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All Journal CARONG: Jurnal Pendidikan, Sosial dan Humaniora Jejak digital: Jurnal Ilmiah Multidisiplin
Kurniadi Ilham
Institut Seni Indonesia Padangpanjang
Religion Computer Science & IT Decision Sciences, Operations Research & Management Economics, Econometrics & Finance Education Languange, Linguistic, Communication & Media Social Sciences Other

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Dinamika Psikologis Mahasiswa Jurusan Seni Tari ISI Padang Panjang dalam Menentukan Bentuk Tugas Akhir Aisyah Putri Mersi; Kurniadi Ilham; A.A.I.A Citrawati; Nurmalena Nurmalena
Jejak digital: Jurnal Ilmiah Multidisiplin Vol. 2 No. 4 (2026): JUNI-JULI
Publisher : INDO PUBLISHING

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.63822/mefegc40

Abstract

This study aims to determine the psychological dynamics of students of the Dance Arts Department of ISI Padangpanjang in determining the form of their final assignment between dance creation and dance study. The study used a qualitative method with a phenomenological approach. Data were obtained through observation, interviews, and documentation of 14 active students from the 2022-2024 intake and two supporting informants. Data analysis was carried out through data reduction, identification of important statements, grouping themes, data presentation, and drawing conclusions. The results showed that students experienced various psychological dynamics such as confusion, doubt, inner conflict between interests and abilities, anxiety, and dilemmas in determining the choice of their final assignment. Factors influencing these conditions include motivation, academic experience, psychological condition, social environment, and financial factors. Support from lecturers, friends, and seniors had both positive and negative influences on the decision-making process. This study concluded that determining the form of the final assignment is not only an academic decision, but also a psychological process influenced by internal and external factors of the students.
Karya Tari  Nan Tingga Merepresentasikan Ketidakterimaan Dan Keikhlasan Terhadap Kematian Dalam Tradisi Ba Ilau Azzahra Putri; Kurniadi Ilham; Emri Emri; Dony Osmond
Jejak digital: Jurnal Ilmiah Multidisiplin Vol. 2 No. 1 (2026): JANUARI
Publisher : INDO PUBLISHING

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.63822/ww41y622

Abstract

The dance work Nan Tingga is inspired by the social phenomenon of the Ba Ilau tradition. This interest is based on the sadness of a mother over the loss of her child who died abroad, the focus of the problem that became the idea to represent is about the unacceptance and sincerity of death. This work is worked on in two streams of work on the atmosphere with cultural themes and dramatic types, the method that the artist uses is referring to the book written by Prof. Dr. Y. Sumandiyo Hadi, namely the book on the basic aspects of group choreography. To strengthen the atmosphere in this work, the artist uses live and internal music that is appropriate to the work that the artist is working on. The dancers who support this work consist of six female dancers, of course the selection of dancers by the artist is adjusted to the character, good techniques are also able to apply the ideas and ideas of the work in revealing the problems that the artist wants. This dance work is entitled Nan Tingga, worked on in the form of Traditional dance and has been performed at the Boestanul Arifin Adam Auditorium on January 14, 2026
Karya Tari Rongga Sunyi Terinspirasi dari Tradisi Luambek di Padang Pariaman Aurelia Ivana; Ariefin Alham Jaya Putra; Oktavianus Oktavianus; Kurniadi Ilham
Jejak digital: Jurnal Ilmiah Multidisiplin Vol. 2 No. 1 (2026): JANUARI
Publisher : INDO PUBLISHING

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.63822/6yb5hz78

Abstract

The dance work Rongga Sunyi was inspired by the Luambek tradition from Padang Pariaman. The choreographer’s interest arose from the unique movements of Luambek martial arts, which differ from other forms of silek (silat). In Luambek, the duel occurs without any physical contact between the performers, yet it leaves emotional and psychological wounds for the Buluih (defeated) fighter. The central issue interpreted in this work focuses on social pressure experienced by the defeated fighter, who, from the very beginning of the duel, already feels the burden and expectation to win in order not to bring shame upon their village or themselves. This work is structured into three dramatic sequences, carrying a social theme and employing a dramatic type of choreography. The choreographic method used is based on the principles written by Prof. Dr. Y. Sumandiyo Hadi in his book Aspek Dasar-Dasar Koreografi Kelompok (The Basic Aspects of Group Choreography). To strengthen the atmosphere, the choreographer incorporated live techno music as accompaniment. The performance features five female dancers, selected based on their strong character, technical ability, and expressive interpretation that aligns with the choreographer’s vision in conveying the intended social issue. The dance work, titled Rongga Sunyi, was created in the style of traditional contemporary dance and was performed at the Boestanul Arifin Adam Auditorium on January 15, 2026.
Karya Tari Jejak Kaba Interpretasi Perjuangan Seorang Seniman Rabab dalam Mempertahankan Tradisi Rabab Alsafitro Alsafitro; Susasrita Loravianti; Wahida Wahyuni; Kurniadi Ilham
Jejak digital: Jurnal Ilmiah Multidisiplin Vol. 2 No. 1 (2026): JANUARI
Publisher : INDO PUBLISHING

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.63822/zajrba79

Abstract

The dance work Jejak Kaba is inspired by the struggle of a Tukang Rabab, portraying the strong fighting spirit possessed by traditional artists, as well as their determination to preserve the roots of traditions passed down through generations and the ways they strive to survive. This becomes the creator’s main focus in highlighting the resilience and perseverance of a traditional Rabab artist, who regards Rabab not merely as a form of entertainment but as a way of life—both as a means of livelihood and as a medium for inheriting traditional art.The creation of this work is realized by emphasizing the space of memory surrounding struggle, sincerity, challenges, anxiety, and loyalty of a traditional artist in maintaining the existence of Rabab tradition amid the rapid changes of the modern era.This work applies Alma M. Hawkins’ choreographic approach as outlined in the book Creating Through Dance and Choreography: Form, Technique, and Content, which consists of several stages: data collection and field observation, exploration, improvisation, formation, and evaluation. The work is further strengthened by the use of lighting to represent atmospheres of calmness, tension, and gloom. Jejak Kaba employs a dramatic type of dance and is performed on an arena stage at the Boestanol Arifin Adam Auditorium.
Tari “Mahelo Nan Ado” Terinspirasi dari Kegiatan Mamukek di Kecamatan Lengayang Kabupaten Pesisir Selatan Ressia Aulia Putri; Rasmida Rasmida; Ali Sukri; Kurniadi Ilham
CARONG: Jurnal Pendidikan, Sosial dan Humaniora Vol. 3 No. 1 (2026): January-Maret, Pendidikan dan Edukasi Masyarakat Berkelanjutan
Publisher : Universitas Serambi Mekkah

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62710/37xskj90

Abstract

The dance work “Mahelo Nan Ado” is inspired by the traditional mamukek activity in Lengayang District, Pesisir Selatan Regency. The mamukek or maelo pukek tradition is a method of catching fish practiced by coastal fishermen using large, long nets and ropes, which are cast from the shore to catch fish. This activity served as the source of inspiration for the choreographer to create a group dance that interprets the maelo pukek fishing activity. The central issue explored in this work is the togetherness and cooperation among the fishermen, as well as the gratitude they feel for the harvest they receive. The theoretical foundation used in the creation process is macro sociology, which relates to large-scale and long-term social processes that underlie the division of individuals into various groups. The choreographic method applied in this work follows the model developed by Alma M. Hawkins, as translated by Y. Sumandiyo Hadi, which includes field observation, literature study, exploration, movement arrangement, improvisation, composition, and evaluation. The choreography is structured into three parts: a calm atmosphere, tension, and joy mixed with solemnity. The piece is performed by seven female dancers and was staged on July 17, 2025, at the Boestanul Arifin Adam Auditorium, Indonesian Institute of the Arts (ISI) Padangpanjang.
Co-Authors A.A.I.A Citrawati Aisyah Putri Mersi Ali Sukri Alsafitro Alsafitro Ariefin Alham Jaya Putra Aurelia Ivana Azzahra Putri Dony Osmond Emri Emri Hartati Hartati Lauwni Fintri Nurmalena Nurmalena Oktavianus Oktavianus Rasmida Rasmida Ressia Aulia Putri Susas Rita Loravianti Wahida Wahyuni