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All Journal Jurnal Sendratasik JADECS (Journal of Art, Design, Art Education and Culture Studies) Panggung Gondang: Jurnal Seni dan Budaya Ekspresi Seni : Jurnal Ilmu Pengetahuan dan Karya Seni Jurnal Seni Makalangan Titian: Jurnal Ilmu Humaniora Besaung : Jurnal Seni Desain dan Budaya Tamumatra : Jurnal Seni Pertunjukan Jurnal Psikiatri Surabaya (Surabaya Psychiatry Journal) Creativity And Research Theatre Journal Jurnal Cerano Seni: Pengkajian dan Penciptaan Seni Pertunjukan Jurnal Prabung Seni: Pengkajian dan Penciptaan Seni Pertunjukan
Monita Precillia
INSTITUT SENI BUDAYA INDONESIA BANDUNG
Religion Arts Humanities Education Health Professions Languange, Linguistic, Communication & Media Materials Science & Nanotechnology Medicine & Pharmacology Social Sciences

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Dramaturgi Kesenian Indang Solok Di Kanagarian Jawi-Jawi Kabupaten Solok Propinsi Sumatera Barat Zulfahmi, Muhammad; Precillia, Monita; Yusnelli
PANGGUNG Vol 35 No 3 (2025): Estetika, Identitas, dan Digitalisasi: Praktik Seni dan Budaya Nusantara dalam P
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/panggung.v35i3.3911

Abstract

Penelitian Representasi Identitas Kolektif melalui Kesenian Indang Solok: Kajian Dramaturgi di Jawi-Jawi, Sumatra Barat bertujuan untuk melakukan identifikasi dan mendeskripsikan latar belakang historis serta perkembangan kesenian Indang di Kanagarian Jawi-Jawi. Selain itu, penelitian ini mengkaji fungsi dan makna kesenian Indang dalam kehidupan masyarakat serta menganalisis struktur pertunjukan yang membentuk kesenian tersebut. Hasil penelitian menunjukkan bahwa secara tekstual lagu Indang Solok berkaitan dengan teks pantun dan musik vokal, berisi tentang curahan perasaan. Analisis terhadap kesenian Indang Solok menunjukkan karakteristik yang kuat dan beragam, mencakup tema-tema yang mencerminkan propaganda pembangunan pemerintah, olahraga, keindahan alam, budaya Minangkabau, adat istiadat, serta pesan-pesan religius dalam konteks Islam. Teks lagu Indang Solok mengandung nilainilai kearifan lokal yang mendalam yang mencerminkan identitas budaya masyarakat Minangkabau, khususnya di Kabupaten Solok. Metode yang digunakan dalam penelitian ini adalah etnomusikologi dengan pendekatan kualitatif, yang berfokus pada pendalaman kualitas data dari narasumber melalui deskriptif-analitis.
Sintren in Gender Expressivity: The Role of Women in Dance Traditions Precillia, Monita; Cahyani, Magfi Redia; Jaeni, Jaeni
Gondang: Jurnal Seni dan Budaya Vol. 8 No. 2 (2024): GONDANG: JURNAL SENI DAN BUDAYA, DECEMBER 2024
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gondang.v8i2.58993

Abstract

The Study of Sintren in Gender Expressivity: The Role of Women in Dance Traditions analyzes the role of Cirebonese women in expressing and preserving the art of Sintren. This research aims to further analyze and examine how women contribute to the arts and culture of Cirebon. A qualitative, empirical approach was employed, involving diverse documentation of events, recordings of speech, words, and gestures of the subjects, specific behaviors, written documents, and various visual images related to the social phenomenon. The study employs five stages of qualitative research methods, namely: (1) participant observation, (2) conversation analysis, (3) discourse analysis, (4) content analysis, and (5) ethnographic data collection. The findings reveal that, in a broader social context, the role of women in Sintren dance reflects societal changes. Although Sintren remains deeply rooted in tradition, women involved in its practice have begun exploring new aspects, such as innovations in movement and interpretation. These changes demonstrate that women are not merely passive participants in tradition but actively contribute to enriching and developing the performing arts. This creates a space for dialogue between tradition and modernity, providing women with opportunities to express their identities in a broader context. The study concludes that Sintren is an art form closely linked to the mystical and cultural practices of the Cirebon community. However, in the modern era, Sintren is increasingly marginalized amidst the advancements of the times. This is evident in the limited studies on Sintren, the scarcity of its documentation, and its performances being limited to specific groups. Such conditions highlight the need for greater efforts in preserving and revitalizing this traditional art form.
Co-Authors Amalia nurqaidah Cahyani, Magfi Redia Darmadi, Dedi Dedi Darmadi Dewi Arimbi Dewi Arimbi, Dewi Erwin Mardiansyah Husin Husin Jaeni Jaeni Jaeni Jaeni Juned, Sulaiman Ladya Belga Muhammad Zulfahmi N, Sahrul Reza Julianto Yusnelli