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All Journal Lekesan: Interdisciplinary Journal of Asia Pacific Arts Bali-Dwipantara Waskita: Seminar Nasional Republik Seni Nusantara Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
BUDIAPRILLIANA, LUH
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Arts Humanities

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KEHIDUPAN LAUT SEBAGAI TEMA WORKSHOP PEMBUATAN SOUVENIR DAUR ULANG BAGI SISWA SMA NEGERI 2 ABIANSEMAL Budiaprilliana, Luh; Utami, Ni Made Purnami; Karuni, Ni Kadek
Prosiding Bali Dwipantara Waskita: Seminar Nasional Republik Seni Nusantara Vol. 3 (2023): Prosiding Bali Dwipantara Waskita: Seminar Nasional Republik Seni Nusantara
Publisher : UPT Pusat Penerbitan LP2MPP ISI Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Isu tentang Bali krisis sampah plastik menjadi kekhawatiran bagi kita semua. Hampir seluruh masyarakat turut serta berupaya untuk ikut andil dalam penanggulangannya. Salah satunya dengan melakukan pengelolaan sampah berupa daur ulang yang merupakan salah satu bagian dari konsep 3R (Reduce, Reuse, Recycle) dalam pengelolaan sampah. Daur ulang terhadap sampah domestik yang dihasilkan ini juga menjadi program dari SMA Negeri 2 Abiansemal dan menjadi salah satu fokus program yang dimotori oleh OSIS SMA Negeri 2 Abiansemal. Atas urgensi untuk realisasi program tersebut maka SMA Negeri 2 Abiansemal bekerjasama dengan tim pengabdian untuk mengadakan workshop daur ulang sampah menjadi produk souvenir yang memiliki nilai seni bagi siswa – siswi di sekolah tersebut. Tema Kehidupan Laut dalam workshop pembuatan souvenir daur ulang ini dimaksudkan sebagai pemantik bagi siswa – siswi agar lebih menumbuhkan kepedulian terhadap ekosistem kehidupan di laut dan kelestarian laut. Metode yang digunakan dalam pelaksanaan workshop ini adalah menggunakan metode eksploratif learning by doing dan demonstratif. Hasil workshop disampaikan dengan deskriptif kualitatif. Workshop pembuatan souvenir daur ulang ini tidak hanya menjawab kebutuhan SMA Negeri 2 Abiansemal untuk merealisasikan program pengelolaan sampah domestiknya, namun juga meningkatkan keterampilan siswa dalam bidang seni rupa dengan dapat mewujudkan produk souvenir bernilai seni. Kehidupan laut yang menjadi tema workshop membuat siswa lebih tertarik untuk mengeksplorasi bentuk biota laut seperti ikan, kerang, terumbu karang, dsb. Mereka menyadari bahwa menjaga lingkungan sekitar juga merupakan kontribusi untuk menjaga kelestarian laut. Dampak lain dari program ini adalah terwujudnya inisiasi pembentukan Klub Recycle di SMA Negeri 2 Abiansemal.
Tradisi Bali dalam Lipatan Kanvas Karya Seri Porosan I Ketut Sugantika ‘ Lekung’ Budiaprilliana, Luh
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 2 No 1 (2022): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : PROGRAM STUDI SENI MURNI ISI DENPASAR

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/citakara.v2i1.1549

Abstract

Tradition in the anthropological dictionary is the same as customs, whic is called the magical-religious habits of the life of an indigenous population which include cultural values, norms, laws and rules that are interrelated, and then become a system or regulations that have been established and include all conceptions of the cultural system of a culture to regulate social action (Arriyono and Siregar, 1985:4). The tradition that is strongly implemented in the environment where the child grows up has an influence in building the memory web of the child in his growth and development. I Ketut Sugantika 'Lekung' as one of the artists who was born and raised in Bali is one of the many artists who brings the memory web of Balinese traditions into their creative process. The Porosan series by I Ketut Sugantika 'Lekung' is a representation of Balinese tradition which is realized through the repetition of folds on canvas. The process of making which is full of repetitions with similar patterns presents a trance for the artist so that he feels a situation like he is meditating focusing on controlling the Tri Pramana which is consisting of Bayu, Sabda, and Idep.
Bangunan Pelinggih Merajan Alit Sebagai Inspirasi Penciptaan Karya Seni Lukis Neode, Haris Candra; Budiaprilliana, Luh; Mustika, I Ketut
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 2 No 2 (2022): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : PROGRAM STUDI SENI MURNI ISI DENPASAR

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/citakara.v2i2.1843

Abstract

Merajan Alit is a place of worship in every Balinese Hindu family house. Visual beauty and its close relationship with self-identity and family make the creator interested in visualizing it into painting works. The foundation used was the Alma M. Hawkins method, Exploration, Improvisation, and Forming. Each of these methods contains methods and stages of creation that are applied by MBKM partners. From these methods and successes, six works were produced, entitled; 1) “Kemulan”, 2) “Taksu”, 3) “Aku Ingin Pulang”, 4) “Punggel”, 5) “Mencari Kedalam Diri”, 6) “Happy Family”. In these six works, the creators combine the transfer of technology, skills and knowledge obtained from campuses and partners, so as to create works that are expected to become the characteristics of the creators. With this work, it can be said, Merajan Alit can be a personal trigger because it is very closely related to personal and family identity. The feelings that arise can be very unique and varied so it is very suitable to be visualized as a work of painting. In addition, the use of traditional painting tools is also important because of the ancestral heritage so that it does not become extinct.
Perca Endek Sebagai Inspirasi Kolaborasi Pouch Lukis Yang Bernilai Seni Tinggi Apriliani, Sari; Gulendra, I Wayan; Budiaprilliana, Luh
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 2 No 2 (2022): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : PROGRAM STUDI SENI MURNI ISI DENPASAR

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/citakara.v2i2.1851

Abstract

Adding surface designs or paintings to traded products is one way to increase the value of the goods, the value in question is aesthetics and selling price. Agung Bali Collection as a writing partner in MBKM Entrepreneurial activities, provides knowledge about the canting massage technique which can be used as an additional technique in making surface designs. HOLD ME is a form of Start-Up business that the author created personally, this business is engaged in the fashion sector, with canvas bags and endek patchwork as the main raw materials for making strong and environmentally friendly products, as well as the use of endek patchwork in the Agung Bali Collection as a form of cultural preservation and processing of patchwork waste will make goods have high selling power. Until now, HOLD ME has produced six pouch product models and is planning to expand its business. The product that has been produced is a canvas cloth bag in collaboration with endek patchwork and there is a surface design with brush and massage techniques with use of glitter which can create unique, beautiful, and special bag products, consumers not only enjoy the product through visual beauty but also can be enjoyed from the functional or usability aspect of the product.
Interpretasi Aci Usaba Sumbu dalam Karya Seni Lukis Silasana, I Putu Arya; Budiaprilliana, Luh; Mudana, I Wayan
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 3 No 1 (2023): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : PROGRAM STUDI SENI MURNI ISI DENPASAR

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/citakara.v3i1.2333

Abstract

The creation of works in the Independent Study MBKM program in this paper takes ideas or ideas about the interpretation of Aci Usaba Sumbu in Pakraman Timbrah Village in works of painting. The phenomenon of a religious ritual in Timbrah Village called Aci Usaba Sumbu which has its own uniqueness from the ceremonial facilities used in these religious activities. Banten Sumbu, which resembles a towering tower and the banten be guling which is offered by local villagers, is unique from a visual standpoint. The objects at the ceremony have their own meaning, the creator interprets them into life and social values through works of painting. The process of creating this work adopts the theory and methods of Alma M Hawkins. The creation method goes through 3 (three) stages, namely, the exploration, improvisation, forming stages. In the embodiment of the work, the ideas obtained created 6 works entitled: : 1) “Pengendalian Diri” , 2)”Keharmonisan” , 3)”Penyatuan”, 4)”Tri Kaya Parisudha”, 5)”Pohon Sumbu” 6)”Naga Sumbu”. The works created are a form of interpretation of Aci Usaba Sumbu along with the objects contained in the ceremony. With the creation of these works, it is hoped that they will be able to convey a message about the turbulence of the creator's feelings that have been observed.
Creative Innovation of Multifunctional Painted Shawl Nisa, Apriliana Putri Khairun; Pemayun, Tjokorda Udiana Nindhia; Budiaprilliana, Luh
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 3 No 2 (2023): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : PROGRAM STUDI SENI MURNI ISI DENPASAR

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/ctkr.v3i2.2862

Abstract

Multifunctional Painting Shawl is a product of 4moon that emphasizes Functional and beauty. According to Wikipedia, Shawls is a traditional Indonesian clothing in the form of a long cloth. Shawls are usually used by women. This shawl is specially designed to have several functions at once in one object only. Not only functional, the 4moon shawl also has additional aesthetic value found in the surface design and additional prada. The purpose of this study are 1) To find out the Transfer of Knowledge of Multifunctional Painting Shawl Entrepreneurial Governance, 2) To find out the Transfer of Multifunctional Painting Shawl Entrepreneurial Skills, 3) To find out the Transfer of Knowledge and Marketing Technology of multifunctional Painting Shawl, 4) To find out the Analysis of multifunctional Painting Shawl Entrepreneurship activities. This type of research is included in quantitative research and observation as a method of data collection. The result of the study are 1) There are 6 multifunctional painting shawl products by 4moon 3) Marketing that the author does is offline and online such as Instagram. The author also applies a custom-order system 4) Adding insights such as adding prada using massage canting techniques
Visualization Of The Barong Landung Of The Abiantuwung Tabanan Village In Paintings Budiana, I Putu; Karja, I Wayan; Budiaprilliana, Luh
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 4 No 2 (2024): Cita Kara : Jurnal Penciptaan Dan Pengkajian Seni Murni
Publisher : PROGRAM STUDI SENI MURNI ISI DENPASAR

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/ctkr.v4i2.3294

Abstract

Bali has many types of dances. In Bali you can find many types of dance, such as the barong dance. One of them is Barong Landung, which is the embodiment of a human or giant. With the presence of barong landung, Balinese people interpret it as a force that is believed to provide safety. The research problem focuses on the form of barong landung in the Abiantuwung Traditional Village, Barong Landung has a symbol of connection with Pura Dalem Balingkang. The research uses qualitative methods with analysis of interview and observation data. From the research results, it was found that the Barong Landung in the Abiantuwung Traditional Village is different from the barong landung in general in Bali. Barong landung is the embodiment of the Almighty Creator himself, which undagi in the past was certainly created in accordance with the conditions of the time at that time, namely when intercultural marriage between China and Bali was hot. The charm of this dance can generally only be enjoyed at special moments such as religious holidays in Bali which are usually called Piodalan which are held at certain temples. However, the barong landung in the Abiantuwung Traditional Village is only performed on certain days, such as at certain sasihs where the barong landung goes around at night without lights.
Visualization of the Impact of the Development of the Industrial Revolution in Digital Painting Yudana, Komang; Mudana, I Wayan; Budiaprilliana, Luh
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 4 No 2 (2024): Cita Kara : Jurnal Penciptaan Dan Pengkajian Seni Murni
Publisher : PROGRAM STUDI SENI MURNI ISI DENPASAR

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/ctkr.v4i2.3487

Abstract

Revolusi industri adalah transformasi besar perkembangan teknologi dan pengetahuan pada manufaktur dengan mengubah sistem produksi dari cara tradisional menjadi lebih efktif, efisien, dan ekonomis. Perkembangan Revolusi Industri sudah terjadi sebanyak empat kali dimulai dari abad ke-18 sampai abad ke-21, mengalami dampak yang sangat pesat yang berdampak pada proses produksi dan reproduksi. Revolusi industri memiliki dampak positif yaitu membantu manusia menjalani kehidupan dengan teknologi yang baru dan juga ada dampak negatif yaitu manusia akan kehilangan lapangan pekerjaan karena sudah digantikan oleh teknologi dan robot yang dipekerjakan. Maka dari itu, fenomena ini sangat menarik saya untuk mengambil judul “Visualisasi Dampak Perkembangan Revolusi Industri Dalam Seni Lukis Digital” bertujuan agar dapat membuat karya seni lukis digital dari dampak revolusi industri, metode yang digunakan adalah metode penciptaan yang bersifat kualitatif di uraikan secara deskriftiv. Hasil dari pembahasan dampak revolus industri yang divisualisasikan menjadi seni lukis digital membahas tentang satu konsep, dua penciptaan karya, dan tiga deskripsi karya, empat estetika karya, dan kelima keotentikan karya. Penciptaan karya ini dilakukan distudio Antara Putra dari bulan Agutus sampai Maret menghasilkan enam karya seni digital yang berjudul karya 1 Revolusi 1.0, karya 2 Takterkendali, karya 3 Manusia dan teknologi, karya 4 Bali revolusi 55.0, karya 5 Serangan saiber, dan karya 6 AI.
Visualization of the Impact of Industrial Revolution Developments in Digital Painting Yudana, Komang; Mudana, I Wayan; Budiaprilliana, Luh
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 4 No 1 (2024): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : PROGRAM STUDI SENI MURNI ISI DENPASAR

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/ctkr.v4i1.3643

Abstract

Eksplorasi Visual Cerita Rakyat Palembang “Legenda Pulau Kemaro” Dalam Karya Seni Digital Simatupang, Putri Gracia; Budiaprilliana, Luh; Ruta, I Made
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 4 No 2 (2024): Cita Kara : Jurnal Penciptaan Dan Pengkajian Seni Murni
Publisher : PROGRAM STUDI SENI MURNI ISI DENPASAR

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/ctkr.v4i2.4252

Abstract

The report on the creation of the work entitled "Visual Exploration of Palembang Folklore, Legend of Kemaro Island" in Digital Art Works aims to introduce Palembang folklore so that it can be known by the wider community and encourage people to love the culture of their respective regions more. The process of creating digital works uses the Hawkins method, which includes exploration, experimentation and formation, and is equipped with a presentation method to display the results of the work. In the process of creating works, fine art elements such as points, lines, planes, shapes, spaces, colors, textures and light and darkness are applied and combined to create interesting visuals. This work is realized through non-proportional anatomical objects in the shape of children with fat and cute faces, inspired by the shape of bakpau. The choice of this shape provides visual uniqueness and an attractive impression. The results of the creation of this work are 16 (sixteen) digital works that visualize Palembang folklore, the Legend of Kemaro Island. These works were then presented as an interactive art installation with the title "A Story." Through this work, it is hoped that Palembang folklore can be better known and appreciated by the wider community, as well as encouraging a love of local culture. Thus, this work contributes to the preservation and introduction of regional culture to a wider generation, emphasizes telling stories that are rich in cultural values, and provides new experiences for art lovers.
Co-Authors Budiana, I Putu Budiarta, I Dewa Putu Gede Drs. I Wayan Mudana,M.Si. . Gulendra, I Wayan Karuni, Ni Kadek Mustika, I Ketut Neode, Haris Candra Nisa, Apriliana Putri Khairun Pemayun, Tjokorda Udiana Nindhia Prayoga, I Made Ruta, I Made Sari Apriliani, Sari Silasana, I Putu Arya Simatupang, Putri Gracia Sucipta, I Wayan Adi Sucita, I Komang Toganata, I Made Anju Adi Utami, Ni Made Purnami Wayan Karja Yudana, Komang