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LANDSCAPES OF CITY AND LANSIA THAT SUFFER (THE CASE OF FATHER'S SPION GLASS, HUANG YONGMEI WORK) Gunawan, Hin Goan
Bambuti Vol 1 No 2 (2019): Bambuti : Bahasa Mandarin dan Kebudayaan Tiongkok
Publisher : Fakultas Sastra Universitas Darma Persada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.53744/bambuti.v1i2.7

Abstract. City is a symbol of modernity. The revival of the Urban Fiction genre in contemporary Chinese literature is driven by writers of the 1970s. It portrays not only urban landscapes with the beauty in their works, but also exposes the souls that suffer in urban spaces. As a symbol of a modern, advanced and civilized life portrayed in Huang Yongmei's short story "Rearview Mirror", it has a dark side. Various changes that move to bring progress do not necessarily change the fate and fortune of urban people who live in it. Instead of being able to enjoy a comfortable and orderly urban space, an elderly former truck driver in the text seems to be moving back in time. Huang Yongmei, literary winner of the 7th Lu Xun literary award (2018), builds allegories about denial of the progress or modernity of today's China. The Rearview Mirror property serves as a kind of reminder of how many parts of past lives have been left behind as we go fast in the flow of change. The magnitude of the progress and the change can only be measured by constantly looking back to its rickety and worn-out past. The suffer of the city people in old age is symbolized with the scene of going backwards, as a healing therapy for the abnormal spine due to sitting behind the wheel for too long. When the city people rush over each day, this old man goes backwards. The complexity of big city problems make the elderly desperate. Widower in old age, deceived by false loyalty, habit of going back to the past have turned into a swimming backstroke. Huang Yongmei has arrived to the point of firmness by keeping the urbanâ€™s subject away from the sparkling city life that just makes the little people suffer. The Father's Rearview Mirror text asserts that the urban subject who suffers in his last days leave his hometown, for good.

REMEMBERING XIAO SHAN IN BA JIN ESSAYS THE WOUNDS OF THE CULTURAL REVOLUTION Alkaff, Nadira; Gunawan, Hin Goan
Bambuti Vol 2 No 1 (2020): Bambuti : Bahasa Mandarin dan Kebudayaan Tiongkok
Publisher : Fakultas Sastra Universitas Darma Persada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.53744/bambuti.v2i1.11

The Cultural Revolution era was a dark period in Chinese history. The resistance to the power of Chairman Mao by literati people has resulted in deep wounds, as a result of intimidation, bad stigma, exclusion, and even imprisonment which often ends in death. Ba Jin's essay Remembering Xiao Shan can be seen as a mirror reflecting the deep wounds experienced by the author who is accused of being part of a counterrevolutionary group. Not only himself, but his beloved wife also had to bear the wounds of the Cultural Revolution. This study uses a hermeneutical analysis model to explore the author's "living world" in the text Reminiscing Xiao Shan about the sorrow experienced by himself, his fellow authors who were labeled as part of right-wing resistance, and the people he loved during repressive times under the control of Mao Zedong. The Cultural Revolution was long gone, but the wounds it caused were not easy to heal, and so Ba Jin documented it in the text in the form of an essay. In the end, time has proved that the idea of â€‹â€‹resistance carried out by people like Ba Jin is irresistible, as has been proven by the current capitalistic economic style in China. The close people, even Ba Jin's wife were indeed neglected by the Red Guards, but their thoughts are still alive today.

CYBERLITERATURE IN CHINA: LITERATURE AS INDUSTRY Wati, Wati; Gunawan, Hin Goan
Bambuti Vol 2 No 1 (2020): Bambuti : Bahasa Mandarin dan Kebudayaan Tiongkok
Publisher : Fakultas Sastra Universitas Darma Persada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.53744/bambuti.v2i1.12

The digital revolution has influenced the development of various industrial fields in China, as well as in literature. Various types of literary works were born in the digital space and later developed into a genre called WÇŽngluÃ² wÃ©nxuÃ© ç½‘ç»œ æ–‡å¦ or popularly known as "Cybersastra". This article is an overview of in-depth research on the Cybersastra movement in China, starting from its triggering factors, its pioneers, to its business model from time to time. The Cybersastra movement in China has had a major influence on the literary climate which previously seemed so idealistic, then transformed into competitive digital products based on the basis of supply and demand. Despite the distortion that Cybersastra has caused to the authenticity of Chinese literature, the rapidly developing Cybersastra has succeeded in globalizing Chinese literature. Cybersastra also made the literary climate in China a pop culture industry, which forms the basis of various derivative art industries.

Narasi-narasi Kecil (Mikronarasi) dalam genre Fiksi Pedesaan Pendekatan Posmodernisme terhadap Cerpen Menghilang Bersama Angin karya Xing Qingjie Konistiawati, Stevani; Gunawan, Hin Goan
Bambuti Vol 2 No 2 (2020): Bambuti : Bahasa Mandarin dan Kebudayaan Tiongkok
Publisher : Fakultas Sastra Universitas Darma Persada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.53744/bambuti.v2i2.18

The short story text Disappearing with the Wind by Xing Qingjie as a representation of the rural fiction genre in Chinese Literature attempts to refute the grand narratives of modern fiction. For the author of the text, the power of modernity is not eternal, but can be subverted or deconstructed by giving acknowledgment to the small voices represented by Mr Zou, Sha Xiaobao, and the idiot woman in Disappearing with the Wind. This study uses a postmodernism approach to map the elements of disorientation, abnormality and small voices in that short story. Affirmation of the micronarrative is a way of working of postmodern fiction in challenging the power of modernity with the grand narrative as its main basis. For Xing Qingjie, reality does not always depend on big people, famous people, but can also be celebrated by village people, unusual people, including people who are marginalized in modern life. In his lawsuit, the presence of this text will emphasize that there is no central, no peripheral. All can be the center, and all can also be the periphery. Rural fiction pioneered by Lu Xun proves that denial of the power of grand narratives is possible in the same way that Xing Qingjie has done in a number of his works, including the short story Disappearing with the Wind.

Chinese Identity in God Temple's Birthday Ceremony as a Form of Social Network Celerina Dewi Hartati; Gustini Wijayanti; Hin Goan Gunawan; Yulie Neila Chandra
Cakrawala - Jurnal Humaniora Vol 20, No 2 (2020): September 2020
Publisher : Universitas Bina Sarana Informatika

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31294/jc.v20i2.9512

This study aims to show a form of Chinese social network in the form of a god’s temple birthdayceremony. This ceremony shows a form of social group identity as Chinese people in which shows a concept ofsocial networks. This research is ethnographic research, with the case of a god’s temple birthday ceremony. Dataobtained through interviews with the temple administrator, and observations during the preparation and the dayof the god's temple birthday ceremony. The result is the god’s temple's birthday ceremony is a tradition that ismaintained by the Chinese so as not to disappear and become an identity as a Chinese. The tradition istransmitted from time to time from one place to another place through a social network. This social networkwhich is formed comes from a network between the temples as an institution that has the same main god.Ceremony as a tradition is taught from generation to generation, demonstrated, and trusted. The ceremony washeld in order to maintain a relationship with the past with the ancestors and preserve the social group identity.

LANDSCAPES OF CITY AND LANSIA THAT SUFFER (THE CASE OF FATHER'S SPION GLASS, HUANG YONGMEI WORK) Hin Goan Gunawan
Bambuti Vol 1 No 2 (2019): Bambuti : Bahasa Mandarin dan Kebudayaan Tiongkok
Publisher : Fakultas Sastra Universitas Darma Persada

Abstract. City is a symbol of modernity. The revival of the Urban Fiction genre in contemporary Chinese literature is driven by writers of the 1970s. It portrays not only urban landscapes with the beauty in their works, but also exposes the souls that suffer in urban spaces. As a symbol of a modern, advanced and civilized life portrayed in Huang Yongmei's short story "Rearview Mirror", it has a dark side. Various changes that move to bring progress do not necessarily change the fate and fortune of urban people who live in it. Instead of being able to enjoy a comfortable and orderly urban space, an elderly former truck driver in the text seems to be moving back in time. Huang Yongmei, literary winner of the 7th Lu Xun literary award (2018), builds allegories about denial of the progress or modernity of today's China. The Rearview Mirror property serves as a kind of reminder of how many parts of past lives have been left behind as we go fast in the flow of change. The magnitude of the progress and the change can only be measured by constantly looking back to its rickety and worn-out past. The suffer of the city people in old age is symbolized with the scene of going backwards, as a healing therapy for the abnormal spine due to sitting behind the wheel for too long. When the city people rush over each day, this old man goes backwards. The complexity of big city problems make the elderly desperate. Widower in old age, deceived by false loyalty, habit of going back to the past have turned into a swimming backstroke. Huang Yongmei has arrived to the point of firmness by keeping the urban’s subject away from the sparkling city life that just makes the little people suffer. The Father's Rearview Mirror text asserts that the urban subject who suffers in his last days leave his hometown, for good.

REMEMBERING XIAO SHAN IN BA JIN ESSAYS THE WOUNDS OF THE CULTURAL REVOLUTION Nadira Alkaff; Hin Goan Gunawan
Bambuti Vol 2 No 1 (2020): Bambuti : Bahasa Mandarin dan Kebudayaan Tiongkok
Publisher : Fakultas Sastra Universitas Darma Persada

The Cultural Revolution era was a dark period in Chinese history. The resistance to the power of Chairman Mao by literati people has resulted in deep wounds, as a result of intimidation, bad stigma, exclusion, and even imprisonment which often ends in death. Ba Jin's essay Remembering Xiao Shan can be seen as a mirror reflecting the deep wounds experienced by the author who is accused of being part of a counterrevolutionary group. Not only himself, but his beloved wife also had to bear the wounds of the Cultural Revolution. This study uses a hermeneutical analysis model to explore the author's "living world" in the text Reminiscing Xiao Shan about the sorrow experienced by himself, his fellow authors who were labeled as part of right-wing resistance, and the people he loved during repressive times under the control of Mao Zedong. The Cultural Revolution was long gone, but the wounds it caused were not easy to heal, and so Ba Jin documented it in the text in the form of an essay. In the end, time has proved that the idea of resistance carried out by people like Ba Jin is irresistible, as has been proven by the current capitalistic economic style in China. The close people, even Ba Jin's wife were indeed neglected by the Red Guards, but their thoughts are still alive today.

Narasi-narasi Kecil (Mikronarasi) dalam genre Fiksi Pedesaan Pendekatan Posmodernisme terhadap Cerpen Menghilang Bersama Angin karya Xing Qingjie Stevani Konistiawati; Hin Goan Gunawan
Bambuti Vol 2 No 2 (2020): Bambuti : Bahasa Mandarin dan Kebudayaan Tiongkok
Publisher : Fakultas Sastra Universitas Darma Persada

The short story text Disappearing with the Wind by Xing Qingjie as a representation of the rural fiction genre in Chinese Literature attempts to refute the grand narratives of modern fiction. For the author of the text, the power of modernity is not eternal, but can be subverted or deconstructed by giving acknowledgment to the small voices represented by Mr Zou, Sha Xiaobao, and the idiot woman in Disappearing with the Wind. This study uses a postmodernism approach to map the elements of disorientation, abnormality and small voices in that short story. Affirmation of the micronarrative is a way of working of postmodern fiction in challenging the power of modernity with the grand narrative as its main basis. For Xing Qingjie, reality does not always depend on big people, famous people, but can also be celebrated by village people, unusual people, including people who are marginalized in modern life. In his lawsuit, the presence of this text will emphasize that there is no central, no peripheral. All can be the center, and all can also be the periphery. Rural fiction pioneered by Lu Xun proves that denial of the power of grand narratives is possible in the same way that Xing Qingjie has done in a number of his works, including the short story Disappearing with the Wind.

SUB-GENRES MILITARY LITERATURE IN CHINESE LITERATURE Hin Goan Gunawan; AINANI TAJRIYANI HS
Bambuti Vol 3 No 1 (2021): Bambuti : Bahasa Mandarin dan Kebudayaan Tiongkok
Publisher : Fakultas Sastra Universitas Darma Persada

Chinese literature has various genres, one of which is Military Literature. The short story entitled Sabuk Tentara Rusia by Ma Xiaoli is a text that tells about the relationship between the Russian Army and the Chinese Army and shows the cultural differences between the two countries. The analysis with the modern semiotic approach used in this study succeeded in mapping the elements of the Military Literature sub-genre in Ma Xiaoli's Sabuk Tentara Rusia in detail and comprehensively, and was able to confirm that the text is part of the Military Literature sub-genre in Chinese literature.

MARINE TRANSPORTATION ACROSS INDONESIA AND SINGAPORE IN TRANSNATIONAL CHINA BATAM TRANSPORTASI LAUT INDONESIA- SINGAPURA DALAM JARINGAN TRANSNASIONAL Danny Faturachman; C. Dewi Hartati; Febi Nur Biduri; Hin Goan Gunawan
Bambuti Vol 3 No 1 (2021): Bambuti : Bahasa Mandarin dan Kebudayaan Tiongkok
Publisher : Fakultas Sastra Universitas Darma Persada

Batam City, which is part of the Riau Islands province, is a connecting city between Indonesia and Singapore. Batam City is located in a very strategic location in the border region between countries, neighboring one of the world's business centers, namely Singapore. For this reason, marine transportation has a very important role in maritime countries like Indonesia. The high intensity of Batam and Singapore transportation cannot be separated from the Chinese population of Batam which is a community group in the city of Batam. The existence of Batam Chinese has been going on for centuries, since they came from mainland China using boats. With tenacity, social networks and geographical proximity to Singapore, Batam Chinese people become dominant in the economy in Batam. This study seeks to show maritime aspects and shipbuilding technology and their relationship with social society through transnational concepts. With globalization, and to develop networks, people really need sea transportation to support the transnational process. For all that, maritime safety is needed which greatly affects the sustainability development efforts, especially sea transportation activities.

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