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All Journal Retina Jurnal Fotografi Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni Jurnal bahasa, sastra, seni, dan pengajarannya
Pemayun, Tjokorda Udiana Nindhia
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Arts Humanities Education Languange, Linguistic, Communication & Media Library & Information Science Other

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Tari Baris Cina Sebagai Referensi Penciptaan Karya Seni Lukis Divayana, I Putu; Pemayun, Tjokorda Udiana Nindhia; Tjokropramono, I Gede Yosef
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 3 No 1 (2023): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : Program Studi Seni Murni ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/citakara.v3i1.2341

Abstract

This independent project thesis raises the Chinese Baris Dance as a Reference for the Creation of Painting Art works, starting from an interest in the visuals of the Baris Cina dance which is unique and different from the visuals of the Baris dance in general. This fueled the urge to bring the visuals of the Chinese Baris dance by combining certain techniques and references to achieve the desired meaning. The problem being faced is how to work on the visuals of the Chinese Baris dance to represent the ideas and meanings that you want to materialize so that they are still packaged attractively. The benefits and objectives of this thesis are to increase the existence of the Chinese Baris dance, and to increase the author's understanding of the Chinese Baris dance. To answer what is the goal of this work, the methods used are exploration, improvisation, and forming. With elements of fine art, and through the stages of exploration, improvisation or experimentation and formation, and combined with ideas and concepts so as to create 6 works entitled: 1) "Freedom", 2) "Desire", 3) "Leader", 4) "Surge", 5) "Dark Fall", 6) "Circle of Harmony". In creating works, the author combines several techniques to references from several artists. By combining the techniques obtained at the Art kenyem studio and the placement of objects typical of Sugiyo Dwiarso, we hope to produce innovative works and are expected to produce novelty.In the end, it can be concluded that dance, especially the Chinese Baris dance, is very worthy to be appointed as a reference that can be developed and will become an innovative work. With the creation of this work, it is hoped that it can convey messages and meanings as well as give the author a new style or identity.
Creative Innovation of Multifunctional Painted Shawl Nisa, Apriliana Putri Khairun; Pemayun, Tjokorda Udiana Nindhia; Budiaprilliana, Luh
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 3 No 2 (2023): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : Program Studi Seni Murni ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/ctkr.v3i2.2862

Abstract

Multifunctional Painting Shawl is a product of 4moon that emphasizes Functional and beauty. According to Wikipedia, Shawls is a traditional Indonesian clothing in the form of a long cloth. Shawls are usually used by women. This shawl is specially designed to have several functions at once in one object only. Not only functional, the 4moon shawl also has additional aesthetic value found in the surface design and additional prada. The purpose of this study are 1) To find out the Transfer of Knowledge of Multifunctional Painting Shawl Entrepreneurial Governance, 2) To find out the Transfer of Multifunctional Painting Shawl Entrepreneurial Skills, 3) To find out the Transfer of Knowledge and Marketing Technology of multifunctional Painting Shawl, 4) To find out the Analysis of multifunctional Painting Shawl Entrepreneurship activities. This type of research is included in quantitative research and observation as a method of data collection. The result of the study are 1) There are 6 multifunctional painting shawl products by 4moon 3) Marketing that the author does is offline and online such as Instagram. The author also applies a custom-order system 4) Adding insights such as adding prada using massage canting techniques
Facial Expressions According to Tones on Jegog Leaf Blade as A Source of Installation Art Works Creation Indrawan, I Ketut Deni; Mustika, I Ketut; Pemayun, Tjokorda Udiana Nindhia
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 3 No 2 (2023): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : Program Studi Seni Murni ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/ctkr.v3i2.3001

Abstract

Gamelan Jegog comes from the Jembrana area, where this Jegog has a very melodious and loud voice so that Jegog is well known throughout foreign countries. Gamelan Jegog is made of bamboo. Incidentally, in the Jembrana area there are many bamboo trees and the bamboo grows well because of the fertile soil, many bamboo trees grow and develop there, and that is what prompted Jembrana artists to create musical instruments made of bamboo. The tone in the Jegog gamelan can make a musical rhythm so alive. Each music must have its own rhythm. Tone is a musical movement that is controlled in time. Without good tunes, it's easy to get lost in the music and get out of sync. In Gamelan Jegog there are various melodies and rhythms such as the high and low of a note to make the rhythm of the music being played calm and peaceful. Based on the description above, the tones and facial expressions in Jegog gamelan are the inspiration for creating installation art works. Thus facial expressions according to tone in Gamelan Jegog serve as a source of inspiration in the creation of works as well as being the title for facial expressions according to tone on jegog leaf blades as a source for creating installation art works
Penyesuaian Diri Dan Komunikasi Interpersonal Pendatang Baru Sebagai Ide Penciptaan Seni Lukis Digital Saraswati, Intan; Utami, Ni Made Purnami; Pemayun, Tjokorda Udiana Nindhia
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 4 No 2 (2024): Cita Kara : Jurnal Penciptaan Dan Pengkajian Seni Murni
Publisher : Program Studi Seni Murni ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/ctkr.v4i2.3301

Abstract

The purpose of this writing is to describe the visualization process which includes: concepts, themes, techniques and forms of painting works with the title Self-Adjustment and Interpersonal Communication for Newcomers as Ideas for Creating Digital Painting Art. The methods used in creating digital painting works of art are exploration, experimentation and execution. Exploration in creating digital works of art includes research, theme exploration and model exploration, namely combining themes and concepts and determining the poses of female figures by means of observation. The experimental method was carried out to discover new things such as the use of effects in the Adobe Photoshop application and to apply ideas and notions to the creation of digital works of art by applying filters to the photo images that will be used, then continuing with experiments on combining the drawn figures. with photo images that have been edited in the Adobe Photoshop application. The execution stage is carried out by moving the sketch to a new layer. After the discussion and creative process, it can be concluded: 1.) The concept in creating digital painting works of art is to express thoughts and feelings into digital works of art by using female figures as the main objects as symbols of feelings that have meaning regarding each event that occurs. experienced by the author related to the phenomenon of adapting to a new environment and visualized with a surrealistic approach. 2.) The concept in creating digital painting works of art is to express experiences or phenomena related to interpersonal communication and self-adjustment experienced by artists in their lives. 3.) The manufacturing technique uses the Adobe Photoshop application and the IbisPaint digital drawing application and later combines photo images and figure drawings drawn manually. 4.) The form in the painting visualization displays a self-portrait painting with a surrealistic style and is inspired by the Art Nouveau art style which depicts female figures and other objects as symbols arranged by adjusting the composition so that it looks harmonious.
Pet Attachment and Animal Abuse in Human Relationships with Pets as Inspiration for Digital Artworks Ivana, Jessica; Pemayun, Tjokorda Udiana Nindhia; Mustika, I Ketut
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 4 No 1 (2024): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : Program Studi Seni Murni ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/ctkr.v4i1.3631

Abstract

Humans and animals have coexisted for a long time with mutual benefits to one another. Relationships between species can create a balanced relationship for the survival of living things on earth. Attachment is an emotional relationship formed by individuals with other individuals who are considered stronger during their lives. Attachment will tend to encourage individuals to trigger closeness through contact and sad reactions due to separation. Individuals have the goal of seeking security and comfort in attachment. Human attachment to pets includes emotional, psychological, and physical interactions that will develop into a good mutual relationship. In attachment relationships, the role of empathy, attachment and anthropomorphism (the human tendency to assign characteristics, feelings and behaviors to non-human species) can influence the level of concern for pet welfare. Lack of empathy, attachment and anthropomorphism can lead to lower levels of care for animals, which may lead to neglect and abuse. Animal abuse is deliberate and repeated behavior with the aim of causing physical or psychological suffering to animals. Physical or psychological suffering in detail includes suffering and misery as well as the onset of pain and death of the animal.
Application of Balinese Cultural Concepts in the Creation of Neo-Traditional Tattoo Art Works Mahananda, I Putu Gede Rindra; Pemayun, Tjokorda Udiana Nindhia; Putra, I Gede Jaya
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 4 No 1 (2024): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : Program Studi Seni Murni ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/ctkr.v4i1.3636

Abstract

This thesis contains a description of the creation of works of tattoo art with the theme "Application of Balinese Cultural Concepts in the Creation of Neo-Traditional Works of Tattoo Art" which was inspired when looking at foreign tattoo styles, namely American traditional tattoos, known as American Traditional (Old School Tattoo). where this tattoo has a very strong characteristic or character, so that the traditional American tattoo style is easily recognized. In Bali itself, there are several adherents of the Neo Traditional tattoo style, one of which is Kink Tattoo Bali, where Kink Tattoo Bali has a similar phenomenon where its tattoo work is recognized by tattoo lovers because Kink Tattoo Bali's work has a strong characteristic or character. so that his work can be easily recognized. The aim to be achieved in this MBKM Internship/Work Practicum activity is to find out the situation in the real world of work and gain experience in the world of work as well as various new work experience skills that can broaden your insight into the scope of tattoo work in the world of work and can deepen your knowledge and techniques. in working on professional tattoo projects in the real world of work. MBKM Internship/Practice activities at Studio Kink Tattoo Bali also aim to hone skills in creating original tattoo works by combining Balinese culture with Neo Traditional tattoo styles. In realizing this tattoo design work, the author used interview, observation, documentation and literature methods. From the title above, there are five tattoo design works in MBKM Internship/Practice activities at Kink Tattoo Bali studio.
MEMAKSIMALKAN LAHAN SEMPIT UNTUK MENGHASILKAN KARYA DAN BERTAHAN DI INDUSTRI FOTO PREWEDDING DI TENGAH PANDEMI COVID-19 Tusana, Putu Andika Aries; Pemayun, Tjokorda Udiana Nindhia; Bratayadnya, Putu Agus
Retina Jurnal Fotografi Vol 2 No 2 (2022): Retina Jurnal Fotografi
Publisher : Lp2mpp Isi Denpasar - Ps. Fotografi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/rjf.v2i2.1276

Abstract

This study discusses maximizing narrow land to produce works in the pre-wedding photo industry in the midst of the Covid-19 pandemic. During this Covid-19 pandemic, many photographers working in the pre-wedding photo industry did not get job because many locations that were often used as pre-wedding were closed due to the covid-19 pandemic. The formulation of the problem in this study discusses how to use narrow land as a location for pre-wedding photo shoots and the second is how the results of pre-wedding photos with locations that use narrow land. The purpose of this study is to find out and describe how to use narrow land as a location for pre-wedding and to find out the results of pre-wedding photos with locations that use narrow land. The study of sources used in this research are several books, journals and articles related to problems such as the use of narrow land, ways of working, and the creative industry. The theoretical basis used is the Aesthetic theory as the basis for studying the problem. The implementation method carried out during the research process is the observation, interviews, documentation and work practices as well several sources of data used, namely primary and secondary data. This research is presented in the form of narrative in the form of a thesis. The results of this study indicate that pre-wedding photos can not only be done in a large place. However, can also be done in a narrow land by maximizing it through ideas and creativity.
Estetika visual dan nonvisualkoin Cina kuno asli yang ditemukan di Bali dan koin Cina buatan lokal Pemayun, Tjokorda Udiana Nindhia; Nindhia, Tjokorda Gde Tirta
Bahasa dan Seni: Jurnal Bahasa, Sastra, Seni, dan Pengajarannya Vol. 39, No. 1
Publisher : citeus

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Up to now, Balinese culture and art cannot be separated from the utiliza- tion of old Chinese coins which local people in Bali call pis bolong. The use of those old Chinese coins in traditional ritual in Bali is found even from the infants until the end of that person’s life at cremation ceremony. The cremation ceremony uses the Chinese old coins to be burned with the deceased and to be sent with the ash from the burned deceased into the sea. This practice makes the number of old Chinese coins decrease meanwhile the demand of using the coins increase. The condition is worsened by the practice of using old Chinese coins as souvenirs. The local metal craftsmen have tried to solve the scarcity of the coins by producing a local-made Chinese coins and making them as similar as the original Chinese coins. However, due to the lack of local craftsmen’s aesthetics assessment visually and non-visually on old Chinese coins, their physical appearances were very much different from its original Chinese coins. Therefore, this paper presents the result of the observation of aesthetics assessment visually and non-visually on old Chinese coins that can be used as guidance to produce local-made old Chinese coins as similar as its original.
Co-Authors BUDIAPRILLIANA, LUH Divayana, I Putu Eveanna, Caitlin Gulendra, I Wayan Indrawan, I Ketut Deni Intan Saraswati Ivana, Jessica Kariasa Putra, I Komang Mahananda, I Putu Gede Rindra Mustika, I Ketut Niken, Ni Wayan Nisa, Apriliana Putri Khairun Putra, I Gede Jaya Putu Agus Bratayadnya, Putu Agus Ruta, I Made Tjokorda Gde Tirta Nindhia Tjokropramono, Gede Yosef Tjokropramono, I Gede Yosef Tusana, Putu Andika Aries Utami, Ni Made Purnami