Article Per Year (5 Year)
p-Index From 2021 - 2026
2.162
P-Index
This Author published in this journals
All Journal Panggung Dance and Theatre Review: Jurnal Tari, Teater, dan Wayang Acintya Tonil, Jurnal Kajian Sastra, Teater dan Sinema Abdimas: Papua Journal Of Community Service Jurnal Pengabdian Seni IDEA: Jurnal Seni Pertunjukan TRANSFORMATIKA: Jurnal Bahasa, Sastra, dan Pengajarannya
Purwanto Lephen
Institut Seni Indonesia Yogyakarta
Arts Humanities Education Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Social Sciences Other

Published : 11 Documents Claim Missing Document
Claim Missing Document
Check
Articles

Found 11 Documents
Search

 1   2 
Local Genius dalam Drama dan Teater Putu Wijaya: Local Genius in Putu Wijaya's Drama and Theater Lephen, Purwanto; Senowarsito, Senowarsito
Transformatika: Jurnal Bahasa, Sastra, dan Pengajarannya Vol. 10 No. 1 (2026): TRANSFORMATIKA: JURNAL BAHASA, SASTRA, DAN PENGAJARANNYA
Publisher : Universitas Tidar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31002/transformatika.v10i1.3444

Abstract

This research aims to uncover and analyze the elements of local genius (local wisdom) that form the foundation of the aesthetics and philosophy in Putu Wijaya's dramaturgy. The research method employed is descriptive, with a hermeneutic approach, conducted through textual analysis of play scripts, such as Aduh, Edan, and Zero, as well as observation of the rehearsal process and performances of the "theatre starting from what is available" or "New Tradition" technique, which he pioneered. The findings indicate that the local genius in Putu Wijaya's works is not merely a symbolic use of Balinese or Indonesian cultural elements, but is internalized in the form of: a non-linear and cyclical dramaturgical structure, reflecting the cosmological concept of time in the Indonesian archipelago; a conflict that presents a paradigm of "chaos" as a creative energy, aligning with the concepts of Rwa Bhineda (the duality of opposites) and Desa-Kala-Patra (place-time-context); and an intimate relationship between the audience and the performers (Puyung ma isi), which revives the participatory spirit of traditional performances. In conclusion, Putu Wijaya's approach to drama and theatre is a contemporary form of local genius that transforms traditional values into a universal stage language while remaining firmly rooted in cultural identity.
Co-Authors Arhan, Zaki Daris Budi Raharja Dewanto Sukistono Farid Sathotho, Surya Iis Wulandari Koes Yuliadi Mahdi Naufal Hilmi Nanang Arisona Nur Sahid Putri Sima Prajahita Risang Panji Kumoro Tama, Krisna Wibono, J. Catur