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All Journal Batoboh : Jurnal Pengabdian Pada Masyarakat Laga-Laga: Jurnal Seni Pertunjukan Melayu Arts and Performance Journal International Journal of Research in Vocational Studies (IJRVOCAS) Jurnal Ilmiah Nusantara Jejak digital: Jurnal Ilmiah Multidisiplin
Riyanti, Eva
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KARYA TARI HORJA HALAK HITA PENGEMBANGAN TIGA RAGAM GERAK TOR-TOR Siregar, Zulfadli; Emri, Emri; Stevenson, Yan; Riyanti, Eva
Laga-Laga : Jurnal Seni Pertunjukan Vol 10, No 2 (2024): Laga-Laga: Jurnal Seni Pertunjukan
Publisher : Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/lg.v10i2.5068

Abstract

Karya tari Horja Halak Hita lahir berdasarkan pengembangan tiga ragam gerak tari tor-tor di daerah Suku Batak Toba diantaranya gerak pangurdot, gerak marhembas, gerak sigale-gale. Ragam gerak pada tarian tersebut memiliki ciri khas dan keunikan masing masing, hal ini dikembangkan sesuai dengan gaya dan kemampuan yang di miliki. Karya tari ini dibuat dalam bentuk penyajian karya tari bentuk dan type murni, dengan penari berjumlah dua puluh orang diantaranya, enam penari utama dan empat belas penari kelompok. Penari kelompok muncul pada pertengahan dan akhir pertunjukan. Musik pada karya ini, adalah kolaborasi antara musik tradisional Batak dengan musik modern yang diaransemen sehingga menjadi musik baru dalam media musik komputer. Dalam penggarapan karya ini, penata menggunakan Metode konstruksi menurut Jacqueline Smith dalam B. Suharto (1985), merupakan petunjuk dalam penyusunan karya tari. Jacqueline Smith menuturkan ada lima metode kontruksi yang diseskripsikan. Karya tari ini juga diperkuat dengan dua kostum yang berbeda pada bagian awal dan akhir pertunjukan sebagai konsep hiburan bagi mata penonton.
Bentuk Penyajian Tari Piring Gelas Di Sanggar Kupek Beghaes Kabupaten Musi Rawas Utara Provinsi Sumatera Selatan Ayumi, Siska; Riyanti, Eva; Surherni; Syofia, Ninon; Maghfirah, Auliana Mukhti; Ariastuti, Idun
JURNAL ILMIAH NUSANTARA Vol. 2 No. 6 (2025): Jurnal Ilmiah Nusantara
Publisher : CV. KAMPUS AKADEMIK PUBLISING

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.61722/jinu.v2i5.6202

Abstract

Beghaes Studio, North Musi Rawas Regency, South Sumatra Province. The method used in this study is descriptive qualitative. The purpose of descriptive qualitative methods is to analyze situations or events as they exist, through observation, interviews, and documentation. This study utilizes the presentation form theory proposed by Y. Sumandio Hadi. The results indicate that the presentation form of the Piring Gelas dance is an innovation, based on the Piring Gelas dance, which was once a traditional dance and then transformed into a presentation form. In the Piring Gelas dance, each movement element not only functions aesthetically but also contains symbolic meaning related to the cultural values of the community.
PELATIHAN TARI PANYEMBRAMA SEBAGAI PENGENALAN BUDAYA BALI DI SMA NEGERI 2 PADANGPANJANG Citrawati, A.A. Istri Agung; Riyanti, Eva; Anugraha, Fathul; Mahyeni, Helen Puti
Batoboh Vol 1, No 1 (2016): Batoboh -Jurnal Pengabdian Pada Masyarakat
Publisher : Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/bt.v1i1.133

Abstract

Kegiatan Pengabdian Bagi Masyarakat berbasis Prodi ditujukan untukmelatih siswa-siswi SMAN 2 Padangpanjang dalam rangka pengenalan budaya Bali, dengan judul yang diusulkan adalah Pelatihan Tari Panyembrama Sebagai Pengenalan Budaya Bali di SMAN 2 Padangpanjang.Kegiatan ini bertujuan untuk memberikan, pengetahuan serta pengalaman tentang tari-tarian Nusantara khususnya tarian Bali (Tari Panyembrama) sehingga siswa-siswi SMAN 2 Padangpanjang mengenal tarian ini dan mampu menyajikan secara utuh sebagai pertunjukan tari, serta dapat di kembangkandan dijadikan sebagai materi pembelajaran untuk mata pelajaran seni budaya di sekolah SMA Negeri 2 Padangpanjang. Proses kegiatan tersebut diberikan dengan metode ceramah, demontrasi, dan evaluasi
The Creative Efforts of the Arra’Sye Pelayangan Community in Promoting and Developing the Arab-Malay Zapin Dance in Jambi City Maharani, Cynthia Pahni; Riyanti, Eva; Rovylendes, Adjuoktoza; Febrianty, Syielvi Dwi
Melayu Arts and Performance Journal Vol 8, No 2 (2025): Melayu Arts and Performance Journal
Publisher : Pascasarjana Institut Seni Indonesia Padang Panjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/mapj.v8i2.5502

Abstract

This study examines the creativity of the Arra’sye Pelayangan community in developing the Arab-Malay Zapin dance in Jambi City. The Arab-Malay Zapin is a performing art resulting from the cultural interaction between Arab and Malay traditions, carrying strong historical, aesthetic, and religious values within the Pelayangan community. The aim of this research is to analyze the creative strategies employed by the community to preserve and further develop the dance so that it remains relevant within contemporary cultural contexts. This study utilizes a qualitative approach with data collected through interviews, observation, and documentation. The analysis is based on theories of creativity and dance form. The findings show that the Arra’sye Pelayangan community has introduced innovations in movement structure, floor patterns, musical accompaniment, costumes, and performance presentation while maintaining the authenticity of traditional values. The community also ensures regeneration through regular training and by involving local youth in various performances. Additionally, contemporary adaptations in aesthetics and staging are implemented to enhance the appeal of the dance to younger audiences. These creative efforts demonstrate that traditional performing arts can continue to grow through a balanced approach that integrates cultural preservation with contemporary artistic needs.
Utilization of Shell Waste as Fine Aggregate in K225 Quality Concrete Utomo, Satriyo; Rahmasari, Puspita; Supardi, Iwan; Riyanti, Eva; Robert
International Journal of Research in Vocational Studies (IJRVOCAS) Vol. 5 No. 4 (2026): IJRVOCAS - Special Issues - Hybrid International Conference on Construction, Ma
Publisher : Yayasan Ghalih Pelopor Pendidikan (Ghalih Foundation)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.53893/ijrvocas.v5i4.307

Abstract

Conventional concrete materials derived from natural resources cause environmental problems. This encourages the development of concrete using recycled materials for sustainability reasons. One such material is shellfish, which is used to replace aggregates in concrete, both fine and coarse aggregates. This study conducted an experimental study using shellfish waste as a fine aggregate in a concrete mixture. Utilization of shellfish waste not only reduces environmental problems but can also provide economic value to construction, as well as an effort to conserve natural resources. Shellfish waste was obtained from the coast of Mempawah Regency. The planned test specimens were 15x15x15 cm cubes with a target quality of K225 kg/cm². The test specimens were made with a composition of sand with shellfish sand in proportions of 0%, 5%, 7%, 9%, and 100%. Physical properties of shellfish sand were tested, slump tests were conducted to determine the effect of shellfish sand on concrete viscosity, and concrete compression tests were conducted at the age of 28 days to determine the effect of shellfish sand on concrete strength. The compressive strength test results with 0% substitution = 246.22 kg/cm² or 24.15 MPa. 5% substitution = 211.98 kg/cm² or 20.79 MPa, resulting in a 5.79% decrease in quality. 7% substitution = 195.10 kg/cm² or 19.3 MPa, resulting in a 13.29% decrease in quality. 9% substitution = 176.14 kg/cm² or 17.27 MPa, resulting in a 21.72% decrease in quality. 100% substitution = 155.56 kg/cm² or 15.25 MPa, resulting in a 30.86% decrease in quality. The greater the substitution of the shell sand mixture, the greater the decrease in quality.
Kreativitas Musrizal Pada Sanggar Seni Karang Taruna Dalam Mengembangkan Tari Piring Arak-Arakan Pada Masyarakat Nagari Batu Banyak Kabupaten Solok  Provinsi Sumatera Barat Antoni, Monicha; Syofia, Ninon; Hardi, Hardi; Riyanti, Eva
Jejak digital: Jurnal Ilmiah Multidisiplin Vol. 2 No. 1 (2026): JANUARI
Publisher : INDO PUBLISHING

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.63822/6r15vr65

Abstract

This study aims to discuss Musrizal's Creativity at the Karang Taruna Art Studio in Developing the Arak-arakan Plate Dance in the Batu Banyak Nagari Community, Solok Regency, West Sumatra Province. The method used in this study is a qualitative method with a descriptive-analytical approach, namely describing real data as found in the field and then analyzing it in depth. This study uses theories or expert opinions including the opinion of Y Sumandiyo Hadi about dance forms, and the opinions of Conny R Semiawan and Surya Pena Gemilang about creativity. The results of this study indicate that this Arak-arakan plate dance as a form of entertainment developed by Tri Murni, agreed by traditional leaders and community leaders of Batu Banyak Nagari, to be performed during the bridal procession either from the house of the groom's bako (marapulai) or from the house of the bride's bako, (anak daro), can also be performed at the procession from the bride's house to the groom's house (marapulai).
Co-Authors Antoni, Monicha Anugraha, Fathul Auliana Mukhti Maghfirah Ayumi, Siska Citrawati, A.A. Istri Agung EMRI, EMRI FEBRIANTY, SYIELVI DWI Hardi Hardi, Hardi Idun Ariastuti Iwan Supardi Maharani, Cynthia Pahni Mahyeni, Helen Puti Rahmasari, Puspita Robert Rovylendes, Adjuoktoza Siregar, Zulfadli Stevenson, Yan Surherni Syofia, Ninon Utomo, Satriyo