Listiowati, Nensi
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The Playful Desire of Gandana Ensemble in the Deliberation of Sounds Listiowati, Nensi; Hariyanto, Gabriella Charis; Soukotta, Ferdy Karel
Virtuoso: Jurnal Pengkajian dan Penciptaan Musik Vol. 7 No. 2 (2024)
Publisher : Universitas Negeri Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26740/vt.v7n2.p226-239

Abstract

Gandana is an experimental sound ensemble formed by Jogja Disability Art with instrument maker Nanang Garuda. Gandana together with the instrument maker has the concept of sound deliberation. Sound deliberation is a responsive tone-by-tone improvisation that is played spontaneously. Inclusive development in various sectors, including arts in Indonesia, accommodates the artistic expression of artists with disabilities, such as Suluh Sumurup Art Fest 2023 and Biennale 2023. Various stages of experimentation were passed by Gandana and the instrument maker as a forum for creative sound deliberation. This article shows that sound deliberation is Gandana’s desire to play. The relevance between social identity and play desires is used to get recognition from other communities. Data was obtained through literature study, interviews, documentation, and observations at two locations, Suluh Sumurup Art Fest and Jogja Biennale 2023 Interview was conducted at Rumah Museum Garuda with six informants, including Nanang Garuda as the instrument maker and Gandana’s members. The data is divided into two categories, primary and secondary. This research applies inductive logic, where the exploration began through field studies, interviews, and observations. The data then got into the analysis stage to produce a systematic description of the findings. This research reveals that sound deliberation is a playful desire used by Gandana to unite the sense and soul of others, as well as build meditative nuances through the repetition of sounds.
Advocating the Role of Disabled Artists from the Artistic Ecosystem to the Spectrum of Karawitan Performances Swara, Lintang Pramudia; Listiowati, Nensi; Pardosi, Gilbert Natanael; de Fretes, Daniel
Journal of Urban Society's Arts Vol 10, No 2 (2023): October 2023
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/jousa.v10i2.11207

Abstract

This research aims to uncovering the experiences of individuals withdisabilities within the spectrum of karawitan. Their contributions are highlightedthrough captivating performances at the Yogyakarta Gamelan Festival 2022. Disabledfriends successfully presented works that express and actualize their roles withinsociety, including within the artistic ecosystem. The research aims to explore theexperiences interpreted by disabled individuals from Sanggar Seni Candrika Adikara.We chose a case study as the primary approach for the qualitative method thatunderlies this research. The case study involved observing Sanggar Seni CandrikaAdikara and engaging in dialogue with key figures involved in the intersection of the artworld and disability issues in Yogyakarta and its surroundings. Our study wasexpanded by exploring the realms of literary and visual arts and reclaiming performingarts with a fresh discourse on self-equality. The participants' perspectives become asignificant force of value that is unveiled and presented to the readership and theacademic community. The articulation of the artistic experiences of our disabledfriends becomes a manifestation of the creation of a new paradigm that prioritizestheir needs for existence and recognition in various aspects of life.
REVITALISASI LAGU ANAK BERSAMA UNEN UNEN KLINIK MUSIK KELILING DI DESA GUNUNGMOJO Fitria, Annas; Kustap, Kustap; Nugroho, Titis Setyono Adi; Listiowati, Nensi; Hariyanto, Gabriella Charis; Nindyasmara, Ken Ruri; Ramadhani, Azzahra; Situmeang, Amos Christian
RESONA : Jurnal Ilmiah Pengabdian Masyarakat Vol 9, No 2 (2025)
Publisher : Lembaga Penerbitan dan Publikasi Ilmiah (LPPI) Universitas Muhammadiyah Palopo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.35906/resona.v9i2.2690

Abstract

Pesatnya perkembangan teknologi dan informasi digital membawa dampak signifikan terhadap pergeseran selera musik anak di Indonesia. Lagu anak yang semula berfungsi sebagai sarana edukasi, hiburan, dan pembentukan karakter mengalami kemunduran akibat paparan konten digital yang tidak terkendali. Anak-anak usia dini hingga sekolah dasar kini lebih familiar dengan lagu orang dewasa, seperti jedag-jedug, remix, dan Kpop dibandingkan lagu daerah maupun lagu anak yang sesuai dengan kebutuhan psikologisnya. Unen Unen Klinik Musik Keliling hadir sebagai komunitas pemberdayaan yang berfokus pada pengenalan dan penciptaan lagu anak bersama anak-anak di desa-desa Yogyakarta. Tujuan pelaksanaan program ini adalah untuk merancang modul pembelajaran yang kontekstual untuk klinik musik, merevitalisasi lagu-lagu anak, serta membangun ekosistem kesenian musik desa yang lebih holistik, aplikatif, dan berkelanjutan. Adapun pendekatan yang digunakan dalam pengabdian ini melalui beberapa tahap, yaitu tahap sosialisasi, pelatihan dan pendampingan, serta evaluasi. Hasil dari kegiatan ini anak-anak desa dapat memperoleh ruang untuk berkembang, meningkatkan potensi diri, dan mengaktualisasikan dirinya secara setara. Abstract. The rapid advancement of digital technology and information systems has substantially transformed children’s musical preferences in Indonesia. Children’s songs, which traditionally served as media for education, entertainment, and character development, have undergone a marked decline as a result of uncontrolled exposure to digital content. Children from early childhood to primary school age are now more familiar with adult-oriented music, e.g., jedag-jedug (upbeat electronic dance music), remixes, and K-pop, than with local or developmentally appropriate children’s songs that align with their psychological needs. Unen-unen Klinik Musik Keliling serves as a community-based empowerment initiative dedicated to reintroducing and collaboratively composing children’s songs along with the children in rural areas of Yogyakarta. The program aims to develop a contextualized learning module for the music clinic, revitalize children’s songs, and foster a more holistic, practical, and sustainable rural music ecosystem. This community service initiative was implemented through three stages: socialization, training and mentoring, and evaluation. The results indicate that the program provided  rural children with expanded opportunities to grow, enhance their individual potentials, and meaningfully actualize themselves within an equitable artistic learning environment.