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All Journal Panggung Dance and Theatre Review: Jurnal Tari, Teater, dan Wayang Acintya Tonil, Jurnal Kajian Sastra, Teater dan Sinema Abdimas: Papua Journal Of Community Service Jurnal Pengabdian Seni IDEA: Jurnal Seni Pertunjukan TRANSFORMATIKA: Jurnal Bahasa, Sastra, dan Pengajarannya Proceeding UMSurabaya
Purwanto Lephen
Institut Seni Indonesia Yogyakarta
Arts Humanities Education Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Social Sciences Other

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PERANCANGAN SKENARIO FILM PAKSA BERBASIS KASUS KEKERASAN INSES DI MEDIA DARING Iis Wulandari; Koes Yuliadi; Purwanto Lephen
TONIL: Jurnal Kajian Sastra, Teater dan Sinema Vol 22, No 1: Maret 2025
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/tnl.v22i1.13896

Abstract

Kekerasan inses menjadi fenomena yang mengkhawatirkan, dimana pelaku dan korban memiliki hubungan darah. Diantara berbagai jenis kekerasan, inses adalah yang paling sulit untuk diidentifikasi dan dilaporkan. Faktor lainnya karena stigma dalam masyarakat, yang masih menganggap tabu kekerasan inses untuk dibicarakan di ruang publik. Pendekatan perancangan skenario film Paksa menggunakan beberapa pendekatan antara lain: analisis wacana, dan kreativitas. Pendekatan analisis wacana digunakan untuk mengubah berita menjadi wacana yang dapat dimaknai serta untuk mengetahui lebih jelas pola-pola kekerasan inses. Setelah berita dianalisis, tahap selanjutnya menggali kreativitas untuk mengubah fakta menjadi karya fiksi. Kreativitas adalah keahlian seseorang dalam menciptakan bentuk baru dari karya sebelumnya. Setelah ide muncul, metode untuk mengolahnya menggunakan metode transformasi distorsi. Transformasi distorsi, adalah sebuah metode dimana pencipta bebas dalam menstransformasikan fakta tersebut. Setelah data dan fakta diolah, maka tahap terakhir perancangan skenario film. Penciptan skenario film menggunakan struktur tiga babak dan in medias res. Paksa menceritakan seorang penyintas kekerasan inses yang berjuang menyelamatkan muridnya. Perjuangannya tidak mudah karena peristiwa terjadi di lingkungan masyarakat yang masih tabu dengan kekerasan inses serta kontruksi sosial yang begitu kuat memagari pemikiran masyarakat desa. Diharapkan karya skenario film menjadi media edukasi dan advokasi untuk meningkatkan kesadaran publik mengenai kekerasan inses.
MENGKREASI TEKS DRAMA(TIK) MELALUI KONSEPSI LAJOS EGRI: PERSOALAN TEORI, METODE DAN EVALUASI Purwanto Lephen
TONIL: Jurnal Kajian Sastra, Teater dan Sinema Vol 22, No 1: Maret 2025
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/tnl.v22i1.15011

Abstract

Research on the creation of drama(tic) texts still leaves issues of theory, method and evaluation of early works (prototypes) before the work is published. One of the most commonly used theories is that of Lajos Egri. Lajos Egri has not mentioned the source of drama text creation, the methods used, and the evaluation that must be done in order to become a quality drama work. The study method used relates to empirical experience, observation and literature review of research-based drama text creation. As a result, the theory of drama text creation (Lajos Egri) can be used by adding creation sources, creation methods, evaluation of initial creation, stabilising the quality of the work with a certain structure or aesthetic, and publication of the work. Further research can be conducted on modifying Lajos Egri's theory for the creation of visual theatre, body theatre, musical theatre and audio theatre texts. 
Interaksi Sosial Dalam Drama Aduh Karya Putu Wijaya: Kajian Sosiolinguistik Praktis Purwanto Lephen; Hardjito Hardjito; Mukhlis Mukhlis; Ika Septiana
TONIL: Jurnal Kajian Sastra, Teater dan Sinema Vol 23, No 2: September 2026
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/tnl.v23i2.21459

Abstract

This study aims to analyze the forms of social interaction represented in Aduh, a drama by Putu Wijaya, through the perspective of practical sociolinguistics. The drama portrays the dynamics of relationships among characters constructed through language use in complex social situations characterized by tension, uncertainty, and conflicts of interest. This research employs a qualitative descriptive method using content analysis to examine the dialogues in the drama script. The data consist of the characters’ utterances that reveal patterns of social interaction, language choices, communication strategies, and social relationships developed throughout the dramatic events. The findings indicate that social interaction in Aduh is manifested through cooperation, competition, conflict, accommodation, and negotiation of meaning among characters. Variations in language use reflect differences in social status, interests, and attitudes of the characters. Furthermore, the use of questions, commands, accusations, rebuttals, and emotional expressions plays an important role in shaping social relationships. This study demonstrates that language functions not only as a means of communication but also as a tool for constructing, maintaining, and transforming social relations. The research is expected to enrich sociolinguistic studies of Indonesian drama, particularly concerning the representation of social interaction in dramatic texts.
Co-Authors Arhan, Zaki Daris Budi Raharja Dewanto Sukistono Hardjito Hardjito Iis Wulandari Ika Septiana Koes Yuliadi Mahdi Naufal Hilmi Mukhlis, Mukhlis Nanang Arisona Nur Sahid Putri Sima Prajahita Risang Panji Kumoro Senowarsito, Senowarsito Surya Farid Sathotho Tama, Krisna Wibono, J. Catur