Articles
<![CDATA[IDENTIFIKASI UNSUR LOKALITAS DALAM PENDEKATAN ARSITEKTUR METAFORA PADA DESAIN MASJID APUNG AMAHAMI DI BIMA ]]>
<![CDATA[Redyantanu, Bramasta Putra]]>
<![CDATA[ Jurnal Arsitektur ZONASI Vol 4, No 3 (2021): Vol 4, No 3 (2021): Jurnal Arsitektur Zonasi Oktober 2021 ]]>
Publisher : <![CDATA[KBK Peracangan Arsitektur dan Kota Program Studi Arsitektur Fakultas Pendidikan Teknologi ]]>
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DOI: 10.17509/jaz.v4i3.36816
<![CDATA[Masjid Amahami Bima merupakan salah satu dari bangunan peribadatan yang memakai konsep bangunan apung di atas air. Masjid, sebagai sebuah karya arsitektur, terkadang memiliki fungsi lebih dari sekedar fungsi peribadatan. Peran arsitektur bisa meluas kepada objek wisata, penanda, ikon kota dan sebagainya. Masjid yang dirancang oleh tim abdi masyarakat arsitektur Universitas Kristen Petra ini merupakan salah satu arsitektur yang dirancang dengan tujuan beragam tadi. Dalam pendekatan perancangannya, Masjid ini mencoba keluar dari paradigma masjid sebagai bangunan kubah umum, namun mencoba menggali nilai nilai lebih dari arsitektur lokal kota Bima, sekaligus penyelesaian konteks tapak dengan kondisinya yang berupa bangunan apung. Studi ini berupaya untuk memaparkan dan mengidentifikasi pendekatan metafora berbasis arsitektur lokal yang diterapkan di dalamnya. Arsitektur metafora adalah arsitektur yang memakai perumpamaan atau pengibaratan dari ide ide objek benda lain. Tujuannya adalah agar pendekatan perancangan lebih mudah untuk dipahami, sekaligus dapat bermanfaat untuk perancangan perancangan dengan konteks serupa di masa mendatang.]]>
<![CDATA[KETERPADUAN BLOK TUNJUNGAN DALAM KONTEKS PERENCANAAN KOTA YANG IDEAL ]]>
<![CDATA[Bramasta Putra Redyantanu]]>
<![CDATA[ RUAS (Review of Urbanism and Architectural Studies) Vol 15, No 2 (2017) ]]>
Publisher : <![CDATA[RUAS (Review of Urbanism and Architectural Studies) ]]>
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DOI: 10.21776/ub.ruas.2017.015.02.2
<![CDATA[The good city is an indication of good process of urban planning. In the planning phase, there is a simulation process about how all kinds of urban elements are related, and also have good synergistic between one another. Tunjungan, as one of the city blocks that formed the image of Surabaya, is an example of dynamic development. The big gap between ideal arrangement and real conditions can not be avoided. Partial development of it is one of the reason. This study is the identification of the gap between good city condition that expected by the planners, against the real condition in the field. The result will show which urban elements are lacking, but potentially can be fixed. The final findings are some guidance to develop Tunjungan block more synergy with the purpose of initial planning.]]>
<![CDATA[POTENSI PENGEMBANGAN BLOK SEGITIGA TUNJUNGAN SEBAGAI BAGIAN DARI PEMBENTUK CITRA KOTA ]]>
<![CDATA[Bramasta Putra Redyantanu]]>
<![CDATA[ ATRIUM: Jurnal Arsitektur Vol. 3 No. 1 (2017): ATRIUM: Jurnal Arsitektur ]]>
Publisher : <![CDATA[Lembaga Penelitian dan Pengabdian pada Masyarakat (LPPM) Universitas Kristen Duta Wacana Yogyakarta ]]>
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DOI: 10.21460/atrium.v3i1.63
<![CDATA[Title: Potential Development of Tunjungan Triangle Blocks As Part of Image of The CityMaker Good urban space is created from a good urban planning also. In the planning phase of the city, it is simulated how a good city consists of well synchronized urban components. Tunjungan, as one of the important formers of Surabaya character, is the most dynamic developed block. The gap between good planning and real condition, was become larger due to partially development. The diversity of land ownership, the capabilities of each developer and so on, are some of the causes. Yet the success of an urban architectureis affected by the ability of spatial planning and city planning collectively.Integrated development involving all aspects of urban space constituency is something that is expected to happen. This study attempted to read the conditions of the triangular block of Tunjungan from urban planning theory perspectives, then reflected on the real conditions in the field. The goal is to get a recommendation based on the development potential of urban elements that will strengthen the identity of the city of Surabaya itself.]]>
<![CDATA[STUDI PENGALAMAN SENSASI RUANG ARSITEKTUR VIRTUAL STUDI KASUS : MUSEUM PENDIDIKAN SURABAYA ]]>
<![CDATA[Bramasta Putra Redyantanu]]>;
<![CDATA[Rully Damayanti]]>
<![CDATA[ MODUL Vol 21, No 2 (2021): MODUL vol 21 nomor 2 tahun 2021 (11 articles) ]]>
Publisher : <![CDATA[architecture department, Engineering faculty, Universitas Diponegoro ]]>
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DOI: 10.14710/mdl.21.2.2021.111-119
<![CDATA[Kondisi pandemi corona membuat sebagian besar dari kita beradaptasi dengan kebiasaan baru. Keterbatasan untuk menuju berbagai tempat wisata secara fisik, membuat alternatif objek wisata bermunculan. Salah satunya adalah wisata virtual, sebuah media digital yang diatur sedemikian rupa agar dapat memberikan pengalaman maupun sensasi akan sebuah ruang wisata. Salah satu objek yang paling banyak dikonversi ke dalam media digital adalah museum. Media yang digunakan juga beragam, tidak hanya sebatas foto foto tidak bergerak, namun ada video, bahkan tur virtual yang interaktif. Tur interaktif ini dinavigasikan oleh perangkat digital, sehingga pengunjung bisa merasakan sensasi ruang berjalan jalan layaknya berada pada bangunan fisik. Studi ini ingin mempelajari apakah tur virtual bisa menggantikan keseluruhan sensasi indera manusia, walaupun sebenarnya yang dominan adalah indera penglihatan. Ada anggapan bahwa sensasi kadang terbentuk dari memori dan persepsi yang sudah dimiliki oleh masing masing orang sebelumnya, tidak hanya sebatas rangsangan langsung pada masing masing indera.]]>
<![CDATA[Going minimal: An exploration of reduction as a design method ]]>
<![CDATA[Bramasta Putra Redyantanu]]>
<![CDATA[ ARSNET Vol. 1 No. 2 (2021) ]]>
Publisher : <![CDATA[Department of Architecture Faculty of Engineering Universitas Indonesia ]]>
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DOI: 10.7454/arsnet.v1i2.15
<![CDATA[The purpose of this paper is to reflectively explore minimalist architecture as an architecture that is driven by the reduction-based design method. The discussion aims to reframe the design processes and methods of minimalist architecture as informed by field observation. The phenomenon of applying a minimalist architectural approach has become a trend in small-scale housing in Indonesia lately. In the country, the small-scale residential design processes take place in different contexts and are faced with various limitations, from resources, budgets, land size, materials, and so on. The study will frame this discussion around exploring the reductive design method as a way of responding to these limitations. Informed by design strategies from the modern architecture movement, the study was conducted by observing reduction strategies in eight small-scale domestic design which was published and well-narrated in various media. The study findings demonstrate that the reduction does not only exist in the visual aspect of the design and construction process. It also exist in numerous other design elements, such as materials, forms, spaces, and ornamentation, as a strategic response towards the limitations of various resources.]]>
<![CDATA[Mapping of residential double skin façade design ]]>
<![CDATA[Bramasta Putra Redyantanu]]>
<![CDATA[ ARTEKS : Jurnal Teknik Arsitektur Vol 8 No 1 (2023): ARTEKS : Jurnal Teknik Arsitektur | Januari 2023 ~ April 2023 ]]>
Publisher : <![CDATA[Program Studi Arsitektur Fakultas Teknik Universitas Katolik Widya Mandira ]]>
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DOI: 10.30822/arteks.v8i1.1991
<![CDATA[This paper aims to trace and map the variety of Double Skin Façade (DSF) in residential designs in Indonesia. This response to issues regarding technology development, design strategy, and the role of DSF in buildings related to aesthetic, environmental, and materiality issues in design practice. A qualitative approach with a descriptive observation case study method was conducted on various modern residential architectural designs buildings in Indonesia to illustrate how designers positioned this double skin facade in their design. The connection between the DSF with tectonic, aesthetic, sustainability, and environmental issues is shown in this study. This paper set the study boundaries for exploring residential designs' typology because the limited scale project allowed the designer to have considerable flexibility and exploration of creativity. The residential architectural design also allows the role of the DSF to be integrated with a passive design strategy, compared to commercial or public building design. The findings suggest various strategies and design exploration mapping related to DSF design. The results show that it can form a new character for contemporary Indonesian architecture and become a catalogue of exploratory, strategic, and responsive design elements in its practices.]]>
<![CDATA[FLEXIBILITY AND ADAPTABILITY OF DOMESTICSPACEBASEDON EVERYDAY ARCHITECTURE ]]>
<![CDATA[Bramasta Putra Redyantanu]]>
<![CDATA[ Ide dan Dialog Desain Indonesia (Idealog) Vol 8 No 1 (2023): Jurnal Idealog Vol 8 No 1 ]]>
Publisher : <![CDATA[Universitas Telkom ]]>
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DOI: 10.25124/idealog.v8i1.5455
<![CDATA[This paper aims to discuss the idea of forming flexible and adaptive architecture for variousscenarios through the perspective of everyday architectural knowledge. The background of this study is basedon the issue and phenomenon of the development of housing to be more varied than just a living space, but also various other additional functions during a pandemic. Multiple activities outside the home are nowpart of the domestic activities themselves. A study of a residential building design illustrates howeverydayoperations reflect the adaptability and flexibility of domestic space. The exploration and analysis of the studyobject are presented through the redrawing of the space configuration along with the trajectory of dailyactivities. The connection between space, time, and users is described as a daily practice that has thepotential to develop future design methods. The findings of this qualitative study are to see how the process of forming adaptive and flexible architecture. Domestic architecture can show the dynamics of space rather thanjust the static configuration visible. The findings of this study include at least three aspects, makingtheeveryday space, using the everyday, and the configuration that is the extra ordinary. Reflections fromthisstudy show the expansion of architectural design practices that need to pay attention to the ability of spacetobe adaptive and flexible based on dynamic everyday life. Keywords : everyday architecture, domestic architecture, flexible adaptive architecture]]>
<![CDATA[Rethinking modularity as contextual design thinking ]]>
<![CDATA[Rony Gunawan Sunaryo]]>;
<![CDATA[Bramasta Putra Redyantanu]]>;
<![CDATA[Rony Gunawan Sunaryo]]>
<![CDATA[ ARSNET Vol. 4 No. 1 (2024) ]]>
Publisher : <![CDATA[Department of Architecture Faculty of Engineering Universitas Indonesia ]]>
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DOI: 10.7454/arsnet.v4i1.105
<![CDATA[This study aims to reflect and expand the notion of modularity in architectural design methods. The discussion about modular architecture is certainly familiar across architectural discourse; where its universality has been repeatedly challenged by the post-modern movement. The study aims to unpack and rethink the method and significance of modularity, not only as a means of repetition but as a contextual design response. The study generate reflection towards two lodge architecture design projects. The architecture of lodge provides complexities with regard to various programmatic needs, temporal occupation, quick construction processes, and often deep connection to the surrounding environment. This study examines four reflective concepts which expand the idea and method of modularity in architecture. First, the roof modules in lodge architecture promotes efficient spatial programs. Secondly, the use of modularity allows parallel operation of the building and the construction process. Thirdly, modularity enables construction of architecture as parts constructing the whole, creating connection between spatial scales. Fourth, modularity constructs the inside and outside experience, providing connection with environmental context. This study offers a new perspective on repositioning and expanding modularity, not only as a means of repetition but also as a form of contextual design thinking.]]>
<![CDATA[FLEXIBILITY AND ADAPTABILITY OF DOMESTIC SPACE BASED ON EVERYDAY ARCHITECTURE ]]>
<![CDATA[Redyantanu, Bramasta Putra]]>
<![CDATA[ Ide dan Dialog Desain Indonesia (Idealog) Vol 8 No 1 (2023): Jurnal Idealog Vol 8 No 1 ]]>
Publisher : <![CDATA[Universitas Telkom ]]>
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DOI: 10.25124/idealog.v8i1.5455
<![CDATA[This paper aims to discuss the idea of forming flexible and adaptive architecture for various scenarios through the perspective of everyday architectural knowledge. The background of this study is based on the issue and phenomenon of the development of housing to be more varied than just a living space, but also various other additional functions during a pandemic. Multiple activities outside the home are now part of the domestic activities themselves. A study of a residential building design illustrates how every day operations reflect the adaptability and flexibility of domestic space. The exploration and analysis of the study object are presented through the redrawing of the space configuration along with the trajectory of daily activities. The connection between space, time, and users is described as a daily practice that has the potential to develop future design methods. The findings of this qualitative study are to see how the process of forming adaptive and flexible architecture. Domestic architecture can show the dynamics of space rather than just the static configuration visible. The findings of this study include at least three aspects, making the everyday space, using the everyday, and the configuration that is the extra ordinary. Reflections from this study show the expansion of architectural design practices that need to pay attention to the ability of space to be adaptive and flexible based on dynamic everyday life. Keywords : everyday architecture, domestic architecture, flexible adaptive architecture]]>
<![CDATA[DARI LOKAL KE SAKRAL : TRANSFORMASI DESAIN GEREJA BERBASIS IDENTITAS LOKAL ]]>
<![CDATA[Bramasta Putra Redyantanu]]>
<![CDATA[ Jurnal Arsitektur Vol. 17 No. 1 (2025): Jurnal Arsitektur ]]>
Publisher : <![CDATA[Program Studi Arsitektur Sekolah Tinggi Teknologi Cirebon ]]>
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<![CDATA[Penelitian ini bertujuan untuk merefleksikan proses desain rumah ibadah Gereja Kristen Indonesia (GKI) yang berbasis pada kekayaan lokalitas dari tapak Papua. Studi ini menggunakan pendekatan kualitatif dengan metode riset melalui desain, yang memungkinkan eksplorasi dan analisis mendalam terhadap proses kreatif dan konseptual dalam desain arsitektur. Kerangka studi mengacu pada pendekatan berbasis konsep, yang memandu dalam mengintegrasikan elemen-elemen lokal dalam transformasinya ke dalam desain modern. Salah satu isu utama dalam penelitian ini adalah bagaimana implementasi rumah adat Papua, khususnya rumah Honai, dapat berfungsi sebagai basis transformasi arsitektur modern dalam fungsi peribadatan Gereja. Pendekatan ini tidak menggunakan elemen rumah adat secara mentah, melainkan melalui proses transfer domain yang memungkinkan adaptasi bentuk, material, pengalaman dan kefungsian untuk memenuhi kebutuhan ruang sakral masa kini. Selain itu, simbol khas seperti burung Cenderawasih juga diintegrasikan dalam desain, menciptakan identitas lokal yang kuat dalam konteks modern dan spiritual. Penelitian ini menunjukkan bahwa desain berbasis lokalitas tidak hanya melestarikan budaya, tetapi juga membuka peluang untuk inovasi arsitektur yang relevan dan berdampak bagi komunitas lokal.]]>
