Andi Aryani
Universitas Negeri Makassar

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PENERAPAN DASAR-DASAR TEATER MELALUI METODE ART-BASED RESEARCH DALAM MENINGKATKAN EKSPRESI SISWA SLB DI MAKASSAR Andi Aryani; Riau Wika; Valentania Valentania; Irfan Arifin; Prusdianto Prusdianto
Sureq: Jurnal Pengabdian Masyarakat Berbasis Seni dan Desain Vol 5, No 1 (2026): Januari-Juni
Publisher : Universitas Negeri Makassar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26858/srq.v5i1.85489

Abstract

Kegiatan pengabdian masyarakat ini dilaksanakan dengan tujuan untuk mengembangkan ekspresi, kepercayaan diri, dan kemampuan komunikasi siswa berkebutuhan khusus melalui pembelajaran seni teater berbasis Art-Based Research, olah vokal seni musik, serta olah tubuh dalam gesture seni tari. Kegiatan ini dilaksanakan di SLB Al Alaq Makassar, dengan melibatkan 5-10 orang siswa dalam bentuk praktik kreatif yang menyenangkan dan inklusif. Metode yang digunakan menekankan pada proses kreatif sebagai sumber data utama melalui eksplorasi olah vocal, olah tubuh, dan olah rasa. Hasil kegiatan menunjukkan adanya peningkatan signifikan dalam keberanian tampil, ekspresi emosi, serta kemampuan komunikasi siswa. Pendekatan berbasis seni terbukti efektif sebagai media pemberdayaan dan aktualisasi diri bagi siswa berkebutuhan khusus.
Pangngaderreng Sebagai Penguat Keaktoran (Monolog Bilang-Bilang Representasi Cerita Colliq Pujie) Andi Aryani; Dwi Wahyuni Hamka; Siti Asmaulul Izmi; Nilam Sari
Nuansa Journal of Arts and Design Vol 10, No 2 (2026): September
Publisher : Universitas Negeri Makassar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26858/njad.v10i2.89874

Abstract

The creation of a theatrical work is a creative process that is not only oriented toward performance aesthetics but also serves as a medium for expression, the communication of ideas, and the reflection of cultural values. This creative work is based on the concepts of siri’ and pangngaderreng in Bugis society, which embody moral values, norms, ethics, and patterns of human behavior in social life. The concept of pangngaderreng, which encompasses ade, rapang, wari, bicara, and sara, is developed as a foundation for actor exploration and training techniques. The figure of Colliq Pujie was chosen as a source of inspiration because she represents the application of siri’ and pangngaderreng through struggle, intellectual ability, creativity, and perseverance in facing socio-political pressures. This creative work aims to transform Bugis cultural values into an acting approach that can strengthen actors’ expression, characterization, and awareness of cultural contexts. The creation was realized through the monologue Bilang-Bilang using a contemporary theatre approach and virtual adaptation. The results indicate that pangngaderreng can be translated into exercises of gesture, vocal work, atmosphere, staging, and the actor’s relation to space and properties, allowing cultural values to function not merely as a theme but as a basis for character action.