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All Journal Sosiohumaniora Dharmakarya : Jurnal Aplikasi Ipteks Untuk Masyarakat Buletin Perpustakaan Acarya Pustaka Literasi : Jurnal Bahasa dan Sastra Indonesia serta Pembelajarannya Shaut Al-Maktabah: Jurnal Perpustakaan, Arsip dan Dokumentasi Info Bibliotheca: Jurnal perpustakaan dan ilmu Informasi JPUA: Jurnal Perpustakaan Universitas Airlangga: Media Informasi dan Komunikasi Kepustakawanan Caraka : Indonesia Journal of Communication NUSANTARA: Jurnal Pengabdian Kepada Masyarakat Safari : Jurnal Pengabdian Masyarakat Indonesia Innovative: Journal Of Social Science Research Realisasi: Ilmu Pendidikan, Seni Rupa dan Desain Ekspresi: Publikasi Kegiatan Pengabdian Indonesia
Encang Saepudin
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Religion Agriculture, Biological Sciences & Forestry Arts Humanities Computer Science & IT Economics, Econometrics & Finance Education Engineering Health Professions Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Library & Information Science Public Health Social Sciences Other

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Penerapan Teknik Pengambilan Gambar oleh Director of Photography pada Produksi Video Feature "Melodi Bambu" Guntur Aghni Triguna; Encang Saepudin; Ari Agung Prastowo
Nusantara: Jurnal Pengabdian kepada Masyarakat Vol. 5 No. 3 (2025): Agustus : NUSANTARA Jurnal Pengabdian Kepada Masyarakat
Publisher : Lembaga Pengembangan Kinerja Dosen

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55606/nusantara.v5i3.6418

Abstract

This Final Project report discusses the visual design process by the author as Director of Photography (DoP) in the creation of a feature video entitled "Bamboo Melody: Reviving a Traditional Symphony." This work aims to highlight the challenges faced in preserving the art of angklung music in the modern era, particularly the low interest of Generation Z in traditional culture. Angklung, which is one of Indonesia's cultural heritages, is experiencing a regeneration crisis, where the successors of this tradition are decreasing. In this context, it is important to convey the meaning and cultural values of angklung to the younger generation in a relevant and engaging way. The method of writing this report uses a descriptive approach that includes three production stages: pre-production, production, and post-production. Each stage is designed systematically and reflectively to ensure that the intended message is well received by the audience. In the pre-production stage, the author designed a visual concept that aligns with the theme and purpose of the work, namely to depict the meaningful philosophy of the angklung sound. In the production stage, shooting techniques were carefully selected to ensure aesthetics and clear communication in each frame. The results of the application of appropriate shooting techniques are proven to be able to present the philosophical value of angklung aesthetically and communicatively. Through powerful visuals, viewers can experience the depth of meaning behind this traditional musical instrument. Furthermore, this work concludes with testimonials from young angklung players and an angklung performance at Saung Angklung Udjo, illustrating concrete efforts to preserve angklung culture. This section emphasizes the importance of youth involvement in cultural regeneration, demonstrating that with a creative approach, the angklung's sound philosophy can be revived and well-received by Generation Z. Therefore, this work not only conveys solutions in the form of discourse but also provides a concrete illustration of cultural preservation through contemporary media that is accessible and understandable to the younger generation.
Kualitas dan akses informasi di Perpustakaan Umum Daerah Kota Bogor Encang Saepudin; Nur Indah Srirezeki; Khadijah, Ute Lies Siti
Innovative: Journal Of Social Science Research Vol. 5 No. 1 (2025): Innovative: Journal Of Social Science Research
Publisher : Universitas Pahlawan Tuanku Tambusai

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31004/innovative.v5i1.16157

Abstract

The quality of library services plays an important role in encouraging public interest in reading, especially among students. Although the interest in reading among Indonesian people continues to increase, the reading interest index is still relatively low when compared to other countries. This study aims to analyze the quality of services and access to information at the Bogor City Regional Public Library. The research method used is a quantitative approach with a descriptive design. The population in this study were students and students who used the Bogor City Public Library in the period April to June 2024, totaling 212 people. Data were obtained from 68 respondents using a simple random sampling technique through a questionnaire, supported by interviews, observations, and literature studies. Data analysis was carried out descriptively through the stages of data reduction, data presentation, and drawing conclusions and verification. The results of the study indicate that the quality of service and ease of access to information in the library can meet the information needs of users efficiently. The use of modern equipment and facilities that support independence in accessing information creates a conducive environment for learning and research activities, thus encouraging users to be more active in searching for and reading information in the library.
Penyutradaraan Film Dokumenter “Tricked By Trends” Dengan Pendekatan Ekspositori Dan Naratif Nursafitri, Eka; Encang Saepudin; Andri Yanto
CARAKA : Indonesia Journal of Communication Vol. 6 No. 2 (2025): CARAKA : Indonesia Journal of Communication
Publisher : Indonesian Scientific Journal (Jurnal Ilmiah Indonesia)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25008/caraka.v6i2.233

Abstract

Sutradara merupakan posisi yang memiliki tanggung jawab atas keseluruhan aspek kreatif dalam proses produksi film dokumenter, mulai dari pra-produksi, produksi, hingga pasca-produksi. Sutradara berperan penting dalam membentuk konsep, menerjemahkan visi kreatif, serta mengarahkan proses pembuatan karya agar menghasilkan dokumenter yang informatif dan layak ditonton. Penulisan laporan tugas akhir ini bertujuan untuk menjelaskan peran sutradara dalam setiap tahapan produksi film dokumenter “Tricked By Trends” dengan pendekatan ekspositori dan naratif. Metode penciptaan yang digunakan terdiri dari tiga tahap, yaitu pra-produksi, produksi, dan pasca-produksi. Pada tahap pra-produksi, sutradara berperan aktif dalam pengembangan ide dan penyusunan konsep bersama scriptwriter, serta memastikan bahwa struktur naratif dan pendekatan ekspositori telah dirancang dengan matang. Pada tahap produksi, sutradara mengarahkan pengambilan gambar, wawancara, dan elemen visual lainnya agar selaras dengan alur naratif dan tujuan ekspositori film. Sementara pada tahap pasca-produksi, sutradara bertanggung jawab melakukan finalisasi dan revisi terhadap hasil produksi agar menjadi satu kesatuan yang utuh. Kesimpulannya, peran sutradara dalam film dokumenter “Tricked By Trends” berhasil dijalankan dengan baik, mulai dari pembentukan konsep hingga penyelesaian akhir karya, dengan mengintegrasikan pendekatan ekspositori dan naratif secara harmonis untuk menyampaikan isu impulsif di kalangan Gen Z secara efektif.
Perencanaan Naskah Naratif Video Dokumenter “Bisakah Aku Kembali?” tentang Rehabilitasi Kukang Jawa Anggita Nuringtyas; Siti Arifa Rosa; Encang Saepudin; FX. Ari Agung Prastowo
Ekspresi : Publikasi Kegiatan Pengabdian Indonesia Vol. 3 No. 2 (2026): April: Ekspresi : Publikasi Kegiatan Pengabdian Indonesia
Publisher : Asosiasi Seni Desain dan Komunikasi Visual Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62383/ekspresi.v3i2.1086

Abstract

A scriptwriter is the individual responsible for organizing and designing the storyline as the foundation for the documentary video production process. In the production of the documentary video “Bisakah Aku Kembali?”, the scriptwriter plays a crucial role in processing facts and research data into a structured narrative, thereby delivering messages informatively while building emotional resonance with the audience. The purpose of this report is to explain the narrative script planning process and describe the application of the three-act structure as the primary approach in building the storyline. The writing method used is descriptive through the stages of research, observation, and interviews, processing field facts into a structured narrative. Synthesis of the work was carried out by applying the three-act structure, consisting of Act I (setup) to introduce the issue and context of rehabilitation, Act II (confrontation) to develop conflict through medical realities and animal behavior during rehabilitation, and Act III (resolution) to present the conclusion and reflection on the relationship between humans and nature. In conclusion, documentary script planning using a narrative approach and a three-act structure is capable of producing a coherent, informative, and reflective storyline in conveying conservation messages regarding the rehabilitation of the Javan Slow Loris as a protected species.
Implementasi Teknik Pengambilan Gambar pada Produksi Video Dokumenter “Bisakah Aku Kembali?” Siti Arifa Rosa; Anggita Nuringtyas; Encang Saepudin; FX. Ari Agung Prastowo
Ekspresi : Publikasi Kegiatan Pengabdian Indonesia Vol. 3 No. 2 (2026): April: Ekspresi : Publikasi Kegiatan Pengabdian Indonesia
Publisher : Asosiasi Seni Desain dan Komunikasi Visual Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62383/ekspresi.v3i2.1087

Abstract

The Director of Photography (DOP) is responsible for the visual aspects of documentary video production, covering the pre-production, production, and post-production stages. The DOP plays a crucial role in translating concepts and messages into visual form through the arrangement of composition, lighting, camera angles, and camera movement to produce visuals that are both aesthetically appealing and meaningful. The purpose of this final project report is to explain the role of the DOP in the production process of a documentary video that focuses on the rehabilitation of the Javan slow loris. The method used is a descriptive approach to systematically and comprehensively identify the object of study. In the pre-production stage, the DOP designs the visual concept, prepares the shot list, creates the storyboard, and coordinates with the director. During the production stage, the DOP is responsible for capturing footage by applying cinematographic techniques. In the post-production stage, the DOP conducts visual evaluation and provides input during the editing process. In conclusion, the Director of Photography has effectively fulfilled their role in producing visual quality that supports message delivery in the documentary Bisakah Aku Kembali? about Javan slow loris rehabilitation.
Pendekatan Positive Narrative dalam Penulisan Naskah Animasi “Aku Jaga Tubuhku” Sebagai Media Literasi Perlindungan Diri Anak Azmi Maharani; Encang Saepudin; Heru Ryanto Budiana
Realisasi : Ilmu Pendidikan, Seni Rupa dan Desain Vol. 3 No. 2 (2026): April: Realisasi : Ilmu Pendidikan, Seni Rupa dan Desain
Publisher : Asosiasi Seni Desain dan Komunikasi Visual Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62383/realisasi.v3i2.1096

Abstract

The number of cases of sexual violence against children in Indonesia remains alarming, particularly among elementary school-aged children. One factor contributing to children's high vulnerability is a lack of understanding of body boundaries and self-protection. Furthermore, education about the body and self-protection is often considered taboo, resulting in inadequate communication with children. This article discusses the application of a positive narrative approach in writing an educational animation script entitled "Aku Jaga Tubuhku" (I Take Care of My Body) as a self-protection literacy medium for children aged 6–9 years. The research used a descriptive method, outlining the script design process through pre-production, production, and post-production stages. The positive narrative approach was implemented through the development of story, dialogue, characters, and conflict that emphasize child empowerment without creating excessive fear. The results indicate that this approach can help children understand the concepts of body boundaries, safe touch, and unsafe touch in a more concrete and emotionally secure manner. The integration of song elements as memory aids also strengthens children's understanding and retention of the message. Thus, writing an animation script based on a positive narrative can be an effective educational communication strategy for conveying self-protection literacy to elementary school-aged children.
Peran Konten Edukatif di Instagram @temaniPusnas dalam Memperluas Jangkauan Pemasaran Aplikasi iPusnas -, Nabilah Ayu Kusumaningrum; Encang Saepudin; Agus Rusmana
Buletin Perpustakaan Vol. 9 No. 1 (2026): Buletin Perpustakaan Volume 9 Nomor 1, Mei 2026
Publisher : Universitas Islam Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20885/bpuii.v9i1.47364

Abstract

Penelitian ini bertujuan untuk menganalisis peran konten edukatif pada akun Instagram @temaniPusnas dalam memperluas jangkauan (reach) pemasaran sekaligus membangun keterlibatan (engagement) pengguna aplikasi iPusnas. Urgensi penelitian ini terletak pada perlunya optimalisasi media sosial oleh perpustakaan di era digital untuk meningkatkan kesadaran literasi dan keterlibatan pengguna secara organik melalui perpanjangan tangan komunitas non-resmi (unofficial account). Pendekatan kualitatif digunakan melalui studi kasus dengan teknik pengumpulan data berupa wawancara mendalam bersama admin @temaniPusnas dan observasi konten selama periode Oktober hingga Desember 2025. Data dianalisis menggunakan teknik triangulasi dengan membandingkan hasil wawancara dan analisis tren konten untuk memastikan validitas temuan. Hasil penelitian menunjukkan bahwa konten visual seperti Reels dan Stories lebih efektif meningkatkan engagement dan reach dibandingkan teks biasa. Secara khusus, observasi menunjukkan konten Reels berbasis kutipan (quotes) inspiratif mendapatkan jangkauan dan interaksi tertinggi dibandingkan tutorial atau rekomendasi buku. Konten edukatif @temaniPusnas efektif sebagai sarana promosi sekaligus edukasi yang memperkuat bauran pemasaran iPusnas, meskipun statusnya sebagai akun non-resmi memiliki keterbatasan struktural tersendiri. Peneliti menyarankan pelibatan mahasiswa magang sebagai Content Creator Volunteer untuk menjaga konsistensi produksi konten.
Penulisan Naskah Video Feature “Kopi Manglayang: Nafas Petani dari Lereng Gunung” dengan Menerapkan Struktur Tiga Babak Saeful Fatah Zaelani; Ryan Krisna Gautama; Encang Saepudin; Rifky Adinur Zein
Realisasi : Ilmu Pendidikan, Seni Rupa dan Desain Vol. 3 No. 3 (2026): Juli: Realisasi : Ilmu Pendidikan, Seni Rupa dan Desain
Publisher : Asosiasi Seni Desain dan Komunikasi Visual Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62383/realisasi.v3i3.1113

Abstract

The scriptwriter is an important role in the production process of a feature video, particularly in arranging the storyline, building the narrative structure, and directing the delivery of messages so they can be well received by the audience. In the feature video “Kopi Manglayang: Breath of Farmers from the Mountain Slopes”, the scriptwriter plays a role in composing a story about the lives of coffee farmers on the slopes of Mount Manglayang through the application of a three-act structure, namely setup, confrontation, and resolution. The purpose of this final project report is to explain the application of narrative elements in the setup, confrontation, and resolution stages in writing the script for the feature video “Kopi Manglayang: Breath of Farmers from the Mountain Slopes”. The writing method uses a descriptive approach to explain the scriptwriting process systematically, comprehensively, and in detail according to the stages of production. The synthesis of the work in the setup stage presents an introduction to the atmosphere of Mount Manglayang’s slopes, the activities of coffee farmers, and the social conditions that form the basis of the story. In the confrontation stage, the writer presents various challenges and struggles faced by the farmers in maintaining coffee quality amid environmental and economic conditions. In the resolution stage, the story concludes with messages of hope, the spirit of preserving local coffee, and the meaning of the farmers’ struggles as the main message of the work. In conclusion, the application of narrative elements in the three-act structure helps the scriptwriter create a feature video storyline that is well-structured, informative, and emotionally engaging for the audience.
Penerapan Teknik Sinematografi Director Of Photography pada Produksi “Kopi Manglayang: Nafas Petani dari Lereng Gunung” Ryan Krisna Gautama; Saeful Fatah Zaelani; Encang Saepudin; Rifky Adinur Zein
Realisasi : Ilmu Pendidikan, Seni Rupa dan Desain Vol. 3 No. 3 (2026): Juli: Realisasi : Ilmu Pendidikan, Seni Rupa dan Desain
Publisher : Asosiasi Seni Desain dan Komunikasi Visual Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62383/realisasi.v3i3.1116

Abstract

This study discusses the application of cinematography in the production of the feature video entitled “Kopi Manglayang: Nafas Petani dari Lereng Gunung.” The work was created to portray the lives of coffee farmers on the slopes of Mount Manglayang through a humanistic visual approach. The objective of this study is to analyze the implementation of cinematographic elements, including composition, shot types, camera movement, lighting, and color tone in supporting visual storytelling. The research method used is a qualitative descriptive method with a creation-based approach involving pre-production, production, and post-production stages. Data were obtained through field observations, interviews with coffee farmers, literature studies, and documentation during the production process. The results show that the use of cinematographic techniques plays an important role in strengthening emotional messages and presenting the realities of farmers’ lives more deeply. Long shots and extreme long shots were utilized to emphasize the natural landscape of Mount Manglayang, while medium shots and close-ups were used to capture expressions and work activities of the farmers. Natural lighting and warm color tones also contributed to building an intimate and realistic atmosphere. Therefore, cinematography in this feature video not only functions as a visual aesthetic element, but also as a storytelling medium capable of increasing audience empathy toward local coffee farmers.
Peran Director of Photography dalam Pendekatan Visual dan Naratif Feature Audiovisual "Setu Babakan: Rumah Betawi Hari Ini" Ridha Elsarah Effendi; Siti Noorhayati Fajrian; Encang Saepudin; Kurnia Lucky Fadillah
Realisasi : Ilmu Pendidikan, Seni Rupa dan Desain Vol. 3 No. 3 (2026): Juli: Realisasi : Ilmu Pendidikan, Seni Rupa dan Desain
Publisher : Asosiasi Seni Desain dan Komunikasi Visual Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62383/realisasi.v3i3.1131

Abstract

The rapid development of Jakarta has led to the declining presence of traditional Betawi houses, highlighting the need for media that can introduce and support cultural preservation efforts. Audiovisual feature productions serve as an effective communication medium by combining visual, audio, and narrative elements to deliver cultural information in an engaging manner. This study aims to analyze the role of the Director of Photography in developing visual and narrative approaches in the audiovisual feature Setu Babakan: Rumah Betawi Hari Ini. This research employed a descriptive qualitative approach using a practice-based research method. Data were collected through observation, interviews, literature review, and documentation conducted at the Betawi Cultural Village of Setu Babakan, South Jakarta. The findings indicate that the Director of Photography plays a significant role in translating the creative concept into visual language through the application of cinematographic techniques, including composition, shot size, camera angle, camera movement, and lighting. These techniques successfully produced communicative and aesthetically appealing visuals while strengthening the delivery of cultural messages regarding the Betawi traditional house as a representation of cultural identity. The resulting audiovisual feature is expected to function as an effective cultural communication medium to enhance public awareness, particularly among younger generations, about the importance of preserving Betawi cultural heritage.
Co-Authors - Sukaesih -, Nabilah Ayu Kusumaningrum Agung Budiono Agus Rusmana Andri Yanto Anggita Nuringtyas Ari Agung Prastowo Azmi Maharani Ega Selly Anjani Eka Nursafitri Evi Nursanti Rukmana Farel Aditya Firna Irviani FX. Ari Agung Prastowo Guntur Aghni Triguna Heru Ryanto Budiana Kurnia Lucky Fadillah Muhammad Rizki Syamsudin Neneng Komariah Ninis Agustini Damayani Nur Indah Srirezeki Ocxiela Imel Dani Pawit M Yusup Rafi Admadyana Ridha Elsarah Affendi Ridha Elsarah Effendi Rifky Adinur Zein Rinda Aunillah Sirait Ryan Krisna Gautama Saeful Fatah Zaelani Saleha Rodiah Silvi Alin Dhiya Siti Arifa Rosa Siti Noorhayati Fajrian Siti Noorhayati Fajriani Sukaesih Sukaesih Sukaesih Sukma Kurnia Putri Toto Sugito Ute Lies Siti Khadijah Vanessa Valencia Eleora Yunus Winoto