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All Journal Resital: Jurnal Seni Pertunjukan (Journal of Performing Arts) Laga-Laga: Jurnal Seni Pertunjukan Ekspresi Seni : Jurnal Ilmu Pengetahuan dan Karya Seni Bercadik: Jurnal Pengkajian dan Penciptaan Seni
EMRI, EMRI
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Religion Arts Humanities Education Languange, Linguistic, Communication & Media

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MAMBALEH NAN TALIPEK TERINSPIRASI DARI KEGIATAN MANGANYAM KAMPIA DI MATUA KABUPATEN AGAM Putri, Wulan Indah; Emri, Emri; Stevenson, Yan
Laga-Laga : Jurnal Seni Pertunjukan Vol 9, No 2 (2023): Laga-laga: Jurnal Seni Pertunjukan
Publisher : Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/lg.v9i2.4017

Abstract

The Mambaleh Nan Talipek dance work departs from manganyam kampia activities in Matur, Agam Regency. The creators chose to transform the woven techniques such as the lipek technique and the twisting technique onto the dancer's body, so that in making the work they are more focused on developing the woven technique into the structure of the dance work by Mambaleh Nan Talipek which is divided into three parts. In the first part, the artist transforms the lipek technique using his hands, feet and body. The second part transforms the weaving technique by using the properties of the cloth and in this part the dancers perform complementary movements. In the third part, the artist shows the woven Kampia into dance. In this section, Kampia is used to show how the results of the two techniques are formed. This work is strengthened by live music and other compositional elements, the methods used in composing this work are methods of exploration, improvisation, observation, and formation. This work is supported by seven female dancers, with cultural themes and non-dramatic types.
Social Communication in Dance Art and The Creative Industry Emri, Emri; Loravianti, Susasrita; Minawati, Rosta; Sahrul, Sahrul
Ekspresi Seni : Jurnal Ilmu Pengetahuan dan Karya Seni Vol 25, No 2 (2023): Ekspresi Seni : Jurnal Ilmu Pengetahuan dan Karya Seni
Publisher : LPPM Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/ekspresi.v25i2.1701

Abstract

Social communication in the world of dance is an essential element in societal life. It not only facilitates the exchange of information and ideas but also builds and maintains social relationships within the arts. However, to ensure effective communication, it is necessary to address various challenges such as communication gaps and message distortion. A better understanding of social communication can help individuals and communities interact more effectively and harmoniously. Dance communication is an effective and powerful way to convey complex messages, emotions, and ideas. Through various mediums, artists can interact with their audience and build deep understanding and appreciation. However, to achieve effective communication, challenges such as diverse interpretations and cultural gaps must be addressed. Thus, art can continue to play a vital role as a communication tool in society. The creative industry is an economic sector focused on the creation and exploitation of intellectual and artistic works. It is a dynamic and rapidly growing sector that plays a significant role in the modern economy. By harnessing creativity and intellectual skills, this industry not only generates substantial economic value but also makes a significant contribution to cultural identity and innovation. However, to reach its full potential, various challenges such as intellectual property rights protection, funding, market access, and education need to be addressed. With appropriate support, the creative industry can continue to grow and provide greater benefits to society and the economy, especially in the field of dance arts
KARYA TARI HORJA HALAK HITA PENGEMBANGAN TIGA RAGAM GERAK TOR-TOR Siregar, Zulfadli; Emri, Emri; Stevenson, Yan; Riyanti, Eva
Laga-Laga : Jurnal Seni Pertunjukan Vol 10, No 2 (2024): Laga-Laga: Jurnal Seni Pertunjukan
Publisher : Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/lg.v10i2.5068

Abstract

Karya tari Horja Halak Hita lahir berdasarkan pengembangan tiga ragam gerak tari tor-tor di daerah Suku Batak Toba diantaranya gerak pangurdot, gerak marhembas, gerak sigale-gale. Ragam gerak pada tarian tersebut memiliki ciri khas dan keunikan masing masing, hal ini dikembangkan sesuai dengan gaya dan kemampuan yang di miliki. Karya tari ini dibuat dalam bentuk penyajian karya tari bentuk dan type murni, dengan penari berjumlah dua puluh orang diantaranya, enam penari utama dan empat belas penari kelompok. Penari kelompok muncul pada pertengahan dan akhir pertunjukan. Musik pada karya ini, adalah kolaborasi antara musik tradisional Batak dengan musik modern yang diaransemen sehingga menjadi musik baru dalam media musik komputer. Dalam penggarapan karya ini, penata menggunakan Metode konstruksi menurut Jacqueline Smith dalam B. Suharto (1985), merupakan petunjuk dalam penyusunan karya tari. Jacqueline Smith menuturkan ada lima metode kontruksi yang diseskripsikan. Karya tari ini juga diperkuat dengan dua kostum yang berbeda pada bagian awal dan akhir pertunjukan sebagai konsep hiburan bagi mata penonton.
Koreografi dan Ekspresi Gangguan Mental: Skizofrenia dalam Tari Kontemporer Bisikan Buku Usang Jepisa, Tomy; Novalinda, Sherli; Emri, Emri
Bercadik: Jurnal Pengkajian dan Penciptaan Seni Vol 7, No 1 (2023): Bercadik: Jurnal Pengkajian dan Penciptaan Seni
Publisher : Institut Seni Indonesia Padang Panjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/bcdk.v7i1.4768

Abstract

Penelitian ini membahas bagaimana gangguan skizofrenia, khususnya gejala halusinasi dan delusi, dapat diekspresikan melalui karya tari kontemporer berjudul Bisikan Buku Usang. Karya ini bertujuan untuk meningkatkan kesadaran sosial dan empati terhadap penderita skizofrenia, yang seringkali dipandang sebagai fenomena sosial yang kompleks dan kurang dipahami. Melalui kombinasi gerak tari modern seperti Vouge, Wacking, Tutting, Krumping, dan Hip-Hop, karya ini menyajikan interpretasi artistik dari pengalaman mental dan emosional yang dialami oleh penderita skizofrenia. Proses penciptaan karya ini melibatkan eksplorasi intensif terhadap gerak tubuh yang mampu merepresentasikan kondisi psikis pengidap skizofrenia, terutama dalam menghadapi distorsi realitas. Musik dengan genre creepy dan tata pencahayaan yang dramatis digunakan untuk memperkuat suasana dan memperjelas ekspresi yang dihasilkan. Karya Bisikan Buku Usang tidak hanya berfungsi sebagai medium artistik, tetapi juga sebagai alat komunikasi yang efektif untuk menyampaikan kompleksitas kehidupan penderita skizofrenia kepada masyarakat luas. Dengan demikian, karya ini diharapkan dapat membuka wacana baru dalam memahami dan mendukung individu dengan gangguan mental melalui seni pertunjukan
TARI SAILIA SAMUDIAK DALAM KONTEKS SOLIDARITAS BUDAYA MANGONJI Nahwita, Nahwita; Wahyuni, Wahida; Emri, Emri
Laga-Laga : Jurnal Seni Pertunjukan Vol 10, No 2 (2024): Laga-Laga: Jurnal Seni Pertunjukan
Publisher : Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/lg.v10i2.5338

Abstract

Penciptaan karya tari dengan judul Sailia Samudiak adalah karya yang terinfirasi dari peristiwa budaya mangonji yang menjadi pemersatu bagi masyarakat Kuantan Singingi dengan tetap menjalankan rasa tolong menolong dan menjalin kebersamaan saat melakukan sebuah kegiatan. Pada karya Sailia Samudiak lebih di arahkan terhadap nilai-nilai yang ada dalam mangonji yaitu kebersamaan, kepedulian antar sesama, kegotong royongan, keharmonisan, dan kerukunan yang melekat erat hingga saat ini, dengan perbedaan yang ada antara satu sama lain kemudian tetap menjadi satu kesatuan sehingga tebentuk garapan karya tari baru. Menggarap karya tari ini menggunakan properti sekaligus setting yang berukuran sedang untuk sImbol pada tradisi mangonji yaitu ayakan. Eksplorasi pijakan gerak yang digunakan yaitu, menekan, melingkar, dan mengayun yang dikembangkan sesuai dengan ruang, waktu, tenaga, dan desain. Metode penciptaan yang digunakan yaitu Metode dari Alma M Hawkins terjemahan oleh Y.Sumandiyo Hadi , mencipta lewat tari dengan melakukan wawancara, mengumpulkan data, explorasi, improvisasi, pembentukan, dan evaluasi yang di olah berdasarkan ilmu koreografi yang telah di dapat untuk proses penggarapan karya tari baru.
Di Balik Layar: Interpretasi Artistik Pengendalian Diri Penderita Smiling Depression Safitri, Mesy Nadia; Loravianti, Susasrita; Ilham, Kurniadi; Emri, Emri
Laga-Laga : Jurnal Seni Pertunjukan Vol 11, No 1 (2025): Laga-Laga : Jurnal Seni Pertunjukan
Publisher : Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/lg.v11i1.4580

Abstract

The dance work Behind the Screen is inspired by a social phenomenon, namely Smiling Depression, a term that refers to a person with depression who looks smiling when experiencing problems, this is often found in social life, they will look normal and happy in living their lives, and will even convince others that they are fine. The creator describes this idea in group choreography using seven female dancers as an interpretation of the different forms of self-control of people with Smiling Depression. The creation of the dance work Behind the Screen provides awareness for someone suffering from Smiling Depression who can control themselves so that it does not have a negative impact on life. This work uses the Alma M. Hawkins dance creation approach in the book "Creating Through Dance and Choreography Form, Technique, and Content, this approach has stages, namely data collection and field observation, exploration, improvisation, formation, and evaluation. The music used in this work is made from computer technology. This work is also strengthened by the use of lighting as a form of emotional depiction of people with Smiling Depression. The dance work Behind the Scenes uses a dramatic style and is performed on the stage of the Boestanoel Arifin Adam Auditorium.
Performing Cosmology: Sound, Movement, and World-Making in the Turuk Lagai Ritual of Mentawai Loravianti, Susas Rita; alfalah, alfalah; Iswandi, Iswandi; Emri, Emri; Chaterji, Katia; Y, Eva
Resital: Jurnal Seni Pertunjukan Vol 26, No 2 (2025): Agustus 2025
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/resital.v26i2.17136

Abstract

This research investigates Turuk Lagai, a central ritual of the Mentawai people in West Sumatra, Indonesia, as a performative act that enacts and sustains their cosmological worldview. The study's objective is to understand how this ritual reflects belief and constitutes reality through embodied and relational practices. Using a qualitative ethnographic approach, the study draws on long-term fieldwork, in-depth interviews, and thematic analysis assisted by QualCoder. Data were coded and interpreted through a theoretical framework combining Victor Turner's ritual process, Catherine Bell's ritualization theory, and Tim Ingold's concept of relational ontology. The analysis identified three overarching themes—Embodiment, Spiritual Correspondence, and Relational Ontology—that demonstrate how bodily movement, chants, offerings, and environmental elements co-produce a cosmological order. Rather than symbolizing cosmology, Turuk Lagai brings it into being, renewing social and spiritual relationships between humans, nature, and ancestral forces. The study concludes that Turuk Lagai is a dynamic system of knowledge production and cosmological maintenance. It recommends greater recognition of indigenous ritual not as static tradition but as an active and vital mode of world-making with implications for cultural preservation and ecological ethics.
Co-Authors Alfalah Alfalah Chaterji, Katia Ilham, Kurniadi Iswandi Iswandi Jepisa, Tomy Loravianti, Susas Rita Loravianti, Susasrita Nahwita, Nahwita Putri, Wulan Indah Riyanti, Eva Rosta Minawati Safitri, Mesy Nadia Sahrul, Sahrul Sherli Novalinda Siregar, Zulfadli Stevenson, Yan Wahida Wahyuni Y, Eva