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All Journal J-Litera; Jurnal Kajian Bahasa, Sastra dan Budaya Jepang Mimesis MALLOMO: Journal of Community Service Journal Corner of Education, Linguistics, and Literature MAHADAYA Jurnal Bahasa, Sastra, dan Budaya Jurnal Nusantara Raya
Rabbani, Ilham
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Agriculture, Biological Sciences & Forestry Arts Humanities Biochemistry, Genetics & Molecular Biology Computer Science & IT Education Languange, Linguistic, Communication & Media Social Sciences Other

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Journal : Mimesis

 1 
IDEOLOGI KEPENGARANGAN DALAM BUKU PUISI 99 UNTUK TUHANKU KARYA EMHA AINUN NADJIB Rabbani, Ilham; Hangganararas, Hatindriya
MIMESIS Vol 2, No 1 (2021): JANUARI 2021
Publisher : Universitas Ahmad Dahlan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.12928/mms.v2i1.3550

Abstract

The poetry book “99 untuk Tuhanku” which was first published in 1983 by Penerbit Pustaka – Perpustakaan Salman ITB Bandung, is the work of Emha Ainun Nadjib (EAN), a well-known writer from Indonesia. The figure of EAN is known for his writings, whether in the form of essays, prose, drama scripts, or poems that are religious, but at the same time critical in looking at the problems of life, including against power in Indonesia. This paper aims to dismantle the EAN Authorial Ideology in poetry book “99 untuk Tuhanku” by using the materialistic literary theory by Terry Eagleton. In dismantling the Authorial Ideology, it will first outline several aspects of external constituents such as the General Mode of Production, Literary Mode of Production, and General Ideology. The research method used is descriptive qualitative. The research results obtained are the Authorial Ideology produced by EAN is humanism-religious and sufism. Meanwhile, the ideology of the New Order regime (General Ideology) is authoritarianism, militarism, and capitalism. The ideology that was contested by EAN, instead of being a resistance ideology for power, has the potential to become an adaptive ideology and potentially perpetuate the dominance of the New Order regime.  
IDEOLOGI KEPENGARANGAN DALAM BUKU PUISI 99 UNTUK TUHANKU KARYA EMHA AINUN NADJIB Rabbani, Ilham; Hangganararas, Hatindriya
MIMESIS Vol. 2 No. 1 (2021): JANUARI 2021
Publisher : Universitas Ahmad Dahlan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.12928/mms.v2i1.3550

Abstract

The poetry book 99 untuk Tuhanku which was first published in 1983 by Penerbit Pustaka“ Perpustakaan Salman ITB Bandung, is the work of Emha Ainun Nadjib (EAN), a well-known writer from Indonesia. The figure of EAN is known for his writings, whether in the form of essays, prose, drama scripts, or poems that are religious, but at the same time critical in looking at the problems of life, including against power in Indonesia. This paper aims to dismantle the EAN Authorial Ideology in poetry book 99 untuk Tuhanku by using the materialistic literary theory by Terry Eagleton. In dismantling the Authorial Ideology, it will first outline several aspects of external constituents such as the General Mode of Production, Literary Mode of Production, and General Ideology. The research method used is descriptive qualitative. The research results obtained are the Authorial Ideology produced by EAN is humanism-religious and sufism. Meanwhile, the ideology of the New Order regime (General Ideology) is authoritarianism, militarism, and capitalism. The ideology that was contested by EAN, instead of being a resistance ideology for power, has the potential to become an adaptive ideology and potentially perpetuate the dominance of the New Order regime.
IDENTITAS TOKOH PRIBUMI DALAM CERPEN PENUNJUK JALAN KARYA IKSAKA BANU: KAJIAN PASCAKOLONIAL HOMI K. BHABHA Abdullah, Risen Dhawuh; Rabbani, Ilham
MIMESIS Vol. 3 No. 1 (2022): JANUARI 2022
Publisher : Universitas Ahmad Dahlan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.12928/mms.v3i1.5247

Abstract

This study aims to uncover an Indigenous character named Oentoeng in the short story “Penunjuk Jalan”. The short story is one of Iksaka Banu's works contained in the book Semua untuk Hindia. The identity of the character that is trying to be dismantled includes hybridity, mimicry, and ambivalence. The theory used in this study is the postcolonial theory initiated by Homi K. Bhabha. The study used a qualitative descriptive method. There are three findings in this study. First, the identity of Oentoeng is a hybrid. Oentoeng absorbs Western values continuously, namely from his upbringing, education, and his association in the Dutch family environment. Second, mimicry as mockery by the character can be seen from three aspects, specifically the ability to speak Dutch, possess Western medical knowledge, and to be able to devise a strategy of rebellion that made the VOC troubles as invaders. Third, Oentoeng's attitude of wanting to be angry and willing to provide assistance, treatment, and entertainment to the Dutch doctor and his porter who had an accident could be interpreted as a form of ambivalence in the Indigenous character.
Belenggu Hegemoni Patriarki dalam Cerpen Bulan Kuning Sudah Tenggelam Karya Ahmad Tohari Lestari, Selvi Triana; Rabbani, Ilham
MIMESIS Vol. 4 No. 2 (2023): JULI 2023
Publisher : Universitas Ahmad Dahlan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.12928/mms.v4i2.7770

Abstract

This research seeks to dismantle the fetter of patriarchal hegemony and resistance carried out by female characters in the short story Bulan Kuning Sudah Tenggelam by Ahmad Tohari. Gramsci's theory of hegemony and Walby's thoughts on patriarchy are used as analytical tools. The method used is qualitative-descriptive. The findings of this research: The fetter of patriarchal hegemony experienced by Yuning's character occurs because of the hierarchical relationship between her and Raden Barnas as her father and his wife in the family structure. In truth, Yuning has shown resistance to the fetters she has experienced. However, it is anti-climatic because of the forgiveness of her husband's infidelity. At the same time, this condition marks the position of Yuning's figure being re-fettered by patriarchal hegemony, both in the family system and in the order of a country.
Bentuk Kepasrahan dan Resistansi Tokoh Karyamin dalam Cerpen “Senyum Karyamin” Karya Ahmad Tohari Lestari, Selvi Triana; Rabbani, Ilham
MIMESIS Vol. 6 No. 1 (2025): JANUARI 2025
Publisher : Universitas Ahmad Dahlan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.12928/mms.v6i1.12494

Abstract

Cerpen “Senyum Karyamin” karya Ahmad Tohari menceritakan kepasrahan Karyamin akibat terdampak kebijakan pemerintah untuk membayar iuran dana bagi orang-orang kelaparan di Afrika. Senyum kepasrahannya tidak harus selalu dilihat sebagai sikap pasif, melainkan berpotensi memunculkan resistansi. Penelitian ini berusaha menjawab: pertama, bagaimanakah bentuk kepasrahan yang ditunjukkan tokoh Karyamin dan masyarakat di dalam cerpen?; dan kedua, bagaimanakah senyum kepasrahan yang diperlihatkan Karyamin dapat membentuk resistansi? Teori psikoanalisis Zizek dengan melibatkan Bartleby politics dipilih sebagai pisau analisis untuk menjawab pertanyaan-pertanyaan tersebut. Metode yang digunakan ialah kualitatif deskriptif. Hasil penelitian menunjukkan bahwa bentuk kepasrahan Karyamin dan rekan-rekannya ditandai dengan adanya sikap nrima yang bertransformasi menjadi kesadaran-sinis, dan memuncak pada momentum kekosongan dan tindakan-radikal. Klimaks kepasrahannya adalah gelak tawa yang dapat dilihat sebagai resistansi berupa pengacauan tatanan lewat tindakan-radikal.
Co-Authors Abdullah, Risen Dhawuh Elly Hasan Sadeli Hangganararas, Hatindriya Kusuma , Santi Dwi Lestari, Selvi Triana Madona , Prita Teresna Muharudin, Eko Mukaromah , Umi Roisatul MUKTI AGUNG WIBOWO, MUKTI AGUNG Ningrum , Asti Tiana Pamungkas, Onok Yayang Rizky , Auzia Fadhila Setya, Alfin Ananda Ariadi