research is beneficial to the heir of the house and the development of science.
Values of Bongkel in Gerduren Village Banyumas Regency Wijaya, Barkah Bangkit; Sunarto, Sunarto; Utomo, Udi
Catharsis Vol 7 No 2 (2018)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v7i2.23515

Abstract

Bongkel art was created by Kerta Wijaya as an expression of self-motivated by dissatisfaction of farmworker regarding the results of work. Development of Bongkel art by Gerduren Village community functioned as a medium of entertainment, communication between Gerduren community while keeping the fields. Based on the reason, the researcher examines the values contained in Bongkel art. This research is qualitative research. The location in this research is in Gerduren village of Banyumas Regency. Data collection techniques consist of observation, interview, and document study. Data validity technique used in this research is triangulation. Miles and Huberman analysis model is used as data analysis technique. Bongkel result is analysed using the value of axiology. The analysis is using some values on art Bongkely that divine the value reflected in the activity. For exmples: Religion value in sedekah bumi, the good living value reflected in the activities of visiting family members, the truth value seen in traditional clothing used by society. This clothes uphold the values and norms agreed by Banyumas community, while the value of beauty is seen from the relationship between human beings, man with God and man with nature.
Dangdut Koplo Las Vegas Pati : The Analysis of Song form Structure and Creativity of Process Tandho, Bandhu; Rohidi, Tjetjep Rohendi
Catharsis Vol 7 No 1 (2018)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v7i2.23550

Abstract

Dangdut Koplo is part of dangdut music genre that grows due to the influence of culture and music industry. The purpose of the study is to gain the understanding about the song form structure and process creativity of Dangdut Koplo “Las Vegas” performance in Pati. This research used interdisciplinary approach in the fields of music and psychology with qualitative descriptive analytic method. The technique of data collection was through observation, interview, and documentation. The data validity technique used triangulation of source and theory triangulation, while data analysis technique was done by textual analysis,i.e., musical analysis and contextual with interactive data analysis model using the process of data reduction, data presentation, and draw conclusion/verification. Research results show that the song form structure of Dangdut Koplo “Las Vegas” has different in its musical composition form. The process creativity of Dangdut Koplo “Las Vegas” is through 4 (four) dimensions of definition based on its emphasis,they are person, process, product and press. The steps to express the process creativity are: (1) idea of process, (2) process, (3process goal and, (4) process results. Research results show that Dangdut Koplo group “Las Vegas” is a dangdut music group that occurs due to the enthusiastic from Pati society’swith Dangdut Koplo musical entertainment. The above reason makes this music group grows fast in Pati. The research results are hoped to become a reference for the next research by using another different method in order to explore more the creativity values from other groups of Dangdut Koplo.
Passport Skill Assisted Project Based Learning to Improve the Punctuality of Time and Product Quality of Three Dimensional Craft Riyatmoko, Joko; Rohidi, Tjetjep Rohendi; Utomo, Udi
Catharsis Vol 7 No 2 (2018)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v7i2.23561

Abstract

The inaccurate timing of task collection and the low quality of 3D craft products is due to the fact that most of the students have not been able to manage the timely completion of tasks and lack of optimal control over the tasks assigned. This study aims to determine whether the use of passport skills in project-based learning can improve the timeliness and quality of 3D craft products. An action research conducted in class X Animation 2 SMK N 11 Semarang is done in 2 cycles. Each cycle consists of planning, implementation, observation, and reflection on project based learning with applied passport skill. The data were taken in the form of the timeliness of task collection and product quality measured from the aspect of tidiness, proportion, and uniqueness. The data obtained were analyzed in descriptions. The results show that project-based learning through passport skills can improve the timeliness of X-Animation students of SMK Negeri 11 Semarang. It is proven that students who submitted the task on time rose from 75% to 92%. The learning also improves the quality of three-dimensional craft products, proven by the average in cycle I of 74.31 increased to 85.19. Percentage of completeness in the first cycle reached 64% and in the second cycle increased to 92%. The level of tidiness in cycle I reached 83% increased to 88%, while the proportion aspect increased from 78% to 86%, and the uniqueness aspect increased from 62% to 81%. It was concluded that project-based learning using passport skill enhances the timeliness and quality of 3D craft products in students of X-Animation class of SMK N 11 Semarang.
Aesthetic and Religius Value of Rebana Music Art in Darul Ulum Islamic Boarding School Ngembalrejo Bae Kudus Azmi, Ulya Zakaria; Utomo, Udi; Triyanto, Triyanto
Catharsis Vol 7 No 2 (2018)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v7i2.23563

Abstract

As one of the culture element, art is human nature that is bestowed by Allah for an activity that involves creative ability in expressing beauty, truth and goodness. The aesthetic value of Al-Chulafa’s rebana art is not only as an entertainment for the students of Darul Ulum Islamic boarding school and the society, but also as a music accompaniment to the song in praise of Prophet Muhammad to remind and give good advice to the performers as well as the audiences and grow religious values. The goal of this study is to analyze the aesthetic value and religious value of Al-Chulafa’s rebana art. Data analysis technique is taken by reducing, presenting and verifying data. The research is qualitative descriptive approach using design of case study located in Ngembalrejo Village, Bae Kudus. Data source in this study are primary and secondary source and techniques of collecting data are doing observation, interview and document studies. Technique of data validity is triangulation of the source while data analysis technique is taken by reducing data, presenting data, and verifying data. The result shows that the aesthetic value of Al-Chulafa's rebana art shows unity and harmony, which has the principle of organic unity, principle of theme, principle of thematic variation, principle of balance, principle of evolution, and principle of hierarchy. While the religious values in the art of rebana gives a positive impact to the spirituality development of its personnel, which is covered in five dimensions of religious behavior they are the value of belief, the value of religious practice, the value of experience, the value of religious knowledge and the value of religious practice.
Tarek Pukat Dance Aceh : the Form of Expression of Aceh Coastal Area Society Life Fitriani, Fitriani; Hartono, Hartono; Triyanto, Triyanto
Catharsis Vol 7 No 2 (2018)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v7i2.23610

Abstract

Tarek pukat dance was created by Yuslizar in 1958. At the beginning, this dance is created to enliven the spirit of Aceh society in the Aceh youth congress that must be proud of Aceh’s land fertility. Tarek pukat dance is inherited through a learning process in Cut Nyak Dhien dance studio. This dance tells about how Aceh society life in the coastal area. Tarek pukat dance is usually performed by 5-9 female dancers, and 4 or 5 male dancers. Based on the information above, the purpose of this research was to observe the expression of Aceh coastal area society as a learning medium of Tarek Pukat dance. The method used in this research was qualitative. The research was located in Cut Nyak Dhien dance studio in Banda Aceh Anjong Mon Mata, in Banda Aceh Regency area. The data collection technique used was observation, interview, and document study. The data validity technique was source triangulation. The data analysis technique used was analysis descriptive. The results that Tarek Pukat dance through movements and properties, such as, peuget pukat, tarek pukat,kayoeh,ikat taloe,pasoe engkot lam raga, puwoe engkot as the expression of Aceh coastal area society. Based on the above matters, it can be said that Tarek Pukat dance builds a cooperative social character, optimistic, consistence, and loyality.
The Reflection of Cultural Identity of Gayo Society, Central Aceh Regency in Tawar Sedenge Song Dini, Tria Ayu; Utomo, Udi; Triyanto, Triyanto
Catharsis Vol 7 No 2 (2018)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v7i2.23611

Abstract

Tawar Sedenge is a song from Gayo, Aceh province. For Gayo society, this song has an important existence till present. It is marked by the sung of Tawar Sedenge song in Takengon’s formal events and every national ceremony as a distraction of Indonesia Raya song. Tawar Sedenge song has an important role in Gayo society because this song’s lyrics contains a spirit of nationalism that awaken the spirit of Gayo society to achieve the progress and weathliness. This research aims at analyzing and understanding the reflection of Gayo’s cultural identity in Tawar Sedenge song. The research method was qualitative. The research location was Takengon, Central Aceh Regency. The techniques of data collection were observation, interview, and document study. The technique of data validity used source triangulation. Analysis data technique used analysis desciptive. The research result shows that lyrics and music elements contained in this song prove that this song is reflected Gayo’s cultural identity that is from the cultural identity elements based on belief, language, and behavior. First, the element of belief exists in the third stanza lyrics. Secondly, the language element used is Gayo’s language, the behavior is seen from the costume worn by the conductor,i.e., Kerawang Gayo, Gayo’s raditional costume.. The behavior can also be seen from the solemn posture in singing the song. Therefore, it is believed that the elements of Tawar Sedenge song is the reflection of Gayo culture.
The Symbolic Meaning of Kuadai Dance Performance in the Society of Semende Lampung Saputri, Amelia Hani; Hartono, Hartono; Florentinus, Totok Sumaryanto
Catharsis Vol 7 No 2 (2018)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v7i2.23613

Abstract

Kudai dance as a medium of collective expression of Semendesociety is identical with the women strength as the source of life. In the aspect of its performance, It contains social interaction through the symbols that is expressed through the aesthetics of the female body.The purpose of the article is to explain the symbolic meaning of Kuadai dance performance expressed by Semende society in Lampung.This research used qualitative method with interdisciplinary approach. The data collection used the technique of observation, interview, and documentation. The data validity was based on the credibility criteria with triangulation technique. The data analysis used the procedure of dance research by Gertrude Prokosch Kurath that is focused on dance analysis especially on symbol and meaning in Kuadai dance. The results showed that Kuadaidance is a form of tradition reality imitation which exists among Semendesociety as an agrarian society that outs forward the tradition of tunggu tubang (the first daughter as a shelter and a manager of family’s treasure. The personality of tunggu tubang that is full of patience, consistence, and responsibility is manifested through the Kuadai dance movements.The plate as property is a symbol of a respect as well as a representation of a woman that should be treated gently, carefully, lovingly, and with sacred. The dominant floor pattern symbolizes the Semende society that always respects the customs’ regulation. The dance accompaniment with slow tempo symbolizes Semende society that is full of tranquility and togetherness.
Pang Bas : a Musical Activity of Rindu Nada Bamboo Instrumental Group Arqam, Muh.; Florentinus, Totok Sumaryanto; Utomo, Udi
Catharsis Vol 7 No 2 (2018)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v7i1.23625

Abstract

This research reveals Pang Bas as a musical activity in the context of social exchange in Rindu Nada bamboo instrumental group in Sumillan village, Alla district, Enrekang regency. The research was made to analyze Pang Bas of Rindu Nada group. It used interdisciplinary approach, involving the disciplines of sociology under the paradigm of social behavior. The researcher employed qualitative research method to conduct the research. The data of this research were collected from observation, interview, and documentation. Then, the data were analyzed in data reduction, data presentation, and verification or conclusion. The findings showed that Pang Bas musical activity of Rindu Nada occurred during the rehearsal and stage performance collaborating with external parties. The activity initiated the social exchange causing aggression, praises, leadership, deprivation, and boredom towards Pang Bas. Meanwhile, during the play, Pang Bas generated social interaction to outsiders as intrinsic rewards, such as friendship, satisfaction, and social status. The extrinsic reward of it was a material thing in return. There was also a stimuli of generalization in the next meeting and discrimination prior to the success of past performance.

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