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All Journal Harmonia: Journal of Research and Education ANDHARUPA Texture : Art and Culture Journal Abdi Seni Jurnal Abdi Masyarakat Indonesia Jurnal Dekonstruksi Jurnal Bahasa Rupa
Purwantoro, Agus
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Religion Arts Humanities Economics, Econometrics & Finance Education Engineering Languange, Linguistic, Communication & Media Public Health Social Sciences

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PROSES KREATIF BATIK DISABILITAS KOMUNITAS SRIEKANDI PATRA DI TAWANGSARI BOYOLALI Ramadhanti, Adinda Asri; Bahari, Nooryan; Purwantoro, Agus
ANDHARUPA: Jurnal Desain Komunikasi Visual & Multimedia Vol. 10 No. 02 (2024): June 2024
Publisher : Dian Nuswantoro University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33633/andharupa.v10i02.10070

Abstract

Abstrak Batik yang berasal dari Desa Tawangsari, Kecamatan Teras, Kabupaten Boyolali adalah batik yang berasal dari pemberdayaan penyandang disablitas di lingkungan sekitar Desa Tawangsari dalam komunitas Sriekandi Patra. Dalam kurun waktu enam tahun komunitas ini berdiri, belum ada eksplorasi yang signifikan yang dikembangkan oleh peserta komunitas Sriekandi Patra dalam membuat desain motif batik, kecenderungan yang dilakukan adalah mengulang desain yang sudah ada. Permasalahan kurangnya eksplorasi kreatif motif batik dalam menemukan sebuah ide kreatif membuat peserta mengalami hambatan dalam membuat desain baru yang dapat mencerminkan karakteristik yang dituangkan dalam sebuah karya desain motif batik. Penelitian ini memiliki tujuan untuk membuat peserta komunitas Sriekandi Patra dapat lebih mudah untuk melakukan eksplorasi kreatif dalam menciptakan desain motif batik yang sesuai dengan karakter personal disabilitas sehingga dapat menjadi sebuah ciri khas masing-masing angota komunitas. Metode yang digunakan adalah metode kualitatif dengan pendekatan deskriptif. Analisis dilakukan dengan menggunakan tahapan teori kreatifitas Walls yang terbagi menjadi empat tahapan yaitu tahapan persiapan, tahapan inkubasi, tahapan iluminasi, dan tahapan evaluasi. Hasil dalam penelitian ini proses kreatif yang dilakukan dapat membantu peserta komunitas untuk berinovasi dalam sebuah produk karya seni dalam konteks ini adalah desain motif batik yang memiliki kesan eksklusif dan orisinilitas ide gagasan yang di ciptakan oleh peserta komunitas Sriekandi Patra.   Kata Kunci: Boyolali, disabilitas, proses kreatif, motif batik, Tawangsari,   Abstract Batik, made from Tawangsari Village, Teras District, Boyolali Regency, originates from empowering people with disabilities in the environment around Tawangsari Village in the Sriekandi Patra community. In the six years this community has been established, no significant exploration has been developed by Sriekandi Patra community participants in creating batik motif designs, and the tendency is to repeat existing designs. The problem of the lack of creative exploration of batik motifs in finding a creative idea makes participants experience obstacles in creating new designs that can reflect the characteristics outlined in a batik motif design work. This research aims to make it easier for Sriekandi Patra community participants to carry out creative exploration in creating batik motif designs that suit the personal character of a disability so that it can become a characteristic of each community member. The method used is a qualitative method with a descriptive approach. The analysis was carried out using Walls' creativity theory stages, which are divided into four stages: preparation, incubation, illumination, and evaluation. The results of this research on the creative process can help community participants to innovate in an artistic product in this context, namely batik motif designs that have an exclusive impression and originality of ideas created by Sriekandi Patra community participants.   Keywords: batik motifs, Boyolali, creative process, disability, Tawangsari
PENCIPTAAN KARYA SENI INSTALASI DENGAN SUMBER IDE SELF INJURY rahmadewi, ridha; Purwantoro, Agus
Texture: Visual Art and Culture Journal Vol. 7 No. 1 (2024)
Publisher : Fakultas Seni Rupa dan Desain, Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/texture.v7i1.3405

Abstract

Thisfinalprojectistheresultofexperience,andanassessmentofseveralreferences asaformofinterpretationofsocialphenomenaregardingself-injury,thenprocessed and created in the form of installation art. The creation of these works of art aims to inspire people, especially parents, to pay more attention to parenting and education fortheirchildren.Theauthorusesassemblingtechniquesintheprocessoflovingthe work, by liking or combining various objects to create a new unity. By realizing the ideaofself-defeatingperceptionsfromtheauthor'spointofview,itishopedthatthese works of art can not only be enjoyed by art observers, but can also be a source of inspiration and new understanding to the community about how a habit and the application of wrong student patterns can affect personality. a child in a worse direction.
The Development of the Indonesian Culture Gunungan Design: Wayang Godhong “Smoking Violated” Purwantoro, Agus; Prameswari, Nadia Sigi; @ Mohd Nasir, Roziani Binti Mat Nashir
Harmonia: Journal of Arts Research and Education Vol 22, No 1 (2022): June 2022
Publisher : Department of Drama, Dance and Music, FBS, Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/harmonia.v22i1.36525

Abstract

This study explores the development of innovative wayang craft designs in Magelang, Central Java, Indonesia. This is necessary research because wayang functions as a medium of contextual communication between the puppeteer and an audience by transmitting the values of life through entertainment. However, it is rare to find all-night-long wayang performances currently; there is a considerable probability of this craft going extinct in the next few years. This is a research and development method. The type of research and development uses the ADDIE model. Data collection techniques were carried out through interviews, observations, and documentation of Wayang Godhong. The respondents were tobacco farmers and puppeteers in Magelang City, Central Java Province, Indonesia. The result led to the development of Wayang Godhong design which adopts the structures and shape of tobacco leaves. Despite the use of this leaf, the message “smoking is violated” is boldly written on its body. The researcher also implemented the Wayang Godhong product through a puppet show entitled “Smoking Violated” performed on youth and social activists in Magelang Regency. The message from the show is social criticism to the public of the prohibition on smoking in public places, which is still being violated. The results showed that the public accepted the Wayang Godhong performance and positively impacted public knowledge and awareness regarding the prohibition of smoking in public places.
CANGKEMAN SEBAGAI SUMBER IDE DALAM KARYA SENI LUKIS Pratama, Kurnia Aji; Purwantoro, Agus
TEXTURE Art and Culture Journal Vol. 7 No. 2 (2024)
Publisher : Fakultas Seni Rupa dan Desain, Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/texture.v7i2.3389

Abstract

This article reveals the idea of painting using acrylic paint on canvas, which is inspired by the increasingly worrying conditions in the surrounding environment. The problem discussed is regarding the description of cangkeman, cangkeman is one of the expressions to convey opinions, feelings, and circumstances at that time. So far, many parties do not know how to express their feelings. Cangkeman has many roles in people's lives, namely positive roles and negative roles. This painting has a texture that is created spontaneously with acrylic paint strokes using a brush and palette knife. Cangkeman provides an overview of the expression of a person's heart so that in this final project cangkeman becomes the source of ideas for creating paintings because it has meaning, meaning of life.
Analisis Karakter Bujang Ganong dalam Tarian Reog Ponorogo Rianto, Angger; Purwantoro, Agus
Dekonstruksi Vol. 11 No. 02 (2025): Jurnal Dekonstruksi Volume 11.2
Publisher : Gerakan Indonesia Kita

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.54154/dekonstruksi.v11i02.284

Abstract

  Tarian Reog Ponorogo merupakan salah satu warisan budaya tradisional yang kaya akan nilai-nilai filosofis dan simbolis. Salah satu tokoh yang menarik perhatian dalam tarian ini adalah Bujang Ganong, karakter yang dikenal dengan gerakan energik, lincah, serta sifat humorisnya. Bujang Ganong tidak hanya berfungsi sebagai elemen hiburan, tetapi juga sebagai simbol kekuatan, kecerdikan, dan semangat muda dalam tradisi Reog Ponorogo. Penelitian ini bertujuan untuk menganalisis karakter Bujang Ganong dalam perspektif budaya dan seni pertunjukan. Menggunakan metode kualitatif dengan pendekatan deskriptif-analitis, data dikumpulkan melalui wawancara, observasi, dan dokumentasi terhadap para seniman Reog Ponorogo. Hasil penelitian menunjukkan bahwa karakter Bujang Ganong memiliki peran penting dalam menyampaikan pesan moral dan nilai-nilai lokal, seperti keberanian, ketekunan, dan penghormatan terhadap tradisi. Melalui gerakan dinamis dan atribut khasnya, Bujang Ganong juga menjadi simbol kebebasan ekspresi dalam konteks seni tradisional. Studi ini menegaskan pentingnya pelestarian karakter Bujang Ganong sebagai bagian dari upaya menjaga identitas budaya di tengah tantangan modernisasi.
Pelatihan Konten Digital Partisipatif sebagai Upaya Promosi Budaya melalui Tiktok di Desa Kreatif Pereng, Kabupaten Karanganyar, Jawa Tengah Ardianto, Deny Tri; Nurcahyanti, Desy; Purwantoro, Agus; Widayat, Rahmanu; Sulistyo, Bambang; Putri, Febi Rahma; Anshori, Siroj Ibnu Hajar Al; Ayob, Norhayati
Jurnal Abdi Masyarakat Indonesia Vol 5 No 5 (2025): JAMSI - September 2025
Publisher : CV Firmos

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.54082/jamsi.2076

Abstract

Masyarakat Desa Pereng menghadapi keterbatasan kemampuan dalam memanfaatkan media digital secara optimal untuk mempublikasikan kekayaan seni dan budaya lokal, sehingga potensi desa belum terekspos secara luas di ranah digital. Kegiatan ini bertujuan membekali masyarakat dengan kemampuan dasar pembuatan dan penyuntingan video, strategi distribusi konten, serta pemahaman tren digital yang mendukung publikasi seni budaya secara lebih luas. Metode pelaksanaan menggunakan pendekatan partisipatif berbasis pelatihan dan praktik langsung, diawali dengan sosialisasi mengenai pentingnya publikasi digital. Rangkaian kegiatan mencakup pelatihan teknis mulai dari perencanaan konten, teknik pengambilan gambar, penyuntingan video menggunakan TikTok dan aplikasi pengeditan video, hingga strategi distribusi dan optimasi algoritma. Pelatihan diikuti oleh 25 peserta yang terdiri dari perwakilan masyarakat, pelaku seni, dan pengelola desa kreatif. Pendampingan pembuatan konten difokuskan pada penguatan citra seni, budaya, dan lingkungan desa, disertai evaluasi efektivitas melalui analisis keterlibatan audiens di media sosial. Dampak terhadap mitra melalui kegiatan ini adalah meningkatnya keterampilan digital masyarakat, tersedianya konten promosi yang konsisten, serta meningkatnya eksposur dan daya tarik Desa Pereng di platform digital. Dampak jangka panjang meliputi penguatan ekonomi kreatif desa dan pengokohan identitas budaya lokal dalam menghadapi tantangan era digital.
PENCIPTAAN KARYA SENI INSTALASI DENGAN SUMBER IDE SELF INJURY rahmadewi, ridha; Purwantoro, Agus
TEXTURE Art and Culture Journal Vol. 7 No. 1 (2024)
Publisher : Fakultas Seni Rupa dan Desain, Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/texture.v7i1.3405

Abstract

Thisfinalprojectistheresultofexperience,andanassessmentofseveralreferences asaformofinterpretationofsocialphenomenaregardingself-injury,thenprocessed and created in the form of installation art. The creation of these works of art aims to inspire people, especially parents, to pay more attention to parenting and education fortheirchildren.Theauthorusesassemblingtechniquesintheprocessoflovingthe work, by liking or combining various objects to create a new unity. By realizing the ideaofself-defeatingperceptionsfromtheauthor'spointofview,itishopedthatthese works of art can not only be enjoyed by art observers, but can also be a source of inspiration and new understanding to the community about how a habit and the application of wrong student patterns can affect personality. a child in a worse direction.
Pelatihan Peningkatan Pengetahuan Seni Budaya Bagi Anak Usia Dini melalui Media Wayang Godhong Purwantoro, Agus; Adi, Sigit Purnomo; Afatara, Narsen
Abdi Seni Vol. 14 No. 1 (2023)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/abdiseni.v14i1.4450

Abstract

Early childhood (PAUD-TK) is considered a sensitive period in children, which is a period where certain functions need to be stimulated physically-motor, intellectual, social, and emotional. This form of stimulation is in the form of education and teaching in the families, communities, and schools. The effort also aims to raise the character of students, namely the subtlety of feeling (moral), which will then produce intelligence of the mind, and grow “will” power. To educate these feelings, Ki Hadjar Dewantara said that there are 2 things to go through, firstly, education on the subtleties of spiritual life which is called moral education and the second is aesthetic education. Ki Hadjar Dewantara included wayang as an aesthetic education that can smooth the feeling of beauty towards all external objects. Wayang is an ancestral heritage that is rich in artistic and cultural meaning that deserves to be introduced to early childhood. Wayang Godhong is one of them. Wayang puppets that come from godhong (leaves) of teak, tobacco, and coffee are from Gus Pur's ideas and should be introduced to children from an early age. As a result, they get to know Wayang Godhong, a unique contemporary wayang as a medium that will bring them closer to art and culture and a sense of love for nature. Through the service carried out in Magelang Regency, at PAUD Harapan Bunda Magelang, children are invited to see the manufacturing process, be directly involved in the practice of making wayang puppets using paper (and leaves), and see a simple performance by the wayang puppeteer (dalang) Pak Gus Pur.
Perkembangan Pertunjukan Wayang Beber Kontemporer Di Era Modernisasi Hariyadi, Muhammad Nur; Afatara, Narsen; Purwantoro, Agus
Jurnal Bahasa Rupa Vol. 1 No. 2 (2018): Jurnal Bahasa Rupa April 2018
Publisher : Institut Bisnis dan Teknologi Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31598/bahasarupa.v1i2.208

Abstract

Research discussed regarding the development of contemporary puppet some in a society now. A puppet beber contemporary some years previously had broken by giving alternative forms of a new and exhibited more simple but is interesting, Shorter performances , and use just taken a figure from real life now. The story delivered also adopt issues is in vogue in the days of the modernization of right now. The puppet beber is one of cultural heritage in Indonesia. A puppet beber some which was a live used for events great kraton, the event ruwatan, clean village, healing the sick, and important event specified java. Now puppet classical considered rarely staged and slightly experienced various a setback in terms of staging, because some years previously had broken puppet classic staged as a means of ritual and rarely staged important as entertainment for the urban nowadays. The puppet beber contemporary appear in order to provide new perspective, so people know back puppet show some years previously had broken who became inherited from an ancestor java.
Co-Authors @ Mohd Nasir, Roziani Binti Mat Nashir Afatara, Narsen Anshori, Siroj Ibnu Hajar Al Ayob, Norhayati Bahari, Nooryan Bambang Sulistyo Deny Tri Ardianto Hariyadi, Muhammad Nur Nadia Sigi Prameswari Nurcahyanti, Desy Pratama, Kurnia Aji Putri, Febi Rahma rahmadewi, ridha Rahmanu Widayat Ramadhanti, Adinda Asri Rianto, Angger sigit purnomo adi