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All Journal Laga-Laga: Jurnal Seni Pertunjukan Ekspresi Seni : Jurnal Ilmu Pengetahuan dan Karya Seni
EMRI, EMRI
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Religion Arts Humanities Education Languange, Linguistic, Communication & Media

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MAMBALEH NAN TALIPEK TERINSPIRASI DARI KEGIATAN MANGANYAM KAMPIA DI MATUA KABUPATEN AGAM Putri, Wulan Indah; Emri, Emri; Stevenson, Yan
Laga-Laga : Jurnal Seni Pertunjukan Vol 9, No 2 (2023): Laga-laga: Jurnal Seni Pertunjukan
Publisher : Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/lg.v9i2.4017

Abstract

The Mambaleh Nan Talipek dance work departs from manganyam kampia activities in Matur, Agam Regency. The creators chose to transform the woven techniques such as the lipek technique and the twisting technique onto the dancer's body, so that in making the work they are more focused on developing the woven technique into the structure of the dance work by Mambaleh Nan Talipek which is divided into three parts. In the first part, the artist transforms the lipek technique using his hands, feet and body. The second part transforms the weaving technique by using the properties of the cloth and in this part the dancers perform complementary movements. In the third part, the artist shows the woven Kampia into dance. In this section, Kampia is used to show how the results of the two techniques are formed. This work is strengthened by live music and other compositional elements, the methods used in composing this work are methods of exploration, improvisation, observation, and formation. This work is supported by seven female dancers, with cultural themes and non-dramatic types.
Social Communication in Dance Art and The Creative Industry Emri, Emri; Loravianti, Susasrita; Minawati, Rosta; Sahrul, Sahrul
Ekspresi Seni : Jurnal Ilmu Pengetahuan dan Karya Seni Vol 25, No 2 (2023): Ekspresi Seni : Jurnal Ilmu Pengetahuan dan Karya Seni
Publisher : LPPM Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/ekspresi.v25i2.1701

Abstract

Social communication in the world of dance is an essential element in societal life. It not only facilitates the exchange of information and ideas but also builds and maintains social relationships within the arts. However, to ensure effective communication, it is necessary to address various challenges such as communication gaps and message distortion. A better understanding of social communication can help individuals and communities interact more effectively and harmoniously. Dance communication is an effective and powerful way to convey complex messages, emotions, and ideas. Through various mediums, artists can interact with their audience and build deep understanding and appreciation. However, to achieve effective communication, challenges such as diverse interpretations and cultural gaps must be addressed. Thus, art can continue to play a vital role as a communication tool in society. The creative industry is an economic sector focused on the creation and exploitation of intellectual and artistic works. It is a dynamic and rapidly growing sector that plays a significant role in the modern economy. By harnessing creativity and intellectual skills, this industry not only generates substantial economic value but also makes a significant contribution to cultural identity and innovation. However, to reach its full potential, various challenges such as intellectual property rights protection, funding, market access, and education need to be addressed. With appropriate support, the creative industry can continue to grow and provide greater benefits to society and the economy, especially in the field of dance arts
KARYA TARI HORJA HALAK HITA PENGEMBANGAN TIGA RAGAM GERAK TOR-TOR Siregar, Zulfadli; Emri, Emri; Stevenson, Yan; Riyanti, Eva
Laga-Laga : Jurnal Seni Pertunjukan Vol 10, No 2 (2024): Laga-Laga: Jurnal Seni Pertunjukan
Publisher : Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/lg.v10i2.5068

Abstract

Karya tari Horja Halak Hita lahir berdasarkan pengembangan tiga ragam gerak tari tor-tor di daerah Suku Batak Toba diantaranya gerak pangurdot, gerak marhembas, gerak sigale-gale. Ragam gerak pada tarian tersebut memiliki ciri khas dan keunikan masing masing, hal ini dikembangkan sesuai dengan gaya dan kemampuan yang di miliki. Karya tari ini dibuat dalam bentuk penyajian karya tari bentuk dan type murni, dengan penari berjumlah dua puluh orang diantaranya, enam penari utama dan empat belas penari kelompok. Penari kelompok muncul pada pertengahan dan akhir pertunjukan. Musik pada karya ini, adalah kolaborasi antara musik tradisional Batak dengan musik modern yang diaransemen sehingga menjadi musik baru dalam media musik komputer. Dalam penggarapan karya ini, penata menggunakan Metode konstruksi menurut Jacqueline Smith dalam B. Suharto (1985), merupakan petunjuk dalam penyusunan karya tari. Jacqueline Smith menuturkan ada lima metode kontruksi yang diseskripsikan. Karya tari ini juga diperkuat dengan dua kostum yang berbeda pada bagian awal dan akhir pertunjukan sebagai konsep hiburan bagi mata penonton.
Co-Authors Loravianti, Susasrita Putri, Wulan Indah Riyanti, Eva Rosta Minawati Sahrul, Sahrul Siregar, Zulfadli Stevenson, Yan