Claim Missing Document
Check
Articles

Found 4 Documents
Search

SEMIOTIKA KUASA DAN GENDER: PERLAWANAN TANDA-TANDA PATRIARKI DALAM DRAMA KOREA WHEN LIFE GIVES YOU TANGERINES Syahrani, Rizky Amalia
Jurnal Basataka (JBT) Vol. 8 No. 1 (2025): Juni 2025
Publisher : Prodi Pendidikan Bahasa dan Sastra Indonesia, Universitas Balikpapan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36277/basataka.v8i1.691

Abstract

Penelitian ini menganalisis representasi perempuan dalam ruang domestik keluarga Korea pada drama When Life Gives You Tangerines melalui pendekatan semiotika Roland Barthes. Patriarki sebagai sistem sosial yang menempatkan laki-laki sebagai otoritas utama dan mendomestikasi perempuan masih menjadi problem sosial yang kerap direproduksi dalam budaya populer, termasuk drama Korea. Dengan menggunakan metode kualitatif deskriptif dan paradigma interpretif, penelitian ini menganalisis elemen-elemen visual, verbal, dan naratif dari 16 episode tersebut, khususnya pada tiga karakter utama: Oh Ae Sun, Yang Gwan Sik, dan Yang Geum Myeong. Temuan penelitian menunjukkan bahwa drama ini secara konsisten menyisipkan simbol, dialog, dan adegan yang menantang mitos patriarkal, seperti dominasi laki-laki dalam rumah tangga, pelabelan gender, serta konstruksi perempuan sebagai subordinat dalam keluarga. Melalui pembalikan peran domestik, afirmasi terhadap otonomi perempuan, dan dukungan laki-laki terhadap emansipasi perempuan, drama ini merefleksikan bentuk-bentuk resistensi halus maupun eksplisit terhadap norma gender konservatif di Korea Selatan. Penelitian ini menyimpulkan bahwa media populer memiliki potensi besar dalam mendekonstruksi ideologi patriarki dan mendorong wacana kesetaraan gender secara lebih progresif.
Literacy Practices of Indonesian College Students Participating in One Semester Off-Campus Program Nafisah, Raudhatun; Syahrani, Rizky Amalia; Parlindungan, Firman; Khairi, Alfin
Linguists : Journal of Linguistics and Language Teaching Vol 10, No 1 (2024): July
Publisher : Universitas Islam Negeri (UIN) Fatmawati Sukarno Bengkulu

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.29300/ling.v10i1.4151

Abstract

Although there is a growing consensus in research that literacy practices can inform growth in literacy competence, there remains a dearth of studies explaining what and how Indonesian college students interact with texts in off-campus contexts. The objectives of this study are two folds: (1) to identify types of literacy practices carried out by Indonesian undergraduate students; and (2) to study the differences in use of the literacy practices between high rating and low rating students. As many as 200 Indonesian undergraduate students participated in this study. They were asked to complete an online questionnaire of literacy practices and a self-assessment. Principal Component Analysis were employed to analyze data for the first research question. T-test analysis was performed to answer the second research question. We found that there are 8 factors treated as posteriori categories of students’ literacy practices off campus, including professional-related literacy practices, academic-related literacy practices, knowledge-generating literacy practices, self-regulated literacy practices, leisure literacy practices, transactional literacy practices, and course-related literacy practices.. The t-test analysis showed that there are significant differences in use of literacy practices in the four first factors between high rating and low rating students. This is because high rating students typically engaged in reading and writing activities that support success of their college program. These findings indicate that determining effective interventions is pivotal to improve literacy skills of Indonesian college students that tap into their structure of literacy practices out of campus.
Adaptation of Popular Culture in Digital Fatwa on Social Media Triantoro, Dony Arung; Husna, Fathayatul; Syahrani, Rizky Amalia; Syam, Futri; Fitri, Ainal
Islam Realitas: Journal of Islamic and Social Studies Vol. 9 No. 2 (2023): December 2023
Publisher : Universitas Islam Negeri Sjech M. Djamil Djambek Bukittinggi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30983/islam_realitas.v9i2.7607

Abstract

The development of modern information technology and mass education does not necessarily weaken traditional religious authorities such as Habib. One of Habib's efforts to survive amidst the development of contemporary information technology is to deliver fatwas with popular culture. Fatwa is the main channel for Habib to establish and strengthen his authority. This article examines the adaptation of popular culture in digital fatwas on social media. This study uses a qualitative method. The data collection technique was carried out through netnography. Then, the data was analyzed using thematic analysis. The results of this research show that there are several forms of adaptation of popular culture carried out by Habib Husein Ja'far in conveying his fatwa on social media. First, Habib Husein Ja'far adapted slang language in conveying his fatwa on social media. Second, Habib Husein Ja'far adopted Japanese culture. Third, Habib Husein Ja'far visualized his fatwa in modern comics. Based on these findings, this study concludes that the development of modern technology has provided opportunities for habib to deliver their fatwas digitally. The form of the fatwa delivered by Habib adopts the form of popular culture, thereby attracting the attention of modern young Muslims.Perkembangan teknologi informasi modern dan pendidikan massal tidak lantas melemahkan otoritas keagamaan tradisional seperti habib. Salah satu upaya yang dilakukan habib untuk bertahan di tengah perkembangan teknologi informasi modern adalah dengan mengemas fatwa melalui budaya populer. Fatwa menjadi saluran utama bagi seorang habib untuk membentuk dan menguatkan otoritasnya. Artikel ini bertujuan untuk mengkaji adaptasi budaya populer dalam fatwa digital di media sosial. Penelitian ini menggunakan metode kualitatif. Adapun teknik pengumpulan data dilakukan melalui netnografi. Kemudian data dianalisis menggunakan analisis tematik. Hasil penelitian ini menunjukkan bahwa ada beberapa bentuk adaptasi budaya populer yang dilakukan Habib Husein Ja’far dalam menyampaikan fatwanya di media sosial yaitu: Pertama, Habib Husein Ja’far mengadaptasi bahasa slang dalam menyampaikan fatwanya di media sosial. Kedua, Habib Husein Ja’far mengadaptasi budaya Jepang. Ketiga, Habib Husein Ja’far memvisualisasikan fatwanya ke dalam komik modern. Berdasarkan temuan tersebut, penelitian ini menyimpulkan bahwa perkembangan teknologi modern telah memberikan peluang kepada habib untuk menyampaikan fatwanya secara digital. Bentuk fatwa yang disampaikan oleh habib mengadopsi bentuk budaya populer, sehingga menarik perhatian anak muda Muslim modern.
Komunikasi Visual: Analisis Semiotika Terhadap Baliho Calon Anggota Legislatif di Aceh Barat Tahun 2024 Syahrani, Rizky Amalia; Dony Arung Triantoro; Raudhatun Nafisah; Ainal Fitri; Muhammad Haekal
Al-Hikmah Media Dakwah, Komunikasi, Sosial dan Kebudayaan Vol 15 No 1 (2024): Al-Hikmah Media Dakwah, Komunikasi, Sosial dan Kebudayaan
Publisher : DEPARTEMENT OF COMMUNICATION AND ISLAMIC BROADCASTING STUDIES

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.32505/hikmah.v15i1.9009

Abstract

The 2024 general election in West Aceh District has brought interesting phenomena, particularly regarding the use of speech billboards with certain identities inserted by legislative candidates. This paper aims to analyze the factors underlying the dysfunction of these billboards. This research employs a qualitative methodology in the form of a case study. The data was collected from the documentation of billboards that were installed prior to the commencement of the campaign period in October 2023. The data were subjected to analysis through several stages based on the social semiotic analysis method, which was developed by Theo Van Leeuwen and comprises four dimensions: discourse, genre, style, and modality. Based on the social semiotic analysis of the speech billboards of legislative candidates in West Aceh, it can be concluded that the choice of language and visualization on speech billboards is used to promote personal identity. The use of speech billboards at weddings, graduation ceremonies, and religious events can be seen as a manifestation of the tendency to use religious sentiment for one's own political gain, with the potential to disrupt the sanctity of the event and the space in which the event takes place. The visualization that the legislative candidates want to convey is visual, by displaying photos and identities that are significantly larger than the event organizer, showing that there is power for the billboard owner, in this case the legislative candidates, to present themselves.