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Catharsis
Published by Universitas Negeri Semarang
ISSN : 25024531     EISSN : 25024531     DOI : -
Core Subject : Humanities, Education, Art, Social,
Arts Humanities Education Environmental Science
Catharsis: Journal of Arts Education provides an international forum for research in the field of the art and creative education. It is the primary source for the dissemination of independently refereed articles about the visual arts, performances (music, dance, drama/theater/play), creative process, crafts, design, and art history, in all aspects, phases and types of education contexts and learning situations (formal and informal).
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Articles 506 Documents
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Seni Relief Desa Senenan: Kajian Estetik, Fungsi, dan Pewarisannya di Sanggar Jepara Carver Rahmawati, Anik; Triyanto, Triyanto; Iswidayati, Sri
Catharsis Vol 6 No 1 (2017)
Publisher : Catharsis

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v6i1.17029

Abstract

Kehadiran seni dalam kehidupan manusia menjadi salah satu kebutuhan bagi manusia. Salah satu karya seni yang digunakan untuk memenuhi kebutuhan berkesenian  adalah seni relief kayu di Desa Senenan. Masalah yang dikaji dalam penelitian ini: (1) Bagaimana bentuk produk seni ukir relief kayu yang diciptakan perajin di Desa Senenan Kabupaten Jepara?; (2) Bagaimana fungsi seni relief kayu dalam kehidupan komunitas perajin di Desa Senenan Kabupaten Jepara?; dan (3) Bagaimana pewarisan seni relief kayu di Desa Senenan Kabupaten Jepara?. Metode dan pendekatan penelitian yang digunakan adalah kualitatif dengan kajian interdisiplin sosial-budaya, dan seni (seni rupa). Analisis data seni dengan teori bentuk estetik, konsep pewarisan (internalisasi, enkulturasi, dan sosialisasi), dan fungsi. Hasil penelitian menunjukkan hal-hal sebagai berikut. Pertama, seni relief kayu memiliki bentuk yang variatif sesuai dengan kreativitas perajin dan nilai estetik. Kedua, seni relief kayu memiliki fungsi pemenuhan kebutuhan dasar sebagai sumber pemenuhan kebutuhan ekonomi, fungsi sosial dan fungsi budaya. Ketiga, struktur pewarisannya melalui keluarga dan pendidikan informal (sanggar Jepara Carver). The presence of art in human life becomes one of the human necessities. One of the artworks which used to meet the needs of art is the art of wood reliefs in Desa Senenan, Jepara. The problems of the study are (1) What are the forms of wood relief sculpture product created by craftsmen in Desa Senenan,Jepara? (2) How are the functions of wood art relief in the craftsmen daily life in Desa Senenan, Jepara? (3) How are the inheritance wood art relief in Desa Senenan Jepara? This study used qualitative method which combined with socio cultural and art interdisciplinary study. The Art data analysis included the theory of aesthetic form, the concept of inheritance (internalization, enculturation and socialization), and function. The results showed the following matters. First, the art of wood reliefs had a shape that varied in accordance with the creativity of artisans and aesthetic value. Second, art wooden relief had the function to fulfill the people basic needs as a daily economic, a social function, and as cultural function. Third, the art wood relief was used as the structure of inheritance through the family and informal education (Jepara studio Carver).
Revitalisasi Tari Sigeh Penguten Melalui Pendidikan Seni Budaya di SMP Negeri 1 Tanjung Raya Kabupaten Mesuji Azzahrah, Fatimah; Hartono, Hartono; Triyanto, Triyanto
Catharsis Vol 6 No 1 (2017)
Publisher : Catharsis

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v6i1.17030

Abstract

Tari Sigeh Penguten merupakan tari tradisional yang berasal dari Lampung. Tarian ini biasanya ditampilkan oleh masyarakat Lampung untuk menyambut dan memberikan penghormatan kepada para tamu atau undangan istimewa pada acara adat atau pun acara lainnya. Masalah yang dikaji dalam penelitian ini adalah: (1) Bagaimana bentuk Tari Sigeh Penguten di SMP Negeri 1 Tanjung Raya Kabupaten Mesuji; (2) Mengapa dan bagaimana cara Tari Sigeh Penguten dilakukan melalui pendidikan seni budaya di SMP Negeri 1 Tanjung Raya Kabupaten Mesuji; dan (3) Bagaimana hasil revitalisasi Tari Sigeh Penguten melalui pendidikan seni budaya yang di laksanakan di SMP Negeri 1 Tanjung Raya Kabupaten Mesuji.  Metode penelitian ini menggunakan pendekatan kualitatif. Teknik pemeriksaan data dengan triangulasi, member checking, dan rich and thick description. Prosedur analisis data dilakukan melalui tahap reduksi, penyajian data, dan penarikan simpulan.  Hasil penelitian menunjukkan sebagai berikut: Pertama, bentuk Tari Sigeh Penguten di SMP Negeri 1 Tanjung Raya Kabupaten Mesuji terdiri dari wiraga: ragam gerak dan teknik Tari Sigeh Penguten, wirasa: ekspresi dan penguasaan Tari Sigeh Penguten, wirama; iringan musik yang digunakan pada Tari Sigeh Penguten, wirupa: kostum dan tata rias Tari Sigeh Penguten. Kedua, Tari Sigeh Penguten dilakukan melalui pendidikan seni di SMP Negeri 1 Tanjung Raya karena urgensi revitalisasi Tari Sigeh Penguten sebagai bentuk antisipasi pudarnya Tari Sigeh Penguten di kalangan generasi muda dan masyarakat, dengan cara pendidikan ekstrakurikuler Tari Sigeh Penguten sebagai upaya revitalisasi untuk menghidupkan kembali Tari Sigeh Penguten pada generasi muda. Ketiga, hasil revitalisasi Tari Sigeh Penguten menunjukkan adanya peningkatan dari sisi pengetahuan (kognitif) siswa, peningkatan sikap (afektif) kepedulian siswa, dan peningkatan penguasaan keterampilan (psikomotor) siswa. Sigeh Penguten dance is one of traditional dances in Lampung in which it is performed to present and give tribute for the special guests in traditional ceremonies and the other ceremonies. The statement of problems are as follows: (1) How is the kind of Sigeh Penguten Dance in SMP Negeri 1 Tanjung Raya, Mesuji; (2) Why and How is the procedure of Sigeh Penguten Dance through art subject in SMP Negeri 1 Tanjung Raya, Mesuji; and (3) how is the result of revilatization of Sigeh Penguten Dance Through Art Subject in SMP Negeri 1 Tanjung Raya, Mesuji. The method of this study was a qualitative approach. The technique of checking the data used triangulation, member checking, and rich and thick description. Moreover, the technique of analysing the data was the step of reduction, obtaining the data, and concluding the data. The results of this study were as follows: the first, the kinds of  Sigeh Penguten dance in SMP Negeri 1 Tanjung Raya, Mesuji are wiraga : types of movement and technique of Sigeh Penguten dance, wirasa : expression and mastery of Sigeh Penguten dance, wirama : the rhythm of music in Sigeh Penguten dance, wirupa : costume and make up of Sigeh Penguten dance. The second, Sigeh Penguten dance was learnt through Art Subject in SMP Negeri 1 Tanjung Raya, Mesuji due to the urgency of revitalization of Sigeh Penguten dance to maintain the Sigeh Penguten Dance around the teenagers and citizens through extracurricular Art Subject, especially on Sigeh Penguten Dance for the youth generation in SMP Negeri 1 Tanjung Raya, Mesuji. The third, the result of revitalization of Sigeh Penguten dance indicated that there were the enhancement of students’ cognitive, affective, and psychomotor aspect in Sigeh Penguten dance.
Busana Aesan Gede dan Ragam Hiasnya sebagai Ekspresi Nilai-Nilai Budaya Masyarakat Palembang Shanie, Arsan; Sumaryanto, Totok; Triyanto, Triyanto
Catharsis Vol 6 No 1 (2017)
Publisher : Catharsis

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v6i1.17031

Abstract

Busana dan Ragam hias Aesan Gede  merupakan simbol budi pekerti dari kebudayaan dan kebesaran masyarakat Palembang. Busana Aesan Gede  harus tetap mempertahankan eksistensinya agar  nilai-nilai yang terkandung di dalam ragam hias masih dapat terjaga. Nilai-nilai yang disampaikan melalui simbol visual yang terdapat pada ragam hias busana Aesan Gede memiliki pesan moral budi pekerti, yang menjaga keselarasan dan keseimbangan hidup antar manusia dengan alam sekitar dan dengan Sang Pencipta. Masalah dalam penelitian ini adalah Bagaimana bentuk, fungsi dan nilai-nilai budaya dalam busana dan  ragam hias Aesan Gede pada upacara adat perkawinan Palembang, Nilai-nilai apa yang terkandung dalam busana dan ragam hias Aesan Gede dalam upacara adat perkawinan Palembang. Metode penelitian ini adalah kualitatif dengan pendekatan interdisiplin. Fokus penelitian dan data yang dikumpulkan berkaitan dengan masalah penelitian. Teknik pengumpulan data dengan observasi, wawancara dan studi dokumen. Keabsahan data menggunakan triangulasi metode. Prosedur analisis data dengan reduksi, penyajian data dan penarikan kesimpulan. Hasil penelitian ini menunjunkan hal-hal sebagai berikut. Pertama, bentuk busana dan  ragam hias Aesan Gede didominasi dengan motif hias tumbuh-tumbuhan, dan motif hias geometris. Kedua, ragam hias Aesan Gede memiliki fungsi murni estetis dan fungsi simbolis, Ketiga, nilai yang terkandung dalam busana Aesan Gede dan ragam hiasnya yaitu nilai yang berhubungan dengan keTuhanan, nilai yang berhubungan dengan sesama manusia, dan nilai yang berhubungan dengan tingkah laku. Aesan Gede symbolizes the character of the culture and greatness of Palembang communities. The existence of Aesan Gede traditional costume needs to always be maintained. It aims to keep the values of the ornamental variety itself. The values which are implicitly showed by Aesan Gede visual symbols are manners which maintain the harmonious relationship between humans and their nature and God. The research questions of this research are form, function and culture values contained in a fashion motif and Aesan Gede customary marriage ceremonies of Palembang comunities. The method used in this research was interdisciplinary qualitative which focused on the gained data related to the research problems. The techniques of the data collection were observations, interview, and document study.  The procedures of data analysis were reduction, data collection, and summarizing. The validity of the data using the triangulation methods.The research result revealed these following findings. First, the variety forms of Aesan Gede are dominated by plant-motif and geometric-lined motif. Second, the variety forms of Aesan Gede have various functions. They are esthetic function, and symbolic function. Third, the values consisted in Aesan Gede are religious values, humanistic values, and behavioral values. The researchers recommended three suggestions.
Makna Simbolik Pertunjukan Linda dalam Upacara Ritual Karia di Kabupaten Muna Barat Sulawesi Tenggara Ardin, Ardin; Cahyono, Agus; Hartono, Hartono
Catharsis Vol 6 No 1 (2017)
Publisher : Catharsis

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v6i1.17032

Abstract

Linda merupakan tarian tradisional suku Muna yang disajikan ketika puncak upacara ritual karia atau pingitan. Pertunjukan Linda juga sebagai ungkapan rasa terimakasih kepada para penonton yang telah membantu kelancaran acara, rasa syukur kepada para peserta karia yang telah melewati tahapan ritual yang begitu rumit dan sebagai simbol pembersihan diri bagi gadis-gadis karia atau pingitan. Penelitian ini bertujuan untuk mendeskripsikan makna simbolik pertunjukan Linda dalam upacara ritual karia di Kabupaten Muna Barat Sulawesi Tenggara. Metode yang digunakan kualitatif dengan pendekatan Antropologi Seni, Sosiologi Seni dan Pendidikan Seni. Teknik pengumpulan data meliputi observasi, wawancara dan studi dokumen. Teknik keabsahan data menggunakan teknik triangulasi dan teknik analisis data yang digunakan adalah melakukan interpretasi berdasarkan konsep pertunjukan, gaya, isi tarian, dan konsep interpretasi spesifik. Hasil penelitian menunjukan bahwa pertunjukan Linda mempunyai makna sebagai proses pendewasaan, pembersihan seorang gadis remaja dan sebagai simbol moral atau etika. Linda is the traditional dance in tribe Muna that serves in the peak of Karia ceremony. The performance of karia is to represent thankgiving to the spectators that has assisted the best performances, blessing toward karia actors who have decreased complicated steps in the ritual and as the symbol of ritual for the karia girls. This study aimed at describing symbolic meaning from performance of karia in District West Muna, Southeast Sulawesi. The method of this study was qualitative with art education approach. The techniques of collecting data were observation, interview, and documentary study. The triangulation used interpretation based on concept of performance, style, content of dance, and concept of specific interpretation. The result indicated that performance of Linda has the meaning as the process of maturation, ritual for girls, and as a symbol of ethics.
Proses Kreasi Tari Alusu’ sebagai Tari Penyambutan di Kabupaten Bone Imran, Fitrya Ali; Cahyono, Agus; Rohidi, Tjetjep Rohendi
Catharsis Vol 6 No 1 (2017)
Publisher : Catharsis

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v6i1.17033

Abstract

Penelitian ini bertujuan untuk  menggambarkan proses kreasi sebagai tari penyambutan di Kabupaten Bone. Metode penelitian menggunakan jenis penelitian kualitatif. Data penelitian dikumpulkan dengan teknik observasi, wawancara, dan studi dokumentasi. Teknik analisis data secara menyeluruh menggunakan prosedur analisis Miles dan Huberman yang dimulai dari pengumpulan data, reduksi data, penyajian data dan verifikasi data atau penarikan kesimpulan, untuk teknik analisis tari menggunakan prosedur Jannet Adshead yaitu Discerning dan Describing. Hasil penelitian ditemukan bahwa proses kreasi dilakukan pada tahun 2005 oleh koreografer Abdul Muin, dan dibantu oleh Andi Youshand selaku budayawan dan Andi Mappasissi selaku pemangku adat dalam hal menemukan ide. Melalui proses kreasi yakni eksplorasi, improvisasi dan komposisi, tari Alusu’ terbentuk menjadi delapan ragam gerak di antaranya, Mappakaraja, Sere Alusu’, Sere Bibbi’, Sere Mangkok, Sere Massampeang, Sere Maloku, Sere batita, dan Pabbitte. Gerakan yang dihasilkan dengan karakter gaya gerak Abdul Muin sebagai penari Bissu, dan dipengaruhi oleh keadaan geografis Kabupaten Bone, sehingga menghasilkan gerak yang lebih dinamis. Di sisi lain, elemen pendukung tari Alusu’ seperti musik iringan, kostum, tata rias, properti, dan desain lantai disesuaikan dengan kebutuhan masyarakat saat ini. This study aims at describing creation process as a welcoming dance in Bone Subdistrict. This study is qualitative in nature. The data are collected through observations, interviews, and documentations study. The data analysis techniques apply Miles and Huberman’s procedures, starting from data collection; data reduction; data presentation; and data verification or drawing conclusion. Meanwhile, dance analysis techniques utilize Jannet Adshead’s ones which are discerning and describing. The results show that creation process was done in 2005 by Abdul Muin as the choreographer, collaborated with Andi Youshand as cultural observer and Andi Mappasissi as local custom leader in finding ideas. Through the creation process covering exploration, improvisation, and composition, Alusu’ dance was formed in eight moves that are Mappakaraja, Sere Alusu’, Sere Bibbi’, Sere Mangkok, Sere Massampeang, Sere Maloku, Sere batita, and Pabbitte. The moves are characterised by the style of Abdul Muin’s as Bissu dancer, also influenced by Bone’s geographical condition, which finally make those more dynamic. Besides, some other additional elements such as music, costume, make up, properties, and floor design are adjusted by current people’s need.
Wayang Kulit Wong Lakon Menjunjung Langit Mencium Bumi : Kajian Teks Pertunjukan Arisyanto, Prasena; Cahyono, Agus; Hartono, Hartono
Catharsis Vol 6 No 1 (2017)
Publisher : Catharsis

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v6i1.17034

Abstract

Tujuan penelitian ini adalah untuk menganalisis pertunjukan Wayang Kulit Wong pada lakon Menjunjung Langit Mencium Bumi. Metode penelitian kualitatif digunakan dalam penelitian ini. Penelitian difokuskan pada lakon Menjunjung Langit Mencium Bumi. Teknik pengumpulan data menggunakan observasi, wawancara, dan studi dokumen. Teknik analisis data menggunakan konsep bentuk pertunjukan dengan empat langkah analisis data. Hasil penelitian menunjukan bahwa Wayang Kulit Wong merupakan bentuk pertunjukan yang baru. Wayang Kulit Wong merupakan gabungan dari pertunjukan wayang wong dan wayang kulit purwa. Wayang Kulit Wong dapat dipentaskan oleh siapapun, dimanapun, kapanpun tanpa ada syarat tertentu. Cerita yang dibawakan bisa bersumber dari berbagai hal. Musik pengiring dapat dipilih sesuai dengan kreativitas sutradara. Wayang Kulit Wong merupakan contoh pengembangan seni tradisi. Wayang Kulit Wong juga dapat digunakan sebagai materi apresiasi dan kreasi seni pada bidang pendidikan seni. The purpose of this research is to analyze the performances of the Wayang Kulit Wong on Menjunjung Langit Mencium Bumi story. Qualitative research method used in this study. The research focused on Menjunjung Langit Mencium Bumi story. The data collection techniques used are observation, interviews, document studies. Technique of  the data analysis using the concept of form performances with four steps of data analysis. The research result indicates that Wayang Kulit Wong is a form of new performances. Wayang Kulit Wong is a combination of performing wayang kulit purwa and wayang wong. Wayang Kulit Wong can be performed by anyone, anywhere, at any time without any specific terms. The story presented is sourced from various things. Music accompanist can be selected in accordance with the directors creativity. Wayang Kulit Wong is an example of the development of artistic traditions. Wayang Kulit Wong can also be used as a matter of appreciation and creation of art in the field of art education.
Nilai-nilai Piil Pesenggiri pada Tari Melinting di Desa Wana Lampung Timur Juwita, Dwi Tiya; Cahyono, Agus; Jazuli, Muhammad
Catharsis Vol 6 No 1 (2017)
Publisher : Catharsis

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v6i1.17035

Abstract

Tari Melinting merupakan tari tradisional Lampung.ciri khas kebudayaan Lampung Timur yang sampai saat ini masih terus dilestarikan oleh masyarakat setempat. Penelitian ini bertujuan untuk menemukan implementasi nilai-nilai Piil Pesenggiri pada tari Melinting. Penelitian ini menggunakan pendekatan interdisiplin dengan melibatkan disiplin ilmu Antropologi Seni dan Sosiologi Seni. Metode yang digunakan adalah metode kualitatif. Teknik pengumpulan data terdiri dari observasi, wawancara, dan studi dokumen. Teknik keabsahan data menggunakan teknik triangulasi. Teknik analisis data dilakukan dengan cara mereduksi data, penyajian data, dan menarik kesimpulan. Hasil penelitian menunjukkan bahwa, nilai-nilai Piil Pesenggiri yang diimplementasikan pada tari Melinting tertuang ke dalam piil, nemui nyimah, nengah nyappur, bajuluk beadek, dan sakai sambaian. Nilai-nilai tersebut antara lain, nilai religius, harga diri, kerja keras, sopan santun, toleransi, komunikatif, intelektual, kebersamaan, kesamaan, menghargai alam, prestise, tanggung jawab, tolong menolong, adil, dan bijaksana. Melinting dance is a hallmark of East Lampung culture that today, still continues to be preserved by it local community. This thesis aims to discover the symbolic meaning and the Piil Pesenggiri values inside of Melinting dance. The research uses an interdisciplinary approach involving Anthropology and Sociology of Art dicipline of science. The method used is a qualitative method. Data collection techniques consist of observation, interview and document study. Data authenticity technique used triangulation techniques. Data analysis technique is conducted by reducing the data, presenting the data, and drawing conclusions. The researching results shows that, the values of Piil Pesenggiri implemented on Melinting dance implied inside the piil, nemui nyimah, nengah nyappur, bajuluk beadek, and sakai sambaian. Those values are the religiouness, dignity, hard work, good manners, tolerance, communicative, intellectual, togetherness, equality, respect for nature, prestige, responsibility, helping each other, fair, and wise.
Adaptability of Performing Literature Speech Tadut Artist in Facing Social Change of Peoples Life Besemah Pagaralam Sabillah, Masayu Selly; Triyanto, Triyanto; Utomo, Udi
Catharsis Vol 6 No 2 (2017)
Publisher : Catharsis

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v6i2.19282

Abstract

Tadut speech literature is a literary speech that developed in Besemah Pagaralam which is used as a medium for dissemination and learning of Islam in the recitation and death because his poems are able to remind people of Allah swt.. Problems reviewed ini this research, (1) How to show literature Tadut speech in the community culture of Besemah Pagaralam (2) What values of local wisdom are expressed in Taduts literature, (3) How does the adaptation of the literary performers of Taduts literary works defend the language of the Tadut literature his artistry in the social change of life of the people of Besemah Pagaralam. This research uses interdisciplinary approach that is the science of cultural anthropology, sociology and art education. The type of research method used is qualitative with case study design. Data is collected by observation techniques, interviews and document material collection. The results show, first, in the present day Tadut literature is shown in government events, race events, public events and even wedding ceremony. Second, the values of local wisdom expressed in Tadut literature are religious values, moral values, educational values, customs values. Third, adaptability done by Tadut literary artists through the mechanism of cultural collaboration is able to maintain its existence in social change.
Art of Music Taring In Sanggar Tunas Muda Lahat District In Perspective Aksiologi: Study In The Context Of Socio Culture Arief, Ahmad Fikri; Sunarto, Sunarto; Triyanto, Triyanto
Catharsis Vol 6 No 2 (2017)
Publisher : Catharsis

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v6i2.19283

Abstract

The art of Terbangan music in Lahat district is a cultural product derived from the customs of Semende people who migrated to the district of Lahat South Sumatra. With regard to this, the purpose of this study is to examine the issue of the form of the music of Terbangan and the axiological values ​​in it. This research uses an interdisciplinary approach involving the disciplines of musicology and philosophy. Science of Musicology is used to analyze the elements and forms of music on the art of flying. The discipline of philosophy is used to analyze the values ​​contained in the Art of Music Terbangan. Sources of data in this study using a qualitative source consisting of primary and secondary sources with techniques perngumpulan observation data, interviews and document studies. Data validation technique used by source triangulation while data analysis technique is done by reducing data, presenting data, and verifying data. In this verification process, conclusions are drawn with interpretations that use emic point references (field opinion sources) and ethical perspectives based on the theoretical concepts used. Based on the results of research shows things as follows the first form of musical structure among other elements, motives, clauses, sentences or periods that exist in the art of music Terbangan. The two human values ​​in the art of Terbangan which are part of man are holiness, goodness, truth and beauty.
Extracurricular Learning of Dance with Local Wisdom Basis Muhammad, Fan Naa Na; Rohidi, Tjetjep Rohendi; Hartono, Hartono
Catharsis Vol 6 No 2 (2017)
Publisher : Catharsis

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v6i2.19284

Abstract

Indonesia’s education system directs that the curriculum of every education level should insert local wisdom education, especially in arts subject. Every area in Indonesia has various performing arts. One of the arts in Kendal is Barongan dance which is able to be used as the learning source. This research aims to analyse the extracurricular learning process with local wisdom materials in SMA PGRI 1 Kendal. This research was a qualitative research. The technique of data collection consists of observation, interview, and documentation. The technique of data analysis used data reduction, data delivery, and data verification. The result of the research showed that the learning consisted of three stages, the beginning, main materials, and closing. The steps were in line to Gagne’s theory of learning phases motivation, introduction, acquisition, performance, and feedback. The beginning consisted of motivation and performance. The main part included the knowledge and the performance. Meanwhile, the closing dealt with the performance and feedback. The learning process also involved interaction. The learning of extracurricular in SMA PGRI 1 Kendal used local wisdom of Barongan with materials focusing on developing the arts. The formation of the dance consisted of lampah seblak, sembahan, jengkeng manggut,menthang tangan, and loncat jaran.

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