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All Journal Journal of Language and Literature LLT Journal: A Journal on Language and Language Teaching Kamaya: Jurnal Ilmu Agama Hearty : Jurnal Kesehatan Masyarakat Jurnal Bluefin Fisheries Bakti Budaya: Jurnal Pengabdian kepada Masyarakat Prosiding University Research Colloquium Widyaparwa Shahih : journal of islamicate multidisciplinary
Prakoso, Imam
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Religion Agriculture, Biological Sciences & Forestry Arts Humanities Biochemistry, Genetics & Molecular Biology Chemistry Computer Science & IT Education Engineering Environmental Science Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Mechanical Engineering Medicine & Pharmacology Social Sciences Other

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TOKOH PANAKAWAN SEBAGAI SARANA PEMBANGUN WACANA KRITIK SOSIAL PADA PERTUNJUKAN WAYANG KULIT DI MEDIA YOUTUBE Prakoso, Imam
Widyaparwa Vol 51, No 2 (2023)
Publisher : Balai Bahasa Provinsi Daerah Istimewa Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26499/wdprw.v51i2.1179

Abstract

The presence of panakawan in the shadow puppet show with its own dynamics. Now they are no longer limited as complementary instruments in the dramatic structure of wayang performances. Panakawan is now also interpreted as a reformer in wayang presentation, such as the use of characters who are naive, witty, and sometimes talk as they are. The identification of his figure which is interpreted as a small people also provides a new color for the development of wayang kulit performances. This study discusses the discourse of social criticism that is built from the language style of the panakawan figures. The style of language that is seen is from the use of figure of speech, the strategy of sentence structure, and the selection of diction. The results of this study indicate that there is social criticism that discusses problems in the realm of development, education, law, dirty political behavior of public officials, culture, and morals. The criticism is conveyed both explicitly and implicitly through the use of figure of speech, scrutinizing sentence structure, and choice of diction. All these criticisms were conveyed by panakawan who were represented as small people against other figures such as kings or gods who were represented as leaders or public officials.Kehadiran panakawan di dalam pertunjukan wayang kulit diwarnai dengan dinamikanya tersendiri. Kini mereka tidak lagi sebatas instrumen pelengkap di dalam struktur dramatik pertunjukan wayang. Panakawan kini juga dimaknai sebagai sosok pembaharu dalam sajian wayang, seperti pe-manfaatan karakter yang lugu, jenaka, dan terkadang berbicara apa adanya. Identifikasi terhadap sosoknya yang dimaknai sebagai rakyat kecil juga memberikan warna baru bagi perkembangan pertunjukan wayang kulit. Penelitian ini membahas tentang wacana kritik sosial yang dibangun dari gaya bahasa pada tokoh panakawan. Adapun gaya bahasa yang dilihat yaitu dari pemanfaatan majas, penyiasatan struktur kalimat, serta pemilihan diksi. Hasil penelitian ini menunjukkan bahwa terdapat kritik sosial yang membahas permasalahan dalam ranah pembangunan, pendidikan, hukum, perilaku politik kotor para pejabat publik, budaya, serta moral. Kritik tersebut disampaikan baik secara eksplisit maupun implisit melalui pemanfaatan majas, penyiasatan struktur kalimat, serta pilihan diksi. Seluruh kritik tersebut disampaikan oleh panakawan yang direpresentasikan sebagai rakyat kecil terhadap tokoh lain, seperti raja atau dewa yang direpresentasikan sebagai pe-mimpin atau pejabat publik.
MELACAK AKTIFITAS ILLEGAL FISHING MELALUI PEMANFAATAN AIS (AUTOMATIC IDENTIFICATION SYSTEM) PADA KAPAL DAN AIS HYBRID SEBAGAI ALAT BANTU PENANGKAPAN IKAN Simau, Silvester; Prakoso, Imam; Manengkey, Jenny I; Manohas, Jul; Pontoh, Peggy; da Gomez, Grandhi K
JURNAL BLUEFIN FISHERIES Vol 4, No 2 (2022)
Publisher : Politeknik Kelautan dan Perikanan Bitung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15578/jbf.v4i2.145

Abstract

      Information technology is growing rapidly with various facilities that can be obtained through various fields of work. Information technology can also be found in the field of work on fishing vessels. One of the means of communication that is being used by Indonesian commercial vessels (excluding fishing vessels) in the last two years is the Automatic Identification System (AIS). AIS is a Maritime Navigation System and Radio Communication. This system aims to improve life safety at sea, safety and efficiency of shipping and protection of the marine environment by communicating navigation information automatically on VHF channels between ships, as well as from ships and shore.     Fishing technology is gradually changing in the use of fishing aids with various ease of operation. Information technology developed by prioritizing easy access to data and information in the use of fishing aids. One of the information technologies used today is the use of AIS devices in ship’s navigation and marking fishing gear that is being operated.  AIS is a maritime navigation and radio communication system. This system aims to improve life safety at sea, safety and efficiency navigation as well as the protection of the marine environment by automatically communicating navigational information on the VHF channel between ships, through AtoN and shore stations. Various technological innovations developed with this AIS device have resulted in AIS hybrid that can be used as a fishing gear, especially as a fishing gear marker      Fishing aids that have been used so far by fishermen in terms of marking fishing gear that are being operated are marker buoys, radio buoys supported by RDF devices. The use of AIS hybrid in fishing techniques with long lines or other fishing gear is one of the technological developments, especially the use of AIS hybrid as a tool or a marker when fishing gear is operated.         The use of AIS hybrid on fishing vessels as a marker for fishing gear has not been widely applied in Indonesia. This needs to be introduced to fishermen or fishing vessel officers as has been used on foreign fishing vessels operating in Indonesian EEZ waters.  In order to avoid errors in accessing AIS data in the vessels tracking lane due to the AIS hybrid, it is recommended that the AIS hybrid MMSI number be issued by the competent authority in accordance with the applicable provisions of the IMO standard.
Pelatihan Apresiasi Karya Sastra Jawa bagi Siswa SD Negeri Suryowijayan Yogyakarta Prakoso, Imam; Winarti, Daru; Sulistyowati, Sulistyowati
Bakti Budaya: Jurnal Pengabdian kepada masyarakat Vol 6 No 2 (2023): 2023: Edisi 2
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/bakti.6278

Abstract

It seems that geguritan still being one of the learning objects which rarely receive attention in school. This is because geguritan is stigmatized as a literature work that is difficult to understand because of its language, hence only certain people are able to appreciate it. Based on this problem, the Javanese Literature Program of UGM community service team attempted to reintroduce geguritan through literature appreciation activities to the students of Suryowijayan Elementary School. This program aims to remind them of the Javanese cultural identity which is implemented in geguritan and improve their social awareness. There were several activities including an introduction to the basic concept of geguritan, geguritan reading practice, geguritan writing practice about students’ hobbies and daily activities, and creating a wall magazine from their geguritan. At the end of the program, students read their geguritan which later turned into a compilation video as the outcome of this program. === Kiranya apresiasi karya sastra geguritan masih menjadi bentuk pendidikan yang belum mendapatkan perhatian di lingkungan sekolah. Hal ini karena masih adanya anggapan terhadap geguritan sebagai sebuah karya sastra yang sukar dipahami karena bahasanya sehingga hanya bisa dinikmati oleh kalangan tertentu. Berangkat dari stigma tersebut, tim pengabdian kepada masyarakat dari Program Studi Bahasa, Sastra, dan Budaya Jawa UGM berupaya untuk mengenalkan kembali geguritan melalui kegiatan apresiasi karya sastra yang dilakukan terhadap siswa SD Negeri Suryowijayan. Kegiatan ini bertujuan mengingatkan kembali identitas budaya Jawa yang terwujud dalam geguritan serta meningkatkan kepedulian sosial akan berbagai peristiwa dalam kehidupan sehari-hari. Bentuk pembelajaran yang dilakukan dalam kegiatan ini terdiri atas beberapa tahap, yaitu pengenalan konsep dasar geguritan, latihan membaca geguritan, latihan menulis geguritan tentang hobi serta keseharian siswa, dan pembuatan karya mading dari geguritan. Pada akhirnya, karya mading tersebut dibaca oleh siswa dan divisualisasikan menjadi sebuah video kompilasi sebagai bentuk luaran program pengabdian.
MOCK IMPOLITENESS AND SYMBOLIC INTERACTIONISM IN KI SENO NUGROHO’S JAVANESE SHADOW PUPPET SHOW Prakoso, Imam
LLT Journal: A Journal on Language and Language Teaching Vol 27, No 2 (2024): October 2024
Publisher : English Education Study Programme of Sanata Dharma University, Yogyakarta, Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24071/llt.v27i2.8190

Abstract

This research aims to investigate the use of mock impoliteness in Ki Seno Nugroho’s shadow puppet performances and the formation of symbolic interactionism between the puppeteer and the audience. This is due to the evolving forms of politeness within Javanese society, particularly in the realm of shadow puppet performances in the modern era. Additionally, there is a public perception of Ki Seno Nugroho as a humorous puppeteer using Bagong as a means of communication during his performances. The analysis of conversations between Bagong and other characters is used to explore the context of mock impoliteness and symbolic interactionism in Ki Seno Nugroho’s shadow puppet shows titled “Bagong Duta,” “Bagong Maneges,” and “Semar Mbangun Kayangan.” The results of this study indicate that the use of mock impoliteness serves to create a humorous atmosphere, thus enhancing the entertainment aspect of Ki Seno Nugroho’s shadow puppet performances. Moreover, it seems that Ki Seno Nugroho successfully portrays Bagong in three forms of symbolic interactionism: as a physical entity (the youngest son of Semar, the father of all panakawan characters in the Javanese puppet shadow story), a social entity (a representation of resistance by the common people towards authority), and an abstract entity (an entertainment element in shadow puppet performances).
Kesantunan dan Solidaritas dalam Prespektif Komunikasi Lintas Budaya Pada Masyarakat Jawa dan Kei Prakoso, Imam
SHAHIH: Journal of Islamicate Multidisciplinary Vol. 4 No. 2 (2019)
Publisher : Universitas Islam Negeri Raden Mas Said Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22515/shahih.v4i2.1859

Abstract

This paper aim to describe the form of cross-cultural communication through the politeness and solidarity aspect between the Javanese and Keinese community during the UGM community service program in Kei Islands for July – August 2013. This study conducted using a qualitative method carried out with a case study interpretation approach to investigate forms of cross-cultural communication between UGM community service students as representations of Javanese ethnicity and local residents. The data in this study were collected through direct observation by listening and note-taking techniques while interacting with the local people. The result showed that there are big differences in knowledge of politeness and solidarity between Javanese and Keinese ethnicity. The basic differences are shown by the openness of Keinese people. Strengths and openness of Keinese social ties make the way of their communication become associative and explicit.  Whereas the Javanese people were concern about indirectness, implicit, and always avoiding conflict when they communicate with others. The finding of both cultural types divides into five communication aspects: the way of visiting someone’s house, understanding the concept of time or lexicon of ‘tomorrow’, greetings as convergence strategy, negotiating in the traditional market, and the emotional expression during the talk. However, the phenomenon of cross-cultural communication during the community service program (KKN) in July – August 2013 reflected the openness of Keinese people which represented the pluralism value of its customary law.
FAKTOR RISIKO KELUHAN COMPUTER VISION SYNDROME (CVS) PADA OPERATOR WARUNG INTERNET DI KECAMATAN BOJONG GEDE, KABUPATEN BOGOR TAHUN 2017 Asnifatima, Andi; Prakoso, Imam; Fatimah, Anissatul
HEARTY Vol 5 No 2 (2017): AGUSTUS
Publisher : Fakultas Ilmu Kesehatan, Universitas Ibn Khaldun, Bogor

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (561.745 KB) | DOI: 10.32832/hearty.v5i2.1055

Abstract

Peningkatan penggunaan komputer membawa sejumlah masalah kesehatan pada mata yang disebut Computer Vision Syndrome (CVS) yang menggambarkan masalah penglihatan yang terkait dengan lamanya pengunaan komputer. Di Indonesia sekitar 2,1 juta orang menggunakan komputer dan mengakses internet melalui Warung Internet (Warnet) sebesar 187,93 jam per bulan. Penelitian ini bertujuan untuk menganalisis hubungan faktor-faktor risiko dengan keluhan Computer Vision syndrome (CVS) pada Operator Warung Internet di Kecamatan Bojong Gede, Kabupaten Bogor tahun 2017. Penelitian ini bersifat kuantitatif dengan metode cross sectional menggunakan sampel jenuh sebanyak 50 orang pekerja operator warung internet. Data dianalisis dengan uji statistic chi square dan analisis regresi logistik. Hasil menunjukan 76% operator warnet mengalami CVS, gejala utama mata lelah dan tegang (80%) dengan faktor risiko usia < 40 tahun (92%), waktu istirahat < 2 jam (56%), durasi penggunaan computer >4 jam (82%), sudut penglihatan lebih tinggi (60%), jarak penglihatan <50 cm (66%). Kesimpulannya terdapat hubungan yang bermakna antara waktu istirahat (p-value 0,016), durasi penggunaan komputer (p-value 0,027), sudut penglihatan (p-value 0,035), dan jarak penglihatan (p-value 0,047) dengan CVS dan yang paling berisiko durasi penggunaan computer (OR 27 kali). Disarankan mengurangi menatap monitor dan memasang software pengingat waktu istirahat.
Analisis Ketidaksantunan Tokoh Bagong dalam Pagelaran Wayang Kulit Ki Seno Nugroho Prakoso, Imam
Prosiding University Research Colloquium Proceeding of The 11th University Research Colloquium 2020: Bidang Sosial Humaniora dan Ekonomi
Publisher : Konsorsium Lembaga Penelitian dan Pengabdian kepada Masyarakat Perguruan Tinggi Muhammadiyah 'Aisyiyah (PTMA) Koordinator Wilayah Jawa Tengah - DIY

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Penelitian ini bertujuan untuk menjelaskan tentang bentuk ketidaksantunan yang digunakan dalam pertunjukan wayang kulit. Penelitian ini menggunakan pendekatan teori ketidaksantunan Culpeper yang terdiri dari lima aspek yaitu ketidaksantunan langsung (Bald on record), ketidaksantunan positif (positive impoliteness), ketidaksantunan negative (negative impoliteness), sarkasme (mock politeness), dan ketidaksantunan tidak langsung (off-record impoliteness). Metode yang digunakan dalam penelitian ini yaitu kualitatif dengan mendeskripsikan setiap data berupa tuturan verbal ke dalam kategorisasi ketidaksantunan berbahasa Culpeper. Data diperoleh dengan metode simak melalui video unggahan di laman resmi youtube miliki Ki Seno Nugroho bernama “Dalang Seno”. Pemilihan lakon juga didasarkan pada judul yang mengangkat tema atau memunculkan tokoh Bagong seperti Semar Mbangun Kayangan, Semar Boyong, Semar Mantu, Semar Mbangun Pendhapa, Semar Mbangun Pura Kencana, Bagong Dhuta, Bagong Gugat, dan Bagong Mbangun Desa. Selain itu, tuturan verbal yang menjadi data penelitian ini hanya terdiri dari cerita inti lakon tanpa babak limbukan dan gara-gara. Hal tersebut dikarenakan limbukan dan gara-gara sudah mengalami modifikasi yang jauh dari struktur dramatik pertunjukan wayang serta digunakan untuk sarana hiburan antara dalang dengan kru pemusik maupun penonton. Lakon-lakon yang dipilih kemudian diunduh untuk mempermudah pemerolehan data dengan menggunakan teknik catat. Tahap terakhir dari metode penelitian ini adalah mengklasifikasikan data yang terkumpul ke dalam beberapa aspek ketidaksantunan Culpeper dengan memakai metode padan pragmatik. Hasil yang didapatkan yaitu adanya bentuk ketidaksantunan secara langsung, positif, negatif, sarkasme, dan tidak langsung. Selain itu, ketidaksantunan tokoh Bagong dilatarbelakangi oleh ekspresi kemarahan, kritik, maupun humor terhadap tokoh lain sebagai mitra tutur seperti sesama punakawan lain, raja, hingga dewa.
The Representation of Ambyar Concept in Guyon Waton’s Songs Sulistyowati, Sulistyowati; Prakoso, Imam; Sunarti, Sunarti; Isnaini, Mohamad Fadli
Journal of Language and Literature Vol 24, No 1 (2024): April
Publisher : Universitas Sanata Dharma

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24071/joll.v24i1.6350

Abstract

This research aims to examine the concept of ambyar in Javanese pop dangdut songs. This research is descriptive qualitative and quantitative research applying Roland Barthes’s semiotic approach and Lecay's representation theory. The data was collected through observation, transcription, and closed interviews. The data taken from Guyon Waton’s song lyrics are categorized into primary data consisting of words, phrases, clauses, and sentences and secondary data in audio consisting of high and low notes and repetition of lyrics. Furthermore, closed interviews were conducted to collect information related to the representation of ambyar, which develops in society. The results show that ambyar in Guyon Waton’s song lyrics is represented through disappointment, heartbreak, abandonment, and unrequited love. On the other hand, the contradicting lyrics describe ambyar as an attitude of resignation, fast move on, and toughness. It indicates a cultural change that develops in society. Therefore, the meaning of ambyar expands as evident by the results of interviews that illustrate the positive meaning of ambyar in events, food, and activities. In contrast, it remains negative in the context of politics, education, and love.
Sayembara Misuhi Pandemi: Wujud Katarsis dalam Kreativitas Kebahasaan di Tengah Gelombang Pandemi Covid-19 Prakoso, Imam
Kamaya: Jurnal Ilmu Agama Vol 8 No 2 (2025)
Publisher : Jayapangus Press

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37329/kamaya.v8i2.3912

Abstract

This study examines the variations in Javanese swear words created in a competition titled "Sayembara Misuhi Pandemi" initiated by the Jawasastra Community. Furthermore, this study aims to examine the meaning and factors behind the emergence of these curses. The data in this study were taken from video posts on Instagram using the hashtag #misuhipandemi, which was used to identify participants in the "Misuhi Pandemic" competition. Next, the data were classified based on their linguistic markers. Data analysis was conducted using semantic descriptions of the lingual markers in the form of words and describing the sentence contexts within the curses to understand the meaning and factors behind their emergence. The analysis results show that the uniqueness of this competition is reflected in the variety of curse words directed at the COVID-19 pandemic. The curse words that emerged as curses regarding the COVID-19 pandemic are associated with nouns, verbs, and adjectives or states. When examined by factors, swearing during the COVID-19 pandemic is caused by boredom from prolonged periods at home, anger due to limited interaction with others, anger due to economic factors, and anger at society's indifference during the COVID-19 pandemic.
Co-Authors Andi Asnifatima da Gomez, Grandhi K Daru Winarti, Daru Fatimah, Anissatul Isnaini, Mohamad Fadli Manengkey, Jenny I Manohas, Jul Pontoh, Peggy Simau, Silvester Sulistyowati Sulistyowati Sunarti