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All Journal Gorga : Jurnal Seni Rupa Ars: Jurnal Seni Rupa dan Desain Corak : Jurnal Seni Kriya Fesyen Perspektif Dewa Ruci : Jurnal Pengkajian dan Penciptaan Seni Gelar : Jurnal Seni Budaya Jurnal Rupa Jurnal Desain Besaung : Jurnal Seni Desain dan Budaya International Journal of Visual and Performing Arts Visual Heritage: Jurnal Kreasi Seni dan Budaya Atrat: Jurnal Seni Rupa Narada : Jurnal Desain dan Seni Dinamika Kerajinan dan Batik : MAJALAH ILMIAH Moda : The Fashion Journal Jurnal Dimensi Seni Rupa dan Desain eProceedings of Art & Design Community Service Seminar and Community Engagement (COSECANT) Serat Rupa: Journal of Design Dinamika Kerajinan dan Batik: Majalah Ilmiah
Morinta Rosandini
Universitas Telkom
Arts Humanities Chemical Engineering, Chemistry & Bioengineering Computer Science & IT Economics, Econometrics & Finance Education Electrical & Electronics Engineering Engineering Environmental Science Industrial & Manufacturing Engineering Languange, Linguistic, Communication & Media Materials Science & Nanotechnology Social Sciences Other

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Journal : Jurnal Rupa

 1 
Pengolahan Motif Batik Perpaduan Unsur Tradisi Jawa dan Jepang Morinta Rosandini; Imam Syafrudin
JURNAL RUPA Vol 2 No 2 (2017): Open Issue
Publisher : Telkom University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25124/rupa.v2i2.1217

Abstract

PPI Ishikawa as one of the Indonesian student community in Japan invited Batik practitioners to design Batik motif, that not only has elements of traditional culture but also represents the character of that community. The purposes were to rise a pride of that community and to introduce Batik as Indonesian culture to local residents as well. Therefore, to fulfill those purposes, it is needed a research in designing Batik motifs that combine traditional Javanese ornaments as the original character of Batik and Japanese elements as a culture that developed around the community. The purpose of this research was to create ornaments pattern composition applied to Batik technique. The research method used was by conducting qualitative methods, including a literature study for data collection, an exploratory study of the elements of Javanese and Japanese culture, and an experiment on Batik Tulis technique. The result of this research was Batik cloth sheet with ‘Truntum’ motif as a character of Javanese Batik, combined with the statute of cherry blossom, pagoda, and heron motifs as a character of Japan.
Analisis Visual Mahkota Binokasih Sang Hiyang Pake di Kabupaten Sumedang Jeng Oetari; Fajar Ciptandi; Morinta Rosandini
JURNAL RUPA Vol 8 No 1 (2023): Open Issue (In press)
Publisher : Telkom University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25124/rupa.v8i1.5592

Abstract

Regency, especially the Sumedang Larang Palace, was designated as the Sumedang Puseur Budaa Sunda in 2017 by the Sumedang Government and designated as an institution for the preservation, protection, and development of ancestral customs and culture. As a result of this policy, 10 typical Kesumedan ornaments were determined, one of which was the Binokasih Crown. On the other hand, the Regent's Regulation Number 113 of 2009 concerns legal developments and community needs, therefore to strengthen legality it is necessary to increase it in the form of regional regulations, to maintain cultural preservation which is carried out through inventory, security, maintenance, rescue, and publication. So that is more potential in digging up further information, one of which is in the visual analysis of objects related to culture, especially the ornaments on the Crown which have been designated as cultural heritage/cultural assets for efforts to preserve Sundanese culture in Sumedang. The purpose of this study is to visually analyze the crown and analyze the philosophy contained in the crown. So that it can maintain cultural heritage both tangible and intangible aspects and become a basic reference in developing a product because it already has a clear foundation. Keywords: Visual Analysis, Crown Binokasih, Decorative Variety, Sumedang
Analisis Visual Artefak Budaya Makuta Binokasih Sang Hyang Pake Oetari, Jeng; Ciptandi, Fajar; Rosandini, Morinta
JURNAL RUPA Vol 8 No 1 (2023): Open Issue
Publisher : Telkom University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25124/rupa.v8i1.5592

Abstract

The Binokasih Crown is a Sundanese cultural heritage object stored in the Prabu Geusan Ulun Museum in Sumedang Regency as a symbol of the coronaton of a king in the contnuaton of power. The Binokasih Crown is designated as a Kasumedangan ornament and its visual is also used in the Sumedang Puseur Budaya Sunda or SPBS logo. In the use of the crown’s visual, there are diferences in history and no comprehensive descripton. Through the eforts of Sumedang Puseur Budaya Sunda in reconstructng culture and the need to identfy artfacts through cultural values, it is necessary to study the Binokasih Crown as an icon of Sumedang Regency through Sundanese cultural values in an efort to preserve Sundanese culture in Sumedang. The method used in this research is a qualitatve method with data collecton through feld observaton, deep interviews, document studies, and documentaton. The data analysis technique on cultural values uses Sundanese Cosmology and visual analysis uses morphological aesthetcs with descriptve, analytcal, interpretatve, and evaluatve stages. The purpose of this research is to explore the tangible and intangible aspects of the Makuta Binokasih as a cultural artfact. This is done in order to preserve Sundanese cultural heritage, and to provide a clear foundaton for the development of products based on the artfact.
Co-Authors Ade Ayu Dwicahyani Adzania, Farizka Shobrina Aghnia Fauzul Muslikhani Agtha Juliani Purnama Dewi Ahda Yunia Sekar Fardhani Aisy, Rihhadatul Aldi Hendrawan Alfandy, Zahra Deffi Almira, Alya Zahra Amalia Rachma Attorik Antik Larasati Arisanto, Kharisma Putri Attorik, Amalia Rachma Azzahira, Syarifah Azzahrah, Karamina Chantika Qintara Fatharani Citra Puspitasari Dea Rahma Andini Dewi Isma Aryani Djoehara, Amanda Raniaputri Dzannurazkia, Vathya Elliati Djakaria Fajar Ciptandi Farhani, Shafiradita Fatharani, Chantika Qintara Febrianti, Evalina Permata Febrinolla Susanto Finky Aura Nisa Fitriani, Ayu Gantini, Yayu Sri Gina Shobiro Takao Hafiza Aprilia Hamida, Aqilah Audiva Hana Kamila Wibowo Haniah, Salma Hidayati, Irna Dwinissa Imam Syafrudin Iskandar, Shelvia Utari Jeng Oetari Jeremi Samuel Latifah, Rania Nurul Liandra Khansa Utami Putri Lingga Agung Made Devi Savitri Wirawan Meiyevi, Nadia Mutiara Mirandani, Khalishah Haura Muslikhani, Aghnia Fauzul Nadiah Salsabila Nofita Sari Permatasari, Aprillia Indah Prafitra Viniani Prafitra Viniani Prameswari, Ananda Prasetya, Shyavira Putri, Andini Pramestisya Rania Nurul Latifah Riana Plourida Hura Rima Febriani Roro Retno Wulan S, Salma Nurazizah G. Salsabila, Divya Syifa Salsabila, Nadiah Samudra, Ayyala Syahla Sari, Nofita Sukma, Mestika Nawang Tiurina, Devi Selviana Ulfah Nafi’ah Utari, Arizki Savira Viniani, Prafitra Widia Nur Utami Bastaman Yossie Novella Yuki Kireina Yuningsih, Sari