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All Journal Jurnal Sejarah Citra Lekha Jurnal Desain El Banar: Jurnal Pendidikan dan Pengajaran Visual Heritage: Jurnal Kreasi Seni dan Budaya Cultural Syndrome SENADA : Semangat Nasional Dalam MengabdI Jurnal PkM (Pengabdian kepada Masyarakat) Human Narratives Jurnal Dimensi Seni Rupa dan Desain Cipta SENADA : Semangat Nasional Dalam Mengabdi Darma Cendekia
Herliyana Rosalinda
Universitas Indraprasta PGRI
Arts Humanities Computer Science & IT Education Languange, Linguistic, Communication & Media Mathematics Medicine & Pharmacology Public Health Social Sciences Other

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Journal : Jurnal Sejarah Citra Lekha

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“Membaca Zaman": Refleksi Pemikiran Jeihan dalam Lukisannya, 1953-2012 Herliyana Rosalinda; Dhanang Respati Puguh
Jurnal Sejarah Citra Lekha Vol 2, No 1 (2017): Politik Kebudayaan
Publisher : Department of History, Faculty of Humanities, Diponegoro University

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (483.463 KB) | DOI: 10.14710/jscl.v2i1.13442

Abstract

This research examines on the reflection ofJeihan's thoughttraced via his paintingsproduced during 1953 until 2012. It uses historical method with hermeneutical approach. Jeihan’s childhood experienced abnormalities, that made him marginalized in his family and social environment. As the result, his personality became rough and rebellious. It affected his painting style that tend to be harsh and had no character. This bad temper attached him until 1953, when Jeihan studied painting in Himpunan Budaya Surakarta (HBS), and continued his higher education to Institut Teknologi Bandung (ITB). In order to understand painting style, it can be seen from line and color paintings that always progressed. It can be analyzed into four periods which colored by a different artistic style, that are seeking (1952-1965), discovery (1965-1975), maturation (1975-1985), and reaping period (1986-2012).
Perbandingan Visualisasi Motif Kalpataru pada Berbagai Candi Peninggalan Mataram Kuno Abad 8-10 Masehi Rosalinda, Herliyana; Amzy, Nurulfatmi; Limbong, Edo Galasro
Jurnal Sejarah Citra Lekha Vol 9, No 1 (2024): Colonialism, Culture, and Identity
Publisher : Department of History, Faculty of Humanities, Diponegoro University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14710/jscl.v9i1.58044

Abstract

This study examines the diverse visualizations of the Kalpataru motif in ancient Mataram temples. As significant religious symbols, these temples embodied societal values and were constructed with meticulous attention to materials, architecture, and aesthetics. By chronologically comparing the Kalpataru motif in Hindu and Buddhist temples, this research explores its evolving meaning and form. The Kalpataru, representing purity and sacredness in Hindu-Buddhist thought, appears prominently in temples such as Borobudur, Mendut, Pawon, Prambanan, and Sojiwan. While its origins lie in Buddhist symbolism, associated with Siddhartha Gautama's enlightenment, the motif underwent significant transformation in Hindu temples, particularly Prambanan, where it became more decorative and incorporated animal figures. This study employs a historical methodology, encompassing heuristic, critical, interpretive, and historiographical stages, to analyze these changes and their implications for understanding ancient Mataram culture.
Co-Authors Bairy Tri Saputra Pamungkas Budi Setiyono Dhanang Respati Puguh Edo Galasro Limbong Enny Nurcahyawati Fitria Iswari Iis Purnengsih Khikmah Susanti Mochamad Fauzie Mochammad Bagas Ernanto Putra Muhamad Ilham Muhammad Rafnil Safar Muhammad Rifqi Muhammad Rifqi Nadila Ruhbani Edward Nurulfatmi Amzy Pandu Pramudita Puri Kurniasih Sarwanto Sarwanto Siti Khotami Sunarmi Sunarmi Umi Kholisya Widya Nuriyanti Yayah Rukiah