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All Journal Bercadik: Jurnal Pengkajian dan Penciptaan Seni Jejak digital: Jurnal Ilmiah Multidisiplin
Dony Osmond
Institut Seni Indonesia Padangpanjang
Arts Humanities Economics, Econometrics & Finance Education Languange, Linguistic, Communication & Media Social Sciences Other

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Adolesensi: Karya Tari Baru tentang Perubahan Sikap dan Emosional Anak Perempuan di Masa Pubertas Okta Dia Putri; Wardi Metro; Adjuoktoza Rovylendes; Dony Osmond
Bercadik: Jurnal Pengkajian dan Penciptaan Seni Vol 9, No 1 (2025): Bercadik: Jurnal Pengkajian dan Penciptaan Seni
Publisher : Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/bcdk.v9i1.4992

Abstract

Pubertas merupakan masa transisi penting yang dialami anak perempuan, ditandai dengan perubahan biologis, emosional, dan sosial yang signifikan. Perubahan ini sering menimbulkan ketidakstabilan emosional seperti mudah marah, bingung, malu, atau menjadi lebih centil dalam menarik perhatian. Karya tari Adolesensi lahir sebagai refleksi fenomena ini, mengeksplorasi bagaimana anak perempuan merespon perubahan sikap dan emosional selama masa pubertas. Penelitian penciptaan ini menggunakan metode Alma M. Hawkins yang meliputi pengumpulan data, observasi lapangan, eksplorasi, improvisasi, pembentukan, dan evaluasi. Karya ini ditarikan oleh delapan penari perempuan diiringi musik techno live, menggunakan properti sepatu heels dan kursi panjang sebagai simbol transisi menuju kedewasaan. Struktur pertunjukan terbagi menjadi tiga bagian: keriangan centil masa awal pubertas, fase kebingungan emosional, hingga penerimaan diri yang stabil. Hasilnya menunjukkan bahwa gerak tari murni yang abstrak namun eksploratif dapat mengomunikasikan perubahan emosional remaja secara simbolik. Adolesensi bukan hanya sekadar karya estetis, tetapi juga sarana edukasi sosial tentang pentingnya dukungan keluarga dan lingkungan pada masa pubertas anak perempuan
Karya Tari  “Nan Bagandiang” Representasi Prosesi Manjopuik Limau Masyarakat Lubuk Jambi, Kabupaten Kuantan Singingi, Provinsi Riau Jenilva Magrilla; Yan Stevenson; Dony Osmond; Ariefin Alham Jaya Putra
Jejak digital: Jurnal Ilmiah Multidisiplin Vol. 2 No. 4 (2026): JUNI-JULI
Publisher : INDO PUBLISHING

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.63822/d2z8gc13

Abstract

The Manjopuik Limau Tradition or Menjemput Limau is a tradition carried out by the Community in the Lubuk Jambi Region, Kuantan Mudik District, Kuantan Singingi Regency, Riau Province. This tradition is a tradition for Maagiah Tando (giving a sign) to a girl carried out by a young man with the aim of conveying the intention of establishing a relationship with the girl. In this work, Nan Bagandiang will raise the tradition of manjopuik limau as a source of inspiration for the work. This work raises three important stages in the traditional procession, namely the delivery process, the delivery of petitah-petitih, and the procession of the procession on the banks of Batang Kuantan. This tradition is interpreted as a symbol of the sincerity of a young man in establishing a relationship with a girl towards married life. Through the development of movements based on Randai Kuantan Ali Baba, this work presents a form of group choreography that emphasizes the values of togetherness, respect for customs, and the relationship between humans and traditions that are passed down from generation to generation. Nan Bagandiang was performed at the Hoeridjah Adam performance hall with eighteen dancers. It is hoped that this dance will contribute to the preservation of regional culture, particularly that of Lubuk Jambi, Kuantan Singingi Regency
Tradisi Manyanda di Nagari Talang Kabupaten Solok pada Karya Tari "Seratus" dalam Manyaratuih Hari Iffah Zaaidah; Syahril Syahril; Adjuoktoza Rovylendes; Dony Osmond
Jejak digital: Jurnal Ilmiah Multidisiplin Vol. 2 No. 4 (2026): JUNI-JULI
Publisher : INDO PUBLISHING

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.63822/teme8f38

Abstract

The dance work "SERATUS" is inspired by the Manyanda tradition, which has several stages, one of which is the manyaratuih hari (the traditional wedding ceremony). This stage involves a dowry procession performed by both the groom and the bride. In this work, the artist attempts to interpret the dowry procession for both parties, while also depicting the customary penalty of the death of a cat, which the family faces if they fail to follow the Manyanda tradition. The dance work "SERATUS" is realized using props inspired by the dowry forms used in the tradition. The methods used in the creation process include data collection and field observation, exploration, improvisation, forming, and evaluation. This work is performed by eight dancers and supported by eight supporting dancers. The work uses a dramatic style with a social theme, reinforced by the use of live techno music as accompaniment, thus supporting the dramatic flow in line with the artist's concept.
Interpretasi Sikap “Datuk Maringgih” dalam Novel “Kasih Tak Sampai” pada Karya Tari "Sasau" Windy Avrilia Harlen; Dony Osmond; Wardi Metro; Idun Ariastuti
Jejak digital: Jurnal Ilmiah Multidisiplin Vol. 2 No. 4 (2026): JUNI-JULI
Publisher : INDO PUBLISHING

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.63822/zexsgp20

Abstract

The dance work "Sasau" is inspired by the character of Datuk Maringgih in Marah Rusli's novel "Siti Nurbaya: Kasih Tak Sampai," which represents a toxic leader. This leadership trait was chosen because it is still highly relevant to contemporary social phenomena. The artist focused on interpreting the leader's arbitrary behavior, which negatively impacts the surrounding environment, and then translated it into a group choreography divided into three moods. The methods used in the creation process included data collection, exploration, improvisation, forming, and evaluation. The performance was performed by seven dancers—four female dancers and three male dancers—with a dramatic style centered on social themes. The musical accompaniment was developed through a combination of traditional Minangkabau instruments and the latest digital audio technology to support the dramatic flow, in line with the artist's concept.
Karya Tari  Nan Tingga Merepresentasikan Ketidakterimaan Dan Keikhlasan Terhadap Kematian Dalam Tradisi Ba Ilau Azzahra Putri; Kurniadi Ilham; Emri Emri; Dony Osmond
Jejak digital: Jurnal Ilmiah Multidisiplin Vol. 2 No. 1 (2026): JANUARI
Publisher : INDO PUBLISHING

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.63822/ww41y622

Abstract

The dance work Nan Tingga is inspired by the social phenomenon of the Ba Ilau tradition. This interest is based on the sadness of a mother over the loss of her child who died abroad, the focus of the problem that became the idea to represent is about the unacceptance and sincerity of death. This work is worked on in two streams of work on the atmosphere with cultural themes and dramatic types, the method that the artist uses is referring to the book written by Prof. Dr. Y. Sumandiyo Hadi, namely the book on the basic aspects of group choreography. To strengthen the atmosphere in this work, the artist uses live and internal music that is appropriate to the work that the artist is working on. The dancers who support this work consist of six female dancers, of course the selection of dancers by the artist is adjusted to the character, good techniques are also able to apply the ideas and ideas of the work in revealing the problems that the artist wants. This dance work is entitled Nan Tingga, worked on in the form of Traditional dance and has been performed at the Boestanul Arifin Adam Auditorium on January 14, 2026
Penciptaan Karya Tari Layantara: Representasi Interaksi Sosial yang Terputus dalam Era Digital Rahmat Fajar Ramadhan; Wardi Metro; Idun Ariastuti; Dony Osmond
Jejak digital: Jurnal Ilmiah Multidisiplin Vol. 2 No. 1 (2026): JANUARI
Publisher : INDO PUBLISHING

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.63822/xn4ztz65

Abstract

Layantara is a dance work that represents the social phenomenon of increasingly fragmented human interaction due to the pervasive influence of digital technology. The creation is driven by concerns over how human connections are gradually replaced by virtual relationships that are passive, shallow, and disconnected from physical presence. This work focuses on the experience of individuals who appear connected digitally, yet remain emotionally and socially distant. The choreography adopts a symbolic approach using transparent plastic as a metaphor for the thin but impenetrable boundaries that separate individuals from genuine interaction. The three-part structure of the piece interprets layers of interaction: beginning with passive contact, moving through disorientation and distancing, and culminating in an intense physical effort to reconnect, revealing the illusion within digital proximity. Layantara invites the audience into a reflective space, encouraging awareness and critical thought regarding the forms of connection that shape modern life, and the essential value of physical presence in social relationships.  
Penciptaan Karya Seni “Aku Bukan Aku” Intepretasi Fenomena People Pleaser dari Isu Psikologis Sosial yang Dialami Individu Anggi Safandri Ova; Syahril Syahril; Idun Ariastuti; Dony Osmond
Jejak digital: Jurnal Ilmiah Multidisiplin Vol. 2 No. 1 (2026): JANUARI
Publisher : INDO PUBLISHING

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.63822/r3f7ff28

Abstract

The dance work "Aku Bukan Aku" is inspired by a people pleaser phenomenon as a psychological and social issue that is often experienced by individuals, especially the younger generation, in their daily lives. People pleaser refers to a person's tendency to always prioritize the interests, feelings, and expectations of others over their own needs, in order to gain social acceptance, avoid conflict, and maintain the image as a "good" person. This attitude can slowly cause inner pressure, emotional exhaustion, loss of identity, and identity crisis. The phenomenon is then translated into works of art as a form of reflection and social criticism through the medium of body expression. The body is positioned as an experience space that records the psychological burden, excessive obedience, and inner conflict experienced by individual people pleaser.
Co-Authors Adjuoktoza Rovylendes Anggi Safandri Ova Ariefin Alham Jaya Putra Azzahra Putri Emri Emri Idun Ariastuti Iffah Zaaidah Jenilva Magrilla Kurniadi Ilham Okta Dia Putri Rahmat Fajar Ramadhan Syahril Syahril Wardi Metro Windy Avrilia Harlen Yan Stevenson