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All Journal Bali-Dwipantara Waskita: Seminar Nasional Republik Seni Nusantara Retina Jurnal Fotografi
Raharjo, Anis
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TRADISI MAKEPUNG DI KABUPATEN JEMBRANA DALAM FOTOGRAFI ESSAY Negara, I Dewa Putu Ari Kresna Artha; Pramana, I Made Bayu; Raharjo, Anis
Retina Jurnal Fotografi Vol 1 No 1 (2021): Retina Jurnal Fotografi
Publisher : Lp2mpp Isi Denpasar - Ps. Fotografi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/rjf.v1i1.327

Abstract

Makepung merupakan salah satu tradisi yang terdapat di Kabupaten Jembrana. Tradisi ini puncak kegembiraan kaum petani dalam mensyukuri hasil panen raya mereka. Pencipta bertujuan untuk memperkenalkan tradisi makepung ini pada wisatawan yang berkunjung ke Kabupaten Jembrana, melalui fotografi essay. Fotografi essay dalam genre foto seri yang disusun dari karya fotografi murni, menjadi foto yang memiliki tulisan yang bertujuan menceritakan tradisi tersebut. Pencipta menerapkan teknik fotografi dengan ide yang dituangkan kedalam karya foto dan dapat menyampaikan pesan melalui karya foto essay tradisi makepung di Kabupaten Jembrana. Metode yang pencipta gunakan ialah metode observasi dan wawancara dan proses penciptaan karya fotografi ini bermula dari perancangan konsep yang didalamnya terdapat ide atau gagasan, tema dan objek yang akan diciptakan yaitu tradisi makepung dalam fotografi essay. Penerapan teori EDFAT yaitu entire, detail, frame, angle, time sebagai landasan teori penciptaan. Berdasarkan hasil penciptaan ini diharapkan dapat memberikan pengalaman baru kepada pencipta maupun orang lain dalam upaya membuat karya foto essay atau foto berseri di Kabupaten Jembrana. sehingga mengatahui rangkaian acara tradisi makepung dari awal hingga akhir.
MAKANAN KOREA DALAM KARYA FOOD PHOTOGRAPHY Karmilasari, Ayu Putri; Raharjo, Anis; Candrayana, Ida Bagus
Retina Jurnal Fotografi Vol 1 No 1 (2021): Retina Jurnal Fotografi
Publisher : Lp2mpp Isi Denpasar - Ps. Fotografi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/rjf.v1i1.330

Abstract

Makanan Korea merupakan masakan yang tumbuh dari budaya dan lingkungan Korea, memiliki citra rasa masakan yang tergolong unik mulai dari segi rasa, penataan, dan penyajiannya sehingga menjadi daya tarik setiap orang. Menvisualisasikan ide makanan Korea yang terdiri dari makanan pembuka atau appetizer, makanan tengah atau main course dan makanan penutup atau dessert menggunakan teknik-teknik fotografi. Pengumpulam data dalam penciptaan karya menggunakan metode observasi dan metode eksperimen. Metode observasi digunakan untuk mengamati langsung makanan Korea yang disajikan pada sebuah restoran “Chingu” dan food photography digunakan untuk membuat foto makanan menjadi lebih hidup, serta melakukan wawancara dengan pemilik restoran mengenai makanan Korea. Metode eksperimen dengan melakukan percobaan pada saat tahap pemotretan, mencoba menggunakan cahaya buatan dan bereksperimen dengan angle yang berbeda-beda. Dilanjutkan proses pengeditan yang dilakukan dengan pemilihan foto dan mencoba-coba dengan mengubah gelap terang, croping, penghapusan objek-objek yang mengganggu, hingga menghasilkan keserasian hasil pengeditan dengan konsepnya. Setelah melalui berbagai proses hingga penciptaan terhadap food fotografi, didapatlah kesimpulan yaitu: pencipta dapat memahami makanan Korea dan memperkenalkan kepada masyarakat melalui sebuah karya visual. Penguasaan nilai-nilai estetika juga sangat berperan untuk memberi nilai keindahan dalam sebuah karya fotografi. Visualisasi karya foto ini mengangkat makanan Korea sebagai upaya untuk menyampaikan citra rasa masakan Korea yang menonjolkan unsur rasa, tekstur, warna, bentuk dan selera melalui visualnya
PEMBUATAN GENTENG DI DESA PEJATEN DALAM FOTOGRAFI DOKUMENTER Nariani, Ni Putu Lita; Raharjo, Anis; Candrayana, Ida Bagus
Retina Jurnal Fotografi Vol 1 No 2 (2021): Retina Jurnal Fotografi
Publisher : Lp2mpp Isi Denpasar - Ps. Fotografi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/rjf.v1i2.788

Abstract

The creator was interested in bringing up the theme of Making Tiles in Pejaten Village in Documentary Photography because of the modern roof tiles from outside Bali which could be a threat from the existence of pejaten tiles. Pejaten Village has been famous for its tile making from the past until now. Pejaten tile has a characteristic that is on the tile product there is the name "Pejaten" which is made with a direct printing technique from a tile mold made with a press. The purpose of this creation is to document the making of pejaten roof tiles in documentary photography. In the process of creating this photographic work, the creator uses the method of creation, namely direct observation by visiting the tile craftsmen in Pejaten Village and conducting interviews to find out how the roof tiles are made in Pejaten Village and the creator also observes the condition and situation of the object to be photographed and The creator applies several photography techniques into his photo works such as stop action, framing, point of view and lighting. The result of this creation is documentary photography which contains about the making of roof tiles starting from the selection of materials, mixing materials, printing, drying and finally the existence of making roof tiles in Pejaten Village is very important for the people there because the majority of the people there work as tile craftsmen and earn wages/salaries from selling. rooftile. Through documentary photography, it is hoped that it will be able to document the manufacture of roof tiles in Pejaten Village so that the existence of roof tiles in Pejaten Village is preserved in the form of documentary photography. Keywords: Tile Making, Pejaten Village, Documentary Photography
VISUALISASI DEWI PERTIWI DALAM FOTOGRAFI EKSPRESI Saputra, Kadek Indra Dwi; Raharjo, Anis; Bratayadnya, Putu Agus
Retina Jurnal Fotografi Vol 1 No 2 (2021): Retina Jurnal Fotografi
Publisher : Lp2mpp Isi Denpasar - Ps. Fotografi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/rjf.v1i2.789

Abstract

Environmental problems can result in the destruction of valuable nature such as forests, rivers, beaches and others, besides that environmental problem can also damage biodiversity which is very important for humans. Mother Earth as a picture of the Earth that is fertile in supporting the living things in it. To convey the meaning contained in the visualization work of Dewi Pertiwi, the creator conveys the meaning contained in the work of Dewi Pertiwi in expression photography, so that it can be understood by the general public. In the creation of this work the creator used digital imaging techniques. The creator uses the exploratory method and the observation method. In translating the Visualization of Dewi Pertiwi into visual works, the creator uses a semiotic theory which not only examines the denotative level to the connotative level, in addition to building the aesthetic value in this work the creator uses the aesthetic theory of photography. In the preparation of the work also pay attention to the visual elements. The visual elements in this work show more natural damage than the 4 elements in Panca Maha Butha, namely, fire, earth, water, air, accompanied by colors, textures and lines that are set by the creator into image processing. In addition to these elements, this work also prioritizes composition, balance, and complexity in order to achieve a unity in realizing the Visualization of the Goddess of Mother Nature in Expression Photography. The message conveyed in this work is that one day photographic works can be used as a reflection of what is happening in nature today, including as a form of awareness, reminder and the importance of protecting nature. In making each work, it must have a meaning and beauty value in each of his works, so that photography can be accepted more widely by the community. Keywords: Visualization, Dewi Pertiwi, Expression Photography
PROSES PENGOLAHAN GARAM DI DESA KUSAMBA, DAWAN, KLUNGKUNG DALAM PHOTOGRAPHY STORY Yana, Sang Made Dwiki Hendri; Saryana, I Made; Raharjo, Anis
Retina Jurnal Fotografi Vol 2 No 2 (2022): Retina Jurnal Fotografi
Publisher : Lp2mpp Isi Denpasar - Ps. Fotografi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/rjf.v2i2.1281

Abstract

Kusamba Village, Dawan District, Klungkung Regency, Bali is a salt-making area that is very famous for its distinctive taste and traditional processing. These salt farming skills have been passed down from generation to generation until now. This salt farming activity is carried out in a conventional way with traditional equipment. Although the number of salt farmers is decreasing day by day, the remaining farmers are still persistent in maintaining their business to meet the economic needs of their families. The purpose of this research is to raise, promote and know the salt processing process in Kusamba Village, Klungkung Bali in story photography. Meanwhile, the benefits of this research are that it can increase knowledge, think creatively, give satisfaction to the creator and contribute references to ISI Denpasar and the public can know the process of processing salt in Kusamba Village, Klungkung Bali. In this study used the method of observation, interviews, literature study. Meanwhile, to analyze the work, aesthetic theory is used, namely: idetional and technical levels and EDFAT theory. This research produced 15 story photography works that explain the process of processing salt in Kusamba Village, Klungkung Bali from sand selection, watering sand with sea water, drying, sand distillation, drying under the sun, crystallization, dredging salt grains, salt packaging and marketing processes. Meanwhile, how to visualize it can be concluded from the existence of internal and external factors in the application of ideas, observations, literature studies, photo shoots, selection, image processing, printing and exhibitions.
VISUALISASI BURUH BANGUNAN DALAM KARYA FOTOGRAFI EKSPRESI Giantoro, Rahmat Putra; Raharjo, Anis; Pramana, I Made Bayu
Retina Jurnal Fotografi Vol 2 No 1 (2022): Retina Jurnal Fotografi
Publisher : Lp2mpp Isi Denpasar - Ps. Fotografi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/rjf.v2i1.1293

Abstract

study entitled visualization of construction workers in expression photography. The author realizes that the stigma of construction workers is still very attached to the community, this has made the promotion of construction workers as a visualization of construction workers in expression photography. The creation of this work aims to broaden students' knowledge of expression photography. Expression photography is a photographic work that is conceptualized with the chosen object and which is presented and presented for the benefit of the photographer with an overflow of his artistic expression, then the work can become a work of expression photography. In this case, the photographic work is interpreted as a medium of expression that displays the identity of the photographer in the process of creating artistic photographic works. His photographic work is more of a pure artistic work of photography (fine art photography) because the form of his appearance focuses on the expressive-aesthetic value of art itself. (Soedjono, 2006) In doing this photographic work, the author wants to change the public's view of construction workers and also change the stigma that exists in society, so that construction workers can be more valued and appreciated in any form. Why did the writer choose expression photography using the collage technique, because the author wanted to experiment with other shapes and objects and the author also wanted to develop himself as an artist in the field of photography with the aim of finding his identity.
MAKANAN DIMSUM DALAM KARYA FOOD PHOTOGRAPHY Sudaya, I Dewa Gede Mahadita; Octaviano, Amoga Lelo; Raharjo, Anis
Retina Jurnal Fotografi Vol 2 No 1 (2022): Retina Jurnal Fotografi
Publisher : Lp2mpp Isi Denpasar - Ps. Fotografi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/rjf.v2i1.1299

Abstract

Dimsum was originally a snack or snack for Chinese residents in the southern region, including Hong Kong, which is inhabited by Cantonese people, because of this, Cantonese people are called the creators of dimsum. Through photography based on this research, the author wants to add insight and knowledge of the community about what dimsum food is and to describe and explain photo works inspired by dimsum food. This research is qualitative research with the focus of research on dimsum food whose creation process is immortalized through food photography. The implementation is done by digging data, analyzing data and presenting the results of data analysis. The process of extracting data can be reached through the methods of observation, interviews, and documentation. The results of this study produce a work through visualizing images of dimsum food into a photo work with a modern feel. Through this research, readers or the general public can find an option in disseminating the promotion method of dimsum food.
PROSES PENULISAN LONTAR TUTUR AJI SARASWATI KARYA IDA BAGUS OKA MANOBHAWA DALAM FOTOGRAFI STORY Permana, I Kadek Dwiki Krishna; Raharjo, Anis; Pramana, I Made Bayu
Retina Jurnal Fotografi Vol 2 No 1 (2022): Retina Jurnal Fotografi
Publisher : Lp2mpp Isi Denpasar - Ps. Fotografi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/rjf.v2i1.1317

Abstract

When technology is increasingly sophisticated and information is very easy to obtain, for example e-books via the internet. Writing using lontar that has been known before is replaced by books and e-books. In connection with the work practice of the MBKM activity program at the Janahita Mandala Ubud Foundation. The author documents photos of the program activities, namely Sarasastra and lontar conservation. In carrying out activities, the author realizes the lack of interest and information from the public regarding lontar so that there is a lack of interest in preserving cultural heritage. Therefore, the author made a photography story entitled "The Process of Writing Lontar Tutur Aji Saraswati by Ida Bagus Oka Manobhawa in Story Photography" which illustrates the process of writing a papyrus script to finish. The photoshoot begins with a photo of the pengawi house, process of writing the lontar, and finally the result is a lontar. The author conducted a literature study through books, journals, and websites as well as observations regarding the writing of lontar and conducted direct interviews. The author uses EDFAT theory and aesthetic theory in the creation of photo works. In the process of shooting, the author applies several photography techniques, namely motion blur, and using sunlight and external flash. It is hoped that the results of the research photos can be seen by the public so that they are interested in contributing to the preservation of cultural heritage, so that time is not lost in the rapid development of technology and information.
FOTO COMPANY PROFILE CAFE GYPSY KITCHEN AND BAR Prastyo, Adi Rizki Ramdhani; Raharjo, Anis; Pramana, I Made Bayu
Retina Jurnal Fotografi Vol 2 No 2 (2022): Retina Jurnal Fotografi
Publisher : Lp2mpp Isi Denpasar - Ps. Fotografi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/rjf.v2i2.1367

Abstract

Gypsy Kitchen and Bar is a cafe located in the Canggu area, Badung Bali. Gypsy Kitchen and Bar here doesn't have a company profile yet. Therefore, the writer is very interested in doing the final project at Gypsy Kitchen and Bar. In this pandemic condition, many cafes in the Canggu area have closed due to the impact of Covid 19. This gave rise to the idea to keep the Gypsy Kitchen and Bar Cafe afloat even in this pandemic condition. The purpose of the creation of this work is to visualize and find out the Company Profile Photo of Gypsy Kitchen And Bar and find out the supporting factors and obstacles. The benefits of creating this work are that it can add insight to the creator, can add references to institutions, and increase knowledge for the community. The author uses an observation method regarding the process of making Company Profile photos of Gypsy Kitchen And Bar by observing objects related to the making of this Company Profile photo. Then proceed with the shooting process to the location. From the results of the photo shoot, the best photo selection stage was carried out and continued to the next stage until the end of the creation process, namely the exhibition. To visualize a unique and interesting Gypsy Kitchen And Bar Company Profile Photo, the author must make direct observations in order to know the process from beginning to end.
REKA JANA DI YAYASAN JANAHITA MANDALA UBUD DALAM FOTOGRAFI DOKUMENTER Suryantara, Dewa Putu Gede; Saryana, I Made; Raharjo, Anis
Retina Jurnal Fotografi Vol 2 No 1 (2022): Retina Jurnal Fotografi
Publisher : Lp2mpp Isi Denpasar - Ps. Fotografi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/rjf.v2i1.1427

Abstract

Reka Jana is one of the activity programs at the Janahita Mandala Ubud Foundation, which focuses on instilling local arts and culture in Reading and Writing Balinese script and learning Balinese language for children from an early age. With the development of science and technology, causing the existence of local arts and culture to experience a shift, for example, most children begin to follow the way of dressing and language of western culture. Therefore, the Reka Jana program is expected to be able to re-instill local arts and local culture in children through reading and writing activities in Balinese script which are intended for children aged 5 – junior high school students, as well as the performance of the Dolana Anak Dance which contains learning about the use of language. Bali which is intended for children aged 5-8 years. The purpose of this research is to introduce, provide insight, raise public awareness of Balinese art and culture, as well as to add insight to the author. While the benefits can increase knowledge, insight into art and culture, and can attract the interest of the younger generation and the community to preserve Balinese art and culture. In this study, the methods of observation, literature study/interviews, photo shoots, finishing were used, by producing 15 works of documentary photography. Meanwhile, to analyze the author's work using Edfat's Theory, as well as Aesthetics, in idetional and technical settings.
Co-Authors Adnyana, I Kadek Agus Candrayana, Ida Bagus Dharayata, I Putu Restu Drs. I Wayan Mudana,M.Si. . Farhan Adityasmara Giantoro, Rahmat Putra I Made Bayu Pramana I Made Saryana I Nengah Wirakesuma, I Nengah I Wayan Suardana Karmilasari, Ayu Putri Morteo, Ryan Nariani, Ni Putu Lita Negara, I Dewa Putu Ari Kresna Artha Nindhia, Cokorda Istri Puspawati Nugroho, Adipura Satrio Octaviano, Amoga Lelo Perdana, Alghifari Ghazi Ladiba Sony Perdana, Ngurah Made Kevin Aria Permana, I Kadek Dwiki Krishna Pinatih, I Kadek Doni Pramono, Muhammad Faqih Soya Prasetyo, Dandy Prastyo, Adi Rizki Ramdhani Putra, I Gusti Wahyu Ekayana Putra, I Kadek Aldi Margareta Perdana Putu Agus Bratayadnya, Putu Agus Ranu Baskara, I Wayan Respati, Kadek Gilang Fajar Saputra, Kadek Indra Dwi Sitepu, Desmana Arapenta Sudaya, I Dewa Gede Mahadita Suryantara, Dewa Putu Gede Suta, Made Prayitna Dwitya Yana, Sang Made Dwiki Hendri