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All Journal JIPI (Jurnal Ilmu Perpustakaan dan Informasi) Ekspresi dan Persepsi : Jurnal Ilmu Komunikasi TRIBUTE: JOURNAL OF COMMUNITY SERVICES
Salaisyah Amalia Yusuf
Universitas Bengkulu
Humanities Education Languange, Linguistic, Communication & Media Library & Information Science Social Sciences Other

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PRESERVATION OF INDIGENOUS KNOWLEDGE OF MINANGKABAU KAIN SONGKET AS AN EFFORT TO PRESERVE CULTURE Miftahunnisa' Igiriza; Rahmat Alifin Valentino; Gunawan Wiradharma; Rosiana Nurwa Indah; Salaisyah Amalia Yusuf
JIPI (Jurnal Ilmu Perpustakaan dan Informasi) Vol 10, No 2 (2025)
Publisher : Progam Studi Ilmu Perpustakaan UIN Sumatera Utara Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30829/jipi.v10i2.26101

Abstract

Minangkabau songket not only functions as traditional clothing but also as a container of local knowledge that represents symbolic meaning, philosophical values, and the collective outlook on life of the Minangkabau people. This study explores indigenous knowledge in songket motifs and the preservation strategies of the Adityawarman Museum. A qualitative method was applied using two approaches: Peirce's semiotics to analyze indigenous knowledge and a case study for preservation at the museum. Data were collected through interviews, non-participatory observation, and documentation, with museum curators purposively selected as informants. Data were analyzed using the Miles & Huberman interactive model and interpreted through Peirce's semiotics. The results show that the motifs on Minangkabau songket cloth, including the Pucuak Rabuang, Itiak Pulang Patang, Kaluak Paku, Saluak Laka, and Barantai motifs, reflect philosophical values, collective identity, and ethics embedded in Minangkabau culture. The process of preserving local wisdom carried out by the Adityawarman Museum of West Sumatra through six integrated stages of introduction, validation, documentation, storage, transfer, and dissemination, with the support of community participation and the use of digital technology. The conclusion in this study shows that the traditional knowledge of Minangkabau songket represents Minangkabau cultural knowledge that can be passed down from generation to generation through the meaning contained in each motif and the Adityawarman Museum plays an important role in preserving the original knowledge of Minangkabau songket. Theoretical contributions include expanding cultural semiotics and strengthening perspectives on indigenous knowledge preservation, offering novelty in the study of the relationship between symbols, culture, and local knowledge preservation.
SOSIALISASI PEMILAHAN DAN PEMANFAATAN SAMPAH ORGANIK DAN ANORGANIK SEBAGAI UPAYA MENUJU ZERO SAMPAH PADA WARGA KELURAHAN ANGGUT BAWAH KOTA BENGKULU Salaisyah Amalia Yusuf; Salsabila Delfri; Anisa Fiteria; Wevy Efticha Sary
TRIBUTE: JOURNAL OF COMMUNITY SERVICES Vol. 6 No. 2 (2025)
Publisher : UNIB Press

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33369/tribute.v6i2.44249

Abstract

THE WASTE PROBLEM IN ANGGUT BAWAH SUBDISTRICT BENGKULU CITY IS CHARACTERIZED BY LOW WASTE SORTING PRACTICES AT THE SOURCE AND LIMITED UTILIZATION OF WASTE INTO VALUE-ADDED PRODUCTS. This activity aims to improve residents’ knowledge and skills in sorting organic and inorganic waste and processing it into useful products as an effort toward zero waste based on local wisdom. The implementation methods included material presentation using real samples, demonstrations of waste utilization into compost, eco-enzyme, petasol, ecobricks, and flower pots from used diapers, interactive discussions, household waste potential data collection, as well as evaluation and documentation. Participants consisted of residents from RT 01 to RT 06, applying a participatory approach. The results showed an increase in residents’ understanding of waste classification and processing techniques, indicated by active participation in discussions and interest in independently practicing waste processing. Data collection revealed that household waste was dominated by organic waste from kitchen residues, with limited previous utilization. In conclusion, socialization based on physical demonstrations and local wisdom effectively improved environmental literacy, motivation, and residents’ skills. It is recommended to continue the program through regular training, provision of waste sorting facilities at the RT level, and collaboration with the Environmental Agency.
Cultural Meaning in Jambi Batik Motifs through Peirce's Semiotic Perspective Gunawan Wiradharma; Rahmat Alifin Valentino; Gustiana Sabarina; Miftahunnisa' Igiriza; Salaisyah Amalia Yusuf
EKSPRESI DAN PERSEPSI : JURNAL ILMU KOMUNIKASI Vol 9 No 2 (2026): May
Publisher : Fakultas Ilmu Sosial dan Ilmu Politik Universitas Pembangunan Nasional Veteran Jakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33822/jep.v9i2.12132

Abstract

Jambi batik is not just a traditional cloth, but a cultural artifact that encapsulates the philosophical, ecological, and spiritual values of the Jambi Malay community. Despite its high cultural richness, most existing studies emphasize the visual and historical aspects. This study aims to explore the meaning contained in Jambi batik motifs using Charles Sanders Peirce’s semiotic approach. The method used is descriptive qualitative research with data collection techniques through direct observation at the Jambi Siginjei Museum and Azmiah Batik House, and in-depth interviews with museum curators and batik makers. The results of the study show that the objects owned by Jambi batik motifs include natural elements such as plants, animals, history, and forms of objects that are close to the lives of the Jambi people. Representamens appear as ornaments or visual motifs such as the Durian Pecah motif, The Tempuk Maggis motif, The Kaco Piring motif, and others, which contain symbolic values. The community understands that the interpretations emerging from the meaning-making process function as religious symbols, markers of social status, and representations of life philosophies. This study concludes that Jambi batik is not only a visual artifact but also a cultural text that contains a complex sign system. These findings can provide theoretical contributions to the development of cultural semiotic studies and practical contributions in preserving batik as an intangible heritage that represents indigenous knowledge and identity.
Co-Authors Anisa Fiteria Gustiana Sabarina Miftahunnisa' Igiriza Miftahunnisa' Igiriza Rahmat Alifin Valentino Rosiana Nurwa Indah Salsabila Delfri Valentino, Rahmat Alifin Wevy Efticha Sary Wiradharma, Gunawan