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All Journal Jejak digital: Jurnal Ilmiah Multidisiplin
Eva Riyanti
Institut Seni Indonesia Padangpanjang
Economics, Econometrics & Finance Education Languange, Linguistic, Communication & Media Social Sciences Other

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Perkembangan Tari Kuda Kepang sebagai Media Promosi Wisata Budaya di Kabupaten Kepahiang Provinsi Bengkulu Niken Novrianti; Eva Riyanti; Rasmida Rasmida; Syahril Syahril
Jejak digital: Jurnal Ilmiah Multidisiplin Vol. 2 No. 4 (2026): JUNI-JULI
Publisher : INDO PUBLISHING

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.63822/ppyz2993

Abstract

This study aims to determine the development of the Kuda Kepang Dance as a medium for cultural tourism promotion in Kepahiang Regency, Bengkulu Province. This research employs a qualitative method with a descriptive analysis approach. The results indicate that the Kuda Kepang dance was introduced to Kepahiang Regency in the 1930s through the Javanese transmigration program during the Dutch colonial era. Since 2023, the dance has undergone significant development led by choreographer Eigmal, who implemented creative reconstructions and innovations across movement elements, musical accompaniment, dancers, makeup, costumes, properties, floor patterns, and performance venues. Despite these modern modifications to suit contemporary entertainment and aesthetic demands, the Kuda Kepang dance preserves its core values and traditional roots. Furthermore, the dance effectively serves as a promotional tool for regional cultural tourism in collaboration with Kepahiang's natural tourism potential, while simultaneously fulfilling social, entertainment, cultural identity, and economic functions for the local community.
Karya Tari Galuik Dantiang Piriang di Era Digital: Kajian Eksistensi Elfira Rosa Nasution; Yesriva Nursyam; Eva Riyanti; Auliana Mukhti Maghfirah
Jejak digital: Jurnal Ilmiah Multidisiplin Vol. 2 No. 4 (2026): JUNI-JULI
Publisher : INDO PUBLISHING

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.63822/8wtbkq87

Abstract

This study analyzes how the current digital era significantly influences the way the Galuik Dantiang Piriang dance is recognized, valued, and sustained; it aims to understand how this dance continues to thrive in the digital age. A qualitative research method was employed. Drawing on Jean-Paul Sartre’s theory that "existence precedes essence" meaning something acquires meaning through its actual existence and continued presence via actions and lived processes the study reveals that the dance is flourishing both on digital platforms and within the community, as technological advancements facilitate its continued development and preservation.
Co-Authors Auliana Mukhti Maghfirah Elfira Rosa Nasution Niken Novrianti Rasmida Rasmida Syahril Syahril Yesriva Nursyam