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Catharsis
Published by Universitas Negeri Semarang
ISSN : 25024531     EISSN : 25024531     DOI : -
Core Subject : Humanities, Education, Art, Social,
Arts Humanities Education Environmental Science
Catharsis: Journal of Arts Education provides an international forum for research in the field of the art and creative education. It is the primary source for the dissemination of independently refereed articles about the visual arts, performances (music, dance, drama/theater/play), creative process, crafts, design, and art history, in all aspects, phases and types of education contexts and learning situations (formal and informal).
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Articles 506 Documents
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Local Wisdom Values of Rumoh Aceh Maria Ulfahmi, Cut Gesti; Rohidi, Tjetjep Rohendi; Triyanto, Triyanto
Catharsis Vol 7 No 3 (2018)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v7i2.24742

Abstract

The purpose of this article is to reveal the local wisdom values of Rumoh Aceh architecture in Garot Cut village. Local wisdom means the wisdom to face something. Aceh’s local wisdom is a reflection of Aceh’s cultural tradition that is manifested in Aceh’s traditional architecture, in this case is Rumoh Aceh in Garot Cut village. The formulation of problems in this research is local wisdom values that is expressed through Rumoh Aceh. This research aims at analyzing the local wisdom values in Rumoh Aceh. The method used in this research is qualitative with ethnographical approach. Data collecting techniques are observation, interview, and document study with primary and secondary data sources. The technique of data validity is through source triangulation and data analysis technique through the stage of data reduction, data presentation, and verification. The research is situated in Garot Cut village. Indrajaya district Pidie regency. The research findings show that Rumoh Aceh has local wisdom values. Those values are in the components of building shape and the traditional ceremony of Rumoh Aceh, the values are religious, moral, social, traditional, and sensitive on nature. The knowledge, attitude, and local wisdom behavior Rumoh Aceh teach the society to adapt, to care with cultural inheritance, and to form the system of social familial system.
Gamelan Truntung Art in the Study of Structural Functionalism Indariyana, Raditya Wahyu; Wadiyo, Wadiyo; Utomo, Udi
Catharsis Vol 7 No 3 (2018)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v7i2.24743

Abstract

Gamelan Truntung is one of traditional arts in Magelang. This art derives from a mixture of Truntung with a set of gamelan instruments. Truntung is a musical instrument to accompany or facilitate Soreng dance which is also a traditional art in Magelang. The problem of the research is to answer how the structural functionalism of Gamelan Truntung Art is. The research is conducted to know, to analyze, and to describe the structural functionalism of gamelan Truntung art. Meanwhile, the research method applied is a qualitative method using monodisciplinary approach. The techniques used to collect the data needed in writing this article are obervation, interview, and document study. Then, the validity of the data collected is checked by applying data triangulation technique. The type of triangulation data used is the triangulation data of the resources which uses data analysis technique comprising of three steps, namely data reduction, data presentation, anda data verification. Gamelan Truntung art is considered as a system which has some parts that influence and are functional to each otherKesenian Truntung. The man in charge of the art studi or sanggar has run his function well, but in fact, there is a latent function which gives disadvantages to Gamelan Truntung art. The other part experience disfunction which hinders the development of Gamelan Truntung art. Gamelan Truntung can be maintained by giving attentions to the following, namely the artist creativity which must be elevated by having no dependency on Mr. Riyadi as the man in charge, and some hindering idealism which must be able to be set aside for the development and the progress of the art studio and its art.
Cooperative and Creativity Building in Unison Singing Ruata, Isabella Christy; Utomo, Udi; Hartono, Hartono
Catharsis Vol 7 No 3 (2018)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v7i2.24789

Abstract

This research analyses the building of cooperative and creative character in the teaching of singing unison. This research employed the qualitative method. The data of this research were obtained from observation, interview, and documentation. The analysis of the data was in the sequence of data reduction, data presentation, and data verification or conclusion. The finding showed that the teaching of singing in unison instil the character of cooperativeness when the students play different musical instruments together. Besides, cooperativeness is also realised when the students sang that in the group. In teaching arts, the song also contained the value of creativity of which the students can solve specific task given by the teacher and when the students developed the rhythmic pattern of the song with a traditional instrument. The findings implied education, particularly musical education.
The Form of Javanesse Gamelan in the Worship Liturgy in the Baptism Church Indonesia (GBI) Ngembak Kristanto, Alfa; Florentinus, Totok Sumaryanto; Sunarto, Sunarto
Catharsis Vol 7 No 3 (2018)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v7i2.24877

Abstract

Baptism Church Indonesia (GBI) Ngembak uses Javanesse gamelan (traditional music accompaniment) to accompany the Sundays’ worship which is held every Sunday in the end month. The purpose of this research is to analyze the form of Javanese gamelan music in a worship liturgy of Baptism Church Indonesia (GBI) Ngembak. The research method used qualitative with case study research design. Data collecting techniques are observation, interview, and document study. To maintain its validity, the researcher uses the technique of source triangulation. While the technique of data analysis is done by the process of reduction, presentation, and conclusion (verification). The research findings show that the form of musical composition in one of worship songs in GBI Ngembak is a song titled Puji Nama-Nya (Praise His name) uses bar of 4/4, the types of melody is stepping and jumping. Its harmony is one voice although in the book of Nyanyian Pujian (Hymn) provides the harmony of Soprano, Alto, Tenor, and Bass. The structure of musical form in Puji Nama-Nya song has two parts, they are part A and part B. and the lyrics of this song is a, a , a , a. This song uses a particular musical arrangement of Javanese gamelan accompaniment laras Pelog.
The Transformation of Furniture Craft Shape in Tempel Lemahbang Village, Blora in Facing Market Development Dwiningtyas, Ratih; Triyanto, Triyanto; Syakir, Syakir
Catharsis Vol 7 No 3 (2018)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v7i2.25100

Abstract

The transformation of furniture craft shape in Tempel village Lemahbang is done by the craftsmen to face the market development. This research aims at understanding the transformation of furniture craft shape in Tempel village Lemahbang Blora in facing market development. The research method was qualitative while the data collection technique used observation, interview, document study. The technique of data validity used source triangulation, while the data analysis procedure used data reduction, data presentation, and conclusion drawing. The research result is that the furniture transformation happened from the shape and material. The shape aspect transformation is from classical furniture, such as wooden table or chair in Perancisan (French) style to rustic style. The rustic shape of furniture has created tables, chairs, and ornamental animal shaped furniture. The rustic furniture created by the craftsman has rough shape, preserve natural characteristic from the material used, i.e, bonggol (part of Jati tree’s root). The research findings show that the furniture crafts in Blora experience shape transformation to keep up with market development. The benefit of the research for arts education especially formal arts education agency is as a source of arts teaching learning based on local culture. The suggestion for the craftsmen is always to develop their self-potential, especially their English competency so that they will be easy to communicate with foreign customers.
The Values of Multicultural Education in Tali Dua Music in Batang Dua Island, Ternate, North Maluku Salu, Vega Ricky; Triyanto, Triyanto; Wadiyo, Wadiyo
Catharsis Vol 7 No 3 (2018)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v7i2.25309

Abstract

Multicultural Education in Indonesian context has a very significant role and function. The variety of cultures also exists in Batang dua island. The ethnic groups in North Maluku are Loloda, Tobaru, Ternate, Javanese, Minahasan, Ambonese, Batak and many more. The purpose of this research is to explain the values of multicultural education in Tali Dua traditional music in Ternate, North Maluku. The research method used is qualitative approach. The technique of collecting data used are observation, interview, and document study. The data validity is checked by applying triangulation technique. Then, the data are analyzed by using data verification, data reduction and data presentation. The result of the study showd that Tali Dua music has multicultural values which are very important for the development of Indonesia, seen in the function of the music either in wedding events or in the lawidi tradition.
Sining Dance and Central Aceh Tourism Yanti, Meipur; Cahyono, Agus; Syakir, Syakir
Catharsis Vol 7 No 3 (2018)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v7i2.25749

Abstract

Sining dance is the parent of dances in Gayo. Sining dance is one of traditional dances that supports the development of tourism in Central Aceh. The purpose of this research is to analyze the Sining dance and its role of tourism in Central Aceh. The research method was qualitative descriptive and used ethnographic approach.The data collection was used techniques of observation, deep interview, and document study. Data validation was done with data triangulation, source triangulation, and method triangulation while the the analysis used data reduction, data presentation, and verification/conclusion drawing. The results show that the performance of Sining dance plyas a role as cultural attraction, Sining dance also becomes one of tourism attraction through documenter video, Sining dance in one of presentation in a show, and Sining dance is a means of entertainment. The occurence of Sining dance in tourism influences the economic benefit of Central Aceh community and automatically it can preserved Sining dance itself. This research is useful as a vehicle for developing studies on traditional art problems, and is useful as an empirical input for relevant government agencies.
The Identity of Society in Typical Batik Motif “Seluang Mudik” from Sarolangun-Jambi Prasetyo, Harry; Iswidayati, Sri; Syakir, Syakir
Catharsis Vol 7 No 3 (2018)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v7i2.27048

Abstract

The patterns of batik are strongly influenced by geographical location of the area of manufacture, the state of environment surrounding, and the flora and fauna. Sarolangun area which travesed by Batang Tembesi river makes people familiar with their natural environment. Seluang fish is small fish that Sarolangun endemic which are often waited its existence by the fishermen because of their habit swimming on the river surface in groups. The purpose of the research is to analyze batik patterns Seluang Mudik in Sarolangun regency, Jambi province. The method used in this research was qualitative with observation, interview, and document study as the technique of data collecting. The data validity used the technique of information triangulation from various sources, methods, and theories. The data analysis was done by data reduction, data presentation, and conclusion or verification. The results show that batik motif Seluang Mudik that has various decoration Seluang fish that together swim to a destination to ease the burden against the flow when they immigrate to upstream. It closely relates to the identity of Sarolangun-Jambi society means the knitted togetherness. This togetherness can be found at the events held in society that always be together. One of them is in Lumbo Biduk event, hand in hand in Baralek event, and so on. Implications given by this research is that it can be beneficial for development of batik, for the society surrounding toward environment, for young generations to recognize culture in Sarolangun and for government to support regional potential.
The Art Expression of the Prisoners 'Paintings in Class IIA Narcotic Correctional Institution, Yogyakarta Pitaloka, Mayang; Iswidayati, Sri; Triyanto, Triyanto
Catharsis Vol 7 No 3 (2018)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v7i2.27084

Abstract

Expressing art is one of people's aesthetic needs, no exception the prisoners of class II A narcotics penal institution, Yogyakartawho fulfill their aesthetic need by doing painting activity. This is quite interesting because in the life full of freedom limitation, the citizens of the institution are still able to enliven the activity to express their aesthetic needs through painting in the prison environment. Therefore, the aim of this research is to analyse the influence of the penal institution environment toward the art expressions of the institution assisted citizens' paintings, their painting process, and the characteristics of their paintings seen in the perspectives of visual elements and principles, and in the perspective of psychoanalysis towards the painting themes. The research conducted applies qualitative and anthropology interdisciplinary approaches, aesthetics, and art psychology. The research design used is case studies. The data of the research are collected by conducting observation technique, interview, and documentation study. Then triangulation technique is used to check the validity of the data collected. Data analysis technique is conducted through reduction, presentation and verification. The results of the analysis show that, first, the environment of the penal institution has influence on the psychological stress of the prisoners which gives impact on their painting ideas, themes, and visuals; second, their creation process in various limitations do not stop their productivity in painting; and third, the visual characteristics of the prisoners’ paintings have their own uniqueness which can be seen through the perspectives of visual elements and principles related to the Id, Ego, and Superego drives in psychology which produce two categories of painting themes, i.e. political and personal themes. Both themes indicate the influences of environment, stressor, and the prisoners’ life background factors. Painting activity can be a fulfillment to the need of expressing aesthetics of every prisoner in Class IIA Narcotic Correctional Institution, Yogyakarta.
The Change of Forms and the Value of the Dance performance of Barongan Risang Guntur Seto Guntaris, Endik; Cahyono, Agus; Utomo, Udi
Catharsis Vol 8 No 1 (2019)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v7i2.27898

Abstract

Barongan Risang Guntur Seto dance is one of dances that has experienced a changing of form from spontaneous to organized performance since 2016. The management and the change done by Barongan Risang Guntur Seto artists have altered the simple values of traditional performing art to be a glamorous values or it is called gebyarby Blora people. The purpose of this research is to analyze and to describe the change of form and value of Barongan Risang Guntur Seto dance.Theoretically, this research used qualitative method with interdisciplinary approach of science, they are ethnochoreology and Arts Sociology. The technique of data collection was done by observation, interview and document study. The data validity checking used source triangulation. The data analysis was done by data reduction, data presentation, and conclusion. The results show that the chane of form and value of Barongan Risang Guntur Seto dance performance involves movement, music, property, stage, and lighting. The suggestion for artists of Barongan Risang Guntur Seto dance is to always active in renewing the dance in accordance to the era and to always be consistent in emphasizing the simplicity and family values as an identity of Blora people.

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