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All Journal MUDRA Jurnal Seni Budaya KALANGWAN Abdi Seni Tamumatra : Jurnal Seni Pertunjukan Ghurnita: Jurnal Seni Karawitan Journal of Aesthetics, Creativity and Art Management Jurnal Riset Rumpun Seni, Desain dan Media (JURRSENDEM) Innovative: Journal Of Social Science Research Global Art Creativity Conference
Garwa, I Ketut
Institut Seni Indonesia Bali
Religion Arts Humanities Computer Science & IT Education Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Public Health Social Sciences Other

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PROSES KREATIF DAN MANIFESTASI ESTETIKA MUSIKAL PADA IRINGAN TARI KIRANA RASMI I Made Dwi Andika Putra; I Ketut Garwa; Ni Putu Hartini; I Nyoman Kariasa; Putu Tiodore Adi Bawa
TAMUMATRA Vol 8 No 2 (2026)
Publisher : Universitas Hamzanwadi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.29408/tmmt.v8i2.35270

Abstract

This research aims to describe the creative process of creating the accompaniment of the Official Kirana Dance and analyze the musical aesthetic manifestations formed in the work. Kirana Rasmi conceptually raises the idea of " light within sacred utterance", which is the inner journey of man from silence to spiritual consciousness. The method of creation used is the Panca Sthiti Ngawi Sani Method. The following are the stages of inspiration; the exploration stage; Conception (planning); Stage of Execution (Build); And Snoop Dogg. The accompaniment was created by combining the Balinese karawitan idiom of the Kebyaran style tradition with exploration through double-barreled playing (slendro pelog) through flute instruments, as well as dramatic dynamics. The results of the creation show that the Kirana Rasmi dance accompaniment not only functions as an accompaniment to the dance movements, but also as a symbolic medium that strengthens the meaning and atmosphere of the work. The findings suggest that the integration of the double barrel through flute playing results in musical characters that reinforce representations of spiritual journeys in choreography that depict spiritual flows: contemplation, conflict, and enlightenment. Aesthetic analysis emphasizes the integrity of form, complexity of sound, and intensity of expression as the foundation of the beauty of the work. With the integration of the double barrel through the flute playing, it produces a musical character that reinforces the representation of spiritual journey in the choreography. Through a collaborative and reflective approach that places music as a language of spiritual expression.  
"Wonderland Indonesia" Music Video: The Commodification of Indonesian Regional Songs in New Media Gideon Bima Maharesi; Ni Made Ruastiti; Ni Wayan Ardini; I Ketut Garwa
Journal of Aesthetics, Creativity and Art Management Vol. 5 No. 2 (2026): Journal of Aesthetics, Creativity and Art Management
Publisher : Institut Seni Indonesia Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/pjjcdr39

Abstract

This study aims to reveal the commodification process of Indonesian regional songs in the “Wonderland Indonesia” music video, as well as its implications for artistic aesthetics, ethnic music practitioners, and the public. The research employs an interdisciplinary approach utilizing qualitative methods and quantitative sentiment analysis of 30,000 YouTube comments. Data were collected through observation, in-depth interviews with the creator and creative team, cultural experts, musicians, and the public (via Focus Group Discussions), as well as a literature review. The analysis draws upon ethnomusicology theory, commodification theory, and the hierarchy of needs theory. The results indicate that the music video serves as a visual and musical narrative, packaging nine regional songs and one national song into an EDM-infused medley. Commodification occurs across three technology-driven production stages—pre-production, production, and post-production—with distribution executed via YouTube. Sentiment analysis reveals a 71.9% positive response. The commodification has implications for postmodern artistic aesthetics, the socioeconomic status of ethnic music practitioners, and the general public. The study proposes a packaging model for ethnic cultural music videos termed “New Media Folk Song.”
Co-Authors Agung Indrawan Indrawan Wijaksana Gideon Bima Maharesi Gusti Putu Ngurah Prakrti Mahendra I Gede Edo Prasetya Dewantara I Gede Yudarta, I Gede I Komang Sudirga I Made Adi Suyoga Adnyana I Made Dwi Andika Putra I Nyoman Kariasa I Putu Nanda Yoga Mayura I Wayan Swandi Indrawan Wijaksana, Agung Indrawan Kadek Angga Wahyu Pradana Kadek Guntriana Kadek Suartaya Mahayasa, I Pande Komang Bintang Marhaeni, Ni Komang Sekar Ni Made Ruastiti Ni Putu Hartini Ni Wayan Ardini, Ni Wayan Putu Tiodore Adi Bawa Sujayanthi, Ni Wayan Masyuni Suteja, I Kt Try Adi Stanaya, I Komang Wardizal, Wardizal Yudana, I Gede