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Catharsis
Published by Universitas Negeri Semarang
ISSN : 25024531     EISSN : 25024531     DOI : -
Core Subject : Humanities, Education, Art, Social,
Arts Humanities Education Environmental Science
Catharsis: Journal of Arts Education provides an international forum for research in the field of the art and creative education. It is the primary source for the dissemination of independently refereed articles about the visual arts, performances (music, dance, drama/theater/play), creative process, crafts, design, and art history, in all aspects, phases and types of education contexts and learning situations (formal and informal).
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Articles 506 Documents
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Art-based Revitalization Strategy for Creative Actors in the Old City of Semarang
Catharsis Vol 11 No 1 (2022)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v11i1.57971

Abstract

The Old City area of Semarang is a favorite tourist attraction when tourists, both local and foreign, come to Semarang. This research aims to explain the strategy of Revitalizing the Old City by creative actors of the old city of Semarang and to analyze and explain the content of serving and promotion efforts of the old city of Semarang by creative actors of the old city of Semarang to explore and explain the conservation strategy through Art Education by the creative actors of the Old City of Semarang. This study uses an interdisciplinary approach: Arts Education, Arts Conservation, and Arts Communication. The method used is the descriptive qualitative method. Data collection techniques used are observation, interviews, and documentation. The data validity technique uses the data triangulation method. The results show that the art revitalization strategy for creative actors in the old city of Semarang is influenced by policy, financing, management, and promotion strategies. Conservation education from creative actors is influenced by creative actors, managers, and the general public. Meanwhile, the content presented by Kota Lama Semarang's creative actors includes educational and cultural content.
Religious Aesthetic Expressions of Theatrical Dato’ Ri Bandang at the Friday Sermons in Gantarang Lalang Bata Village Selayar Regency
Catharsis Vol 11 No 1 (2022)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v11i1.58071

Abstract

Currently, many media are used to spread religion, one of which is theater, but it is still very rare to use theater as a medium for spreading religion. It is different in the Gantarang Lalang Bata Village in Selayar Regency, which uses theatrical as a medium in spreading religion through the Friday sermon process. The people of Gantarang Lalang Bata village know this theatrical as Tatrikal Dato' ri Bandang. Therefore, this study used descriptive qualitative research with a research design using a performance studies approach that focused on the aesthetic expression of Dato' ri Bandang's theatrical religion. Dato ri Bandang's theatrical religious expression occurs in three ways: before, during, and after, related to things that are prepared, done, and returned. This research data collection used observation, interviews, and document studies. After analyzing the data, the researchers found that the life of the people in Gantarang Lalangbata Village highly upholds cultural values and ancestral heritage through Friday sermons. They do use not only monotonous audio-visual media but also use more visual media that emphasizes the aesthetic experience of society.
UPAYA PELESTARIAN MACAPAT DALAM RITUAL CUKUR RAMBUT GEMBEL DI DESA DIENG KULON, KABUPATEN BANJARNEGARAPenelitian ini bertujuan untuk mengetahui upaya pelestarian macapat yang terdapat pada ritual cukur rambut gembel di Desa Dieng Kulon, Banjarnegara. Pe
Catharsis Vol 11 No 2 (2022)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v11i2.59005

Abstract

This study aims to determine the efforts to preserve macapat songs in the shaving ritual of dreadlock hair in Dieng Kulon Village, Banjarnegara. This study used a qualitative method with an interdisciplinary approach, including the disciplines of anthropology and sociology. The data collection techniques used observation, interviews, and document studies, while the research validation used the criteria for the degree of trust (credibility) with data triangulation techniques. The analysis of this research was carried out in the order of problem selection, initial observation, data reduction, and final research result. The study results indicate that a strong motivation from the community that owns the culture is needed for implementing cultural preservation. The preservation of macapat in Dieng Kulon Village works because of the consistency of the community in applying it in their daily life. In addition, the local government supports the implementation of the event, the teaching educational institutions use the songs, and the presence of macapat at the Dieng Culture Festival event was formed by community organizations.
Structure Analysis of Ma'marakka Musical Form on Pa'pakandian song
Catharsis Vol 11 No 1 (2022)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

This study discusses one of the ritual music in Toraja culture. The purpose of this study is to analyze the structure of the musical form ma'marakkaas a song in the death rites of the Toraja people. Of the several types of songs in ma'marakka music, the author will focus on one type of song, namely the pa'pakandian song. Ma'marakka music is known as vocal music or ethnic songs that are full of meaning. The ma'marakka song is accompanied by a wind instrument made of bamboo, the suling lembang. This song was first used by the people of Buntao' sub-district, North Toraja district, then developed into a ritual song which is used by the Toraja people in general at rambu solo' (death rites) ceremonies. The study of ma'marakka singing in pa'pakandian songs will be described descriptively in a qualitative method. The results of this study describe the structure of the ma'marakka music form of the pa'pakandian song and describe some of the uniqueness and beauty of the musical aspects presented by Toraja cultural influences. With this research, it will be an effort to preserve Toraja cultural music as well as add insight as a form of cultural music in Indonesia.
Educational Values in the Presentation of Ma’dondi’ Music in Lembang Mai’ting
Catharsis Vol 11 No 2 (2022)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v11i2.59735

Abstract

Ma'dondi' music is the presentation of music used in the Ritual Rambu Solo' ceremony in Lembang Mai'ting, Rindingallo Sub-district. This study used descriptive qualitative methods. The data collection techniques included observation, interview, and documentation. This study aims to describe and analyze the educational value contained in the presentation of Ma'dondi' music in Lembang Mai'ting. Ma'dondi' is traditional music that must be maintained and preserved in the community because it can provide comfort, advice, and educational value that can be used as a way of life. The value of education in presenting Ma'dondi' music is obtained through the chanting of Ma'dondi' music poetry sung as oral literature. Be it the value of religious education, which aims to get closer to God; the value of social education, which aims to provide comfort to others and teach the meaning of caring and helping each other; the value of moral education, which aims to teach how to behave well; the value of aesthetic education, which aims to teach the beauty of giving and helping each other; and the value of cultural education, which aims to provide lessons that customs need to be maintained and preserved for future generations.
Kriya Gerabah Bumi Jaya : Pendidikan Keluarga Pada Perajin Gerabah Bumi Jaya
Catharsis Vol 11 No 2 (2022)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v11i2.60071

Abstract

The purpose of this study is to examine the efforts made by craftsmen to maintain traditional crafts. By using a qualitative descriptive method. This study uses an interdisciplinary approach that includes ethnography to examine culture in society, and education. From the results of data and information collection and analysis, it can be seen that in Indonesian culture there are many things that must be preserved, both traditional and artistic, such as what the Bumi Jaya people do to maintain traditional crafts in Banten. In this era of globalization, traditional arts experience stagnant times to continue to survive and be recognized, many efforts can be made by craftsmen to maintain traditional crafts. Like what Bumi Jaya craftsmen do to maintain their pottery, where Bumi Jaya pottery has been known since the sultanate period which will then come to the next generation so that it can be said as a traditional art. Bumi Jaya craftsmen continue to try to maintain traditional pottery crafts in various ways, one of which is in the family environment, craftsmen pass it on to the next generation through daily activities that involve children when the pottery-making process, which is called family education, parents play an important role in family education, This family education aims to reduce pottery making skills and teach the v alues ​​of life such as caring and kinship. Kata kunci : tembikar, Bumi Jaya, seni
Appreciation in Kiamat Dance Performance in Kuripan Village South Lampung
Catharsis Vol 11 No 1 (2022)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v11i1.60075

Abstract

Art and society are two inseparable things that go hand in hand and influence each other. It shows that the existence of a work of art cannot be separated from public appreciation. Society has contributed as a mover, changer, maintenance, and creator of the artwork presence. This study has examined the community's appreciation of a performance of the Kiamat Dance (Doomsday Dance), a heritage dance from the Keratuan Darah Putih in Kuripan Village, South Lampung Regency. The research used descriptive qualitative methods with a case study design (real-life events). Data collection used observation, interviews, and documentation. The validity technique used triangulation of data sources. Analysis of the data used an analytical approach by Janet adshead et al., which divides the dance analysis into four stages: describing, interpreting, and evaluating. The study results show that the Kiamat Dance is one of the dances contained in the traditional ruwah procession or the wedding celebration of the king of the Keratuan Darah Putih. It is called the Kiamat Dance because it is performed at the end of a ruwah event or as a closing dance. Descendants from the kingdom dance, but the musicians are residents, as stated by Osborn. He has divided appreciation into two parts: appreciation as an attitude which refers to habits and expertise, and appreciation as an action. The Kiamat Dance performance in the traditional ruwah procession is a stimulus-response practice. There is a stimulus from the feeling of belonging and the need to carry out the dance performance in a traditional ruwah procession, reproducing a repetitive activity, thus forming a habit. These stimulus-response activities then start actions in the form of respect, ownership, and direct involvement of the community in activities, which are unconsciously a form of appreciation.
Organology of Traditional Music Instrument of Pelle’
Catharsis Vol 11 No 2 (2022)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v11i2.60426

Abstract

The background of this paper is the production process to describe Pelle's traditional musical instrument structurally and functionally. In conducting this organological study, theories on ethnomusicology were used, which discussed the relationship between music and culture by conducting field research. Researchers used qualitative research methods with an ethnomusicology discipline approach, with laboratory work and field studies with observation, interviews, and documentation techniques. From the research results, the Pelle' musical instrument has a size of 3-4 cm and is made from Dalame Pare rice stalks. Then at the end of the Pelle', 10-12 palm leaves are wrapped around, which are made to resemble a trumpet. The Pelle' musical instrument is often played during the harvest season. As the development of the Pelle' musical instrument is currently used at the Rambu Tuka’ ceremony, which is related to a special thanksgiving event at the Mangrara Banua Tongkonan event. Structurally and functionally, the Pelle' musical instrument has uses and functions in society both as entertainment and as part of the Rambu Tuka' custom.
The Effect of Using Sapek Virtual Studio Technology Plugin and It’s Impact on the Existence of Traditional Sapek Activists
Catharsis Vol 11 No 2 (2022)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v11i2.60896

Abstract

Sapek VSTi is an innovation to develop traditional musical instruments in digital form that can be used to make musical works. There is no need for the original Sapek musical instrument in the creation process. Only controlled with a Digital Audio Workstation (DAW). This is evidence of a concern because Sapek activists are no longer needed in making musical works. This study describes the efficiency and sound quality of the Sapek VSTi and their impact on the Sapek art activists. The type of research used is descriptive analysis and uses an ethnomusicological approach. Data collection techniques with observation, interviews, and documentation. Data analysis through the stages of reduction, presentation, and conclusion. The results of the study found that the Sapek musical instrument in the form of VSTi (Virtual Studio Technology Instrument) could not replace the original musical instrument in performing arts performances, either solo or as a dance accompaniment. This did not significantly impact Sapek art activists but has benefits for Sapek art activists. Sapek VSTi can help make temporary arrangements before recording using original Sapek musical instruments. Sapek VSTi participates in preserving Sapek musical instruments globally, which impacts ordering services for original Sapek musical instruments, making it easier for audio engineers in recorded music if they do not have the original Sapek musical instrument. For the scope of education, Sapek VSTi can be used as a learning medium to introduce sapek musical instruments to students.
Interaksi Belajar dalam Pembelajaran Musik Rebana: Kajian Interaksi Simbolik
Catharsis Vol 11 No 2 (2022)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v11i2.61492

Abstract

Social interaction can be understood as a relationship between individuals and individuals or groupswhere there is an action and reaction as a result of the relationship. Symbolic interaction becomes partof social interaction because humans produce meaningful symbols when interacting. This study aimedto analyze the process of social interaction and symbolic meaning in learning rebana music. This studyused qualitative methods with educational and sociological approaches. Data collection techniquesused observation, interviews, and documentation. In addition, the data validity technique used sourcetriangulation. The data analysis technique consisted of three stages: data reduction, data presentation,and conclusions. The results showed that social interaction in rebana learning occurred betweenmembers, trainers and the community. The symbolic interactions produce the meaning of variousobjects in rebana learning. The symbolic meanings attached to the learning interactions of the Al-Maddah Rebana group include the first meaning, namely the rebana symbol for performers and thecommunity, as the context of hablun minallah wa hablun minannaass (relationship with God andhumans). The second meaning is the use of incense and frankincense during the activities of the Al-Maddah Rebana group as a symbol of the practice of the Sunnah of the Prophet Muhammad SAW,namely the Prophet's preference for fragrances. The meaning of the three nonverbal symbols in rebanalearning interactions is the delivery of emotional states. The fourth meaning of reading the Book ofMawlid Ad-Diba' on the shalawat song as a symbol of love for the Prophet Muhammad SAW.

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